tnkrishnan

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) This pAsuram comes under the classification of madhiyudan paduththal in thamizh literature. This signifies that the leading man, who had separated the previous day, returns the next day and expresses his desire to the leading lady and her friends when … Read more

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) The leading lady tells the leading man “You are determined to leave me and go to thirumalai”. He tells her “I did not think that way. Did you not think of going there?” Further he tells her “After reaching the … Read more

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) In the previous pAsuram, the friend comforted the leading lady with different types of reasoning. The leading man then came there and spoke to the lady. The friend, looking at his actions, feels that they were not natural. She doubts … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) The leading man had told the leading lady that he will return once the monsoon starts. Since he did not return, though monsoon had set in, the lady starts feeling sorrowful. The lady’s friend, to console the lady who suffers … Read more

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) SrIvaishNavas, who were engaged with AzhwAr’s activities, tell the samsAris (dwellers of materialistic realm) “If you wish to remain in samsAram, avoid going near her”; here AzhwAr is referred to as the leading lady and SrIvaishNavas are referred to as … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) All the materials in this world are present to remind us about emperumAn. But these thoughts are also hurtful. As said in chAndhOgya upanishath “na cha punarAvarthathe” (one does not return again), one can reach that land of no return … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) Just as AzhwAr had addressed emperumAn in the first pAsuram as “imaiyOr thalaivA” (lord of nithyasUris), he had mentioned about how garudan, thuLasi and others, who reside in nithyavibhUthi, had troubled her (AzhwAr in feminine mood) further, so far. Wind … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) In the previous pAsuram, unable to bear the pain of separation from emperumAn, the leading lady had assumed the pathos of her friend; she assumed the shyness typical of a girl and mentioned about her sorrows. Since she is sure … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) In the previous pAsuram, AzhwAr had called out to emperumAn as “imaiyOr thalaivA” (lord of nithyasUris), referring to emperumAn’s quality of supreme masculinity. He wanted to attain emperumAn immediately. Since that did not fructify, he assumed the pathos of a … Read more

SrI:  SrImathE SatakOpAya nama:  SrImathE rAmAnujAya nama:  SrImath varavaramunayE nama: Full Series Previous avathArikai (Introduction) emperumAn shows to AzhwAr the greatness of his svarUpam (basic nature), rUpam (divine form), guNam (auspicious qualities) as well as his wealth of nithya vibhUthi (SrIvaikuNtam) and leelA vibhUthi (materialistic realm). AzhwAr realises the knowledge, activities and the way the … Read more