Glossary/Dictionary by pAsuram – siRiya thirumadal

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pAsuram	Word	Meaning
siRiya thirumadal – 1 – kArAr varai	kAr Ar varai kongai	Having the divine mountains (of thirumAlirunjOlai and thiruvEngadam), which are laden with clouds, as her bosoms
siRiya thirumadal – 1 – kArAr varai	kaNNAr kadal udukkai	Having the expansive ocean as her sari
siRiya thirumadal – 1 – kArAr varai	sIr Ar sudar sutti	having sun, with its beautiful rays, as thilakam (pattern on the forehead), a decorative ornament
siRiya thirumadal – 1 – kArAr varai	sem kazhaluzhi pEr ARu	the huge river (kAviri) which is reddish and muddled
siRiya thirumadal – 2 – pErAra mArvil	pEr Aram mArvil	being one decorated with distinguished chains on her chest
siRiya thirumadal – 2 – pErAra mArvil	peru mA mazhai kUndhal	having huge, dark clouds as her tresses
siRiya thirumadal – 2 – pErAra mArvil	Aram nIr vEli	having the AvaraNa jalam (water around the periphery of universe) as her protection
siRiya thirumadal – 2 – pErAra mArvil	nila mangai ennum	being called as SrI bhUmippirAtti
siRiya thirumadal – 3 – pArOr solappatta	ip pArOr	by the people living in this world
siRiya thirumadal – 3 – pArOr solappatta	solappatta	the purushArthams (end goals) mentioned by them
siRiya thirumadal – 3 – pArOr solappatta	mUnRu anRE	aren’t they three?
siRiya thirumadal – 3 – pArOr solappatta	am mUnRum ArAyil	if one were to analyse as to which these three are
siRiya thirumadal – 3 – pArOr solappatta	aRam poruL inbam enRu thAnE	they are dharmam (righteousness), artham (wealth) and kAmam (love)
siRiya thirumadal – 4 – ArAr ivaRRin	ivarRRinidai	among these three purushArthams
siRiya thirumadal – 4 – ArAr ivaRRin	adhanai eydhuvAr Ar Ar	who all would attain the purushArtham of kAmam (love)
siRiya thirumadal – 4 – ArAr ivaRRin	sIr Ar iru kalaiyum eydhuvar	such people are considered to have attained the other two purushArthams of dharmam (righteousness) and arththam (wealth)
siRiya thirumadal – 5 – ArAnum uNdenbAr	ArAnum	those with deficiency in knowledge
siRiya thirumadal – 5 – ArAnum uNdenbAr	chikkena maRRu uNdu enbAr	will say that there is another stable purushArtham (of mOksham, liberation)
siRiya thirumadal – 5 – ArAnum uNdenbAr	enbadhudhAn adhuvum	that which is mentioned (by them)
siRiya thirumadal – 5 – ArAnum uNdenbAr	ulagaththAr sollum sol	the word and the deed which is mentioned by the worldly people
siRiya thirumadal – 5 – ArAnum uNdenbAr	OrAmai anRE	aren’t these mentioned without analysing properly
siRiya thirumadal – 5 – ArAnum uNdenbAr	adhu OrAmai Am ARu uraikkEn	I will clarify (to you) that it has been mentioned without analysing
siRiya thirumadal – 5 – ArAnum uNdenbAr	kEL AmE	Could you listen to that (by lending your ears)? (Please listen!)
siRiya thirumadal – 5 – ArAnum uNdenbAr	kAr Ar puravi Ezh pUNda thani Azhi	one which traverses the skies, reined by seven horses and having one wheel
siRiya thirumadal – 6 – thErAr niRaikadhirOn	thEr Ar	one who is fitting well in the chariot
siRiya thirumadal – 6 – thErAr niRaikadhirOn	niRai kadhirOn	sun, with complete set of rays
siRiya thirumadal – 6 – thErAr niRaikadhirOn	maNdalaththai kINdu pukku	speeding away, piercing through the sun’s orbit
siRiya thirumadal – 6 – thErAr niRaikadhirOn	angu	paramapadham which is at a long distance
siRiya thirumadal – 6 – thErAr niRaikadhirOn	ArA amudham eydhi	attaining the supreme being who is like the most enjoyable nectar
siRiya thirumadal – 6 – thErAr niRaikadhirOn	adhil ninRum vArAdhu ozhivadhu onRu uNdE	is it proper to say that one who goes to that paramapadham will remain there forever, without returning [to samsAram]?
siRiya thirumadal – 6 – thErAr niRaikadhirOn	adhu niRka	let that matter be, for the present.
siRiya thirumadal – 7 – ErAr muyal	Er Ar muyal vittu	leaving aside the beautiful rabbit
siRiya thirumadal – 7 – ErAr muyal	kAkkai pin pOvadhE	will anyone go behind (the useless) crow?
siRiya thirumadal – 7 – ErAr muyal	Er Ar iLa mulaiyIr	Oh women with beautiful, youthful bosoms
siRiya thirumadal – 7 – ErAr muyal	en thanakku uRRadhudhAn	whatever happened to me (I will tell you; listen)
siRiya thirumadal – 8 – kArAr kuzhal	kAr Ar kuzhal eduththuk katti	taking up the tresses and tying them up (so that they will not be dishevelled)
siRiya thirumadal – 8 – kArAr kuzhal	kadhir mulaiyai	the resplendent bosoms
siRiya thirumadal – 8 – kArAr kuzhal	vAr Ara vIkki	binding them tightly so that they would fill out the corset
siRiya thirumadal – 8 – kArAr kuzhal	maNimEgalai thiruththi	properly wearing the waist cord which is decorated with gems
siRiya thirumadal – 9 – ArAr ayil	Ar Ar ayil vEl kaN	in the eyes which are beautiful and sharp like a spear
siRiya thirumadal – 9 – ArAr ayil	anjanaththin nIRu aNindhu	applying powdered black pigment [mixed in oil]
siRiya thirumadal – 9 – ArAr ayil	sIr Ar sezhu pandhu koNdu	taking a beautiful ball in the hand
siRiya thirumadal – 9 – ArAr ayil	nAn adiyA ninREn	I was playing with it! (during that time)
siRiya thirumadal – 10 – nIrAr kamalam	nIr Ar kamalam pOl sem kaN	one who has reddish eyes similar to lotus, which is present in abundance in water bodies
siRiya thirumadal – 10 – nIrAr kamalam	mAl enRa oruvan	the purusha (supreme entity) who is called as thirumAl
siRiya thirumadal – 10 – nIrAr kamalam	pArOrgaL ellAm magizha	such that all the people of the world are happy
siRiya thirumadal – 10 – nIrAr kamalam	paRai kaRanga	with the musical instrument paRai (a kind of drum) reverberating
siRiya thirumadal – 11 – sIrAr kudam	sIr Ar kudam iraNdu Endhi	holding two distinguished pots in his hand
siRiya thirumadal – 11 – sIrAr kudam	sezhum theruvE	on this huge street
siRiya thirumadal – 11 – sIrAr kudam	Ar Ar enach cholli	crying out “Is there anyone (who could escape from these pots)”
siRiya thirumadal – 11 – sIrAr kudam	Adum adhu kaNdu	looking at the way he was dancing with the pots
siRiya thirumadal – 11 – sIrAr kudam	Er Ari La mulaiyAr	women with beautiful, youthful bosoms
siRiya thirumadal – 11 – sIrAr kudam	ennaiyarum ellArum	my mothers and my friends, all of them
siRiya thirumadal – 12 – vArAyO enRArkku	vArAyO enRArkku	To those who said “Hey! Will you not come to see?” (in agreement)
siRiya thirumadal – 12 – vArAyO enRArkku	en val vinaiyAl	due to my cruel sins
siRiya thirumadal – 12 – vArAyO enRArkku	senREn	I went (with them to that place)
siRiya thirumadal – 12 – vArAyO enRArkku	After I went,
siRiya thirumadal – 12 – vArAyO enRArkku	kAr Ar maNi niRamum	the colour of bluish gem (that I had attained earlier when I was together with him)
siRiya thirumadal – 12 – vArAyO enRArkku	kai vaLaiyum	the bangles which were on my hand
siRiya thirumadal – 12 – vArAyO enRArkku	nAn kANEn	I lost
siRiya thirumadal – 13 – ArAnum solliRRum	ArAnum solliRRum	(among friends and relatives) if anyone says something good [for me], even that
siRiya thirumadal – 13 – ArAnum solliRRum	koLLEn	I will not listen to that
siRiya thirumadal – 13 – ArAnum solliRRum	aRivu azhindhu	getting (my) intellect destroyed
siRiya thirumadal – 13 – ArAnum solliRRum	thIrA udambodu	with the body which will not get destroyed
siRiya thirumadal – 13 – ArAnum solliRRum	pEdhu uRuvEn	I, who was like a mad person
siRiya thirumadal – 14 – ErAr kiLikkiLavi	Er Ar kiLi kiLavi em anai kaNdu irangi	my mother, who has a speech which is similar to that of a beautiful parrot, took pity on me, seeing me
siRiya thirumadal – 14 – ErAr kiLikkiLavi	thAn vandhu	came on her own (near me)
siRiya thirumadal – 14 – ErAr kiLikkiLavi	ennai	for me
siRiya thirumadal – 14 – ErAr kiLikkiLavi	sIr Ar sezhum puzhudhikAppu ittu	protecting me by applying the powder from the divine feet of great, distinguished bhAgavathas
siRiya thirumadal – 14 – ErAr kiLikkiLavi	sem kurinji thAr Ar naRu mAllai sAththaRku	for SAsthA, another deity, who wears the fragrant flowers of kurinji (a hilly flower)
siRiya thirumadal – 14 – ErAr kiLikkiLavi	thAn pinnum	she, who hadn’t so far [done]
siRiya thirumadal – 15 – nErAdhana onRu	nErAdhana onRu nErndhAL	she carried out an anjali (cupping the palms together as a mark of worship) which she had never carried out.
siRiya thirumadal – 15 – nErAdhana onRu	adhanAlum en sindhai nOy thIrAdhu	despite that, my mental illness has not been cured.
siRiya thirumadal – 15 – nErAdhana onRu	en pEdhuRavu thIrAdhu	my distress [bewilderment] too has not been cured.
siRiya thirumadal – 15 – nErAdhana onRu	mAmai vArAdhu	the colour of my form, which I lost, has not returned.
siRiya thirumadal – 15 – nErAdhana onRu	maRRu	further
siRiya thirumadal – 15 – nErAdhana onRu	AngE ArAnum mUdhu aRiyum ammanaimAr	some old women who were there, familiar with stories of old [happenings of past]
siRiya thirumadal – 15 – nErAdhana onRu	adhu kaNdu	looking at my state
siRiya thirumadal – 15 – nErAdhana onRu	solluvAr	started speaking (to provide means for overcoming my disease).
siRiya thirumadal – 15 – nErAdhana onRu	(What they said was that	#8230;..)
siRiya thirumadal – 16 – pArOr solappadum	pArOr solappadum kattuppaduththir El ArAnum meyppaduvan enRAr	they (old women) said “There is a practice called as fortune-telling [predicting as to what will happen in future], among the people. If you carry this out, whoever (had created this disease) would be revealed truthfully”.
siRiya thirumadal – 16 – pArOr solappadum	adhu kEttu	hearing those words which they were saying
siRiya thirumadal – 16 – pArOr solappadum	kAr Ar kuzhal koNdai	one with black tresses
siRiya thirumadal – 16 – pArOr solappadum	kattuvichchi	a hilly tribal woman who is an expert in fortune-telling
siRiya thirumadal – 16 – pArOr solappadum	(coming on her own, without anyone inviting her)
siRiya thirumadal – 16 – pArOr solappadum	kattERi	possessed by a divine power
siRiya thirumadal – 17 – sIrAr suLagil	sIr Ar suLagil sila nel pidiththu eRiyA	picking a few grains of paddy from a beautiful winnow and throwing them in the front
siRiya thirumadal – 17 – sIrAr suLagil	vErA	perspiring
siRiya thirumadal – 17 – sIrAr suLagil	vidhir vidhirA	breaking down
siRiya thirumadal – 17 – sIrAr suLagil	mey silirA	having goose bumps
siRiya thirumadal – 17 – sIrAr suLagil	kai mOvA	smelling the hand
siRiya thirumadal – 18 – pEr Ayiram	pEr Ayiram udaiyAn enRAL	she [fortune teller] said that only emperumAn, who has a thousand divine names [caused this disease]
siRiya thirumadal – 18 – pEr Ayiram	pErththEyum	further
siRiya thirumadal – 19 – kArAr thirumEni	kAr Ar thirumEni kAttinAL	she showed (his) divine form which is like monsoon cloud, as a simile.
siRiya thirumadal – 19 – kArAr thirumEni	kaiyadhuvum	present in his divine hand
siRiya thirumadal – 19 – kArAr thirumEni	sIr Ar valampuriyE enRAL	she showed through gestures that it is only the beautiful conch, curling to the right hand side.
siRiya thirumadal – 20 – thArAr naRumAlai	thiru thuzhAy thAr Ar naRumAlai katturaiththAL	she showed through gestures, the fragrant garland made with divine thuLasi flowers
siRiya thirumadal – 20 – thArAr naRumAlai	katturaiyA	thus, having shown all these through gestures (she said through spoken words)
siRiya thirumadal – 20 – thArAr naRumAlai	nIr Edhum anjElmin	“You do not have to be afraid”
siRiya thirumadal – 20 – thArAr naRumAlai	num magaLai nOy seydhAn	the one who had caused (this) disease for your daughter
siRiya thirumadal – 20 – thArAr naRumAlai	ArAnum allan	he is not some lowly deity
siRiya thirumadal – 20 – thArAr naRumAlai	avanai nAn aRindhEn	I have found out as to who is that person (who had hurt parakAla nAyagi)
siRiya thirumadal – 21 – kUrAr vERkaNNIr	kUr Ar vEl kaNNIr	Oh women, who have eyes as sharp as a spear!
siRiya thirumadal – 21 – kUrAr vERkaNNIr	umakku aRiya kURugEnO	Shall I inform you (about him)?
siRiya thirumadal – 21 – kUrAr vERkaNNIr	i vaiyam ArAl adi aLappu uNdadhu	by whom this earth was measured
siRiya thirumadal – 22 – ArAl ilangai	ilangai ArAl podipodi A vIzhndhadhu	by whom was lankA blown to smithereens and destroyed?
siRiya thirumadal – 22 – ArAl ilangai	ArAlE kal mAri kAththadhu	by whom was the hailstorm prevented
siRiya thirumadal – 23 – ArAl kadaindhu	Azhi nIr	ocean
siRiya thirumadal – 23 – ArAl kadaindhu	ArAl kadaindhidappattadhu	was agitated by whosoever
siRiya thirumadal – 23 – ArAl kadaindhu	avan kANmin	the distinguished person who carried out all those activities
siRiya thirumadal – 23 – ArAl kadaindhu	Ur A nirai mEyththu	grazing all the herds of cattle in that place
siRiya thirumadal – 23 – ArAl kadaindhu	ulagu ellAm uNdu umizhndhum	swallowing the worlds (during the time of deluge) and spitting them out (during the time of creation)
siRiya thirumadal – 24 – ArAdha thanmaiyanAy	Angu ArAdha thanmaiyan Ay	being dissatisfied, having to be in paramapadham
siRiya thirumadal – 24 – ArAdha thanmaiyanAy	(incarnating as kaNNa (SrI krishNa))
siRiya thirumadal – 24 – ArAdha thanmaiyanAy	oru nAL	on one fine day
siRiya thirumadal – 24 – ArAdha thanmaiyanAy	Ayppadi	in thiruvAyppAdi (SrI gOkulam)
siRiya thirumadal – 25 – sIrAr kalaiyalgul	sIr Ar kalai algul sIr adi sem thuvar vAy	one having a waist draped with a beautiful sari, having beautiful legs, having deep reddish mouth
siRiya thirumadal – 26 – vArAr vanamulaiyAL	vAr Ar vana mulaiyAL	yaSOdhA, who has beautiful bosoms, draped in corset
siRiya thirumadal – 26 – vArAr vanamulaiyAL	maththu Ara paRRikkoNdu	holding on to the churning-staff firmly
siRiya thirumadal – 27 – ErAr idai	ErAr idai nOva	such that the beautiful waist gets hurt
siRiya thirumadal – 27 – ErAr idai	eththanai Or pOdhum Ay	for a very long time
siRiya thirumadal – 27 – ErAr idai	sIr Ar thayir kadaindhu	churning the great curd
siRiya thirumadal – 27 – ErAr idai	vEr Ar nudhal madavAL	that yaSOdhA, who was perspiring from her forehead (due to the effort of churning)
siRiya thirumadal – 27 – ErAr idai	vERu Or kalaththu ittu	keeping it in another vessel
siRiya thirumadal – 28 – nArAr uRi	nAr uRi ERRi	keeping [the butter obtained after churning curd] on a pot suspended by a network of ropes (such that even a finger cannot enter it)
siRiya thirumadal – 28 – nArAr uRi	nangu amaiya vaiththadhanai	kept in the most protected way
siRiya thirumadal – 28 – nArAr uRi	pOr Ar vEl kaN madavAL	that yaSOdhA who has (sharp) eyes which are like a warring spear
siRiya thirumadal – 28 – nArAr uRi	pOm thanaiyum	until she went out
siRiya thirumadal – 28 – nArAr uRi	OrAdhavan pOl poy uRakkam uRangi	feigning sleep as if he knew nothing
siRiya thirumadal – 28 – nArAr uRi	aRivu uRRu	waking up (soon after she left)
siRiya thirumadal – 29 – thArAr thadam	thAr Ar thada thOLgaL uL aLavum kai nItti	getting the divine huge shoulders, which are adorned with a garland, to go right down to the bottom of the pot
siRiya thirumadal – 29 – thArAr thadam	ArAdha veNNey vizhungi	eating butter, which does not satiate him (however much he eats)
siRiya thirumadal – 29 – thArAr thadam	arugu irundha	lying beside (the pot of butter)
siRiya thirumadal – 30 – mOrAr kudamurutti	mOr Ar kudam	the pot which is full of buttermilk
siRiya thirumadal – 30 – mOrAr kudamurutti	urutti	making it to roll (to manifest his lack of desire in it)
siRiya thirumadal – 30 – mOrAr kudamurutti	mun kidandha thAnaththE	in the same place where he was lying earlier
siRiya thirumadal – 30 – mOrAr kudamurutti	OrAdhavan pOl	as if he did not know anything
siRiya thirumadal – 30 – mOrAr kudamurutti	kidandhAnai	kaNNa, who was lying down
siRiya thirumadal – 31 – vArAththAn	avaLum vArA kaNdu	that yaSOdhA too, on reaching and seeing
siRiya thirumadal – 31 – vArAththAn	thAn vaiththadhu kANAL	not finding the butter that she had kept (in the uRi)
siRiya thirumadal – 31 – vArAththAn	vayiRu adiththu	beating herself on her stomach (wondering if eating this amount of butter would lead to indigestion for kaNNa)
siRiya thirumadal – 31 – vArAththAn	aiyar ivar allAL	other than this great person
siRiya thirumadal – 31 – vArAththAn	ingu pugudhuvar Ar Ar	who else can enter this place?
siRiya thirumadal – 31 – vArAththAn	(There is no one else. Making sure that only this person has stolen it)
siRiya thirumadal – 31 – vArAththAn	idhu seydhIr nIrAm enRu	saying ‘only you have done this’
siRiya thirumadal – 31 – vArAththAn	thIrA veguLiyaLAy	with uncontrolled anger
siRiya thirumadal – 31 – vArAththAn	Or nedu kayiRRAl	with a short rope that her hands could reach out to
siRiya thirumadal – 32 – UrArgaL ellArum	UrArgaLellAm kANa	(such simplicity) to be seen by all the people in the village
siRiya thirumadal – 32 – UrArgaL ellArum	uralOdE	to a [grinding] mortar
siRiya thirumadal – 32 – UrArgaL ellArum	chikkena Arththu adippa	to tie down firmly and beat
siRiya thir umadal – 32 – UrArgaL ellArum	ArA vayiRRinOdu ARRAdhAn	one who stood with sorrow and his stomach hurting
siRiya thirumadal – 32 – UrArgaL ellArum	anRiyum	further
siRiya thirumadal – 33 – nIrAr nedum	nIr Ar nedu kayaththai senRu	going to a deep place in a huge pond which was full of water
siRiya thirumadal – 33 – nIrAr nedum	alaikka ninRu urappi	agitating it (along with thousand others, mischievous just like him), in such a way that water would flow out like a flood
siRiya thirumadal – 34 – OrAyiram paNa	Or Ayiram paNa vengO iyal nAgaththai	kALiyan, having thousand hoods and having a cruel nature like yama (the deity of righteousness)
siRiya thirumadal – 34 – OrAyiram paNa	enakku vArAy enRu	calling him out for a duel with him
siRiya thirumadal – 34 – OrAyiram paNa	maRRadhan maththagaththu	atop his head
siRiya thirumadal – 34 – OrAyiram paNa	sIr Ar thiruvadiyAl pAyndhAn	jumped and danced with his beautiful divine feet
siRiya thirumadal – 34 – OrAyiram paNa	than sIthaikku	for sIthA, his consort
siRiya thirumadal – 35 – nEr Avan	nEr Avan enRu	one who said “I am equal“
siRiya thirumadal – 35 – nEr Avan	Or nisAsari vandhALai	one who came running, the demon sUrpaNakA (asking SrI rAma to marry her)
siRiya thirumadal – 36 – kUrArAndha	kUrArndha vALAl	with a sharp sword
siRiya thirumadal – 36 – kUrArAndha	kodi mUkkum kAdhu iraNdAm	nose which is like a creeper and the two ears
siRiya thirumadal – 37 – IrA viduththu	IrA viduththu	severed and drove [sUrpaNakA]
siRiya thirumadal – 37 – IrA viduththu	avatku mUththOnai	kara, her elder brother
siRiya thirumadal – 37 – IrA viduththu	vem naragam	for him to go now to another cruel narakam (hell)
siRiya thirumadal – 37 – IrA viduththu	sErA vagaiyE silai kuniththAn	he [SrI rAma] stood with his bow drawn, giving all sorts of troubles which kara would undergo in narakam such that he need not experience more troubles (in another narakam more cruel than this)
siRiya thirumadal – 37 – IrA viduththu	sem thuvar vAy	one who has very reddish lips
siRiya thirumadal – 38 – vArAr vanamulaiyAL	vAr Ar vana mulaiyAL	one having beautiful bosom, donning a corset
siRiya thirumadal – 38 – vArAr vanamulaiyAL	vaidhEvi kAraNam A	for sIthAppirAtti
siRiya thirumadal – 38 – vArAr vanamulaiyAL	Er Ar thada thOL irAvaNanai	rAvaNa, who has beautiful, huge shoulders
siRiya thirumadal – 38 – vArAr vanamulaiyAL	sIr Ar siram aRuththu cheRRu	severing the ten great heads, and killing
siRiya thirumadal – 38 – vArAr vanamulaiyAL	ugandha	(having destroyed the enemy of sages), feeling happy in his divine mind
siRiya thirumadal – 38 – vArAr vanamulaiyAL	sem kaN mAl	kaNNa, with lotus like eyes
siRiya thirumadal – 39 – pOrAr neduvElOn	pOrAr neduvElOn ponpeyarOn Agaththai	hiraNya kashyapu (always) has the battle-ready long spear. That hiraNya’s chest . . . . .
siRiya thirumadal – 40 – kUrArndha vaLLurgirAl	kUr Arndha vaLLugirAl kINdu	splitting with sharp, divine nails which were close together
siRiya thirumadal – 40 – kUrArndha vaLLurgirAl	kudal	(plucking out) the intestine of that demon
siRiya thirumadal – 40 – kUrArndha vaLLurgirAl	sIr Ar thirumArbin mEl mAlai katti	wearing that as a victorious garland on the chest which is the dwelling place for the valorous lakshmi
siRiya thirumadal – 41 – sOrAk kidandhAnai	sem kurudhi sOrAk kidandhAnai	that demon who was lying in a flood of blood
siRiya thirumadal – 41 – sOrAk kidandhAnai	kungamaththOL kotti	[emperumAn] beating himself on his shoulders which were decorated with v ermillion powder (as a symbol of having emerged victoriously)
siRiya thirumadal – 41 – sOrAk kidandhAnai	ArA ezhundhAn	one who stood up tumultuously
siRiya thirumadal – 41 – sOrAk kidandhAnai	anRiyum	apart from that
siRiya thirumadal – 41 – sOrAk kidandhAnai	pEr vAman Agiya kAlaththu	when he took the divine incarnation as dwarfish vAmana
siRiya thirumadal – 42 – thArAy enakkenRu	mAvaliyai	with mahAbali
siRiya thirumadal – 42 – thArAy enakkenRu	mU adi maN enakku thArAy enRu vENdi	asking him “Grant me three steps of land”
siRiya thirumadal – 42 – thArAy enakkenRu	nIr ERRu	accepting the water which mahAbali poured on his hand
siRiya thirumadal – 42 – thArAy enakkenRu	salaththinAl	with the deception of showing small foot and measuring with large foot
siRiya thirumadal – 42 – thArAy enakkenRu	ninRu	rising up
siRiya thirumadal – 42 – thArAy enakkenRu	ulagu ellAm aLandhAn	measured and took possession of all the worlds
siRiya thirumadal – 42 – thArAy enakkenRu	ArAdha pOril	in the impossible-to-achieve battle between dhEvas (celestial entities) and asuras (demons)
siRiya thirumadal – 42 – thArAy enakkenRu	asurargaLum thAnumAy	he and the asuras
siRiya thirumadal – 43 – kArAr varai	kAr Ar varai nattu	anchoring the manthara mountain (a celestial mountain), which has monsoon cloud (as the shaft for churning)
siRiya thirumadal – 43 – kArAr varai	nAgam kayiRAga	using the snake vAsuki as the rope for churning
siRiya thirumadal – 43 – kArAr varai	pErAmal thAngi	sustaining that mountain so that it does not shift sideways or below or above, [during the churning process]
siRiya thirumadal – 43 – kArAr varai	thiru thuzhAy thAr Arndha mArvan kadaindhAn	he churned the ocean donning a garland of thiruththuzhAy (thuLasi) on his chest.
siRiya thirumadal – 43 – kArAr varai	thadam mAl varai pOlum pOr Anai	an elephant in exultation, which was like a huge mountain
siRiya thirumadal – 44 – pOrAnai poygaivAy	poygai vAy kOL pattu ninRu alaRi	feeling distressed after being caught in water, in the mouth of a crocodile
siRiya thirumadal – 44 – pOrAnai poygaivAy	Or nedu kaiyAl nIr Ar kamalam malar koNdu	with a long trunk, taking lotus flowers which had just then blossomed
siRiya thirumadal – 44 – pOrAnai poygaivAy	O nArAyaNA! maNivaNNA! nAgaNaiyAy!	“Oh nArAyaNa! Oh one with blue gemstone like complex! Oh one who is lying on the serpent-bed!
siRiya thirumadal – 44 – pOrAnai poygaivAy	vArAy en Ar idarai nIkkAy ena	you should come; you should mercifully remove my great sorrow” crying out loudly, like this
siRiya thirumadal – 44 – pOrAnai poygaivAy	(hearing that cry of despair)
siRiya thirumadal – 44 – pOrAnai poygaivAy	veguNdu	getting furious (on the crocodile)
siRiya thirumadal – 45 – thIrAdha sIRRaththAl	thIrAdha sIRRaththAl senRu	going (to the bank of that pond) with uncontrolled fury
siRiya thirumadal – 45 – thIrAdha sIRRaththAl	iraNdu kURAga	as two pieces
siRiya thirumadal – 45 – thIrAdha sIRRaththAl	IrA	split (that crocodile)
siRiya thirumadal – 45 – thIrAdha sIRRaththAl	adhanai idar kadindhAn emperumAn	emperumAn who removed the sorrow of gajEndhran
siRiya thirumadal – 46 – pErAyiram udaiyAn	pEr Ayiram udaiyAn	one who has a thousand names (which reflect such innumerable activities)
siRiya thirumadal – 46 – pErAyiram udaiyAn	(only that emperumAn)
siRiya thirumadal – 46 – pErAyiram udaiyAn	pEy peNdIr	Oh womenfolk, who have lost your sense of knowledge
siRiya thirumadal – 46 – pErAyiram udaiyAn	thIrA nOy seydhAn ena uraiththAL	(the fortune teller) ended her narration saying that only he caused such incurable disease.
siRiya thirumadal – 47 – ArAnum allAmai	engaL ammanaiyum	(further) my mother
siRiya thirumadal – 47 – ArAnum allAmai	maRRu ArAnum allAmai chikkena kEttu	after hearing firmly that no other lowly deity is the reason for this disease
siRiya thirumadal – 47 – ArAnum allAmai	pOr Ar vEl kaNNIr	Oh friends who have eyes like a spear which is battle-ready [implying that the eyes are sharp]!
siRiya thirumadal – 47 – ArAnum allAmai	avanAgil	if it is emperumAn (who caused this disease)
siRiya thirumadal – 47 – ArAnum allAmai	pU thuzhAy thArAdhu ozhiyumE	will he not give his prasAdham (mercy) of thuLasi which she [parakAla nAyagi] so desires
siRiya thirumadal – 47 – ArAnum allAmai	than adichchi allaLE	(she is) his servitor
siRiya thirumadal – 47 – ArAnum allAmai	maRRu ArAnum allanE enRu ozhindhAL	(the mother) left without any worry, after saying that there is surely no one else who has caused this disease
siRiya thirumadal – 47 – ArAnum allAmai	nAn	I (meanwhile)
siRiya thirumadal – 47 – ArAnum allAmai	avanai	his
siRiya thirumadal – 48 – kArAr thirumEni	kAr Ar thirumEni kaNdadhuvE kAraNamA	worshipping his blackish form, as the reason
siRiya thirumadal – 48 – kArAr thirumEni	pErA pidhaRRA pinnaiyum thiri tharuvan	transforming (from thirumangai AzhwAr, as a male, to parakAla nAyagi, as a female), talking incoherently, and furthermore, roaming around [aimlessly]
siRiya thirumadal – 48 – kArAr thirumEni	thaN vAdai	the cool breeze
siRiya thirumadal – 48 – kArAr thirumEni	ivvudalai IrAp pugudhalum	entering my body after splitting it
siRiya thirumadal – 49 – sOrA maRukkum	sOrA maRukkum	creating tiredness and troubling
siRiya thirumadal – 49 – sOrA maRukkum	vagai aRiyEn	I am unable to describe the ways to trouble
siRiya thirumadal – 49 – sOrA maRukkum	sUzh kuzhalAr ArAnum	any lady with abundant tresses
siRiya thirumadal – 49 – sOrA maRukkum	Esuvar ennum adhan pazhiyai	due to the blame from their abuse
siRiya thirumadal – 49 – sOrA maRukkum	vArAmal kAppadhaRku	to prevent from reaching
siRiya thirumadal – 49 – sOrA maRukkum	vALA irundhu ozhindhEn	I did not do anything
siRiya thirumadal – 50 – vArAy madanenjE	mada nenjE	Oh mind which has lost its intellect!
siRiya thirumadal – 50 – vArAy madanenjE	vArAy	get up (to go as a messenger)
siRiya thirumadal – 50 – vArAy madanenjE	vandhu	going near that emperumAn
siRiya thirumadal – 50 – vArAy madanenjE	maNivaNNan	that emperumAn who has a form similar to a bluish gem
siRiya thirumadal – 50 – vArAy madanenjE	namakku aruLi	showering his grace on us
siRiya thirumadal – 50 – vArAy madanenjE	sIr Ar thiru thuzhAy mAlai	distinguished thuLasi garland
siRiya thirumadal – 50 – vArAy madanenjE	thArAn tharum enRu iraNdaththil onRadhanai	a word, whether he will grant it or not (word which I sent him [as a message through my mind])
siRiya thirumadal – 51 – ArAnum onnAdhAr	onnAdhAr ArAnum kELAmE sonnakkAl	when you tell him [my words] without anyone, who is not favourable to him, listening
siRiya thirumadal – 51 – ArAnum onnAdhAr	paNi kEttu	after hearing those words
siRiya thirumadal – 51 – ArAnum onnAdhAr	ArAyumElum	whether he enquires (affectionately)
siRiya thiruma dal – 51 – ArAnum onnAdhAr	adhu anRu enilum	or he totally denies knowing about me
siRiya thirumadal – 51 – ArAnum onnAdhAr	nI pOrAdhu ozhiyAdhE pOndhidu	come back here, soon, without staying there itself
siRiya thirumadal – 51 – ArAnum onnAdhAr	enRERku	agreeing with my words
siRiya thirumadal – 52 – kArAr kadal	kAr Ar kadal vaNNan pin pOna	one which went near the dark ocean complexioned [emperumAn]
siRiya thirumadal – 52 – kArAr kadal	nenjamum	my mind
siRiya thirumadal – 52 – kArAr kadal	vArAdhE	without any thought of returning
siRiya thirumadal – 52 – kArAr kadal	ennai maRandhadhudhAn	stayed there itself, forgetting me
siRiya thirumadal – 52 – kArAr kadal	val vinaiyEn	I, the heinous sinner
siRiya thirumadal – 53 – UrAr ugappadhE	UrAr ugappadhE AyinEn	I was in ruins such that the world celebrated.
siRiya thirumadal – 53 – UrAr ugappadhE	enakku ingu maRRu	no one else here, for me
siRiya thirumadal – 53 – UrAr ugappadhE	ArAyvAr illai	none with whom I could talk
siRiya thirumadal – 53 – UrAr ugappadhE	en Avi	my AthmA
siRiya thirumadal – 53 – UrAr ugappadhE	azhal vAy mezhugu pOl nIrAy urugum	started melting like wax kept near fire
siRiya thirumadal – 53 – UrAr ugappadhE	nedu kaNgaL thAn	the long eyes too
siRiya thirumadal – 54 – UrAr uRangilum	UrAr uRangilum uRangA	even when everyone else in that place sleeps, they [the long eyes] will not sleep
siRiya thirumadal – 54 – UrAr uRangilum	uththaman than	that supreme entity’s
siRiya thirumadal – 54 – UrAr uRangilum	pEr AyinavE	only his divine names
siRiya thirumadal – 54 – UrAr uRangilum	pidhaRRuvan	I kept saying incoherently.
siRiya thirumadal – 54 – UrAr uRangilum	mElum	further
siRiya thirumadal – 54 – UrAr uRangilum	kArAr kadal pOlum kAmaththar AyinAr	those who have unlimited lust, like the deep sea
siRiya thirumadal – 54 – UrAr uRangilum	ArE	who
siRiya thirumadal – 54 – UrAr uRangilum	pollAmai aRivAr	will know what is not in line with one’s basic nature
siRiya thirumadal – 54 – UrAr uRangilum	adhu niRka	let that remain
siRiya thirumadal – 55 – ArAnum AdhAnum	avaL ArAnum AdhAnum allaL kANIr	she is not any ordinary person (she is very intelligent)
siRiya thirumadal – 55 – ArAnum AdhAnum	vAr Ar vana mulaiy vAsavadhaththai enRu	she, who has covered her bosoms in a corset, is known as vAsavadhaththai.
siRiya thirumadal – 55 – ArAnum AdhAnum	ArAnum sollap paduvAL	she is praised by all
siRiya thirumadal – 55 – ArAnum AdhAnum	avaLum	that vAsavadhaththai too
siRiya thirumadal – 55 – ArAnum AdhAnum	than pEr Ayam ellAm ozhiya	leaving aside all her friends
siRiya thirumadal – 55 – ArAnum AdhAnum	perum theruvE	in a huge street
siRiya thirumadal – 56 – thAr Ar	thAr Ar thada thOL thalai kAlan pin pOnAL	she went behind vathsarAjan [her beloved] who has huge shoulders with garland decorating them, and who had his legs chained
siRiya thirumadal – 56 – thAr Ar	UrAr igazhndhitappattALE	Was she spoken ill of, by the people? (no)
siRiya thirumadal – 56 – thAr Ar	ingu	in my present state
siRiya thirumadal – 56 – thAr Ar	enakku	for me (who has this determination)
siRiya thirumadal – 56 – thAr Ar	maRRum kaRpippAr	those who counselled patience which is opposite of my determination
siRiya thirumadal – 56 – thAr Ar	ArAnum	whoever it may be
siRiya thirumadal – 56 – thAr Ar	nAyagarE	can their words be binding on me? (I will not listen to them)
siRiya thirumadal – 56 – thAr Ar	nAn avanai	I will, his [emperumAn’s]
siRiya thirumadal – 57 – kArAr thirumEni	kAr Ar thirumEni kANum aLavum pOy	going from place to place [one divine abode to another] until I see his divine form which is like a dark cloud
siRiya thirumadal – 57 – kArAr thirumEni	sIr Ar thiruvEngadamE thirukkOvalUrE	the eminent thiruvEngadam and thirukkOvalUr
siRiya thirumadal – 58 – UrE madhitkatchi	madhiL kachchi UragamE	Uragam, which is within the fortified kAnchi
siRiya thirumadal – 58 – UrE madhitkatchi	pEragamE	the sannidhi in appakkudaththAn, thiruppEr
siRiya thirumadal – 58 – UrE madhitkatchi	pErA maRudhu iRuththAn veLLaRaiyE	thiruveLLaRai where kaNNa, who broke through the two marudha trees which were erect, has taken residence
siRiya thirumadal – 58 – UrE madhitkatchi	vehkAvE	thiruvehkA
siRiya thirumadal – 59 – pErAli thaNkAl	pErAli thaNkAl naRaiyUr thiruppuliyUr	The famous divine abode of thiruvAli nagar, thiruththaNkAl, thirunaRaiyUr, kutta nAttu thiruppuliyUr
siRiya thirumadal – 60 – ArAmam sUzhndha	ArAmam sUzhndha arangam kaNamangai	thiruvarangam, which is surrounded by beautiful gardens, thirukkaNNamangai
siRiya thirumadal – 61 – kArAr maNi niRa	thiruviNNagar, which is the divine abode of kaNNapirAn with the complexion of bluish gemstone, the great thirukkaNNapuram, thiruchchERai, thErazhundhUr, thirukkudandhai which is full of water bodies, great kadigai mountain (chOlasimhapuram), thirukkadalmallai
siRiya thirumadal – 62 – ErAr pozhil	ErAr pozhil sUzh idavendhai nIrmalai	thiruvidavendhai which is surrounded by beautiful gardens, thirunIrmalai
siRiya thirumadal – 62 – ErAr pozhil	sIrArum mAlirunjOlai thirumOgUr	beautiful thirumAlirunjOlai, thirumOgur
siRiya thirumadal – 63 – pArOr pugazhum	pArOr pugazhum vadhari vadamadhurai	SrI badharikASramam, which is praised by all the people of the world, mathurA which is in the northern direction
siRiya thirumadal – 63 – pArOr pugazhum	Ur Aya ellAm ozhiyAmE	without missing any of the divine abodes (entering all those places)
siRiya thirumadal – 64 – OrAnai kombu	Or Anai kombu osiththu Or Anai kOL viduththa sIrAnai	having attained the greatness of being partial by breaking the tusk of one elephant, kuvalayApIdam and removing the suffering of another elephant gajEndhran
siRiya thirumadal – 64 – OrAnai kombu	sem kaN nediyAnai	having reddish eyes and being unreachable for me
siRiya thirumadal – 64 – OrAnai kombu	thEn thuzhAy	(being separated from me) thuLasi with honey dripping from it
siRiya thirumadal – 64 – OrAnai kombu	thArAnai	donning the garland
siRiya thirumadal – 64 – OrAnai kombu	eN aru sIr pEr Ayiramum pidhaRRi	incoherenty reciting a (new) sahasranAma which reflects his innumerable (curel) qualities
siRiya thirumadal – 64 – OrAnai kombu	peru theruvE	through the main street
siRiya thirumadal – 65 – UrAr igazhilum	UrAr igazhilum	even if all the people abuse (me)
siRiya thirumadal – 65 – UrAr igazhilum	nAn	I
siRiya thirumadal – 65 – UrAr igazhilum	vAr Ar pU peNNai madal UrAdhu ozhiyEn	I will not stop from engaging with long, beautiful madal

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