iyaRpA

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) In several pAsurams so far, AzhwAr had considered SrIvaishNavas as the leading man and composed the pAsurams. In this pAsuram, he is considering emperumAn as the leading man. It is natural for union with emperumAn to end with union with … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) The leading lady was united with the leading man in total happiness, not knowing anything about separation. A person came and told the leading man about earning wealth in a different place. On hearing this, the leading lady thought “While … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) This pAsuram comes under the classification of madhiyudan paduththal in thamizh literature. This signifies that the leading man, who had separated the previous day, returns the next day and expresses his desire to the leading lady and her friends when … Read more

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) The leading lady tells the leading man “You are determined to leave me and go to thirumalai”. He tells her “I did not think that way. Did you not think of going there?” Further he tells her “After reaching the … Read more

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) In the previous pAsuram, the friend comforted the leading lady with different types of reasoning. The leading man then came there and spoke to the lady. The friend, looking at his actions, feels that they were not natural. She doubts … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) The leading man had told the leading lady that he will return once the monsoon starts. Since he did not return, though monsoon had set in, the lady starts feeling sorrowful. The lady’s friend, to console the lady who suffers … Read more

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) SrIvaishNavas, who were engaged with AzhwAr’s activities, tell the samsAris (dwellers of materialistic realm) “If you wish to remain in samsAram, avoid going near her”; here AzhwAr is referred to as the leading lady and SrIvaishNavas are referred to as … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) All the materials in this world are present to remind us about emperumAn. But these thoughts are also hurtful. As said in chAndhOgya upanishath “na cha punarAvarthathe” (one does not return again), one can reach that land of no return … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) Just as AzhwAr had addressed emperumAn in the first pAsuram as “imaiyOr thalaivA” (lord of nithyasUris), he had mentioned about how garudan, thuLasi and others, who reside in nithyavibhUthi, had troubled her (AzhwAr in feminine mood) further, so far. Wind … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) In the previous pAsuram, unable to bear the pain of separation from emperumAn, the leading lady had assumed the pathos of her friend; she assumed the shyness typical of a girl and mentioned about her sorrows. Since she is sure … Read more