Divya Prabandham
SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full series >> Ninth Centum >> Fifth decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction No specific introduction. Highlights from nanjIyar‘s introduction In the tenth pAsuram, parAnguSa nAyaki assuming that the group of cranes is discussing within itself to finish her off, … Read more
SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full Series avathArikai (Introduction) piLLai thirunaRaiyUr araiyar, who had composed this thaniyan, reflects the same opinion in his thaniyan which thirumangai AzhwAr had mentioned in the prabandham. The thaniyan says that if emperumAn, who is praised by everyone, who is complete in all respect and … Read more
SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full series >> Ninth Centum >> Fifth decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction No specific introduction. Highlights from nanjIyar‘s introduction In the ninth pAsuram, parAnguSa nAyaki says to some singing honey-drunken beetles and dragonflies “Your sounds are causing sorrow; … Read more
SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: thirunaRaiyUr nambi with nAchchiyAr parakAla nAyaki (thirumangai AzhwAr in feminine mood) There are two thirumadal prabandhams (sacred hymns relating to the love that the nAyaki (lady) has towards the nAyaka (the man loved by the lady)) composed mercifully by thirumangai AzhwAr – siRiya thirumadal which … Read more
SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full series >> Ninth Centum >> Fifth decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction No specific introduction. Highlights from nanjIyar‘s introduction In the eighth pAsuram, parAnguSa nAyaki says to some cuckoos “Even after my prayers to stop, you recite his … Read more
SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full series >> Ninth Centum >> Fifth decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction No specific introduction. Highlights from nanjIyar‘s introduction In the seventh pAsuram, parAnguSa nAyaki sees the gathering of clouds which have the same complexion as he has … Read more
SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full series >> Ninth Centum >> Fifth decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction No specific introduction. Highlights from nanjIyar‘s introduction In the sixth pAsuram, parAnguSa nAyaki stops her pet parrot which tells the divine names without understanding her state … Read more
SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full series >> Ninth Centum >> Fifth decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction No specific introduction. Highlights from nanjIyar‘s introduction In the fifth pAsuram, parAnguSa nAyaki tells her own mynAs which torment her “He is looking for a good … Read more
SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full series >> Ninth Centum >> Fifth decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction No specific introduction. Highlights from nanjIyar‘s introduction In the fourth pAsuram, parAnguSa nAyaki says to hens “Don’t torment me by making loud noise”. Highlights from vAdhi … Read more
SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full series >> Ninth Centum >> Fifth decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction No specific introduction. Highlights from nanjIyar‘s introduction In the third pAsuram, parAnguSa nAyaki is again praying to the female curlews saying “don’t torment me who is … Read more