Divya Prabandham
srI:srImathE satakOpAya nama:srImathE rAmAnujAya nama:srImadh varavaramunayE nama: Full series >> First Centum Previous Decad srIman nArAyaNan – nammAzhwAr Highlights from thirukkurugaippirAn piLLAn‘s introduction It is natural for devotees (who are fully focussed on bhagavAn alone) to share and discuss the svarUpa (divine nature), rUpa (forms), guNa (qualities), chEshtitha (activities) etc of bhagavAn with many. Seeing … Read more
srI: srImathE satakOpAya nama: srImathE rAmAnujAya nama: srImath varavaramunayE nama: Full series >> First Centum >> First decad Previous pAsuram nammAzhwAr thiruvadi thozhal (worshiping) at the lotus feet of srIranganAthan during adhyayana uthsavam Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction No specific introduction. Highlights from nanjIyar‘s introduction In the end, nammAzhwAr concludes that … Read more
srI: srImathE satakOpAya nama: srImathE rAmAnujAya nama: srImath varavaramunayE nama: Full series >> First Centum >> First decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction bhagavAn pervades in each atom of the drops of water in the ocean, in the subtlest achith (matter) particles which exist from the earth to the … Read more
srI: srImathE satakOpAya nama: srImathE rAmAnujAya nama: srImath varavaramunayE nama: Full series >> First Centum >> First decad Previous pAsuram one universe in leelA vibhUthi in manifested state – as drawn by srIperumbUthUr 1st embAr jIyar swamy based on vishNu purANam and pUrvAchAraya granthams Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction After rejecting … Read more
srI: srImathE satakOpAya nama: srImathE rAmAnujAya nama: srImath varavaramunayE nama: Full series >> First Centum >> First decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction This pAsuram refutes kudhrushtis (those who misinterpret vEdham) who say that such sarvEsvaran popularly being established through vEdham is one amongst the dhEvathAs like brahmA who … Read more
srI: srImathE satakOpAya nama: srImathE rAmAnujAya nama: srImath varavaramunayE nama: Full series >> First Centum >> First decad Previous pAsuram Introduction for this pAsuram Note: In this pAsuram, pancha bhUthams (five elements – AkAsam/ether, vAyu/air, agni/fire, jalam/water, bhUmi/earth) are explained as the raw-material for the variegated material manifestation. As part of srushti (creation), bhagavAn creates … Read more
srI: srImathE satakOpAya nama: srImathE rAmAnujAya nama: srImath varavaramunayE nama: Full series >> First Centum >> First decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction No specific introduction. Highlights from nanjIyar‘s introduction This pAsuram explains that the actions and inaction of all chith (sentients) and achith (insentients) are under the adhInam … Read more
srI: srImathE satakOpAya nama: srImathE rAmAnujAya nama: srImath varavaramunayE nama: Full series >> First Centum >> First decad Previous pAsuram Note: vaiyadhikaraNyam means two or more aspects having different substratum. For example, a chair may be held by the earth and a flower pot may be held by a table. It also means two or … Read more
srI: srImathE satakOpAya nama: srImathE rAmAnujAya nama: srImath varavaramunayE nama: Full series >> First Centum >> First decad Previous pAsuram Note: sAmAnAdhikaraNyam means more than one aspect/attribute having one common substratum. It also means two or more words focussed on explaining a single entity. A simple example is mrudh ghatam (clay pot). This talks about … Read more
srI: srImathE satakOpAya nama: srImathE rAmAnujAya nama: srImadh varavaramunayE nama: Full series >> First Centum >> First decad Previous pAsuram Introduction for this pAsuram Highlights from thirukkurukaippirAn piLLAn‘s introduction In this pAsuram, the material realm which is fully owned/controlled by bhagavAn who is distinct from all other entities is explained. Highlights from nanjIyar‘s introduction … Read more