Category Archives: mudhal thiruvandhAdhi

Glossary/Dictionary by word – mudhal thiruvandhAdhi

October 28, 2022 Published by: Jai

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama:

Word	Meaning	pAsuram
A enRu vAy angAndhu	opening his divine mouth wide open	mudhal thiruvandhAdhi – 94 – seRRezhundhu
aAvan thamar	the followers of that paramapurushan (supreme soul or emperumAn)	mudhal thiruvandhAdhi – 55 – avan thamar
adai	attain	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
adai	approach (emperumAn)	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
adaidhaRku anRE	did it not become a reason for attaining!	mudhal thiruvandhAdhi – 35 – ARiya anbil
adaindha	that which came in-between [not part of one‚Äôs nature]	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
adakki	to bring under one‚Äôs control	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
adal Azhi koNdAn mAttu	the one who has the belligerent divine disc on his hands	mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu
adal Odha vaNNar	emperumAn having he complexion of waves which are close together	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
adal vEzham iRuththu	breaking the tusk of the warring elephant kuvalayApIdam	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
adhanai onRum uNarEn nAn	I do not know anything at all about that	mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu
AdhiyAy ninRAr	was engaged (in attracting chEthanas)	mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE
adhu anRu adaiththu udaiththu	dam was built on that ocean (by SrI rAma) and was broken	mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu
adhu niRka	moreover	mudhal thiruvandhAdhi – 45 – AmE amararkku
adhu niRka	let it be so	mudhal thiruvandhAdhi – 56 – pErE vara
adi	divine feet	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
adi kamalam thannai	the divine lotus-like feet	mudhal thiruvandhAdhi – 56 – pErE vara
adikkE	to his divine feet	mudhal thiruvandhAdhi – 43 – manamAsu thIrum
adikku	for the divine feet	mudhal thiruvandhAdhi – 84 – pirAn un perumai
adiyai allAl	other than his divine feet	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
adiyAr	followers	mudhal thiruvandhAdhi – 35 – ARiya anbil
adiyum	(his) divine feet	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
aduththa kadum pagaigyaRku	against garuda, who is a natural enemy	mudhal thiruvandhAdhi – 80 – aduththa kadum
aduththu nimirndhilaiyE	did you not grow immediately?	mudhal thiruvandhAdhi – 79 – koNdArai allAl
Agaththu aNaippAr	those who think of emperumAn [when he, of his own volition, comes with causeless mercy]	mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl
agyAnRu	during that time (when the demons troubled dhEvas, the celestial entities)	mudhal thiruvandhAdhi – 81 – ALamar venRi
ahkAdha pUm kidangin	having moats with unchanging flowers [always fresh]	mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum
aindhu poRi vAsal	among the five sensory organs	mudhal thiruvandhAdhi – 4 – neRi vAsal
aiya	my benefactor	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
Al	alas! I did not get this fortune	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
Al	that banyan leaf	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
AL amar venRi adu kaLaththuL	in the battlefield which contains warriors and victory	mudhal thiruvandhAdhi – 81 – ALamar venRi
Al ilayin mEl	on top of a banyan leaf	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
Ala ilaiyil	on a banyan leaf	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
alagu aLavu kaNda sIr AzhiyAykku	one who has seen the boundary (limitlessness) of auspicious qualities and who has the divine chakra (disc)	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
Alam amar kaNdaththu aran	Siva, who has poison in his throat	mudhal thiruvandhAdhi – 4 – neRi vAsal
aLandhadhu	pervaded	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
aLavu kaNda perumAn	Oh benefactor, who determined the boundary (of life)	mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi
aLavu pOndha	appropriate for measurement	mudhal thiruvandhAdhi – 84 – pirAn un perumai
Alin ilai	on the banyan leaf	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
aLippu	(for one) protection	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
aLiththa	protecting it	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
aLiththa	protected	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
allAl	blaming only him	mudhal thiruvandhAdhi – 79 – koNdArai allAl
allal	sorrows [disease] of the mind	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
am kai	with beautiful hand	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
am kai	in beautiful hands	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
am kai	beautiful hands	mudhal thiruvandhAdhi – 79 – koNdArai allAl
am kai ERRAn	one who held his hand, that rudhra‚Äôs	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
am kai thOya	once it fell on (your) beautiful hands	mudhal thiruvandhAdhi – 79 – koNdArai allAl
am nAval sUzh nAdu	the living creatures in the expansive country which is beautiful and goes by the name of jambhUdhwIpam	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
am puNNiyanum	rudhra [Siva] who has beautiful puNyam (virtuous deeds)	mudhal thiruvandhAdhi – 98 – pon thigazhum mEni
amaiyA	uncontrollable	mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl
amarar tham bhOgaththAl	along with enjoyment of nithyasUris	mudhal thiruvandhAdhi – 46 – paN purindha
amararkku aRiya AmE	are they such that celestial people can know?	mudhal thiruvandhAdhi – 45 – AmE amararkku
ammUvaruLLum	among these three mummUrththis (the three forms)	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
An Aychchi	when born in the clan of cowherds who tend to cows	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
An mEyththu	grazing cows	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
An vidai	(for one) bull, which has no knowledge	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
aNaivarE	will attain	mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl
anaRku	for fire	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
anbu	friendliness	mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu
anbu	the mind which is full of love	mudhal thiruvandhAdhi – 72 – anbAzhiyAnai
andharam onRu illai	there is no reason for delaying this	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
andhiyAl	carrying out sandhyAvandhanam (a ritual carried out thrice every day in salutation of dhEvathAs)	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
angu Am payan en	what is the benefit going to be derived?	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
Anirai kAththu	protecting the herds of cows	mudhal thiruvandhAdhi – 83 – varai kudai thOL
anja	to be afraid of	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
anja	to become fearful (of your divine form)	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
anja kadandhadhu	destroyed through fear	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
anji	being afraid (like this)	mudhal thiruvandhAdhi – 57 – ayal ninRa
anji azhudhEn	cried out of fear	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
anjinEn	I was scared	mudhal thiruvandhAdhi – 57 – ayal ninRa
anjum	fearful place (that it is the burning firewood thrown by the hunters)	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
anRu	that day	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
anRu	during that time	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
anRu	¬† during that time	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
anRu	during deluge	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
anRu	during that time	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
anRu aLamara nIzhal	on that day [once upon a time], under the shade of the banyan tree	mudhal thiruvandhAdhi – 4 – neRi vAsal
appEr Am	emperumAn attains that name	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
Appu avzhindhu ozhiyum	will get annihilated, after getting liberated	mudhal thiruvandhAdhi – 75 – kAppu unnai
Ar idar paduvAr	who will experience sorrows?	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
Ar oruvarE AvAr	is there anyone who is comparable to me?	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
aRai pulanum	he is also the oceans which keep making noise continuously	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
aRam pAvam enRu iraNdum AvAn	he [emperumAn] is the controller for both the types of deeds, virtuous and sinful	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
aran	(for one) it is haran [sivan]	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
araN Aya	those which are protective devices	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
aravam vittu	driving away the snake kALiyan [from the river yamunA]	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
aravaNai mEl pEr AyaRku AtpattAr pEr	those who have the names of the followers of emperumAn, who came out of the mattress of AdhiSEshan in order to protect his followers, as a cowherd	mudhal thiruvandhAdhi – 55 – avan thamar
aravu	thiruvananthAzhwAn (Adhi SEshan)	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
aravu aNai mEl kaNdu	seeing atop the mattress thiruvananthAzhvAn (serpent AdhiSEsha)	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
ArAyappattu aRiyAr kaNdIr	you would see that they are not questioned [by the messengers of yama].	mudhal thiruvandhAdhi – 55 – avan thamar
ArE aRivAr	who can know	mudhal thiruvandhAdhi – 56 – pErE vara
aRi	listen (to this)	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
ari uruvum AL uruvum Agi	being in the form of narasimham, which is a combination of human body and lion‚Äôs face	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
aridhu	is rare to attain.	mudhal thiruvandhAdhi – 49 – magizhalagonRE poL
aRivAn Am	would he know?	mudhal thiruvandhAdhi – 4 – neRi vAsal
ariya	difficult to control	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
ARiya anbu il	without the bhakthi which had simmered after reaching a crescendo	mudhal thiruvandhAdhi – 35 – ARiya anbil
aRIyAdhu	will not know.	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
ariyAy	as narasimhan (face of lion and body of human)	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
ARREn enRu	I cannot survive (in a direct contest)	mudhal thiruvandhAdhi – 80 – aduththa kadum
Arththa	due to binding	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
ARu	river	mudhal thiruvandhAdhi – 67 – peyarum karum kadalE
aru vinaigaL	terrible deeds	mudhal thiruvandhAdhi – 75 – kAppu unnai
aru vinaiyOdu	dangerous entities such as ignorance	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
aru vinaiyum sArA	sins which cannot be got rid of, will not come anywhere nearby	mudhal thiruvandhAdhi – 43 – manamAsu thIrum
aruL allAl	apart from his grace	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
aruL peRRAL anRE	did she not get your grace!	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
aruLum	grace	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
Arvam puriya parisinAl	in the path of love	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
asurar kOn vIzha	hiraNyan, the leader of demons, falling down	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
AvAn	he is all of these	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
avan than paNbu Azhi thOL paravi Eththennum	will instruct to worship his divine shoulders which are like beautiful ocean.	mudhal thiruvandhAdhi – 72 – anbAzhiyAnai
avanai alladhu	other than emperumAn	mudhal thiruvandhAdhi – 11 – vAy avanai alladhu
avanai allAl thozhA	will not worship anyone other than him [emperumAn]	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
avar	the emperumAn	mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE
avar avar	people who have raJo guNam (yielding to passion) and thamO guNam (yielding to laziness)	mudhal thiruvandhAdhi – 14 – avar avar thAm
AvArO AL	will they become servitors?	mudhal thiruvandhAdhi – 80 – aduththa kadum
AvenRu vAy angAndhu	opening his divine mouth wide open	mudhal thiruvandhAdhi – 94 – seRRezhundhu
avir sadai mEl	on his shining matted hair	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
aviyAdha gyAnamum	gyAna (knowledge) which is the indestructible form of bhakthi (devotion)	mudhal thiruvandhAdhi – 12 – sevi vAy kaN
avvaNNam Am	he transforms himself that way.	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
avvuruvam thAnE	he attains that form	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
Ay malar koNdu	taking flowers after proper selection, in the hand	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
ayal ninRa	standing close (to me)	mudhal thiruvandhAdhi – 57 – ayal ninRa
ayalAr	all the others	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
ayan	brahmA who was born to emperumAn	mudhal thiruvandhAdhi – 56 – pErE vara
Ayar	belonging to the cowherds	mudhal thiruvandhAdhi – 83 – varai kudai thOL
Aychchi	yaSOdhA pirAtti (mother yaSOdhA)	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
Ayira vay nAgaththu aNaiyAn	emperumAn who is lying on the mattress of AdhiSEshan with thousand hoods	mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl
Ayiram pEr sem kaN kariyAnai	emperumAn who has a thousand divine names, has reddish, divine eyes and who has a dark divine form	mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr
Ayth thAy	yaSOdhA, your cowherd mother	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
azhalum	glowing red hot	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
Azhi	chakkaram (divine disc, sudharSan)	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
Azhi kaiyAl	with the divine hand holding chakkaram (divine disc)	mudhal thiruvandhAdhi – 36 – muraNai vali
Azhi nenjamE	Oh heart, deep like the ocean!	mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu
Azhi nenjE	Oh profound heart!	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
Azhi nenjE	Oh my heart, which is as deep as the ocean!	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
azhippu	(for one) destruction	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
AzhiyAn	one who reclines on the ocean [thiruppARkadal]	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
AzhiyAn	emperumAn who holds the chakkara (divine disc) in his hand	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
AzhiyAnai aNugu ennum	will instruct to approach chakrapANi (emperumAn, who has the divine disc in his hand)	mudhal thiruvandhAdhi – 72 – anbAzhiyAnai
bAlan thanadhu uruvAy	having the form of a child	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
bhUmi	the world	mudhal thiruvandhAdhi – 25 – urai mERkondu
bhUmi	was the earth	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
bhUmi ALwAr	will rule this earth too	mudhal thiruvandhAdhi – 46 – paN purindha
But		mudhal thiruvandhAdhi – 14 – avar avar thAm
bUtham aindhum	the five elements	mudhal thiruvandhAdhi – 12 – sevi vAy kaN
charaN	he is the means (path to attain)	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
charaNa	being the means for all the four purushArthams (benefits) [righteousness, wealth, lust and liberation]	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
chEri thiriyAmal sem niRIi	ensuring that they do not loiter in the streets of worldly objects such as sound, smell etc	mudhal thiruvandhAdhi – 47 – vAri surukki
dhanamAya	the wealth of kainkaryam (service to emperumAn)	mudhal thiruvandhAdhi – 43 – manamAsu thIrum
dharaNi thanadhu AgaththAnE	one who had presumed that the earth is his	mudhal thiruvandhAdhi – 36 – muraNai vali
dharumanaiyE nOkkum	(at the end of its life on earth) will attain only yama, the deity of righteousness	mudhal thiruvandhAdhi – 67 – peyarum karum kadalE
dheyvam enRu EththEn	I will not respect as deity	mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai
dheyvaththu isaiyum karumangaL	appropriate activities (like creation, destruction etc) for these deities	mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu
dhUpam	smoke	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
dhUpam kai Endhi	holding the fragrant smoke stand in the hand	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
eduththadhu	held as umbrella	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
eduththu	taking hold of	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
een thuzhAyAnai	emperumAn who has sweet thuzhAy (thuLasi) garland	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
eLidhAga	with ease	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
eLidhil	easily	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
eLidhu	will be easy	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
ellAm	all these	mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu
em Adhi	sarvESvaran (supreme being), who is the cause for my existence	mudhal thiruvandhAdhi – 49 – magizhalagonRE poL
em ennum	thinking that this is ours	mudhal thiruvandhAdhi – 38 – Urum vari aravam
em kOn avan thamarE enRu	praising them by saying ‚Äúaren‚Äôt they the followers of my swAmy (lord) sarvESvaran (supreme being)‚Äù	mudhal thiruvandhAdhi – 55 – avan thamar
em pemmAnai	my emperumAn (lord)	mudhal thiruvandhAdhi – 56 – pErE vara
emperumAn	sarvESvaran (supreme being) also	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
en	for what purpose	mudhal thiruvandhAdhi – 8 – mayanga valampuri
en	how is (this) possible?	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
en	my	mudhal thiruvandhAdhi – 41 – kunRu anaiya
eN	keep meditating	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
en Agil en	what if something happens (to someone)?	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
eN dhisaiyum pOyinavum	pervading all 8 directions	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
en kol	how?	mudhal thiruvandhAdhi – 84 – pirAn un perumai
en mEl	on me (having qualities as mentioned above)	mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai
en Na	my tongue	mudhal thiruvandhAdhi – 94 – seRRezhundhu
en nA	my tongue	mudhal thiruvandhAdhi – 94 – seRRezhundhu
en nenjamE	Oh my heart!	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
en nenjE	Oh my heart!	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
en sevi iraNdum	my two ears	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
en uLLam	my heart	mudhal thiruvandhAdhi – 25 – urai mERkondu
en uLLam	Oh my heart!	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
enakku	for me	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
enakku	to me (who is so fortunate)	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
EnamAy ninRArkku iyalvu enbarE	are the path to attain varAhap perumAL, say people (how ignorant!)	mudhal thiruvandhAdhi – 12 – sevi vAy kaN
Enaththu uru Ay	incarnating as varAha form (wild boar)	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
enbar	so will say (gyAnis, the knowledgeable)	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
endhai	you, my swAmy	mudhal thiruvandhAdhi – 84 – pirAn un perumai
Endhi	holding	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
Endhiya	carrying	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
Engi	yearning	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
eNmar	the eight vasus	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
eNNaththAn AmO	is it possible to think?	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
ennE	how was it?	mudhal thiruvandhAdhi – 83 – varai kudai thOL
eNNil	if one were to delve into this	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
ennORRAy	what penance did you perform! [to get this fortune]	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
enRu aimpulanum	the five sensory organs	mudhal thiruvandhAdhi – 12 – sevi vAy kaN
enRum	at all times	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
enRum	at all times	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
enRum	at all times	mudhal thiruvandhAdhi – 41 – kunRu anaiya
enRum	whenever emperumAn reclines	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
enRum	always	mudhal thiruvandhAdhi – 98 – pon thigazhum mEni
enRum	at all times	mudhal thiruvandhAdhi – 98 – pon thigazhum mEni
enRum	at all times	mudhal thiruvandhAdhi – 99 – uLan kaNdAy
eppOdhum	at all times	mudhal thiruvandhAdhi – 25 – urai mERkondu
eri	(for one) like fire	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
eri kadhiroN thannai	sun who is emitting his rays	mudhal thiruvandhAdhi – 8 – mayanga valampuri
eri uruva vaNNaththAn	hiraNya kashyap‚Äôs form, which is like fire	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
eRindha	thrown (on those elephants)	mudhal thiruvandhAdhi – 38 – Urum vari aravam
eRindha	thrown	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
ERRAn	has always sustained.	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
ERRAn	having (the not so famous) bull as vehicle	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
EththAdhu	will not praise	mudhal thiruvandhAdhi – 94 – seRRezhundhu
EththAdhu	will not praise	mudhal thiruvandhAdhi – 94 – seRRezhundhu
Eththi	praising (his auspicious qualities)	mudhal thiruvandhAdhi – 25 – urai mERkondu
EththudhirEl	if you [attain and] praise him	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
Eththuvar	will praise [emperumAn]	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
evvaNNam sindhiththu	in whichever way they think	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
evvinaiyar Agilum	irrespective of their deeds	mudhal thiruvandhAdhi – 55 – avan thamar
eydha	shot arrows	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
eydhAn	one who shot the arrow	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
eyil eriththAn	burnt the three towns (of his followers)	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
eyiRRu aLavu	one part of the tusk	mudhal thiruvandhAdhi – 84 – pirAn un perumai
eyiRu ilaga	showing brightly your teeth	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
Ezh ulagu uNdu	swallowing the seven worlds	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
Ezh ulagum thAyanavum	going past seven worlds	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
EzhaigAL	Oh those who have lost the wealth of bhagavath vishayam (knowledge of emperumAn)	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
ezhu	please get up	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
ezhu	arise (to worship like this)	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
ezhu naraga vAsal	at the gates of the seven types of hell	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
Ezhu ulagu uNdu	¬† keeping all the worlds in his stomach [during deluge]	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
ezhudhum	let us get uplifted	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
ezhum	will be uplifted	mudhal thiruvandhAdhi – 25 – urai mERkondu
ezhundhu	getting up angrily (to destroy the worlds)	mudhal thiruvandhAdhi – 94 – seRRezhundhu
ezhuvAr	the aiSvaryArthis (those who go after wealth) who leave (after obtaining¬† the wealth that they wanted)	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
first explanation when he showed his viSvarUpam to bhIshma and others		mudhal thiruvandhAdhi – 94 – seRRezhundhu
gangai ennum pEr	having the name gangA	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
gangaiyAn	Sivan who is having gangA on his head (to rid of sins)	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
guNam koLLum	(without considering such sins, emperumAn) will only look at the good deeds.	mudhal thiruvandhAdhi – 41 – kunRu anaiya
gyAnam sudar	lamp of true knowledge	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
gyAnaththu	through knowledge	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
idai kazhiyE	only the corridor (space between the entrance and the inner portion)	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
idaiyidaiyil mIn	stars which appear in between	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
idandhadhu	(in varAha form) dug out	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
idandhAnai	taking it on his tusks	mudhal thiruvandhAdhi – 25 – urai mERkondu
idandhu, uNdu	[as varAha avathAram] dug up and eaten [during deluge]	mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu
idar	the results of our deeds that we carryout standing,¬† sitting, lying and walking	mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum
idar Azhi nIngugavE enRu	let the ocean of sorrow (in this world) disappear	mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA
idhu nI padaiththu	this world was recovered (after accepting water)	mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu
Idu azhiththa	lowering their esteem very much	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
Idu azhiyach cheRRu	even after destroying to smithereens	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
igazhvAy	may disparage	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
ilangai vaiththAn	rAvaNa who had kept her in ilangai (lankA)	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
im maNdhAn	this earth	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
imai	even for a moment	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
imaiyAdha kaNNAl	with the inner eye¬†[heart] which does not have any contraction of knowledge	mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl
imaiyAdhu irupparE	meditating without a break	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
in mozhiyE	sweet words	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
In thuzhAyAn adikkE sella	to approach the divine feet of purushOththama (emperumAn) who is adorning thuLasi garland	mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE
ini	now	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
ini	henceforth	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
inRu	today [when I have been blessed by his knowledge]	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
inRu mudhalAga	starting from now	mudhal thiruvandhAdhi – 41 – kunRu anaiya
Ir aindhu mudiyAn¬†	the ten headed rAvaNan	mudhal thiruvandhAdhi – 35 – ARiya anbil
Ir ari Ay	being the enemy appropriate to be cut	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
Ir aRuvar	the 12 Adhithyas	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
Iradiyum	both the divine feet	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
iRai	in a corner	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
iRainjum	worship	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
iRaiyAn	rudhra (Sivan) one who considers himself as God	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
iRaiyEnum	even a little bit	mudhal thiruvandhAdhi – 94 – seRRezhundhu
iRaiyEnum	even a little bit	mudhal thiruvandhAdhi – 94 – seRRezhundhu
iRaiyum	he is the paramapadhanAthan (the Lord of SrIvaikuNtam)	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
iraNdu adiyum	both divine feet	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
iraNiyanadhu Agam	iraNiyan (hiraNyakashyap)‚Äôs heart	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
iraNiyanai	hiraNya kashyap	mudhal thiruvandhAdhi – 36 – muraNai vali
iraNiyanai	hiraNya kashyap‚Äôs	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
Irndhan	tore apart	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
iru visumbil	from the expansive sky	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
iru visumbum	he is also the well spread skies	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
iru visumbum kARRum	causative factors such as the expansive sky (ether), wind etc	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
iruL agala	the darkness (of ignorance) to leave	mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl
iruL¬†	ignorance (which considers the body as sweet)	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
irum siRai puL	huge bird garuda with massive wings	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
irundha Am	were present	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
irundhAl singAsanamAm	(he) is the throne when he sits	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
irundhAn	one who incarnated	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
irundhilaiyE	were you not!	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
iruvar angaththAl thirivarElum	even if they roam around with two [different] forms	mudhal thiruvandhAdhi – 98 – pon thigazhum mEni
ivar ivar em perumAn enRu Eththi	praising a few deities as ‚Äúhe is our swAmys (Lords)‚Äù	mudhal thiruvandhAdhi – 14 – avar avar thAm
ivvulagu aLavum uNdO	was it bigger than the worlds	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
iyal amarar	nithyasUris who are fit	mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE
iyalvAga	¬† appropriately	mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE
iyalvAga	appropriately (to others)	mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE
kadai veNNey	butter that was churned	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
kadaikkaN pidi	know till the end	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
kadaindhAn	one who churned (the milky ocean)	mudhal thiruvandhAdhi – 81 – ALamar venRi
kadal kadaindha	the one who churned the ocean [with the request from the dhEvas as the reason]	mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu
kadal kadaindhadhu enRu	when was the ocean (of milk) churned?	mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu
kadal Odham	the waves in thiruppARkadal [kshIrAbdhi or milky ocean]	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
kadandha	one who measured it	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
kadaththum	will enable to cross	mudhal thiruvandhAdhi – 81 – ALamar venRi
kadi kamalththu uL	floating inside the fragrant lotus (which came out of emperumAn‚Äôs navel)	mudhal thiruvandhAdhi – 56 – pErE vara
kai	held in the hand	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
kai koduththa	mercifully handing over to him for protection	mudhal thiruvandhAdhi – 80 – aduththa kadum
kai kUppi ninRu	standing and folding their palms together (like in anjali posture)	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
kai nAgam kAththAn	the one who protected the elephant, gajEndhrAzhwAn with the trunk¬† [in our sampradhAyam, it is common to denote certain entities as AzhwAn to bring in a distinction of superior knowledge about emperumAn, over other entities; gajEndhra is one such]	mudhal thiruvandhAdhi – 47 – vAri surukki
kai thAm	the hands themselves	mudhal thiruvandhAdhi – 11 – vAy avanai alladhu
kai thozhudhakkAl	if worshipped with hands	mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr
kai thozhudhEn	did anjali (joined palms together in salutation)	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
kai thozhudhum	we shall worship	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
kaiya	are present in your hands	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
kaiyadhu	weapon in one‚Äôs hand	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
kAl alaippa	rising against his divine feet	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
kAlai ezhundhu	waking up in the morning (which nurtures the sathva guNam (purely good quality))	mudhal thiruvandhAdhi – 66 – kAlai ezhundhu
kaLiRu	gajEndhra AzhwAn [a male elephant]	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
kaLiyil	due to vanity	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
kAmar pUm kOval	at thirukkOvalUr which has both natural and artificial beauty	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
kAmbu Ey men¬† thOLi	yaSOdhA, having slim shoulders looking like bamboo	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
kaN kANA, sevi kELA	eyes will not see; ears will not listen to.	mudhal thiruvandhAdhi – 11 – vAy avanai alladhu
kaN padaiyuL	when he is reclining in a sleeping posture	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
kaN paduthta Azhi	ocean on which [you are] reclining	mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu
kaN valAraum	sleeping because of that [soft caressing]	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
kANa	to look at in amusement	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
kANa	as one keeps looking	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
kanai kazhalE	divine feet with ornaments which make a sound	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
kANalAm	could see	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
kaNam veruva	making the dhEvas (celestial persons) and asuras (demons) get scared as to what would follow	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
kANbaArkkum	the others who desire to see	mudhal thiruvandhAdhi – 49 – magizhalagonRE poL
kANbadhaRku	appropriate to worship	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
kANbadhaRku	to¬† see (the path)	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
kANbadhu	to worship	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
kAnbar	they will see and enjoy	mudhal thiruvandhAdhi – 47 – vAri surukki
kaNdEn	I saw	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
kaNdu	seeing	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
kaNdu	seeing that	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
kaNdu	seeing (that)	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
kaNdu aRidhiyE	have you seen and enjoyed?	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
kaNdu aRidhiyE	have you worshipped?	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
kani	the demon who was in the form of wood-apple	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
kanjanai	was (king) kamsa	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
kANkilAn	would not know	mudhal thiruvandhAdhi – 56 – pErE vara
kaNNan	the one who was born as krishNa	mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu
kaNNan	that emperumAn‚Äôs	mudhal thiruvandhAdhi – 56 – pErE vara
kanRE pOl	like the calf	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
kanRu	demon who came in the form of a calf	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
kAppu	is the protector	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
kAppu	the deities who serve as guards	mudhal thiruvandhAdhi – 75 – kAppu unnai
kAr	(for one) like cloud	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
kAr	like a (rain bearing) cloud	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
kAr kOdu	Sankam (conch pAnchajanya) which reverberates like the cloud	mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu
kAr Odha vaNNan	the one who has the complexion of cloud and ocean	mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu
kAr udaiya min enRu¬†	thinking that it is the lightning amidst clouds	mudhal thiruvandhAdhi – 38 – Urum vari aravam
karavu inRi	without hiding	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
kaRpanavum	to learn	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
kaRpanavum	learning	mudhal thiruvandhAdhi – 66 – kAlai ezhundhu
kaRRen	I practised.	mudhal thiruvandhAdhi – 57 – ayal ninRa
kaRRu uNarndha mElaith thalai maRaiyOr	the well versed, great vaidhikas (learned in vEdhas, sacred texts)	mudhal thiruvandhAdhi – 66 – kAlai ezhundhu
kARRum	he is also the wind	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
karudhuvAy	may think [good]	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
karum kadalE	Oh, black coloured ocean!	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
karumam	profession	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
karuvarangaththuL kidandhu	lying inside the womb	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
kAththu	removing it	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
kAttiya	showed (in his mouth)	mudhal thiruvandhAdhi – 94 – seRRezhundhu
kAttiya	one who showed mercifully	mudhal thiruvandhAdhi – 94 – seRRezhundhu
kAyAm pU mEni	the colour of kAyAm pU (a blue coloured flower)	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
kazhal	the divine feet	mudhal thiruvandhAdhi – 47 – vAri surukki
kazhal onRu	one leg of namuchi [son of mahAbali]	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
kazhiyA	without going out	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
kazhiyum	will get disengaged	mudhal thiruvandhAdhi – 75 – kAppu unnai
kedumAm	will be destroyed	mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum
kEL avanadhu	his, who is all relationships (to me)	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
kEsavanai	destroying a demon named kESi	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
kEttu irukkum	will hear and sustain themselves	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
kEzhalAy	in the form of a wild boar	mudhal thiruvandhAdhi – 25 – urai mERkondu
kidandhadhu anrE	was it not staying?	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
kidandhadhuvum	reclined	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
kidandhAnai	reclining	mudhal thiruvandhAdhi – 25 – urai mERkondu
kIndAnai	removing from the wall of universe	mudhal thiruvandhAdhi – 25 – urai mERkondu
kINdAnum	tore	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
kIzhArOdu	with samsAris (dwellers of materialistic realm who think that AthmAs are their own)	mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai
kodu mudhalai	cruel crocodile	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
koduththArai	one who gave (what was not his, but presumed to be his)	mudhal thiruvandhAdhi – 79 – koNdArai allAl
kOL nAgaNaiyAn	one who has his mattress, the radiant AdhiSEshan	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
kOla karumEni	having ¬†beautiful, black form	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
kolai yAnai	the elephant which was placed to kill	mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu
koLIi	lighting	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
koNdAnai	one who made (his property)¬† as his own	mudhal thiruvandhAdhi – 79 – koNdArai allAl
kudai kaviththu	inverted like an umblrella	mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu
kudam Adi	dancing with pots	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
kunRam	was the gOvardhana hill	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
kunRam eduththa	lifting (gOvardhana) hill	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
kunRu	is thirumalai	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
kunRu	looking like a hill	mudhal thiruvandhAdhi – 41 – kunRu anaiya
kunRu eduththu	lifting gOvardhanagiri (like an umbrella)	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
kurai kazhalE	(due to the sounds of ornaments) resounding divine feet	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
kural ovAdhu	without stopping (your) crying	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
kuRal uruvAy	in the form of a vAmana (dwarf)	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
kuravai kOththu	carrying out rAsakrIdai with cowherd girls [rAsakrIdai is a game in which two persons grip their hands in a crossed way, together, and go in a circular motion, with their planted feet acting together as the centre]	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
kuRavar	hunters‚Äô	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
kURAy	(you) tell	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
kURiya	the words spoken	mudhal thiruvandhAdhi – 35 – ARiya anbil
kUriya	subtle	mudhal thiruvandhAdhi – 47 – vAri surukki
kuRRam seyyinum	if sins are committed	mudhal thiruvandhAdhi – 41 – kunRu anaiya
kURRorupAl mangaiyAn	sustaining his wife pArvathi on one part (of his body)	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
kurundham osiththu	uprooting the tree kurundham (a flower bearing tree) in which a demon had entered	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
kURuvadhE	will keep saying	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
mA gadhikkaN	in paramapadham (SrIvaikuNtam) which is the goal to be attained	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
mA madhiL	having huge protective walls	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
mA mEni	(emperumAn‚Äôs) great divine form	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
mA mEni mAyavanukku¬† allAdhum	other than emperumAn who has great divine form and is a wondrous entity	mudhal thiruvandhAdhi – 80 – aduththa kadum
mA vadivin	with a huge form (as thrivikraman)	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
mA vAy piLandhu	tearing apart the mouth of demon kESi who came in the form of a horse	mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu
madhak kaLiRu aindhinaiyum	the five sensory perceptions which are like elephants in rut	mudhal thiruvandhAdhi – 47 – vAri surukki
magizh alagu onRE pOl	just as the seed of the magizham tree (a kind of flower bearing tree with sweet fragrance) can be kept in a very restricted location as well as in an expansive location	mudhal thiruvandhAdhi – 49 – magizhalagonRE poL
magizhndhu maruvu	enjoy with happiness	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
mAl	the supreme emperumAn only	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
mAl	one who had affection [towards his devotees]	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
mAl	biased towards his followers	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
mAl	emperumAn	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
mAl adiyE kai thozhvAn	to worship the divine feet of emperumAn with hands	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
mal attu	killing wrestlers (chANura and mushtika)	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
mAl Odham vaNNar	emperumAn with the complexion of large ocean	mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum
mAl vidai Ezh seRRu	killing seven huge bulls	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
mAl yAnai	huge elephant	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
mAl yAnai pEra	making the huge elephants, which are grazing in the fields, to leave	mudhal thiruvandhAdhi – 38 – Urum vari aravam
mAladhu idam	is the place desired by emperumAn as his dhivyadhESam.	mudhal thiruvandhAdhi – 38 – Urum vari aravam
malaiyAl	with gOvardhana hill	mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu
malaiyum	the mountains	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
malaiyum	resultant factors such as mountains	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
malar koNdu	taking fragrant flowers	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
malar magaL	SrIdhEvip pirAtti (mahAlakshmi), who was born in a flower	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
mAlum	overwhelmed (due to that happiness)	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
maN	the earth	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
mAn	mArIcha (a demon related to rAvaNa) who came in the form of deer	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
maN aLandha sIrAn	(without considering his greatness) the one who has the simplicity of measuring all the worlds	mudhal thiruvandhAdhi – 76 – vazhi ninRu
maN irandhu koNda vagai	the way you begged for and obtained earth	mudhal thiruvandhAdhi – 36 – muraNai vali
maN thA‚ ena	give (three footsteps of) earth	mudhal thiruvandhAdhi – 79 – koNdArai allAl
man uyirgatku ellAm	for all the jivAthmAs	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
manach chudarai	the lamp of their hearts	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
maNam maruva	in order to marry (nappinnaip pirAtti) [krishNa‚Äôs maternal uncle‚Äôs daughter]	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
manammAsu thIrum	all the faults in their minds such as ignorance etc will exit	mudhal thiruvandhAdhi – 43 – manamAsu thIrum
manaththu vai	keep in your heart	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
mandhirangaL	SlOkas (hymns about emperumAn)	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
mandhiraththAl	with hymns [not involving actions]	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
maNi viLakkAm	(he) is the auspicious lamp	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
maNNadhO	was it in the (dissolved) earth?	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
maNNagaththAy	Oh one who incarnated in this samsAram (materialistic realm)	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
maNNai	all the worlds	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
maNNaLandha	measuring all the worlds	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
maNNum	the earth	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
maradhagamE pOla	embedded like an emerald	mudhal thiruvandhAdhi – 25 – urai mERkondu
maRai	(for one) vEdham (sacred texts) not composed by men	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
maRai payandha	one who taught vEdhas (sacred texts)	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
maRai¬†	vEdham (sacred texts)	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
maRaiththadhu	hiding it	mudhal thiruvandhAdhi – 8 – mayanga valampuri
maRaiyavarkku	to bhIshma, dhrONa and other vaidhikas (those who believe in vEdhams)	mudhal thiruvandhAdhi – 94 – seRRezhundhu
maRaiyavarkku	to mArkaNdEya rishi (sage), a vaidhika (one who believes in vEdhams)	mudhal thiruvandhAdhi – 94 – seRRezhundhu
marAmaram Ezh seRRu	piercing seven peepal trees	mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu
maraNAya	those who have death as a natural phenomenon	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
maRandhaRiyEn	I have not forgotten	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
maRappanO	how can I forget?	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
maravadiyAm	(he) is the divine sandals	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
mArbu idandha	tearing his chest	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
mArbu idandha	¬† tearing the heart	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
maRi kadal Ay	taking the form of ocean	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
maRi kadaldhAn	the ocean which keeps lapping waves	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
maRi kadalum	the oceans which throw up waves constantly	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
mARRAdhu vIRRirundha	without change (in donating)	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
maRRu	another entity	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
maRRu	moreover	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
maRRu	being different (from emperumAn)	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
maRRu	can he become my equal?	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
mArudham Ay	taking the form of wind	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
mArudham thAn	the breeze	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
mArudhamum	the air	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
mArudhamum	breeze	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
marudhu idai pOy	crawling between the two arjuna trees	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
mARum pal yAkkai	with various forms which keep changing constantly	mudhal thiruvandhAdhi – 49 – magizhalagonRE poL
maruvAdhArkku	those who do not worship	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
mArvu idandhAn	tore the chest of iraNyan (hiraNyakashyap) (for the sake of his devotee prahlAdha)	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
mAsUNum	to become stained	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
mAvali pAl	towards mahAbali	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
mAvaliyai irandhu	begging mahAbali	mudhal thiruvandhAdhi – 79 – koNdArai allAl
mAya	to be hidden	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
mAya	to die	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
mayakku	entities to bewilder	mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu
mayanga	making people (both friendly and inimical) bewildered/perplexed	mudhal thiruvandhAdhi – 8 – mayanga valampuri
mAyavanai allAl	other than krishNa who showed amazing power (no one else)	mudhal thiruvandhAdhi – 94 – seRRezhundhu
mAyavanai allAl	other than emperumAn who has agatithagatanA sAmarthyam (the ability to bind together those which cannot be bound)	mudhal thiruvandhAdhi – 94 – seRRezhundhu
mAyavanaiyE	only that emperumAn who has amazing activities	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
mEl	in earlier time	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
mEl oru nAL	in earlier time	mudhal thiruvandhAdhi – 47 – vAri surukki
mEl oru nAL	once upon a time	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
mEla surar	distinguished celestial beings [nithyasUris]	mudhal thiruvandhAdhi – 38 – Urum vari aravam
mey enbar	(rishis, sages) will say that it is true	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
mey enbar	will say it is true	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
mey enbar	(vaidhikas, experts in vEdhas) would say (that it) is true	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
mey gyAnaththal	true knowledge which takes the form of devotion	mudhal thiruvandhAdhi – 47 – vAri surukki
midaindhavai	sins which are the causative factor for getting the physical body	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
mIn vIzha	with the shooting star falling	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
mINdu ozhiya vENdil	to make them go back	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
mU adiyAl	with three steps	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
mudhal	is primary	mudhal thiruvandhAdhi – 14 – avar avar thAm
mudhalAvAn	is the causal entity	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
mudhalAvAr	are important	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
mudhalAya	the cause of everything	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
mudiyum	divine crown	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
mugil vaNNA	having the complexion of cloud	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
mugizh virindha sOdhi pOl thOnRum	that which appears like a brightened radiance	mudhal thiruvandhAdhi – 49 – magizhalagonRE poL
mulai thandha ARu	the way she suckled you	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
mulai thandhAL	the one who suckled you	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
mulai uNdu	suckling (pUthanA‚Äôs) milk (along with her life)	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
mun	once upon a time	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
mun	in earlier times	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
mun	once	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
mun oru nAL	when he incarnated as SrI rAma	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
mun oru nAL	once upon a time	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
munbu Uzhi kANAnai kAN ennum kaN	eyes will instruct to worship emperumAn who does not see the time of eons	mudhal thiruvandhAdhi – 72 – anbAzhiyAnai
muniyAdhu	without getting angry (at me)	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
munnam	from time immemorial	mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE
munnam	in earlier times itself	mudhal thiruvandhAdhi – 36 – muraNai vali
mUnRu	the three cities	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
mUppu illai	the six changes, including aging, are not present	mudhal thiruvandhAdhi – 75 – kAppu unnai
muraN	enmity	mudhal thiruvandhAdhi – 35 – ARiya anbil
muraN azhiya	to annihilate his strength	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
muraNai vali tholaidhaRkAm enRE	was it not to remove the ahankAram (egotism) and mamakAram (possessiveness) [of samsAris such as ourselves]!	mudhal thiruvandhAdhi – 36 – muraNai vali
mUri nIr vaNNan	emperumAn who has the complexion and nature of the vast ocean	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
mUri thAL kOmin	close (the gates of hell) with strong latch	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
muRRUm	all the worlds	mudhal thiruvandhAdhi – 94 – seRRezhundhu
muRRum	all the worlds	mudhal thiruvandhAdhi – 94 – seRRezhundhu
mUrththi uruvE	the divine form of thrivikrama	mudhal thiruvandhAdhi – 14 – avar avar thAm
mUrththiyarE Avar	will surely have as their basic nature	mudhal thiruvandhAdhi – 76 – vazhi ninRu
mUvAdha	not coming back	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
mUvarE	brahmA, vishNu and Siva, the three	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
muyalgiRpArkku allAl	other than those who attempt to	mudhal thiruvandhAdhi – 49 – magizhalagonRE poL
muyalvAr	will attempt	mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE
muyangu amaruL	in the mahAbhAratha battlefield which is full (of armies)	mudhal thiruvandhAdhi – 8 – mayanga valampuri
nA	my tongue	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
nA	tongue	mudhal thiruvandhAdhi – 72 – anbAzhiyAnai
nA	tongue (which is the implement for praising emperumAn)	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
nAdik koLLum	will join together	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
nAdilum	when thinking (with the mind)	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
nAduvan	I shall think of	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
nAgam koy pUm pOdhu koNdu	with beautiful flowers plucked from punnai tree [a kind of flower bearing tree]	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
nagar	his dwelling place SrIvaikuNtam	mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl
nagaram aruL purindhu	providing dwelling place	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
nAL dhORum	every day	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
nal idhazhth thAmaththAl	with a garland which has beautiful petals of flowers	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
nal mAlai koNdu	with beautiful garland	mudhal thiruvandhAdhi – 57 – ayal ninRa
nal nenjE	Oh [my] good heart!	mudhal thiruvandhAdhi – 45 – AmE amararkku
nal nenjE	Oh my heart who is well disposed! [towards emperumAn]	mudhal thiruvandhAdhi – 99 – uLan kaNdAy
nal thAmarai adi sE adiyai	the divine reddish feet that resembled beautiful lotus	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
nAl vEdha agaththAy	Oh one who is flourishing in the sacred texts!	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
nallAn	the benefactor‚Äôs	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
naLLEn	I will not move closely	mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai
nALum	everyday	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
nALum	everyday	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
nAlvarkku aRam uraiththa	one who gave a discourse to four rishis on dharma (righteousness)	mudhal thiruvandhAdhi – 4 – neRi vAsal
namaiyAmal	even if not controlled	mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl
nAmam	name	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
nAmam nIr vaiyagaththu	in the famous earth surrounded by ocean	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
naman thamarAl	by the messengers of yama	mudhal thiruvandhAdhi – 55 – avan thamar
nAmaththAl	with his divine names	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
nAmE aRigiRpOm	only we (who are blessed by his causeless mercy) know	mudhal thiruvandhAdhi – 45 – AmE amararkku
namO nAranA ennum	¬† thirumanthram with eight syllables	mudhal thiruvandhAdhi – 57 – ayal ninRa
namO nAraNA enRu urai	thirumanthram	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
nAn	adiyEn [I, the servitor]	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
nAn mugaRku	¬† for brahmA	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
nANAmai naLLEn	(I) will not approach, without any shame	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
nandhuvikkum	putting out	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
nangu aRindhana	knew very well	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
nAngu idaththum	in these four dhivyadhEsams	mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum
nangu uNarvAr	knowing well	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
nAngu Uzhi ninRu	being stable for four yugas (several eons)	mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu
nanju uNdu	drinking poison	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
nAnRa mulai thalai	from the sagging bosom	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
nanRu	will yield benefits	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
nAraNan	(for one) it is nArAyaNan	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
nayam	the matters desired (by samsAris)	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
nayam ninRa	being in the form of SAsthras (sacred texts)	mudhal thiruvandhAdhi – 57 – ayal ninRa
nayavEn	I will not desire as mine	mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai
nediyOy adi	the divine feet of emperumAn	mudhal thiruvandhAdhi – 35 – ARiya anbil
nedumAl	the one who has extreme love [towards his devotees]	mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu
negizha	to be rid of	mudhal thiruvandhAdhi – 49 – magizhalagonRE poL
nEmi	(for one) chakkaram (chakra, divine disc)	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
nEmiyum	the divine sudharSana chakram (disc)	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
nenjamE	Oh heart!	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
nenjE	heart!	mudhal thiruvandhAdhi – 41 – kunRu anaiya
nenjE	Oh [my] heart!	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
nenjE	Oh my heart!	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
nenjE	Oh heart!	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
nEr Am	those who came as enemies	mudhal thiruvandhAdhi – 83 – varai kudai thOL
nEr valiyOn Ana	having the strength to fight in direct combat	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
nErE irundhum	being very close (to emperumAn)	mudhal thiruvandhAdhi – 56 – pErE vara
neRi ninRa	standing firmly in the good path (of attaining emperumAn)	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
neRi vAsan thAnEyAy ninRAnai	emperumAn who is both the path and the goal	mudhal thiruvandhAdhi – 4 – neRi vAsal
nI	you (who are a sathya sankalpan, one who fulfils what he says)	mudhal thiruvandhAdhi – 8 – mayanga valampuri
nI	you	mudhal thiruvandhAdhi – 36 – muraNai vali
nI	you	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
nI	you	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
nI aLandha	measured by you	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
nI aLavu kaNda neRi aRigilEn	I am not able to know the extent of the deeds carried out by you	mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi
nI idandhadhu	you tore	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
nI kidandha pAl	the milky ocean where you are reclining	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
nI kuRRamAk koLLal	you should not mistake	mudhal thiruvandhAdhi – 35 – ARiya anbil
nI vaLarndha	your sleeping	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
nI vAy maduththadhu en	why did you fold your tongue?	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
nIdhiyAl Odhi	properly reciting the divine names	mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE
nIkki	removing	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
nIL aravaich chuRRi	coiling the long snake (vAsuki) as rope (for churning)	mudhal thiruvandhAdhi – 81 – ALamar venRi
nIL kadaluL	in the expansive ocean	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
nIL kazhalAn	one having long divine feet (the origin of gangA)	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
nIL kOval ponnagarum	sweet and beautiful thirukkOvalUr	mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum
nIL mudiyai	extended (ten) heads	mudhal thiruvandhAdhi – 45 – AmE amararkku
nIL mudiyAn	having the long crown (indicative of his greatness)	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
nIL visumbilAr	the dhEvas (celestial entities) in the expansive sky	mudhal thiruvandhAdhi – 79 – koNdArai allAl
nilam	earth	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
nilam muzhudhum ANdAlum	even if one were to get all the wealth to rule all the worlds	mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu
nilanum	he is also the bhUmi (earth)	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
nin	your	mudhal thiruvandhAdhi – 57 – ayal ninRa
nin adiyai	your divine feet	mudhal thiruvandhAdhi – 75 – kAppu unnai
nin adiyE	only your divine feet	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
nin AgaththAL	resides in your heart	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
nin Agaththu	in your divine form	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
nin pAdham	your divine feet	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
nin pugazhE pAduvan	I shall sing only your praises	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
nin sEvadimEl	(keeping) on your reddish divine feet	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
nin undhiyAn	was born from your divine navel	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
nin urugi	with boundless love towards you	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
ninaidhaRku ariyAnai	one who would not know (of his own effort)	mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr
ninaindhu	thinking of stealing butter (even then)	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
ninnai	you	mudhal thiruvandhAdhi – 76 – vazhi ninRu
ninRAl	when emperumAn stands	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
ninRAn irundhAn kidandhAn nadandhAnE enRAl	if we say that (emperumAn) stands, stays, reclines and walks	mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum
ninRAyAl	did you not shower your mercy by standing!	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
ninRu	standing (near mahAbali)	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
ninRu ulagam thAya nedumALum	sarvESvaran (lord of all) who stood and measured all the worlds	mudhal thiruvandhAdhi – 98 – pon thigazhum mEni
nIr	(for one) comfortable water	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
nIr aLavum sella nimirndhadhu	it rose to reach the waters covering the universe	mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi
nIr AzhiyuL kidandhu	in the thiruppARkadal (milky ocean) containing water, where you were reclining	mudhal thiruvandhAdhi – 83 – varai kudai thOL
nIr ERRAnai	emperumAn who received water [which is given as indication of commitment to donating]	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
nIr ERRu	taking alms	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
nIr Odham mA kadal	ocean which is full of water and which keeps throwing up waves	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
nirai malar koNdu	with strung flowers	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
nirai vidai Ezh	the seven fat bulls	mudhal thiruvandhAdhi – 83 – varai kudai thOL
niRaiyumE	will it get filled-up?	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
nIrERRadhu evvulagam	for which world did you accept water	mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu
nIRRAn	smearing ashes (to get rid of a curse)	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
nisAsarar mEl	on the demons (madhu and kaitabha)	mudhal thiruvandhAdhi – 83 – varai kudai thOL
nItti	making them grow	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
niyamangaLAl parava	praising as per the way SAsthras [scriptures] ordained	mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE
nIyum thirumagaLum	periya pirAtti (SrI mahAlakshmi) and you	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
nizhal maNivaNNaththAn	having a cool, comfortable form like a blue gemstone	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
nOkki	seeing the svarUpam (basic nature) of self as well as of emperumAn	mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl
nOkkum	will know	mudhal thiruvandhAdhi – 67 – peyarum karum kadalE
nOy	disease of the SarIram (physical body)	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
nudangu idaiyai	sIthAp pirAtti who had slender waist	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
nUl	(for one) Agamam (scripture) composed by men	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
nuN kELvi vAy vArgaL	those who have subtle knowledge through hearing	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
OdhanIr vaNNanai	emperumAn who has the complexion of ocean	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
Odhi uru eNNum	reciting hymns and counting them	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
Odhuvadhum	being listened to (by these great people)	mudhal thiruvandhAdhi – 66 – kAlai ezhundhu
Odi	moving rapidly	mudhal thiruvandhAdhi – 80 – aduththa kadum
oN kEzh vilagu karum kadalum	ocean which is beautiful, throws waves and is black in colour	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
oN kuravar	wise inhabitants (hunters) of thirumalai hill	mudhal thiruvandhAdhi – 38 – Urum vari aravam
oN malar sEvadiyum	divine foot which is like a beautiful reddish flower	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
oN pU	the radiant lotus flower	mudhal thiruvandhAdhi – 67 – peyarum karum kadalE
oN thAmaraiyAL oruvanaiyE	only nArAyaNa, consort of SrI mahAlakshmi who dwells on the radiant lotus flower	mudhal thiruvandhAdhi – 67 – peyarum karum kadalE
oN thArai nIr	radiant stream of water (poured by him)	mudhal thiruvandhAdhi – 79 – koNdArai allAl
Ongu Odha vaNNA	Oh the one who has the divine form with the complexion of an ocean with agitating waves	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
onRu mEni	(of the two) one is a body to the other	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
onRum	even a little bit [of his nature, qualities and wealth]	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
Or	incomparable	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
Or	know	mudhal thiruvandhAdhi – 99 – uLan kaNdAy
Or adiyum	the divine foot which measured the worlds	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
Or adiyum pAr uduththa	the other divine foot surrounding the entire universe	mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi
Or ari Ay	unique form of narasimha (face of lion and body of human)	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
Or Azhi sUzhndha¬†	surrounded by the unique ocean	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
Or AzhiyAn adiyE	the divine feet of emperumAn who is reclining, holding the incomparable sudharSana chakkaram (divine disc)	mudhal thiruvandhAdhi – 66 – kAlai ezhundhu
Or EnamAy	a unique boar [incomparable]	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
Or iruvar	the twin aSvinI dhEvas	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
Or kai mEl	on top of the other hand	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
Or ponnAzhi Endhi	(in the other hand) holding the unique, beautiful sudharSana chakra (disc)	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
Oradiyil thAyavanai	one who measured all the worlds with one divine foot	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
Orppanavum	thinking of	mudhal thiruvandhAdhi – 66 – kAlai ezhundhu
oru kai	with one divine hand	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
oru kai paRRi	holding in one hand	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
oru kOttin mEl	in a corner of one tusk	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
oru mAlaiyAl	with the incomparable garland of words, purusha sUktham	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
oruvan	one among them, Siva,	mudhal thiruvandhAdhi – 98 – pon thigazhum mEni
oruvan angaththu	holding on to the divine body of nArAyaNa	mudhal thiruvandhAdhi – 98 – pon thigazhum mEni
oruvanAya	sleeping without a companion	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
oruvar	the incomparable sages	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
oruvar	some people	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
OvAdhu	continuously	mudhal thiruvandhAdhi – 25 – urai mERkondu
OvAdhu	many times (without getting tired)	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
OvAdhu eppOdhum	always, without any break	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
ozhivadhallAl	other than leaving that place	mudhal thiruvandhAdhi – 55 – avan thamar
padai	weapon	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
padai anRE	is it not an upAyam (means)!	mudhal thiruvandhAdhi – 81 – ALamar venRi
padai Arum	like a sword	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
padaiththa	created	mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu
padaiththa	carried out	mudhal thiruvandhAdhi – 35 – ARiya anbil
pAdam aththAl eNNinAn	counted with his divine feet	mudhal thiruvandhAdhi – 45 – AmE amararkku
padam nAgaNaikkidandha	reclining on the mattress of thiruvandhAzhwAn (AdhiSEshan) with hoods	mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum
padam udaiya	having spread hood	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
pAdham	divine feet	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
pAdham	divine feet	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
pAdhamE	divine feet	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
padhinoruvar	the 11 rudhras	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
padi	the earth	mudhal thiruvandhAdhi – 84 – pirAn un perumai
padi	divine form	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
padi kadappa	measured the worlds	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
pAdilum	when singing (with the mouth)	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
padu thuyaram	its deep sorrow	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
paduththa perum pAzhi	the large cot on which (emperumAn) reclines	mudhal thiruvandhAdhi – 80 – aduththa kadum
pagara	to teach (others)	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
pagazhi	and arrows	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
pai	beautiful	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
pai nAgam paLLiyAn	emperumAn who has as his mattress, the expansive thiruvananthAzhwAn (AdhiSEshan)	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
paim kaN	having beautiful eyes	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
pAl Am	he will be enjoyable, similar to milk	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
pAl Odham sindha	droplets to fall on the milky ocean	mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum
pala pagalum	time immemorial	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
pali yERRa	one who took alms	mudhal thiruvandhAdhi – 46 – paN purindha
pallAr	many others‚Äô	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
pAmbu aNaiyAn	emperumAn who has thivananthAzhwAn (AdhiSEsha) as his mattress	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
pAmbu aNaiyinAn	emperumAn who has thiruvananthAzhwAn (AdhiSEshan) as his mattress	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
paN	having musical intonation as the most important part	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
paN purindha nAn maRaiyOn	brahmA, who was taught the four vEdhas, along with their [musical] tunes	mudhal thiruvandhAdhi – 46 – paN purindha
paNbALA	Oh one who is simple!	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
paNban	benefactor with simplicity	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
paNbu	auspicious qualities	mudhal thiruvandhAdhi – 45 – AmE amararkku
paNivAr kaNdIr	see those who worship	mudhal thiruvandhAdhi – 46 – paN purindha
pAraLavum Oradi vaiththu	keeping one divine foot till the end of this world [to measure it]	mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi
pArasi nAL	on the day of dhvAdhaSi (12th day of new moon or full moon)	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
paravi	worship	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
paRRi	scooping (the chEthanas, the sentient entities)	mudhal thiruvandhAdhi – 81 – ALamar venRi
paRRi	as dwelling place	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
paRRiyAn kai	is the divine hand of one who holds it.	mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu
pAvam	bad deeds	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
payandha	one who was taught	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
pAyndha	fell	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
pAyum pani maRuththa	blocking the torrential rain	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
pazhippAy	may abuse	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
pazhudhE pOyina enRu	that they have been wasted	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
pazhudhinRi	without any defect	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
pazhudhu	is of no use.	mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE
pazhudhu onRum	any shortcoming	mudhal thiruvandhAdhi – 76 – vazhi ninRu
pEr amar kaN	having eyes which appear to be fighting with each other	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
pEr Azhi koNda	striking the huge chakrAyudham (divine disc)	mudhal thiruvandhAdhi – 83 – varai kudai thOL
pEr Azhi koNdAn peyar	the divine names of the entity who holds the large disc	mudhal thiruvandhAdhi – 66 – kAlai ezhundhu
pEr Odham vaNNan	emperumAn having the complexion of a large ocean	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
pErALA	Oh magnanimous entity!	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
pErAzhi koNda pirAn anRi	other than emperumAn who has the large sudharSana chakkaram (divine disc)	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
pErE	with the divine name (of emperumAn)	mudhal thiruvandhAdhi – 56 – pErE vara
peridhu ninRadhuvum	stood always	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
periyanAy	as a great person (in both wealth and magnanimity)	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
pErndhilaL Al	was immobile, having died	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
pErndhu	coming out of thiruppARkadal (milky ocean)	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
peRRAr	dhEvaki and vasudhEvar, krishNa‚Äôs parents‚Äô	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
peru maNiyai	huge carbuncle gems	mudhal thiruvandhAdhi – 38 – Urum vari aravam
peru vil	with a large bow	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
pEy mulai nanju	the poison which was applied to pUthanA‚Äôs bosom	mudhal thiruvandhAdhi – 11 – vAy avanai alladhu
peyar	divine names	mudhal thiruvandhAdhi – 81 – ALamar venRi
peyarinaiyE	[his] divine names	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
peyarum karum kadalE nOkkum	will flow only towards the dark complexioned ocean which keeps throwing out waves	mudhal thiruvandhAdhi – 67 – peyarum karum kadalE
pEyth thAy	demon pUthanA, who came in the form of your mother	mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar
pidi sEr	roaming with female elephant	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
piNi mUppu nanRu kai agaRRi	getting rid of disease and old age, well (and attaining kaivalyam)	mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu
piRai maruppil	tusks in the shape of the moon‚Äôs crescent	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
pirAn	Oh benefactor!	mudhal thiruvandhAdhi – 83 – varai kudai thOL
pirAn	Oh emperumAn!	mudhal thiruvandhAdhi – 84 – pirAn un perumai
piRar Ar aRivAr	who can know (other than you)?	mudhal thiruvandhAdhi – 84 – pirAn un perumai
piRar poruLai	AthmA, which is the possession of distinguished emperumAn	mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai
pithaRRal allAl	apart from saying in disorderly manner	mudhal thiruvandhAdhi – 56 – pErE vara
pOdhA ArU	being insufficient	mudhal thiruvandhAdhi – 84 – pirAn un perumai
podhi avizhum	blossoming	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
pOdhodu nIr Endhi	taking flower and¬† sacred water	mudhal thiruvandhAdhi – 43 – manamAsu thIrum
pOdhodu nIr Endhi	taking flowers and water	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
podi sEr	applying ashes	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
pon	being resplendent	mudhal thiruvandhAdhi – 36 – muraNai vali
pon	great gold	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
pon adiyE	beautiful divine feet	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
pon Azhi EndhinAn	¬†holding the divine disc, your	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
pon Azhi kaiyA	having a divine hand which holds the divine chakkaram (divine disc)	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
pon Azhikk kaiyAn thiRan uraiyE	matters related to emperumAn who is holding the beautiful disc¬† on his hand	mudhal thiruvandhAdhi – 41 – kunRu anaiya
pon peyarOn	the demon hiraNyakashyap‚Äôs	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
pon thigazhum mEni	having a form which shines like gold	mudhal thiruvandhAdhi – 98 – pon thigazhum mEni
pongu aNaiyAn	having resplendent mattress	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
pOr Azhi kaiyAl	with the sudharSana chakra (disc) in your hand for engaging in battle	mudhal thiruvandhAdhi – 8 – mayanga valampuri
pOr kOdu osiththanavum	breaking the tusks which engage in fighting	mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu
poral uRRu	being intent on waging war	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
poRi aindhum	the five sensory perceptions	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
poRi koL siRai	wings with many colours	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
poRi pulangaL aindhum	the five sensory organs such as eyes etc and the five matters such as sound, taste etc [connected to the five sensory organs]	mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl
poRi ugirAl	with multi coloured finger nails	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
pOrkkadhavam sAththi	closing the door, which is difficult to close	mudhal thiruvandhAdhi – 4 – neRi vAsal
poru kOttu	with tusks which are meant for battle	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
porudhu	fighting (with bhIshma)	mudhal thiruvandhAdhi – 8 – mayanga valampuri
porundhAdhavanai	one who doesn‚Äôt come to him	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
pOy	seeking	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
pU magaLAn	having SrI mahAlakshmi on his chest	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
pU mEl	on top of the lotus originated from navel	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
pU mEya mAdhavaththOn	brahmA, who has done lot of penance and who resides in the lotus growing out of [emperumAn‚Äôs] navel	mudhal thiruvandhAdhi – 45 – AmE amararkku
pU vadivai	the beauty of flowers	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
pugai viLakkum	dhUpam (fragrant smoke, incense) and dhIpam (lamp)	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
pugazhvAy	may praise	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
pukku idandhAykku	(during deluge) immersed in water and dug it out	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
puL	(for one) garuda, who has vEdham as his SarIram (body)	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
puL	garudAzhwAn	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
puL kodi	(his) garuda flag mast	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
puL UrndhAn	having garuda (who has vEdhas as his body) as his vehicle	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
puL vAy kIndu	tearing the beak of a crane in which a demon had entered	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
pulan aindhu	the five sensory perceptions	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
pulgil	if worshipped	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
pulgum aNaiyAm	(he) is the pillow that emperumAn embraces	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
puLLin vAy	(the form that bakAsura took) crane‚Äôs mouth	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
pUm kOdhaiyAL	piratti with beautifully platted divine hair	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
pUm kurundham sAyththanavum	pushing the kurundha tree	mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu
pUm kurundham sAyththu	pushing a beautiful kurundham tree [another species of trees, with beautiful flowers]	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
pUm pattam	(he) is the beautiful divine dress	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
pUm punalum	flower and water	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
pUm thodaiyalOdu	with garlands made of flowers	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
pUm thuzhAyAnai	one decorated with beautiful thuLasi (basil) garland	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
pUN Aram pUNdAn pugazh kEL ennum	will instruct to hear the praise of emperumAn who has donned the decorative pearl necklace.	mudhal thiruvandhAdhi – 72 – anbAzhiyAnai
puN nirandha	to cause hurt by breaking	mudhal thiruvandhAdhi – 36 – muraNai vali
puN purindha AgaththAn	emperumAn who harmed his divine heart	mudhal thiruvandhAdhi – 46 – paN purindha
puNaiyAm	(he) is the float	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
punal	having [copious] water	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
punam	on the land appropriate to itself	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
punam mEya pUm thuzhAyAn	emperumAn who is adorned with thuLasi garland which blossoms as if it is on its own land [even when it is on emperumAn‚Äôs divine form]	mudhal thiruvandhAdhi – 43 – manamAsu thIrum
punam thuRandha	leaving the fields	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
puNar marudhin¬†	two marudham trees [a species of trees] which are joined (together) without any gap	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
puNarppu	creation	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
pundhiyAl sindhiyAdhu	instead of thinking with the mind	mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu
pundhiyil Aya	due to his sankalpa (vow or will)	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
puRan uraiyE Ayinum	even if it were spoken as a lip service	mudhal thiruvandhAdhi – 41 – kunRu anaiya
puRandhAn	(different from all these) jIvan (all living species), mahAn (one of the essential entities in creation, known as ‚Äúgreat‚Äù), ahankAram (ego) etc	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
puri	the conch pAnchajanya, which is turned to the right side	mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi
puri sadai	platted, matted hair	mudhal thiruvandhAdhi – 98 – pon thigazhum mEni
purindhu	with liking	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
puRRu adiyum vEnkatamE	(fearing the thunder) such snakes entering their anthills in thiruvEnkatam	mudhal thiruvandhAdhi – 38 – Urum vari aravam
pUvaippU (mEni)	the colour of pUvaippU (blue coloured flower)	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
sAdu udhaiththa	kicked such that the wheel broke into smithereens	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
sagadam sAdi	formed due to kicking the demon who had entered the wheel	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
sArnga nAN	the cord of bow	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
sAya	to fall down and perish	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
second explanation when he showed the worlds that he had swallowed to mArkaNdEya		mudhal thiruvandhAdhi – 94 – seRRezhundhu
sellum thanaiyum	until it lasts	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
sellum thiRan	why are they going?	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
sellum vagai uNdE	archirAdhi mArga, the path to go [to SrIvaikuNtam] is ready	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
sem kaN	having reddish eyes	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
sem kaN	having reddish eyes	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
sem kaN avan	emperumAn with reddish lotus like eyes	mudhal thiruvandhAdhi – 54 – aravam adal vEzham
sem kaN mAl	emperumAn who has reddish eyes and lot of affection [towards his followers]	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
sem kaN mAl kaNdAy	behold the paramapurusha (supreme entity) with lotus like eyes	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
sem kaN mARku	the supreme entity with reddish eyes	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
sem niReei	establishing firmly	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
sem thI	to the red hot fire	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
sem thIyum	he is also the red hot fire	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
sem thIyum	reddish fire	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
sendhI puvi kAl nIr viN	fire, earth, wind, water and sky [ether]	mudhal thiruvandhAdhi – 12 – sevi vAy kaN
sengaNmAl kaNdAy	look at the emperumAn who has reddish lotus like eyes.	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
senni	on the head	mudhal thiruvandhAdhi – 46 – paN purindha
senRa indha Ezh ulagum maRRu ivai	(saying) these are the seven worlds that went (inside my stomach)	mudhal thiruvandhAdhi – 94 – seRRezhundhu
senRa indha Ezhu ulagaum maRRu ivai	these are the seven worlds which keep going about	mudhal thiruvandhAdhi – 94 – seRRezhundhu
senRAl kudaiyAm	is an umbrella when (emperumAn) goes out	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
senRu	going to (thirumalai)	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
senRu kai thozhuvar	will approach and worship	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
senRu thisai aLandha	measuring, while walking in all directions	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
seRRa ARu	the way you killed them	mudhal thiruvandhAdhi – 83 – varai kudai thOL
seRRAr padi	the world of his enemy mahAbali (who thought that it was his)	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
seRRu	destroying (all the worlds)	mudhal thiruvandhAdhi – 94 – seRRezhundhu
seRRu ezhundhu	getting up angrily	mudhal thiruvandhAdhi – 94 – seRRezhundhu
seru Azhi EndhinAn	emperumAn who is holding his sudharSana chakkara (disc)	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
sEvadikkE sella	to attain his fresh divine feet	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
sevi	the ears	mudhal thiruvandhAdhi – 72 – anbAzhiyAnai
sevi vAy kaN mUkku udal	ear, mouth, eye, nose and body [skin]	mudhal thiruvandhAdhi – 12 – sevi vAy kaN
sevvE theLindhu ozhiyum	(he also) will become very clear [and happy]	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
sEyAnai	one who is far away	mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr
seyya maRaiyAn	nAnmukan (one with four faces), brahmA, who keeps chanting the great vEdhas which identify you	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
seyya sudarAzhiyAn adikkE	at the divine feet of emperumAn, who has reddish coloured chakra (disc) weapon	mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA
silaiyAl	with a bow	mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu
sindhai	[their] minds	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
sindhiththu iru	keep meditating	mudhal thiruvandhAdhi – 41 – kunRu anaiya
siraththAl	through his head	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
sol mAlai	garland made of words	mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA
sOlai sUzh kunRu eduththAy sollu	one who lifted the (gOvardhana) hill surrounded by gardens	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
sollu	only (you) have to tell	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
sollum thanaiyum	until you are capable of reciting	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
solmAlai	garland of words	mudhal thiruvandhAdhi – 57 – ayal ninRa
sudar pon nedu mudi	the one who has radiant, beautiful and large crown	mudhal thiruvandhAdhi – 49 – magizhalagonRE poL
sUdilum	when thinking to wear (something) on the head	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
sUduvERku	one, wearing (on the head)	mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE
sUr uruvin pEy	a demon who came in the garb of a celestial person	mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi
sura asurargaL	both celestial persons and demons	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
suRRi	spinning him around	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
sUttinEn	I adorned him with	mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA
suvar misaich chArththiyum	drawing their figures on walls	mudhal thiruvandhAdhi – 14 – avar avar thAm
sUzh arava	thiruvananthAzhvAn (AdhiSEshan) who has spread himself expansively	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
suzhalum	(demons who were) scared (as to what will happen)	mudhal thiruvandhAdhi – 48 – kazhal onReduththu
sUzhndha	one who destroyed	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
sUzhndha	coiling (around its leg)	mudhal thiruvandhAdhi – 80 – aduththa kadum
thAL	in the divine feet	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
thAL	divine feet	mudhal thiruvandhAdhi – 46 – paN purindha
thAL paNindha	one who came and worshipped at his feet	mudhal thiruvandhAdhi – 45 – AmE amararkku
thaLai kazhala	chain to snap open	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
thAm	themselves	mudhal thiruvandhAdhi – 43 – manamAsu thIrum
tham ArvaththAl	with their friendliness	mudhal thiruvandhAdhi – 35 – ARiya anbil
thAm thAm aRindhavARu	appropriate to their qualities and knowledge	mudhal thiruvandhAdhi – 14 – avar avar thAm
thamar	his followers	mudhal thiruvandhAdhi – 43 – manamAsu thIrum
thamar	devotees	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
thamar	devotees	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
thamar ugandhadhu eppEr	whichever divine name they desire [for emperumAn]	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
thAmaraiyAnOdu¬†	along with brahmA, who was born in the lotus, shooting from emperumAn‚Äôs navel	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
thAmbu koNdu	with a small rope	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
thaN thuzhAy mAlai sEr	decorated with cool, thuLasi garland	mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa
thaN thuzhAyAn adikkE	the divine feet of sarvESvaran (supreme entity) who adorns a cool thuLasi garland	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
than vil am kai vaiththAn	the one who adorned the bow in his beautiful hands	mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu
thandhiraththAl	with activities [not involving hymns]	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
thAne kaikUdum	will come on its own	mudhal thiruvandhAdhi – 43 – manamAsu thIrum
thAne kaNdAy	look! they are all emperumAn himself!	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
thAne thanakku AvAn	he can be compared only to himself	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
thAy nAdu	[among the (herd of) cattle] attaining its mother	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
thazhumbu	scar	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
thazhumbu	scars	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
thazhumbu irundha	scar was present	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
thazhumbu irundha	scars are present	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
theLi	(Oh my heart!) know this well	mudhal thiruvandhAdhi – 29 – iRaiyum nilanum
theLidhAga	to ensure¬† that bewilderment is removed	mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai
theLiya	if (you) attain clarity	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
thEn Agi	(for nithyars and mukthars, permanent dwellers of SrIvaikuNtam and those who have got liberated from samsAram and have reached SrIVaikuNtam respectively) being sweet, like honey	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
thErAzhiyAl	with the wheel of the chariot [here it refers to his sudharSana]	mudhal thiruvandhAdhi – 8 – mayanga valampuri
thERi	after clarifying	mudhal thiruvandhAdhi – 35 – ARiya anbil
thI Ay	taking the form of agni (fire)	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
thI gadhikkaN	in the path to naragam (hell)	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
thI vizhiththu	looking with fiery eyes (at dhuryOdhana and others)	mudhal thiruvandhAdhi – 94 – seRRezhundhu
thI vizhiththu	looking with fiery eyes	mudhal thiruvandhAdhi – 94 – seRRezhundhu
thigazh nIr kadalum	ocean with flourishing water	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
thIkkadhikkaN sellAr	will not go astray	mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr
thinaiyEnum	even to a small extent [almost zero probability]	mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr
thINdappeRRu	feeling it	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
thirai mEl	on top of thiruppARkadal (milky ocean)	mudhal thiruvandhAdhi – 25 – urai mERkondu
thiRambAdhu	without mistake	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
thiru arangam mEyAn	emperumAn who is reclining inside thiruvarangam (SrIrangam)	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
thirumagaL mEl manam	divine mind which is (full of love) on thirumagaL (SrI mahAlakshmi)	mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum
thirumagaLum maNmagaLum AymagaLum sErndhAl	if SrIdhEvi, bhUdhEvi and neeLA dhEvi are together	mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum
thirumagatkE thIrndha ARu enkol	what a surprise that it is totally involved with SrI dhEvi!	mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum
thirumAl than	emperumAn‚Äôs, who is with mahAlakshmi	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
thirumAlai	the consort of SrI mahAlakshmi	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
thirumAlai	consort of SrI mahAlakshmi	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
thirumAlai alladhu	other than SrI mahAlakshmi‚Äôs consort	mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai
thirumAlE	consort of thiru [mahAlakshmi]	mudhal thiruvandhAdhi – 8 – mayanga valampuri
thirumAlE	¬† Oh, my benefactor and the consort of SrI mahAlakshmi	mudhal thiruvandhAdhi – 75 – kAppu unnai
thirumAlE	Oh the consort of mahAlakshmi!	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
thirumARku	for emperumAn who is with pirAtti (SrI mahAlakshmi)	mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm
thirumEni	his divine form	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
thirunAmam	beautiful divine names	mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum
thiruvadiyE sErvAn	in order to attain divine feet	mudhal thiruvandhAdhi – 57 – ayal ninRa
thiruvEngadam	the hills of thirumalai	mudhal thiruvandhAdhi – 76 – vazhi ninRu
thisai	all his svabhAvam (natural characteristics)	mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn
thisai mEl sella	went beyond the directions	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
thisai nadunga	making people in all directions to quiver	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
thisai thisaiyil	from all directions	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
thisai uRu dheyvamum	the deities in these directions	mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu
thisaiyum	worlds with all their directions	mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu
thodar	following (to swallow it)	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
thOL	the divine shoulders	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
thOL	divine shoulders	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
thOL	(my) hands	mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA
thOL kAmbu Aga	making shoulders as the handle of umbrella	mudhal thiruvandhAdhi – 83 – varai kudai thOL
thol naragai	the ancient hellish regions	mudhal thiruvandhAdhi – 81 – ALamar venRi
thOLAn	emperumAn who has divine shoulders	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr
thOnRa uNdAn	ate in such a way that everyone knew	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
thOya	to wash (your) divine feet	mudhal thiruvandhAdhi – 79 – koNdArai allAl
thOyndha	formed due to constant touching	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
thozhA	will not worship (anyone else)	mudhal thiruvandhAdhi – 11 – vAy avanai alladhu
thozhA niRpar	will keep worshipping	mudhal thiruvandhAdhi – 43 – manamAsu thIrum
thozhudhEn	worshipped (today)	mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum
thozhudhu	worshipped	mudhal thiruvandhAdhi – 57 – ayal ninRa
thozhudhu	worship	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
thozhumin	worship him	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
thozhuvar	will worship	mudhal thiruvandhAdhi – 14 – avar avar thAm
thozhuvAr	the bhagavath prApthi kAmars (those who desire to attain only emperumAn) who worship	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
thozhuvAr	those who attain you	mudhal thiruvandhAdhi – 76 – vazhi ninRu
thUNdum malai	is the mountain which stimulates	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
thuyinRa	sleeping	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
udaivu kaNdAnum	and killed	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
udalum uyirum	having both SarIram (physical body) and AthmA (soul)	mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
Udu pOy	crawling between them	mudhal thiruvandhAdhi – 62 – puNar marudhinUdu
ugandha	relished	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
ugandhadhu evvuruvam	whichever form they desire [for emperumAn]	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
ugandhAn	one who felt joyful	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
ugandhu	with desire	mudhal thiruvandhAdhi – 44 – thamar ugandhadhu
uL adakki	controlling them inside the body	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
uL pugA	not entering	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
uL pukku	entering (analysing)	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
ulagam	the exalted mumukshus (those who are desirous of attaining mOksham, SrIvaikuNtam)	mudhal thiruvandhAdhi – 66 – kAlai ezhundhu
ulagam ellAm aRiyum	all the people in the world knew.	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
ulagam thAyavanai alladhu	other than thrivikraman who measured all the worlds by growing	mudhal thiruvandhAdhi – 11 – vAy avanai alladhu
ulaginil	seen in the world	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
ulagu	those who live in this world	mudhal thiruvandhAdhi – 60 – charaNA maRai payandha
ulagu aLandha	(one who kept his divine feet on the heads of those who worship and those who are worshipped and) measured all the worlds	mudhal thiruvandhAdhi – 14 – avar avar thAm
ulagu aLandha nAnRu	on the day when he measured the worlds	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
ulagu aLandha nAnRu	when (you) measured the worlds	mudhal thiruvandhAdhi – 84 – pirAn un perumai
ulagu idandha	one who separated the world from the shell of the universe	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
ulagu iRandha Uzhiyum	time which remains when the world is destroyed [during deluge]	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
ulagum	all the worlds	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
uLan	will sustain	mudhal thiruvandhAdhi – 98 – pon thigazhum mEni
uLan kaNdAy	exists (only to protect us)	mudhal thiruvandhAdhi – 99 – uLan kaNdAy
uLan kaNdAy	resides permanently	mudhal thiruvandhAdhi – 99 – uLan kaNdAy
uLLadhO	was it?	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
uLLaththin uLLAn enRu	is residing inside (my) heart	mudhal thiruvandhAdhi – 99 – uLan kaNdAy
uLLuvAr uLLaththu	those who think of him	mudhal thiruvandhAdhi – 99 – uLan kaNdAy
umizhndha	spat out	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
umizhndha pAr	[after deluge] the world that was spat out	mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu
un	your	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
Un	body	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
un perumai	your greatness	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
un perumai¬†	your greatness	mudhal thiruvandhAdhi – 84 – pirAn un perumai
un than adi sErndhu	attaining your divine feet	mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu
un uruvam thannai	your svarUpam (basic nature) and rUpam (divine form)	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
un vAy	your divine mouth	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
UNAga uNdAn	one who drank the milk as his food (to sustain himself)	mudhal thiruvandhAdhi – 11 – vAy avanai alladhu
Unak kurumbaiyin	in the hut called body made of flesh	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
uNarvAr	those who can know [emperumAn]	mudhal thiruvandhAdhi – 47 – vAri surukki
uNarvAr Ar	who will know?	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
uNarvAr Ar	who will know?	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
uNarvAr Ar	who will know (by measuring)?	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
uNarvu	knowledge	mudhal thiruvandhAdhi – 67 – peyarum karum kadalE
uNdAmO	will it be available?	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
uNdAyai	you, who ate that butter	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
uNdE	is available	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
unnai unna	when you are thought of	mudhal thiruvandhAdhi – 75 – kAppu unnai
unnai unna	once you are thought of	mudhal thiruvandhAdhi – 75 – kAppu unnai
unnaich chindhippArkku	for those who meditate on you	mudhal thiruvandhAdhi – 75 – kAppu unnai
UnRi porudhu	fighting, standing firmly	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
Ur	living place	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
urai	pramANam (authentic proof)	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
urai	please tell the truth yourself.	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
urai mERkoNdu	involved in speaking	mudhal thiruvandhAdhi – 25 – urai mERkondu
uraikkum	apt to say	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
uRaiyum kOyil	dwelling place	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
uralOdu	with mortar	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
uRap piNindha nAnRu	securing well	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
uraththinAl	through (your) strength	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
uravu udaiya	having strength	mudhal thiruvandhAdhi – 83 – varai kudai thOL
urAy	without any tiredness	mudhal thiruvandhAdhi – 84 – pirAn un perumai
Urdhi	vehicle	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
Urdhi	vehicle	mudhal thiruvandhAdhi – 21 – ninRu nilamangai
uRi	kept in the hoop (network of rope for placing pots)	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
Urndhan	emperumAn straddled	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
UrndhAy	riding on	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
Urum	that which crawls	mudhal thiruvandhAdhi – 38 – Urum vari aravam
uruvam	form	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
uruvodu pErallAl	other than his divine form and his divine names	mudhal thiruvandhAdhi – 11 – vAy avanai alladhu
uththaman	purushOththaman (the best among all entities)	mudhal thiruvandhAdhi – 99 – uLan kaNdAy
uvaNam	garudAzhwAn	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
uya	to get emancipated (after ridding of the sins)	mudhal thiruvandhAdhi – 57 – ayal ninRa
uyarndhavarOdu allAl uyavEn	I will not speak to anyone other than SrIvaishNavas (who are servitors of emperumAn)	mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai
uyarum kadhiravanE nOkkum	will blossom only after looking at sun, who is at a high place	mudhal thiruvandhAdhi – 67 – peyarum karum kadalE
uyirum	AthmA (of avaishNavas (those who are not followers of vishNu, emperumAn))	mudhal thiruvandhAdhi – 67 – peyarum karum kadalE
Uzhi thORu Uzhi	in every kalpam [brahmA‚Äôs life time running to millions of years]	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
UzhiyAn	one who was present during deluge, that emperumAn‚Äôs	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
vadi ugirAl	with sharp nails	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
vadivil [vadivu il]	without any form	mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE
vagai aRu	cutting off other kinds, such as other deities and other means	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
vaigal	every day	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
vaigalum naNNi	approaching [emperumAn] everyday	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
vaiththum	installing (as an idol)	mudhal thiruvandhAdhi – 14 – avar avar thAm
vaiyagam uNdu	after swallowing the world [after deluge]	mudhal thiruvandhAdhi – 19 – mAlum karum kadalE
vaiyam thagaLiyA	earth as holding vessel for oil	mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA
vAL amar vENdi	desiring the war which carries respect	mudhal thiruvandhAdhi – 81 – ALamar venRi
vAL arakkan	demoniacal rAvaNan	mudhal thiruvandhAdhi – 45 – AmE amararkku
vAL kaNNar	women with radiant eyes	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
vaL ugirAl	with sharp nails	mudhal thiruvandhAdhi – 36 – muraNai vali
vAL uruvi vandhAnai	iraNiyan who came ¬†wielding his sword	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
val vinaiyai	looking at the extremely powerful sins	mudhal thiruvandhAdhi – 57 – ayal ninRa
valampuri	SrI pAnchajanyam (conch)	mudhal thiruvandhAdhi – 8 – mayanga valampuri
valampuriyum	SrI pAnchajanyam (divine conch)	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
vali ninaindhu	thinking of (his) huge strength	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
vallALan	garuda who is powerful	mudhal thiruvandhAdhi – 80 – aduththa kadum
vAn	having strength	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
vAn	paramapadham (SrIvaikuNtam)	mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin
vAn	the sky also	mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE
vAn Agi	taking the form of ether (sky)	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
vaN kai	with his munificent hands	mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki
vaNangAnAm enRE	was it because he did not worship? (no; it was because emperumAn could not tolerate the faults [committed by hiraNya kashyap] towards his follower prahlAdha)	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
vAnaththu iyangum	the one who is journeying in the skies	mudhal thiruvandhAdhi – 8 – mayanga valampuri
vAnavar	dhEvas (celestial persons)	mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala
vandhippAr	those who worship	mudhal thiruvandhAdhi – 75 – kAppu unnai
vaNNam malar Endhi	holding flowers with multiple colours	mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar
vaNNaththu	having the complexion and nature of	mudhal thiruvandhAdhi – 28 – kaiya valampuriym
vAnOr	nithyasUris‚Äô (permanent dwellers of SrIvaikuNtam)	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
vAnum	sky [ethereal layer]	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
vAr kadalE neyyAga	sea, surrounding the earth, as ghee (clarified butter)	mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA
vAr sadaiyAn	one who has matted hair, signifying that he is carrying out penance	mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn
vara	such that he comes	mudhal thiruvandhAdhi – 56 – pErE vara
varAgaththu	in the form of varAha (incarnation as wild boar)	mudhal thiruvandhAdhi – 84 – pirAn un perumai
varai	(for one) hard mountain	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
varai	(his) hill	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
varai kudai (Aga)	holding the mountain (gOvardhana) as umbrella	mudhal thiruvandhAdhi – 83 – varai kudai thOL
varai mEl	on top of a mountain	mudhal thiruvandhAdhi – 25 – urai mERkondu
varai nattu	keeping the mantharagiri (a divine mountain) as (as agitator, to churn the ocean)	mudhal thiruvandhAdhi – 81 – ALamar venRi
varam kAttum	will display properly	mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE
varaththAl	through boons (granted by brahmA and other celestial entities)	mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu
vari aravam	snake with lines (on its body)	mudhal thiruvandhAdhi – 38 – Urum vari aravam
vAri surukki	reducing the water [which is like enjoyment]	mudhal thiruvandhAdhi – 47 – vAri surukki
vAsal kadai	outside the entrance [to the ASram where the three AzhwArs were standing]	mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum
vAy	(my) mouth	mudhal thiruvandhAdhi – 11 – vAy avanai alladhu
vAy vaiththu	keeping it in your divine mouth [to blow]	mudhal thiruvandhAdhi – 8 – mayanga valampuri
vAyil uNdE	is inside the mouth (without the need for searching for it outside)	mudhal thiruvandhAdhi – 95 – nAvAyil uNdE
vayiRu	the divine stomach	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
vayiRu azhala	(followers) to grieve with sorrow	mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi
vAzhi	let benefits happen (to you)	mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu
vazhi kANbar	will see the archhirAdhi mArga (the path leading to SrIvaikuNtam)	mudhal thiruvandhAdhi – 75 – kAppu unnai
vazhi ninRu	being steadfast in the path of bhakthi (devotion)	mudhal thiruvandhAdhi – 76 – vazhi ninRu
vAzhththAdhu	will not praise	mudhal thiruvandhAdhi – 11 – vAy avanai alladhu
vazhuvA mozhi ninRa	as mentioned in vEdhas, which speak only the truth	mudhal thiruvandhAdhi – 76 – vazhi ninRu
vazhuvA vagai ninaindhu	thinking that they should never leave	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
vEdhiyargaL	brAhmaNas	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
vehkAvum	thiruvehkA dhivyadhEsam	mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum
vEl	(for one) trident	mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam
vElai nIr	inside the oceanic water (where you had slept)	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
vElaikkaN	in the thirupARkadal (milky ocean)	mudhal thiruvandhAdhi – 66 – kAlai ezhundhu
veLLaththin uLLAnum	one who is reclining in thiruppARkadal (milky ocean)	mudhal thiruvandhAdhi – 99 – uLan kaNdAy
vELviyAl	with yAgam (religious ritual)	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
vELviyum nallaRamum	karmas (deeds such as agnihOthram, a ritual) and auspicious qualities	mudhal thiruvandhAdhi – 12 – sevi vAy kaN
vem naragil sErAr	will not go to the horrible hell	mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr
veN puri nUl mArban	rudhra who has white coloured yagyOpavIdham (sacred thread) worn across the chest	mudhal thiruvandhAdhi – 46 – paN purindha
veN sangam Udhiya vAy	having divine lips which blew the white coloured conch	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
vENdinEn kaNdAy	behold, I am beseeching	mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu
vEngadamE	Oh thirumalai!	mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr
vEngadamum	thirumalai	mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum
vEngadaththAy	Oh one who is standing in thiruvEngadam!	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
vEngadaththu mEyAnum	one who is standing in thiruvEngadam (thirumalai)	mudhal thiruvandhAdhi – 99 – uLan kaNdAy
vEnkatamE	only the thiruvEnkatamalai (thirumalai)!	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
vEnkatamE	thiruvEnkatam!	mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi
vEnkatamE	only at thiruvEnkatam	mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi
vEnkatamE	Oh thirumalai!	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
veNNey	butter	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
veNNey	of ¬†butter	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
veNNey vizhunga	when swallowing butter	mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy
venRi sUzh kaliRRai	elephant kuvalayApIdam which was both winning and scheming	mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai
veRi kamazhum	having sweet fragrance	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
veRpum	mountains (which are the supports for the world)	mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum
veruva	being fearful (of what will happen to the world)	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
veruvi	being fearful	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
vEtpanavum	desiring to see	mudhal thiruvandhAdhi – 66 – kAlai ezhundhu
veyya kadhirOn viLakkAga	sun, with his hot rays, as lamp [wick]	mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA
vEzham	elephant	mudhal thiruvandhAdhi – 40 – peru vil pagazhi
vEzham	elephant [by name gajEndhra AzhwAn]	mudhal thiruvandhAdhi – 78 – idar Ar paduvAr
vidai koLvAr	the kaivalyArthis (those who enjoy their own souls instead of emperumAn) who leave (permanently from emperumAn)	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
vidal	do not let go of	mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu
vidaththu aravai	a poisonous snake (by name sumukan)	mudhal thiruvandhAdhi – 80 – aduththa kadum
viN kodukkum	will it not grant paramapadham (SrIvaikuNtam)!	mudhal thiruvandhAdhi – 76 – vazhi ninRu
viN nagarum	SrIvaikuNtam	mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum
viN thuLanga	making people in the upper worlds also to tremble out of fear	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
vinai thIra	to remove the brahmahaththi curse (due to harming a brAhmaNa; in this case brahmA)	mudhal thiruvandhAdhi – 46 – paN purindha
vinai varum ARu en	how will sins come?	mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai
vinaich chudarai	the fire of pApa (bad deeds) [of all the three types of followers mentioned above]	mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr
vinaiyAl adarppadAr	will not be troubled by bad deeds	mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr
vIngu Odha vaNNar	emperumAn who has the complexion of ocean with agitating waves	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
viNNadhO	was it in the sky (which does not have a support)?	mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy
viNNagaththAy	Oh one who is dwelling in SrIvaikuNtam!	mudhal thiruvandhAdhi – 68 – uNarvAr Ar
viNNum	the sky [all these]	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
viral	on his fingers	mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN
viralOdu vAy thOyndha	stains on your fingers and your mouth	mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha
viri thOtta sEvadiyai	reddish coloured divine feet which resemble a lotus with blossomed petals	mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy
visumbu	skies (ether)	mudhal thiruvandhAdhi – 17 – adiyum padi kadappa
vizhum udambu	the [physical] body which will fall naturally	mudhal thiruvandhAdhi – 70 – sollum thanaiyum
vizhungiyadhu	ate up	mudhal thiruvandhAdhi – 10 – maNNum malaiyum
Whatever you may do, he [emperumAn]		mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy
yAnEyum allEn	was I the only one who knew this?	mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm
yAr pazhippAr	there is no one to blame!	mudhal thiruvandhAdhi – 79 – koNdArai allAl
yAr puguvAr	who will enter	mudhal thiruvandhAdhi – 87 – iniyAr puguvAr

Glossary iyaRpA mudhal thiruvandhAdhi

Glossary/Dictionary by pAsuram – mudhal thiruvandhAdhi

October 25, 2022 Published by: Jai

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama:

Sorted by word

pAsuram	Word	Meaning
mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA	vaiyam thagaLiyA	earth as holding vessel for oil
mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA	vAr kadalE neyyAga	sea, surrounding the earth, as ghee (clarified butter)
mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA	veyya kadhirOn viLakkAga	sun, with his hot rays, as lamp [wick]
mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA	seyya sudarAzhiyAn adikkE	at the divine feet of emperumAn, who has reddish coloured chakra (disc) weapon
mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA	idar Azhi nIngugavE enRu	let the ocean of sorrow (in this world) disappear
mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA	sol mAlai	garland made of words
mudhal thiruvandhAdhi – 1 – vaiyam thagaLiyA	sUttinEn	I adorned him with
mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu	kadal kadaindhadhu enRu	when was the ocean (of milk) churned?
mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu	nIrERRadhu evvulagam	for which world did you accept water
mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu	adhanai onRum uNarEn nAn	I do not know anything at all about that
mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu	adhu anRu adaiththu udaiththu	dam was built on that ocean (by SrI rAma) and was broken
mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu	kaN paduthta Azhi	ocean on which [you are] reclining
mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu	idhu nI padaiththu	this world was recovered (after accepting water)
mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu	idandhu, uNdu	[as varAha avathAram] dug up and eaten [during deluge]
mudhal thiruvandhAdhi – 2 – enRu kadal kadaindhadhu	umizhndha pAr	[after deluge] the world that was spat out
mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi	pAraLavum Oradi vaiththu	keeping one divine foot till the end of this world [to measure it]
mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi	Or adiyum pAr uduththa	the other divine foot surrounding the entire universe
mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi	nIr aLavum sella nimirndhadhu	it rose to reach the waters covering the universe
mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi	sUr uruvin pEy	a demon who came in the garb of a celestial person
mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi	aLavu kaNda perumAn	Oh benefactor, who determined the boundary (of life)
mudhal thiruvandhAdhi – 3 – pAr aLavum Oradi	nI aLavu kaNda neRi aRigilEn	I am not able to know the extent of the deeds carried out by you
mudhal thiruvandhAdhi – 4 – neRi vAsal	anRu aLamara nIzhal	on that day [once upon a time], under the shade of the banyan tree
mudhal thiruvandhAdhi – 4 – neRi vAsal	nAlvarkku aRam uraiththa	one who gave a discourse to four rishis on dharma (righteousness)
mudhal thiruvandhAdhi – 4 – neRi vAsal	Alam amar kaNdaththu aran	Siva, who has poison in his throat
mudhal thiruvandhAdhi – 4 – neRi vAsal	aindhu poRi vAsal	among the five sensory organs
mudhal thiruvandhAdhi – 4 – neRi vAsal	pOrkkadhavam sAththi	closing the door, which is difficult to close
mudhal thiruvandhAdhi – 4 – neRi vAsal	neRi vAsan thAnEyAy ninRAnai	emperumAn who is both the path and the goal
mudhal thiruvandhAdhi – 4 – neRi vAsal	aRivAn Am	would he know?
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	nAmam	name
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	aran	(for one) it is haran [sivan]
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	nAraNan	(for one) it is nArAyaNan
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	Urdhi	vehicle
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	An vidai	(for one) bull, which has no knowledge
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	puL	(for one) garuda, who has vEdham as his SarIram (body)
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	urai	pramANam (authentic proof)
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	nUl	(for one) Agamam (scripture) composed by men
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	maRai	(for one) vEdham (sacred texts) not composed by men
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	uRaiyum kOyil	dwelling place
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	varai	(for one) hard mountain
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	nIr	(for one) comfortable water
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	karumam	profession
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	azhippu	(for one) destruction
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	aLippu	(for one) protection
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	kaiyadhu	weapon in one‚Äôs hand
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	vEl	(for one) trident
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	nEmi	(for one) chakkaram (chakra, divine disc)
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	uruvam	form
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	eri	(for one) like fire
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	kAr	(for one) like cloud
mudhal thiruvandhAdhi – 5 – aran nAraNan nAmam	onRu mEni	(of the two) one is a body to the other
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	anRu	that day
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	karuvarangaththuL kidandhu	lying inside the womb
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	thiru arangam mEyAn	emperumAn who is reclining inside thiruvarangam (SrIrangam)
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	thisai	all his svabhAvam (natural characteristics)
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	kaNdEn	I saw
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	kai thozhudhEn	did anjali (joined palms together in salutation)
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	onRum	even a little bit [of his nature, qualities and wealth]
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	maRandhaRiyEn	I have not forgotten
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	EzhaigAL	Oh those who have lost the wealth of bhagavath vishayam (knowledge of emperumAn)
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	nAn	adiyEn [I, the servitor]
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	OdhanIr vaNNanai	emperumAn who has the complexion of ocean
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	inRu	today [when I have been blessed by his knowledge]
mudhal thiruvandhAdhi – 6 – onRu maRandhaRiyEn	maRappanO	how can I forget?
mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu	thisaiyum	worlds with all their directions
mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu	thisai uRu dheyvamum	the deities in these directions
mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu	dheyvaththu isaiyum karumangaL	appropriate activities (like creation, destruction etc) for these deities
mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu	ellAm	all these
mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu	kaNNan	the one who was born as krishNa
mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu	nedumAl	the one who has extreme love [towards his devotees]
mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu	kadal kadaindha	the one who churned the ocean [with the request from the dhEvas as the reason]
mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu	kAr Odha vaNNan	the one who has the complexion of cloud and ocean
mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu	padaiththa	created
mudhal thiruvandhAdhi – 7 – thisaiyum thisaiyuRu	mayakku	entities to bewilder
mudhal thiruvandhAdhi – 8 – mayanga valampuri	thirumAlE	consort of thiru [mahAlakshmi]
mudhal thiruvandhAdhi – 8 – mayanga valampuri	nI	you (who are a sathya sankalpan, one who fulfils what he says)
mudhal thiruvandhAdhi – 8 – mayanga valampuri	muyangu amaruL	in the mahAbhAratha battlefield which is full (of armies)
mudhal thiruvandhAdhi – 8 – mayanga valampuri	pOr Azhi kaiyAl	with the sudharSana chakra (disc) in your hand for engaging in battle
mudhal thiruvandhAdhi – 8 – mayanga valampuri	porudhu	fighting (with bhIshma)
mudhal thiruvandhAdhi – 8 – mayanga valampuri	mayanga	making people (both friendly and inimical) bewildered/perplexed
mudhal thiruvandhAdhi – 8 – mayanga valampuri	valampuri	SrI pAnchajanyam (conch)
mudhal thiruvandhAdhi – 8 – mayanga valampuri	vAy vaiththu	keeping it in your divine mouth [to blow]
mudhal thiruvandhAdhi – 8 – mayanga valampuri	vAnaththu iyangum	the one who is journeying in the skies
mudhal thiruvandhAdhi – 8 – mayanga valampuri	eri kadhiroN thannai	sun who is emitting his rays
mudhal thiruvandhAdhi – 8 – mayanga valampuri	thErAzhiyAl	with the wheel of the chariot [here it refers to his sudharSana]
mudhal thiruvandhAdhi – 8 – mayanga valampuri	maRaiththadhu	hiding it
mudhal thiruvandhAdhi – 8 – mayanga valampuri	en	for what purpose
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	viri thOtta sEvadiyai	reddish coloured divine feet which resemble a lotus with blossomed petals
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	nItti	making them grow
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	thisai nadunga	making people in all directions to quiver
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	viN thuLanga	making people in the upper worlds also to tremble out of fear
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	mA vadivin	with a huge form (as thrivikraman)
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	nI aLandha	measured by you
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	maN	the earth
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	poru kOttu	with tusks which are meant for battle
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	Or EnamAy	a unique boar [incomparable]
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	pukku idandhAykku	(during deluge) immersed in water and dug it out
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	anRu	during that time
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	un	your
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	oru kOttin mEl	in a corner of one tusk
mudhal thiruvandhAdhi – 9 – porukOttu Or EnamAy	kidandhadhu anrE	was it not staying?
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	maNNum	the earth
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	malaiyum	the mountains
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	maRi kadalum	the oceans which throw up waves constantly
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	mArudhamum	the air
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	viNNum	the sky [all these]
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	vizhungiyadhu	ate up
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	mey enbar	(rishis, sages) will say that it is true
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	eNNil	if one were to delve into this
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	alagu aLavu kaNda sIr AzhiyAykku	one who has seen the boundary (limitlessness) of auspicious qualities and who has the divine chakra (disc)
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	anRu	¬† during that time
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	un vAy	your divine mouth
mudhal thiruvandhAdhi – 10 – maNNum malaiyum	ivvulagu aLavum uNdO	was it bigger than the worlds
mudhal thiruvandhAdhi – 11 – vAy avanai alladhu	vAy	(my) mouth
mudhal thiruvandhAdhi – 11 – vAy avanai alladhu	avanai alladhu	other than emperumAn
mudhal thiruvandhAdhi – 11 – vAy avanai alladhu	vAzhththAdhu	will not praise
mudhal thiruvandhAdhi – 11 – vAy avanai alladhu	kai thAm	the hands themselves
mudhal thiruvandhAdhi – 11 – vAy avanai alladhu	ulagam thAyavanai alladhu	other than thrivikraman who measured all the worlds by growing
mudhal thiruvandhAdhi – 11 – vAy avanai alladhu	thozhA	will not worship (anyone else)
mudhal thiruvandhAdhi – 11 – vAy avanai alladhu	pEy mulai nanju	the poison which was applied to pUthanA‚Äôs bosom
mudhal thiruvandhAdhi – 11 – vAy avanai alladhu	UNAga uNdAn	one who drank the milk as his food (to sustain himself)
mudhal thiruvandhAdhi – 11 – vAy avanai alladhu	uruvodu pErallAl	other than his divine form and his divine names
mudhal thiruvandhAdhi – 11 – vAy avanai alladhu	kaN kANA, sevi kELA	eyes will not see; ears will not listen to.
mudhal thiruvandhAdhi – 12 – sevi vAy kaN	sevi vAy kaN mUkku udal	ear, mouth, eye, nose and body [skin]
mudhal thiruvandhAdhi – 12 – sevi vAy kaN	enRu aimpulanum	the five sensory organs
mudhal thiruvandhAdhi – 12 – sevi vAy kaN	sendhI puvi kAl nIr viN	fire, earth, wind, water and sky [ether]
mudhal thiruvandhAdhi – 12 – sevi vAy kaN	bUtham aindhum	the five elements
mudhal thiruvandhAdhi – 12 – sevi vAy kaN	aviyAdha gyAnamum	gyAna (knowledge) which is the indestructible form of bhakthi (devotion)
mudhal thiruvandhAdhi – 12 – sevi vAy kaN	vELviyum nallaRamum	karmas (deeds such as agnihOthram, a ritual) and auspicious qualities
mudhal thiruvandhAdhi – 12 – sevi vAy kaN	EnamAy ninRArkku iyalvu enbarE	are the path to attain varAhap perumAL, say people (how ignorant!)
mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE	munnam	from time immemorial
mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE	iyal amarar	nithyasUris who are fit
mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE	In thuzhAyAn adikkE sella	to approach the divine feet of purushOththama (emperumAn) who is adorning thuLasi garland
mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE	iyalvAga	¬† appropriately
mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE	muyalvAr	will attempt
mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE	iyalvAga	appropriately (to others)
mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE	nIdhiyAl Odhi	properly reciting the divine names
mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE	niyamangaLAl parava	praising as per the way SAsthras [scriptures] ordained
mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE	avar	the emperumAn
mudhal thiruvandhAdhi – 13 – iyalvAga InthuzhAyAn adikkE	AdhiyAy ninRAr	was engaged (in attracting chEthanas)
mudhal thiruvandhAdhi – 14 – avar avar thAm	avar avar	people who have raJo guNam (yielding to passion) and thamO guNam (yielding to laziness)
mudhal thiruvandhAdhi – 14 – avar avar thAm	thAm thAm aRindhavARu	appropriate to their qualities and knowledge
mudhal thiruvandhAdhi – 14 – avar avar thAm	ivar ivar em perumAn enRu Eththi	praising a few deities as ‚Äúhe is our swAmys (Lords)‚Äù
mudhal thiruvandhAdhi – 14 – avar avar thAm	suvar misaich chArththiyum	drawing their figures on walls
mudhal thiruvandhAdhi – 14 – avar avar thAm	vaiththum	installing (as an idol)
mudhal thiruvandhAdhi – 14 – avar avar thAm	thozhuvar	will worship
mudhal thiruvandhAdhi – 14 – avar avar thAm	But
mudhal thiruvandhAdhi – 14 – avar avar thAm	ulagu aLandha	(one who kept his divine feet on the heads of those who worship and those who are worshipped and) measured all the worlds
mudhal thiruvandhAdhi – 14 – avar avar thAm	mUrththi uruvE	the divine form of thrivikrama
mudhal thiruvandhAdhi – 14 – avar avar thAm	mudhal	is primary
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	mUvarE	brahmA, vishNu and Siva, the three
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	mudhalAvAr	are important
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	ammUvaruLLum	among these three mummUrththis (the three forms)
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	mUri nIr vaNNan	emperumAn who has the complexion and nature of the vast ocean
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	mudhalAvAn	is the causal entity
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	mudhalAya	the cause of everything
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	nallAn	the benefactor‚Äôs
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	aruL allAl	apart from his grace
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	nAmam nIr vaiyagaththu	in the famous earth surrounded by ocean
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	pallAr	many others‚Äô
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	aruLum	grace
mudhal thiruvandhAdhi – 15 – mudhal AvAr mUvarE	pazhudhu	is of no use.
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	kadal Odham	the waves in thiruppARkadal [kshIrAbdhi or milky ocean]
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	kAl alaippa	rising against his divine feet
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	kaN valAraum	sleeping because of that [soft caressing]
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	sem kaN	having reddish eyes
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	adal Odha vaNNar	emperumAn having he complexion of waves which are close together
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	adi	divine feet
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	aravu aNai mEl kaNdu	seeing atop the mattress thiruvananthAzhvAn (serpent AdhiSEsha)
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	thozhudhEn	worshipped (today)
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	pala pagalum	time immemorial
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	pazhudhE pOyina enRu	that they have been wasted
mudhal thiruvandhAdhi – 16 – pazhudhE pala pagalum	anji azhudhEn	cried out of fear
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	vadi ugirAl	with sharp nails
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	iraNiyanadhu Agam	iraNiyan (hiraNyakashyap)‚Äôs heart
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	Irndhan	tore apart
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	irum siRai puL	huge bird garuda with massive wings
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	Urndhan	emperumAn straddled
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	ulagu aLandha nAnRu	on the day when he measured the worlds
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	adiyum	(his) divine feet
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	padi kadappa	measured the worlds
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	thOL	the divine shoulders
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	thisai mEl sella	went beyond the directions
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	mudiyum	divine crown
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	visumbu	skies (ether)
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	aLandhadhu	pervaded
mudhal thiruvandhAdhi – 17 – adiyum padi kadappa	enbar	so will say (gyAnis, the knowledgeable)
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	nAnRa mulai thalai	from the sagging bosom
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	nanju uNdu	drinking poison
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	uRi	kept in the hoop (network of rope for placing pots)
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	veNNey	butter
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	thOnRa uNdAn	ate in such a way that everyone knew
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	venRi sUzh kaliRRai	elephant kuvalayApIdam which was both winning and scheming
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	UnRi porudhu	fighting, standing firmly
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	udaivu kaNdAnum	and killed
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	puLLin vAy	(the form that bakAsura took) crane‚Äôs mouth
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	kINdAnum	tore
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	marudhu idai pOy	crawling between the two arjuna trees
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	maNNaLandha	measuring all the worlds
mudhal thiruvandhAdhi – 18 – nAnRa mulaiththalai	mAl	the supreme emperumAn only
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	vaiyagam uNdu	after swallowing the world [after deluge]
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	Alin ilai	on the banyan leaf
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	thuyinRa	sleeping
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	AzhiyAn	one who reclines on the ocean [thiruppARkadal]
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	kOla karumEni	having ¬†beautiful, black form
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	sem kaN	having reddish eyes
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	mAl	one who had affection [towards his devotees]
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	kaN padaiyuL	when he is reclining in a sleeping posture
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	enRum	at all times
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	thirumEni	his divine form
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	thINdappeRRu	feeling it
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	mAlum	overwhelmed (due to that happiness)
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	karum kadalE	Oh, black coloured ocean!
mudhal thiruvandhAdhi – 19 – mAlum karum kadalE	ennORRAy	what penance did you perform! [to get this fortune]
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	peRRAr	dhEvaki and vasudhEvar, krishNa‚Äôs parents‚Äô
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	thaLai kazhala	chain to snap open
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	pErndhu	coming out of thiruppARkadal (milky ocean)
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	Or	incomparable
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	kuRal uruvAy	in the form of a vAmana (dwarf)
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	seRRAr padi	the world of his enemy mahAbali (who thought that it was his)
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	kadandha	one who measured it
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	sem kaN mAl	emperumAn who has reddish eyes and lot of affection [towards his followers]
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	nal thAmarai adi sE adiyai	the divine reddish feet that resembled beautiful lotus
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	vAnavar	dhEvas (celestial persons)
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	kai kUppi ninRu	standing and folding their palms together (like in anjali posture)
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	nirai malar koNdu	with strung flowers
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	Eththuvar	will praise [emperumAn]
mudhal thiruvandhAdhi – 20 – peRRAr thaLaikazhala	Al	alas! I did not get this fortune
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	ninRu	standing (near mahAbali)
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	nilam	earth
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	am kai	with beautiful hand
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	nIr ERRu	taking alms
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	mU adiyAl	with three steps
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	senRu thisai aLandha	measuring, while walking in all directions
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	sem kaN mARku	the supreme entity with reddish eyes
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	enRum	at all times
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	padai	weapon
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	Azhi	chakkaram (divine disc, sudharSan)
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	puL	garudAzhwAn
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	Urdhi	vehicle
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	Azhi nenjE	Oh profound heart!
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	aRi	listen (to this)
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	pAmbu aNaiyAn	emperumAn who has thivananthAzhwAn (AdhiSEsha) as his mattress
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	pAdham	divine feet
mudhal thiruvandhAdhi – 21 – ninRu nilamangai	adai	attain
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	poRi koL siRai	wings with many colours
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	uvaNam	garudAzhwAn
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	UrndhAy	riding on
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	veRi kamazhum	having sweet fragrance
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	kAmbu Ey men¬† thOLi	yaSOdhA, having slim shoulders looking like bamboo
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	kadai veNNey	butter that was churned
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	uNdAyai	you, who ate that butter
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	thAmbu koNdu	with a small rope
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	Arththa	due to binding
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	thazhumbu	scar
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	yAnEyum allEn	was I the only one who knew this?
mudhal thiruvandhAdhi – 22 – aRiyum ulagellAm	ulagam ellAm aRiyum	all the people in the world knew.
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	am kai	in beautiful hands
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	sArnga nAN	the cord of bow
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	thOyndha	formed due to constant touching
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	thazhumbu	scars
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	irundha Am	were present
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	thAL	in the divine feet
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	sagadam sAdi	formed due to kicking the demon who had entered the wheel
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	thazhumbu irundha	scar was present
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	pUm kOdhaiyAL	piratti with beautifully platted divine hair
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	veruva	being fearful (of what will happen to the world)
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	pon peyarOn	the demon hiraNyakashyap‚Äôs
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	mArbu idandha	tearing his chest
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	vIngu Odha vaNNar	emperumAn who has the complexion of ocean with agitating waves
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	viral	on his fingers
mudhal thiruvandhAdhi – 23 – thazhumbirundha sArnganAN	thazhumbu irundha	scars are present
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	viralOdu vAy thOyndha	stains on your fingers and your mouth
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	veNNey	of ¬†butter
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	Aychchi	yaSOdhA pirAtti (mother yaSOdhA)
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	kaNdu	seeing
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	uralOdu	with mortar
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	uRap piNindha nAnRu	securing well
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	kural ovAdhu	without stopping (your) crying
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	Engi	yearning
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	ninaindhu	thinking of stealing butter (even then)
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	ayalAr	all the others
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	kANa	to look at in amusement
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	irundhilaiyE	were you not!
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	Ongu Odha vaNNA	Oh the one who has the divine form with the complexion of an ocean with agitating waves
mudhal thiruvandhAdhi – 24 – viralOdu vAy thOyndha	urai	please tell the truth yourself.
mudhal thiruvandhAdhi – 25 – urai mERkondu	varai mEl	on top of a mountain
mudhal thiruvandhAdhi – 25 – urai mERkondu	maradhagamE pOla	embedded like an emerald
mudhal thiruvandhAdhi – 25 – urai mERkondu	thirai mEl	on top of thiruppARkadal (milky ocean)
mudhal thiruvandhAdhi – 25 – urai mERkondu	kidandhAnai	reclining
mudhal thiruvandhAdhi – 25 – urai mERkondu	kEzhalAy	in the form of a wild boar
mudhal thiruvandhAdhi – 25 – urai mERkondu	bhUmi	the world
mudhal thiruvandhAdhi – 25 – urai mERkondu	kIndAnai	removing from the wall of universe
mudhal thiruvandhAdhi – 25 – urai mERkondu	idandhAnai	taking it on his tusks
mudhal thiruvandhAdhi – 25 – urai mERkondu	en uLLam	my heart
mudhal thiruvandhAdhi – 25 – urai mERkondu	OvAdhu	continuously
mudhal thiruvandhAdhi – 25 – urai mERkondu	eppOdhum	at all times
mudhal thiruvandhAdhi – 25 – urai mERkondu	urai mERkoNdu	involved in speaking
mudhal thiruvandhAdhi – 25 – urai mERkondu	Eththi	praising (his auspicious qualities)
mudhal thiruvandhAdhi – 25 – urai mERkondu	ezhum	will be uplifted
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	ezhuvAr	the aiSvaryArthis (those who go after wealth) who leave (after obtaining¬† the wealth that they wanted)
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	vidai koLvAr	the kaivalyArthis (those who enjoy their own souls instead of emperumAn) who leave (permanently from emperumAn)
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	een thuzhAyAnai	emperumAn who has sweet thuzhAy (thuLasi) garland
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	vazhuvA vagai ninaindhu	thinking that they should never leave
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	vaigal	every day
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	thozhuvAr	the bhagavath prApthi kAmars (those who desire to attain only emperumAn) who worship
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	vinaich chudarai	the fire of pApa (bad deeds) [of all the three types of followers mentioned above]
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	nandhuvikkum	putting out
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	vEnkatamE	only the thiruvEnkatamalai (thirumalai)!
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	vAnOr	nithyasUris‚Äô (permanent dwellers of SrIvaikuNtam)
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	manach chudarai	the lamp of their hearts
mudhal thiruvandhAdhi – 26 – ezhuvAr vidai koLvAr	thUNdum malai	is the mountain which stimulates
mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu	malaiyAl	with gOvardhana hill
mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu	kudai kaviththu	inverted like an umblrella
mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu	mA vAy piLandhu	tearing apart the mouth of demon kESi who came in the form of a horse
mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu	silaiyAl	with a bow
mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu	marAmaram Ezh seRRu	piercing seven peepal trees
mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu	kolai yAnai	the elephant which was placed to kill
mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu	pOr kOdu osiththanavum	breaking the tusks which engage in fighting
mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu	pUm kurundham sAyththanavum	pushing the kurundha tree
mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu	kAr kOdu	Sankam (conch pAnchajanya) which reverberates like the cloud
mudhal thiruvandhAdhi – 27 – malaiyAl kudai kaviththu	paRRiyAn kai	is the divine hand of one who holds it.
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	kAr	like a (rain bearing) cloud
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	vaNNaththu	having the complexion and nature of
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	aiya	my benefactor
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	valampuriyum	SrI pAnchajanyam (divine conch)
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	nEmiyum	the divine sudharSana chakram (disc)
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	kaiya	are present in your hands
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	malar magaL	SrIdhEvip pirAtti (mahAlakshmi), who was born in a flower
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	nin AgaththAL	resides in your heart
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	seyya maRaiyAn	nAnmukan (one with four faces), brahmA, who keeps chanting the great vEdhas which identify you
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	nin undhiyAn	was born from your divine navel
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	mA madhiL	having huge protective walls
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	mUnRu	the three cities
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	eydha	shot arrows
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	iRaiyAn	rudhra (Sivan) one who considers himself as God
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	nin Agaththu	in your divine form
mudhal thiruvandhAdhi – 28 – kaiya valampuriym	iRai	in a corner
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	iRaiyum	he is the paramapadhanAthan (the Lord of SrIvaikuNtam)
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	nilanum	he is also the bhUmi (earth)
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	iru visumbum	he is also the well spread skies
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	kARRum	he is also the wind
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	aRai pulanum	he is also the oceans which keep making noise continuously
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	sem thIyum	he is also the red hot fire
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	AvAn	he is all of these
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	piRai maruppil	tusks in the shape of the moon‚Äôs crescent
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	paim kaN	having beautiful eyes
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	mAl yAnai	huge elephant
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	padu thuyaram	its deep sorrow
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	kAththu	removing it
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	aLiththa	protecting it
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	sem kaN mAl kaNdAy	behold the paramapurusha (supreme entity) with lotus like eyes
mudhal thiruvandhAdhi – 29 – iRaiyum nilanum	theLi	(Oh my heart!) know this well
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	theLidhAga	to ensure¬† that bewilderment is removed
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	sem niReei	establishing firmly
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	gyAnaththu	through knowledge
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	eLidhAga	with ease
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	nangu uNarvAr	knowing well
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	sindhai	[their] minds
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	thAy nAdu	[among the (herd of) cattle] attaining its mother
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	kanRE pOl	like the calf
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	thaN thuzhAyAn adikkE	the divine feet of sarvESvaran (supreme entity) who adorns a cool thuLasi garland
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	purindhu	with liking
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	pOy	seeking
mudhal thiruvandhAdhi – 30 – theLidhAga uLLaththai	nAdik koLLum	will join together
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	puri	the conch pAnchajanya, which is turned to the right side
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	oru kai paRRi	holding in one hand
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	Or ponnAzhi Endhi	(in the other hand) holding the unique, beautiful sudharSana chakra (disc)
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	ari uruvum AL uruvum Agi	being in the form of narasimham, which is a combination of human body and lion‚Äôs face
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	eri uruva vaNNaththAn	hiraNya kashyap‚Äôs form, which is like fire
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	mArbu idandha	¬† tearing the heart
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	mAl	biased towards his followers
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	adiyai allAl	other than his divine feet
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	maRRu	another entity
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	imai	even for a moment
mudhal thiruvandhAdhi – 31 – puriyoru kai paRRi	eNNaththAn AmO	is it possible to think?
mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl	imaiyAdha kaNNAl	with the inner eye¬†[heart] which does not have any contraction of knowledge
mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl	iruL agala	the darkness (of ignorance) to leave
mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl	nOkki	seeing the svarUpam (basic nature) of self as well as of emperumAn
mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl	amaiyA	uncontrollable
mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl	poRi pulangaL aindhum	the five sensory organs such as eyes etc and the five matters such as sound, taste etc [connected to the five sensory organs]
mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl	namaiyAmal	even if not controlled
mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl	Agaththu aNaippAr	those who think of emperumAn [when he, of his own volition, comes with causeless mercy]
mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl	Ayira vay nAgaththu aNaiyAn	emperumAn who is lying on the mattress of AdhiSEshan with thousand hoods
mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl	nagar	his dwelling place SrIvaikuNtam
mudhal thiruvandhAdhi – 32 – imaiyAdha kaNNAl	aNaivarE	will attain
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	pU mEl	on top of the lotus originated from navel
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	nAn mugaRku	¬† for brahmA
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	nagaram aruL purindhu	providing dwelling place
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	pagara	to teach (others)
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	maRai payandha	one who taught vEdhas (sacred texts)
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	paNban	benefactor with simplicity
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	peyarinaiyE	[his] divine names
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	pundhiyAl sindhiyAdhu	instead of thinking with the mind
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	Odhi uru eNNum	reciting hymns and counting them
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	andhiyAl	carrying out sandhyAvandhanam (a ritual carried out thrice every day in salutation of dhEvathAs)
mudhal thiruvandhAdhi – 33 – nagaram aruL purindhu	angu Am payan en	what is the benefit going to be derived?
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	Ezhu ulagu uNdu	¬† keeping all the worlds in his stomach [during deluge]
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	Ala ilaiyil	on a banyan leaf
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	mun	once upon a time
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	oruvanAya	sleeping without a companion
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	mugil vaNNA	having the complexion of cloud
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	mulai thandhAL	the one who suckled you
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	pEyth thAy	demon pUthanA, who came in the form of your mother
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	pErndhilaL Al	was immobile, having died
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	pEr amar kaN	having eyes which appear to be fighting with each other
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	Ayth thAy	yaSOdhA, your cowherd mother
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	nin urugi	with boundless love towards you
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	mulai thandha ARu	the way she suckled you
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	oruvar	the incomparable sages
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	mey enbar	will say it is true
mudhal thiruvandhAdhi – 34 – ennoruvar meyyenbar	en	how is (this) possible?
mudhal thiruvandhAdhi – 35 – ARiya anbil	ARiya anbu il	without the bhakthi which had simmered after reaching a crescendo
mudhal thiruvandhAdhi – 35 – ARiya anbil	adiyAr	followers
mudhal thiruvandhAdhi – 35 – ARiya anbil	tham ArvaththAl	with their friendliness
mudhal thiruvandhAdhi – 35 – ARiya anbil	kURiya	the words spoken
mudhal thiruvandhAdhi – 35 – ARiya anbil	nI kuRRamAk koLLal	you should not mistake
mudhal thiruvandhAdhi – 35 – ARiya anbil	Ir aindhu mudiyAn¬†	the ten headed rAvaNan
mudhal thiruvandhAdhi – 35 – ARiya anbil	padaiththa	carried out
mudhal thiruvandhAdhi – 35 – ARiya anbil	muraN	enmity
mudhal thiruvandhAdhi – 35 – ARiya anbil	thERi	after clarifying
mudhal thiruvandhAdhi – 35 – ARiya anbil	nediyOy adi	the divine feet of emperumAn
mudhal thiruvandhAdhi – 35 – ARiya anbil	adaidhaRku anRE	did it not become a reason for attaining!
mudhal thiruvandhAdhi – 36 – muraNai vali	munnam	in earlier times itself
mudhal thiruvandhAdhi – 36 – muraNai vali	dharaNi thanadhu AgaththAnE	one who had presumed that the earth is his
mudhal thiruvandhAdhi – 36 – muraNai vali	iraNiyanai	hiraNya kashyap
mudhal thiruvandhAdhi – 36 – muraNai vali	puN nirandha	to cause hurt by breaking
mudhal thiruvandhAdhi – 36 – muraNai vali	vaL ugirAl	with sharp nails
mudhal thiruvandhAdhi – 36 – muraNai vali	pon	being resplendent
mudhal thiruvandhAdhi – 36 – muraNai vali	Azhi kaiyAl	with the divine hand holding chakkaram (divine disc)
mudhal thiruvandhAdhi – 36 – muraNai vali	nI	you
mudhal thiruvandhAdhi – 36 – muraNai vali	maN irandhu koNda vagai	the way you begged for and obtained earth
mudhal thiruvandhAdhi – 36 – muraNai vali	muraNai vali tholaidhaRkAm enRE	was it not to remove the ahankAram (egotism) and mamakAram (possessiveness) [of samsAris such as ourselves]!
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	vagai aRu	cutting off other kinds, such as other deities and other means
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	nuN kELvi vAy vArgaL	those who have subtle knowledge through hearing
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	vEdhiyargaL	brAhmaNas
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	nALum	everyday
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	pugai viLakkum	dhUpam (fragrant smoke, incense) and dhIpam (lamp)
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	pUm punalum	flower and water
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	Endhi	holding
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	thisai thisaiyil	from all directions
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	senRu	going to (thirumalai)
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	iRainjum	worship
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	vEnkatamE	thiruvEnkatam!
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	veN sangam Udhiya vAy	having divine lips which blew the white coloured conch
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	mAl	emperumAn
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	ugandha	relished
mudhal thiruvandhAdhi – 37 – vagai aRu nuN kELvi	Ur	living place
mudhal thiruvandhAdhi – 38 – Urum vari aravam	Urum	that which crawls
mudhal thiruvandhAdhi – 38 – Urum vari aravam	vari aravam	snake with lines (on its body)
mudhal thiruvandhAdhi – 38 – Urum vari aravam	oN kuravar	wise inhabitants (hunters) of thirumalai hill
mudhal thiruvandhAdhi – 38 – Urum vari aravam	mAl yAnai pEra	making the huge elephants, which are grazing in the fields, to leave
mudhal thiruvandhAdhi – 38 – Urum vari aravam	eRindha	thrown (on those elephants)
mudhal thiruvandhAdhi – 38 – Urum vari aravam	peru maNiyai	huge carbuncle gems
mudhal thiruvandhAdhi – 38 – Urum vari aravam	kAr udaiya min enRu¬†	thinking that it is the lightning amidst clouds
mudhal thiruvandhAdhi – 38 – Urum vari aravam	puRRu adiyum vEnkatamE	(fearing the thunder) such snakes entering their anthills in thiruvEnkatam
mudhal thiruvandhAdhi – 38 – Urum vari aravam	mEla surar	distinguished celestial beings [nithyasUris]
mudhal thiruvandhAdhi – 38 – Urum vari aravam	em ennum	thinking that this is ours
mudhal thiruvandhAdhi – 38 – Urum vari aravam	mAladhu idam	is the place desired by emperumAn as his dhivyadhESam.
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	pEr Odham vaNNan	emperumAn having the complexion of a large ocean
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	mun	in earlier times
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	idandhadhu	(in varAha form) dug out
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	bhUmi	was the earth
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	eduththadhu	held as umbrella
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	kunRam	was the gOvardhana hill
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	anja kadandhadhu	destroyed through fear
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	kanjanai	was (king) kamsa
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	kidandhadhuvum	reclined
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	nIr Odham mA kadal	ocean which is full of water and which keeps throwing up waves
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	peridhu ninRadhuvum	stood always
mudhal thiruvandhAdhi – 39 – idandhadhu bhUmi	vEnkatamE	only at thiruvEnkatam
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	peru vil	with a large bow
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	pagazhi	and arrows
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	kuRavar	hunters‚Äô
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	kai	held in the hand
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	sem thI	to the red hot fire
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	veruvi	being fearful
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	punam thuRandha	leaving the fields
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	vEzham	elephant
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	iru visumbil	from the expansive sky
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	mIn vIzha	with the shooting star falling
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	kaNdu	seeing that
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	anjum	fearful place (that it is the burning firewood thrown by the hunters)
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	vEnkatamE	Oh thirumalai!
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	mEl	in earlier time
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	asurar kOn vIzha	hiraNyan, the leader of demons, falling down
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	kaNdu	seeing (that)
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	ugandhAn	one who felt joyful
mudhal thiruvandhAdhi – 40 – peru vil pagazhi	kunRu	is thirumalai
mudhal thiruvandhAdhi – 41 – kunRu anaiya	en	my
mudhal thiruvandhAdhi – 41 – kunRu anaiya	nenjE	heart!
mudhal thiruvandhAdhi – 41 – kunRu anaiya	inRu mudhalAga	starting from now
mudhal thiruvandhAdhi – 41 – kunRu anaiya	enRum	at all times
mudhal thiruvandhAdhi – 41 – kunRu anaiya	puRan uraiyE Ayinum	even if it were spoken as a lip service
mudhal thiruvandhAdhi – 41 – kunRu anaiya	pon Azhikk kaiyAn thiRan uraiyE	matters related to emperumAn who is holding the beautiful disc¬† on his hand
mudhal thiruvandhAdhi – 41 – kunRu anaiya	sindhiththu iru	keep meditating
mudhal thiruvandhAdhi – 41 – kunRu anaiya	kunRu	looking like a hill
mudhal thiruvandhAdhi – 41 – kunRu anaiya	kuRRam seyyinum	if sins are committed
mudhal thiruvandhAdhi – 41 – kunRu anaiya	guNam koLLum	(without considering such sins, emperumAn) will only look at the good deeds.
mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum	pAl Odham sindha	droplets to fall on the milky ocean
mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum	padam nAgaNaikkidandha	reclining on the mattress of thiruvandhAzhwAn (AdhiSEshan) with hoods
mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum	mAl Odham vaNNar	emperumAn with the complexion of large ocean
mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum	thirumagaL mEl manam	divine mind which is (full of love) on thirumagaL (SrI mahAlakshmi)
mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum	thirumagaLum maNmagaLum AymagaLum sErndhAl	if SrIdhEvi, bhUdhEvi and neeLA dhEvi are together
mudhal thiruvandhAdhi – 42 – thirumagaLum maNmagaLum	thirumagatkE thIrndha ARu enkol	what a surprise that it is totally involved with SrI dhEvi!
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	punam mEya pUm thuzhAyAn	emperumAn who is adorned with thuLasi garland which blossoms as if it is on its own land [even when it is on emperumAn‚Äôs divine form]
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	adikkE	to his divine feet
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	pOdhodu nIr Endhi	taking flower and¬† sacred water
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	thamar	his followers
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	thAm	themselves
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	thozhA niRpar	will keep worshipping
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	(Once they worship)
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	manammAsu thIrum	all the faults in their minds such as ignorance etc will exit
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	aru vinaiyum sArA	sins which cannot be got rid of, will not come anywhere nearby
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	dhanamAya	the wealth of kainkaryam (service to emperumAn)
mudhal thiruvandhAdhi – 43 – manamAsu thIrum	thAne kaikUdum	will come on its own
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	AzhiyAn	emperumAn who holds the chakkara (divine disc) in his hand
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	thamar	devotees
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	ugandhadhu evvuruvam	whichever form they desire [for emperumAn]
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	avvuruvam thAnE	he attains that form
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	maRRu	moreover
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	thamar ugandhadhu eppEr	whichever divine name they desire [for emperumAn]
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	appEr Am	emperumAn attains that name
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	thamar	devotees
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	ugandhu	with desire
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	evvaNNam sindhiththu	in whichever way they think
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	imaiyAdhu irupparE	meditating without a break
mudhal thiruvandhAdhi – 44 – thamar ugandhadhu	avvaNNam Am	he transforms himself that way.
mudhal thiruvandhAdhi – 45 – AmE amararkku	nal nenjE	Oh [my] good heart!
mudhal thiruvandhAdhi – 45 – AmE amararkku	pU mEya mAdhavaththOn	brahmA, who has done lot of penance and who resides in the lotus growing out of [emperumAn‚Äôs] navel
mudhal thiruvandhAdhi – 45 – AmE amararkku	thAL paNindha	one who came and worshipped at his feet
mudhal thiruvandhAdhi – 45 – AmE amararkku	vAL arakkan	demoniacal rAvaNan
mudhal thiruvandhAdhi – 45 – AmE amararkku	nIL mudiyai	extended (ten) heads
mudhal thiruvandhAdhi – 45 – AmE amararkku	pAdam aththAl eNNinAn	counted with his divine feet
mudhal thiruvandhAdhi – 45 – AmE amararkku	paNbu	auspicious qualities
mudhal thiruvandhAdhi – 45 – AmE amararkku	amararkku aRiya AmE	are they such that celestial people can know?
mudhal thiruvandhAdhi – 45 – AmE amararkku	adhu niRka	moreover
mudhal thiruvandhAdhi – 45 – AmE amararkku	nAmE aRigiRpOm	only we (who are blessed by his causeless mercy) know
mudhal thiruvandhAdhi – 46 – paN purindha	paN purindha nAn maRaiyOn	brahmA, who was taught the four vEdhas, along with their [musical] tunes
mudhal thiruvandhAdhi – 46 – paN purindha	senni	on the head
mudhal thiruvandhAdhi – 46 – paN purindha	pali yERRa	one who took alms
mudhal thiruvandhAdhi – 46 – paN purindha	veN puri nUl mArban	rudhra who has white coloured yagyOpavIdham (sacred thread) worn across the chest
mudhal thiruvandhAdhi – 46 – paN purindha	vinai thIra	to remove the brahmahaththi curse (due to harming a brAhmaNa; in this case brahmA)
mudhal thiruvandhAdhi – 46 – paN purindha	puN purindha AgaththAn	emperumAn who harmed his divine heart
mudhal thiruvandhAdhi – 46 – paN purindha	thAL	divine feet
mudhal thiruvandhAdhi – 46 – paN purindha	paNivAr kaNdIr	see those who worship
mudhal thiruvandhAdhi – 46 – paN purindha	amarar tham bhOgaththAl	along with enjoyment of nithyasUris
mudhal thiruvandhAdhi – 46 – paN purindha	bhUmi ALwAr	will rule this earth too
mudhal thiruvandhAdhi – 47 – vAri surukki	madhak kaLiRu aindhinaiyum	the five sensory perceptions which are like elephants in rut
mudhal thiruvandhAdhi – 47 – vAri surukki	vAri surukki	reducing the water [which is like enjoyment]
mudhal thiruvandhAdhi – 47 – vAri surukki	chEri thiriyAmal sem niRIi	ensuring that they do not loiter in the streets of worldly objects such as sound, smell etc
mudhal thiruvandhAdhi – 47 – vAri surukki	kUriya	subtle
mudhal thiruvandhAdhi – 47 – vAri surukki	mey gyAnaththal	true knowledge which takes the form of devotion
mudhal thiruvandhAdhi – 47 – vAri surukki	uNarvAr	those who can know [emperumAn]
mudhal thiruvandhAdhi – 47 – vAri surukki	mEl oru nAL	in earlier time
mudhal thiruvandhAdhi – 47 – vAri surukki	kai nAgam kAththAn	the one who protected the elephant, gajEndhrAzhwAn with the trunk¬† [in our sampradhAyam, it is common to denote certain entities as AzhwAn to bring in a distinction of superior knowledge about emperumAn, over other entities; gajEndhra is one such]
mudhal thiruvandhAdhi – 47 – vAri surukki	kazhal	the divine feet
mudhal thiruvandhAdhi – 47 – vAri surukki	kAnbar	they will see and enjoy
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	Azhi nenjE	Oh my heart, which is as deep as the ocean!
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	kazhal onRu	one leg of namuchi [son of mahAbali]
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	eduththu	taking hold of
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	oru kai	with one divine hand
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	suRRi	spinning him around
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	suzhalum	(demons who were) scared (as to what will happen)
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	sura asurargaL	both celestial persons and demons
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	anja	to be afraid of
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	Or kai mEl	on top of the other hand
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	azhalum	glowing red hot
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	seru Azhi EndhinAn	emperumAn who is holding his sudharSana chakkara (disc)
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	sEvadikkE sella	to attain his fresh divine feet
mudhal thiruvandhAdhi – 48 – kazhal onReduththu	magizhndhu maruvu	enjoy with happiness
mudhal thiruvandhAdhi – 49 – magizhalagonRE poL	magizh alagu onRE pOl	just as the seed of the magizham tree (a kind of flower bearing tree with sweet fragrance) can be kept in a very restricted location as well as in an expansive location
mudhal thiruvandhAdhi – 49 – magizhalagonRE poL	mARum pal yAkkai	with various forms which keep changing constantly
mudhal thiruvandhAdhi – 49 – magizhalagonRE poL	negizha	to be rid of
mudhal thiruvandhAdhi – 49 – magizhalagonRE poL	muyalgiRpArkku allAl	other than those who attempt to
mudhal thiruvandhAdhi – 49 – magizhalagonRE poL	kANbaArkkum	the others who desire to see
mudhal thiruvandhAdhi – 49 – magizhalagonRE poL	mugizh virindha sOdhi pOl thOnRum	that which appears like a brightened radiance
mudhal thiruvandhAdhi – 49 – magizhalagonRE poL	sudar pon nedu mudi	the one who has radiant, beautiful and large crown
mudhal thiruvandhAdhi – 49 – magizhalagonRE poL	em Adhi	sarvESvaran (supreme being), who is the cause for my existence
mudhal thiruvandhAdhi – 49 – magizhalagonRE poL	aridhu	is rare to attain.
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	ariya	difficult to control
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	pulan aindhu	the five sensory perceptions
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	adakki	to bring under one‚Äôs control
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	Ay malar koNdu	taking flowers after proper selection, in the hand
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	Arvam puriya parisinAl	in the path of love
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	pulgil	if worshipped
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	periyanAy	as a great person (in both wealth and magnanimity)
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	mARRAdhu vIRRirundha	without change (in donating)
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	mAvali pAl	towards mahAbali
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	vaN kai	with his munificent hands
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	nIr ERRAnai	emperumAn who received water [which is given as indication of commitment to donating]
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	kANbadhu	to worship
mudhal thiruvandhAdhi – 50 – ariya pulanaindhadakki	eLidhu	will be easy
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	en uLLam	Oh my heart!
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	eLidhil	easily
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	iraNdu adiyum	both divine feet
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	kANbadhaRku	appropriate to worship
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	theLiya	if (you) attain clarity
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	sevvE theLindhu ozhiyum	(he also) will become very clear [and happy]
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	kaLiyil	due to vanity
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	porundhAdhavanai	one who doesn‚Äôt come to him
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	poral uRRu	being intent on waging war
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	ariyAy	as narasimhan (face of lion and body of human)
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	irundhAn	one who incarnated
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	thirunAmam	beautiful divine names
mudhal thiruvandhAdhi – 51 – eLidhil iraNdadiyum	eN	keep meditating
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	eNmar	the eight vasus
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	padhinoruvar	the 11 rudhras
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	Ir aRuvar	the 12 Adhithyas
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	Or iruvar	the twin aSvinI dhEvas
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	vaNNam malar Endhi	holding flowers with multiple colours
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	vaigalum naNNi	approaching [emperumAn] everyday
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	oru mAlaiyAl	with the incomparable garland of words, purusha sUktham
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	OvAdhu eppOdhum	always, without any break
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	paravi	worship
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	thirumAlai	the consort of SrI mahAlakshmi
mudhal thiruvandhAdhi – 52 – eNmar padhinoruvar	senRu kai thozhuvar	will approach and worship
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	thirumARku	for emperumAn who is with pirAtti (SrI mahAlakshmi)
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	aravu	thiruvananthAzhwAn (Adhi SEshan)
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	senRAl kudaiyAm	is an umbrella when (emperumAn) goes out
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	irundhAl singAsanamAm	(he) is the throne when he sits
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	ninRAl	when emperumAn stands
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	maravadiyAm	(he) is the divine sandals
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	nIL kadaluL	in the expansive ocean
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	enRum	whenever emperumAn reclines
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	puNaiyAm	(he) is the float
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	maNi viLakkAm	(he) is the auspicious lamp
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	pUm pattam	(he) is the beautiful divine dress
mudhal thiruvandhAdhi – 53 – senRAl kudaiyAm	pulgum aNaiyAm	(he) is the pillow that emperumAn embraces
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	sem kaN avan	emperumAn with reddish lotus like eyes
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	karavu inRi	without hiding
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	aravam vittu	driving away the snake kALiyan [from the river yamunA]
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	adal vEzham iRuththu	breaking the tusk of the warring elephant kuvalayApIdam
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	An mEyththu	grazing cows
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	kurundham osiththu	uprooting the tree kurundham (a flower bearing tree) in which a demon had entered
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	puL vAy kIndu	tearing the beak of a crane in which a demon had entered
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	kuravai kOththu	carrying out rAsakrIdai with cowherd girls [rAsakrIdai is a game in which two persons grip their hands in a crossed way, together, and go in a circular motion, with their planted feet acting together as the centre]
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	kudam Adi	dancing with pots
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	mulai uNdu	suckling (pUthanA‚Äôs) milk (along with her life)
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	mal attu	killing wrestlers (chANura and mushtika)
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	kunRam eduththa	lifting (gOvardhana) hill
mudhal thiruvandhAdhi – 54 – aravam adal vEzham	(how wonderful were his activities!)
mudhal thiruvandhAdhi – 55 – avan thamar	aAvan thamar	the followers of that paramapurushan (supreme soul or emperumAn)
mudhal thiruvandhAdhi – 55 – avan thamar	evvinaiyar Agilum	irrespective of their deeds
mudhal thiruvandhAdhi – 55 – avan thamar	‚Äúem kOn avan thamarE‚Äù enRu	praising them by saying ‚Äúaren‚Äôt they the followers of my swAmy (lord) sarvESvaran (supreme being)‚Äù
mudhal thiruvandhAdhi – 55 – avan thamar	ozhivadhallAl	other than leaving that place
mudhal thiruvandhAdhi – 55 – avan thamar	aravaNai mEl pEr AyaRku AtpattAr pEr	those who have the names of the followers of emperumAn, who came out of the mattress of AdhiSEshan in order to protect his followers, as a cowherd
mudhal thiruvandhAdhi – 55 – avan thamar	naman thamarAl	by the messengers of yama
mudhal thiruvandhAdhi – 55 – avan thamar	ArAyappattu aRiyAr kaNdIr	you would see that they are not questioned [by the messengers of yama].
mudhal thiruvandhAdhi – 56 – pErE vara	pErE	with the divine name (of emperumAn)
mudhal thiruvandhAdhi – 56 – pErE vara	vara	such that he comes
mudhal thiruvandhAdhi – 56 – pErE vara	pithaRRal allAl	apart from saying in disorderly manner
mudhal thiruvandhAdhi – 56 – pErE vara	em pemmAnai	my emperumAn (lord)
mudhal thiruvandhAdhi – 56 – pErE vara	ArE aRivAr	who can know
mudhal thiruvandhAdhi – 56 – pErE vara	adhu niRka	let it be so
mudhal thiruvandhAdhi – 56 – pErE vara	kadi kamalththu uL	floating inside the fragrant lotus (which came out of emperumAn‚Äôs navel)
mudhal thiruvandhAdhi – 56 – pErE vara	nErE irundhum	being very close (to emperumAn)
mudhal thiruvandhAdhi – 56 – pErE vara	ayan	brahmA who was born to emperumAn
mudhal thiruvandhAdhi – 56 – pErE vara	kaNNan	that emperumAn‚Äôs
mudhal thiruvandhAdhi – 56 – pErE vara	adi kamalam thannai	the divine lotus-like feet
mudhal thiruvandhAdhi – 56 – pErE vara	kANkilAn	would not know
mudhal thiruvandhAdhi – 57 – ayal ninRa	ayal ninRa	standing close (to me)
mudhal thiruvandhAdhi – 57 – ayal ninRa	val vinaiyai	looking at the extremely powerful sins
mudhal thiruvandhAdhi – 57 – ayal ninRa	anjinEn	I was scared
mudhal thiruvandhAdhi – 57 – ayal ninRa	anji	being afraid (like this)
mudhal thiruvandhAdhi – 57 – ayal ninRa	uya	to get emancipated (after ridding of the sins)
mudhal thiruvandhAdhi – 57 – ayal ninRa	nin	your
mudhal thiruvandhAdhi – 57 – ayal ninRa	thiruvadiyE sErvAn	in order to attain divine feet
mudhal thiruvandhAdhi – 57 – ayal ninRa	nayam ninRa	being in the form of SAsthras (sacred texts)
mudhal thiruvandhAdhi – 57 – ayal ninRa	nal mAlai koNdu	with beautiful garland
mudhal thiruvandhAdhi – 57 – ayal ninRa	thozhudhu	worshipped
mudhal thiruvandhAdhi – 57 – ayal ninRa	namO nAranA ennum	¬† thirumanthram with eight syllables
mudhal thiruvandhAdhi – 57 – ayal ninRa	solmAlai	garland of words
mudhal thiruvandhAdhi – 57 – ayal ninRa	kaRRen	I practised.
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	nenjE	Oh [my] heart!
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	vAzhi	let benefits happen (to you)
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	malar koNdu	taking fragrant flowers
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	dhUpam kai Endhi	holding the fragrant smoke stand in the hand
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	thozhudhu	worship
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	ezhudhum	let us get uplifted
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	ezhu	please get up
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	pazhudhinRi	without any defect
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	mandhirangaL	SlOkas (hymns about emperumAn)
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	kaRpanavum	to learn
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	mAl adiyE kai thozhvAn	to worship the divine feet of emperumAn with hands
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	andharam onRu illai	there is no reason for delaying this
mudhal thiruvandhAdhi – 58 – thozhudhu malar koNdu	adai	approach (emperumAn)
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	adaindha	¬† that which came in-between [not part of one‚Äôs nature]
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	aru vinaiyOdu	dangerous entities such as ignorance
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	allal	sorrows [disease] of the mind
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	nOy	disease of the SarIram (physical body)
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	pAvam	bad deeds
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	midaindhavai	sins which are the causative factor for getting the physical body
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	mINdu ozhiya vENdil	to make them go back
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	nudangu idaiyai	sIthAp pirAtti who had slender waist
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	mun	once
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	ilangai vaiththAn	rAvaNa who had kept her in ilangai (lankA)
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	muraN azhiya	to annihilate his strength
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	mun oru nAL	when he incarnated as SrI rAma
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	than vil am kai vaiththAn	the one who adorned the bow in his beautiful hands
mudhal thiruvandhAdhi – 59 – adaindha aruvinaiyOdu	charaN	he is the means (path to attain)
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	charaNa	being the means for all the four purushArthams (benefits) [righteousness, wealth, lust and liberation]
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	maRai¬†	vEdham (sacred texts)
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	payandha	one who was taught
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	thAmaraiyAnOdu¬†	along with brahmA, who was born in the lotus, shooting from emperumAn‚Äôs navel
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	maraNAya	those who have death as a natural phenomenon
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	man uyirgatku ellAm	for all the jivAthmAs
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	araN Aya	those which are protective devices
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	pErAzhi koNda pirAn anRi	other than emperumAn who has the large sudharSana chakkaram (divine disc)
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	maRRu	being different (from emperumAn)
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	Or Azhi sUzhndha¬†	surrounded by the unique ocean
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	ulagu	those who live in this world
mudhal thiruvandhAdhi – 60 – charaNA maRai payandha	aRIyAdhu	will not know.
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	ulagum	all the worlds
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	ulagu iRandha Uzhiyum	time which remains when the world is destroyed [during deluge]
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	oN kEzh vilagu karum kadalum	ocean which is beautiful, throws waves and is black in colour
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	veRpum	mountains (which are the supports for the world)
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	ulaginil	seen in the world
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	sem thIyum	reddish fire
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	mArudhamum	breeze
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	vAnum	sky [ethereal layer]
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	thirumAl than	emperumAn‚Äôs, who is with mahAlakshmi
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	pundhiyil Aya	due to his sankalpa (vow or will)
mudhal thiruvandhAdhi – 61 -ulagum ulagiRandha Uzhiyum	puNarppu	creation
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	puNar marudhin¬†	two marudham trees [a species of trees] which are joined (together) without any gap
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	Udu pOy	crawling between them
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	pUm kurundham sAyththu	pushing a beautiful kurundham tree [another species of trees, with beautiful flowers]
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	maNam maruva	in order to marry (nappinnaip pirAtti) [krishNa‚Äôs maternal uncle‚Äôs daughter]
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	mAl vidai Ezh seRRu	killing seven huge bulls
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	kaNam veruva	making the dhEvas (celestial persons) and asuras (demons) get scared as to what would follow
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	Ezh ulagum thAyanavum	going past seven worlds
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	eN dhisaiyum pOyinavum	pervading all 8 directions
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	sUzh arava	thiruvananthAzhvAn (AdhiSEshan) who has spread himself expansively
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	pongu aNaiyAn	having resplendent mattress
mudhal thiruvandhAdhi – 62 – puNar marudhinUdu	thOL	divine shoulders
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	thOL	(my) hands
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	avanai allAl thozhA	will not worship anyone other than him [emperumAn]
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	en sevi iraNdum	my two ears
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	kEL avanadhu	his, who is all relationships (to me)
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	in mozhiyE	sweet words
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	kEttu irukkum	will hear and sustain themselves
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	nA	my tongue
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	nALum	everyday
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	kOL nAgaNaiyAn	one who has his mattress, the radiant AdhiSEshan
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	kurai kazhalE	(due to the sounds of ornaments) resounding divine feet
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	kURuvadhE	will keep saying
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	nayam	the matters desired (by samsAris)
mudhal thiruvandhAdhi – 63 – thOL avanai allAl thozhA	nANAmai naLLEn	(I) will not approach, without any shame
mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai	piRar poruLai	AthmA, which is the possession of distinguished emperumAn
mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai	nayavEn	I will not desire as mine
mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai	kIzhArOdu	with samsAris (dwellers of materialistic realm who think that AthmAs are their own)
mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai	naLLEn	I will not move closely
mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai	uyarndhavarOdu allAl uyavEn	I will not speak to anyone other than SrIvaishNavas (who are servitors of emperumAn)
mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai	thirumAlai alladhu	other than SrI mahAlakshmi‚Äôs consort
mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai	dheyvam enRu EththEn	I will not respect as deity
mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai	en mEl	on me (having qualities as mentioned above)
mudhal thiruvandhAdhi – 64 – nayavEn piRar poruLai	vinai varum ARu en	how will sins come?
mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr	ninaidhaRku ariyAnai	one who would not know (of his own effort)
mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr	sEyAnai	one who is far away
mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr	Ayiram pEr sem kaN kariyAnai	emperumAn who has a thousand divine names, has reddish, divine eyes and who has a dark divine form
mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr	kai thozhudhakkAl	if worshipped with hands
mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr	vinaiyAl adarppadAr	will not be troubled by bad deeds
mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr	vem naragil sErAr	will not go to the horrible hell
mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr	thinaiyEnum	even to a small extent [almost zero probability]
mudhal thiruvandhAdhi – 65 -vinaiyAl adarppadAr	thIkkadhikkaN sellAr	will not go astray
mudhal thiruvandhAdhi – 66 – kAlai ezhundhu	kAlai ezhundhu	waking up in the morning (which nurtures the sathva guNam (purely good quality))
mudhal thiruvandhAdhi – 66 – kAlai ezhundhu	ulagam	the exalted mumukshus (those who are desirous of attaining mOksham, SrIvaikuNtam)
mudhal thiruvandhAdhi – 66 – kAlai ezhundhu	kaRpanavum	learning
mudhal thiruvandhAdhi – 66 – kAlai ezhundhu	kaRRu uNarndha mElaith thalai maRaiyOr	the well versed, great vaidhikas (learned in vEdhas, sacred texts)
mudhal thiruvandhAdhi – 66 – kAlai ezhundhu	vEtpanavum	desiring to see
mudhal thiruvandhAdhi – 66 – kAlai ezhundhu	vElaikkaN	in the thirupARkadal (milky ocean)
mudhal thiruvandhAdhi – 66 – kAlai ezhundhu	Or AzhiyAn adiyE	the divine feet of emperumAn who is reclining, holding the incomparable sudharSana chakkaram (divine disc)
mudhal thiruvandhAdhi – 66 – kAlai ezhundhu	Odhuvadhum	being listened to (by these great people)
mudhal thiruvandhAdhi – 66 – kAlai ezhundhu	Orppanavum	thinking of
mudhal thiruvandhAdhi – 66 – kAlai ezhundhu	pEr Azhi koNdAn peyar	the divine names of the entity who holds the large disc
mudhal thiruvandhAdhi – 67 – peyarum karum kadalE	ARu	river
mudhal thiruvandhAdhi – 67 – peyarum karum kadalE	peyarum karum kadalE nOkkum	will flow only towards the dark complexioned ocean which keeps throwing out waves
mudhal thiruvandhAdhi – 67 – peyarum karum kadalE	oN pU	the radiant lotus flower
mudhal thiruvandhAdhi – 67 – peyarum karum kadalE	uyarum kadhiravanE nOkkum	will blossom only after looking at sun, who is at a high place
mudhal thiruvandhAdhi – 67 – peyarum karum kadalE	uyirum	AthmA (of avaishNavas (those who are not followers of vishNu, emperumAn))
mudhal thiruvandhAdhi – 67 – peyarum karum kadalE	dharumanaiyE nOkkum	(at the end of its life on earth) will attain only yama, the deity of righteousness
mudhal thiruvandhAdhi – 67 – peyarum karum kadalE	(In the same way)
mudhal thiruvandhAdhi – 67 – peyarum karum kadalE	uNarvu	knowledge
mudhal thiruvandhAdhi – 67 – peyarum karum kadalE	oN thAmaraiyAL oruvanaiyE	only nArAyaNa, consort of SrI mahAlakshmi who dwells on the radiant lotus flower
mudhal thiruvandhAdhi – 67 – peyarum karum kadalE	nOkkum	will know
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	viNNagaththAy	Oh one who is dwelling in SrIvaikuNtam!
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	maNNagaththAy	Oh one who incarnated in this samsAram (materialistic realm)
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	vEngadaththAy	Oh one who is standing in thiruvEngadam!
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	paN	having musical intonation as the most important part
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	nAl vEdha agaththAy	Oh one who is flourishing in the sacred texts!
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	un perumai	your greatness
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	uNarvAr Ar	who will know?
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	Uzhi thORu Uzhi	in every kalpam [brahmA‚Äôs life time running to millions of years]
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	(even if analysed)
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	un uruvam thannai	your svarUpam (basic nature) and rUpam (divine form)
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	uNarvAr Ar	who will know?
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	nI kidandha pAl	the milky ocean where you are reclining
mudhal thiruvandhAdhi – 68 – uNarvAr Ar	uNarvAr Ar	who will know (by measuring)?
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	bAlan thanadhu uruvAy	having the form of a child
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	Ezh ulagu uNdu	swallowing the seven worlds
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	Al ilayin mEl	on top of a banyan leaf
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	anRu	during deluge
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	nI vaLarndha	your sleeping
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	mey enbar	(vaidhikas, experts in vEdhas) would say (that it) is true
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	anRu	during that time
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	Al	that banyan leaf
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	vElai nIr	inside the oceanic water (where you had slept)
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	uLLadhO	was it?
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	viNNadhO	was it in the sky (which does not have a support)?
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	maNNadhO	was it in the (dissolved) earth?
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	sOlai sUzh kunRu eduththAy sollu	one who lifted the (gOvardhana) hill surrounded by gardens
mudhal thiruvandhAdhi – 69 – bAlan thanadhu uruvAy	sollu	only (you) have to tell
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	thirumAlai	consort of SrI mahAlakshmi
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	sollum thanaiyum	until you are capable of reciting
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	thozhumin	worship him
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	vizhum udambu	the [physical] body which will fall naturally
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	sellum thanaiyum	until it lasts
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	nal idhazhth thAmaththAl	with a garland which has beautiful petals of flowers
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	vELviyAl	with yAgam (religious ritual)
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	thandhiraththAl	with activities [not involving hymns]
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	mandhiraththAl	with hymns [not involving actions]
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	nAmaththAl	with his divine names
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	EththudhirEl	if you [attain and] praise him
mudhal thiruvandhAdhi – 70 – sollum thanaiyum	nanRu	will yield benefits
mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu	Azhi nenjamE	Oh heart, deep like the ocean!
mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu	piNi mUppu nanRu kai agaRRi	getting rid of disease and old age, well (and attaining kaivalyam)
mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu	nAngu Uzhi ninRu	being stable for four yugas (several eons)
mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu	nilam muzhudhum ANdAlum	even if one were to get all the wealth to rule all the worlds
mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu	adal Azhi koNdAn mAttu	the one who has the belligerent divine disc on his hands
mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu	anbu	friendliness
mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu	vidal	do not let go of
mudhal thiruvandhAdhi – 71 – nanRu piNi mUppu	vENdinEn kaNdAy	behold, I am beseeching
mudhal thiruvandhAdhi – 72 – anbAzhiyAnai	anbu	the mind which is full of love
mudhal thiruvandhAdhi – 72 – anbAzhiyAnai	AzhiyAnai aNugu ennum	will instruct to approach chakrapANi (emperumAn, who has the divine disc in his hand)
mudhal thiruvandhAdhi – 72 – anbAzhiyAnai	nA	tongue
mudhal thiruvandhAdhi – 72 – anbAzhiyAnai	avan than paNbu Azhi thOL paravi Eththennum	will instruct to worship his divine shoulders which are like beautiful ocean.
mudhal thiruvandhAdhi – 72 – anbAzhiyAnai	munbu Uzhi kANAnai kAN ennum kaN	eyes will instruct to worship emperumAn who does not see the time of eons
mudhal thiruvandhAdhi – 72 – anbAzhiyAnai	sevi	the ears
mudhal thiruvandhAdhi – 72 – anbAzhiyAnai	pUN Aram pUNdAn pugazh kEL ennum	will instruct to hear the praise of emperumAn who has donned the decorative pearl necklace.
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	nenjE	Oh my heart!
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	nI	you
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	pUm thuzhAyAnai	one decorated with beautiful thuLasi (basil) garland
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	pugazhvAy	may praise
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	pazhippAy	may abuse
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	igazhvAy	may disparage
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	karudhuvAy	may think [good]
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	Whatever you may do, he [emperumAn]	#8230;.
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	thigazh nIr kadalum	ocean with flourishing water
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	malaiyum	resultant factors such as mountains
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	iru visumbum kARRum	causative factors such as the expansive sky (ether), wind etc
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	udalum uyirum	having both SarIram (physical body) and AthmA (soul)
mudhal thiruvandhAdhi – 73 – pugazhvAy pazhippAy	ERRAn	has always sustained.
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	ERRAn	having (the not so famous) bull as vehicle
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	eyil eriththAn	burnt the three towns (of his followers)
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	nIRRAn	smearing ashes (to get rid of a curse)
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	kURRorupAl mangaiyAn	sustaining his wife pArvathi on one part (of his body)
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	vAr sadaiyAn	one who has matted hair, signifying that he is carrying out penance
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	gangaiyAn	Sivan who is having gangA on his head (to rid of sins)
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	puL UrndhAn	having garuda (who has vEdhas as his body) as his vehicle
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	mArvu idandhAn	tore the chest of iraNyan (hiraNyakashyap) (for the sake of his devotee prahlAdha)
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	nizhal maNivaNNaththAn	having a cool, comfortable form like a blue gemstone
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	pU magaLAn	having SrI mahAlakshmi on his chest
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	nIL mudiyAn	having the long crown (indicative of his greatness)
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	nIL kazhalAn	one having long divine feet (the origin of gangA)
mudhal thiruvandhAdhi – 74 – ERRAn puLLUrndhAn	kAppu	is the protector
mudhal thiruvandhAdhi – 75 – kAppu unnai	unnai unna	when you are thought of
mudhal thiruvandhAdhi – 75 – kAppu unnai	kAppu	the deities who serve as guards
mudhal thiruvandhAdhi – 75 – kAppu unnai	kazhiyum	will get disengaged
mudhal thiruvandhAdhi – 75 – kAppu unnai	aru vinaigaL	terrible deeds
mudhal thiruvandhAdhi – 75 – kAppu unnai	unnai unna	once you are thought of
mudhal thiruvandhAdhi – 75 – kAppu unnai	Appu avzhindhu ozhiyum	will get annihilated, after getting liberated
mudhal thiruvandhAdhi – 75 – kAppu unnai	unnaich chindhippArkku	for those who meditate on you
mudhal thiruvandhAdhi – 75 – kAppu unnai	mUppu illai	the six changes, including aging, are not present
mudhal thiruvandhAdhi – 75 – kAppu unnai	thirumAlE	¬† Oh, my benefactor and the consort of SrI mahAlakshmi
mudhal thiruvandhAdhi – 75 – kAppu unnai	nin adiyai	your divine feet
mudhal thiruvandhAdhi – 75 – kAppu unnai	vandhippAr	those who worship
mudhal thiruvandhAdhi – 75 – kAppu unnai	vazhi kANbar	will see the archhirAdhi mArga (the path leading to SrIvaikuNtam)
mudhal thiruvandhAdhi – 76 – vazhi ninRu	vazhi ninRu	being steadfast in the path of bhakthi (devotion)
mudhal thiruvandhAdhi – 76 – vazhi ninRu	ninnai	you
mudhal thiruvandhAdhi – 76 – vazhi ninRu	thozhuvAr	those who attain you
mudhal thiruvandhAdhi – 76 – vazhi ninRu	vazhuvA mozhi ninRa	as mentioned in vEdhas, which speak only the truth
mudhal thiruvandhAdhi – 76 – vazhi ninRu	mUrththiyarE Avar	will surely have as their basic nature
mudhal thiruvandhAdhi – 76 – vazhi ninRu	maN aLandha sIrAn	(without considering his greatness) the one who has the simplicity of measuring all the worlds
mudhal thiruvandhAdhi – 76 – vazhi ninRu	thiruvEngadam	the hills of thirumalai
mudhal thiruvandhAdhi – 76 – vazhi ninRu	pazhudhu onRum	any shortcoming
mudhal thiruvandhAdhi – 76 – vazhi ninRu	viN kodukkum	will it not grant paramapadham (SrIvaikuNtam)!
mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum	vEngadamum	thirumalai
mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum	viN nagarum	SrIvaikuNtam
mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum	vehkAvum	thiruvehkA dhivyadhEsam
mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum	ahkAdha pUm kidangin	having moats with unchanging flowers [always fresh]
mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum	nIL kOval ponnagarum	sweet and beautiful thirukkOvalUr
mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum	nAngu idaththum	in these four dhivyadhEsams
mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum	ninRAn irundhAn kidandhAn nadandhAnE enRAl	if we say that (emperumAn) stands, stays, reclines and walks
mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum	idar	the results of our deeds that we carryout standing,¬† sitting, lying and walking
mudhal thiruvandhAdhi – 77 – vEngadamum viNNagarum	kedumAm	will be destroyed
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	vEzham	elephant [by name gajEndhra AzhwAn]
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	thodar	following (to swallow it)
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	vAn	having strength
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	kodu mudhalai	cruel crocodile
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	sUzhndha	one who destroyed
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	padam udaiya	having spread hood
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	pai nAgam paLLiyAn	emperumAn who has as his mattress, the expansive thiruvananthAzhwAn (AdhiSEshan)
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	pAdhamE	divine feet
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	nAgam koy pUm pOdhu koNdu	with beautiful flowers plucked from punnai tree [a kind of flower bearing tree]
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	kai thozhudhum	we shall worship
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	nenjE	Oh heart!
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	ezhu	arise (to worship like this)
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	(if worshipped like this)
mudhal thiruvandhAdhi – 78 – idar Ar paduvAr	Ar idar paduvAr	who will experience sorrows?
mudhal thiruvandhAdhi – 79 – koNdArai allAl	‚ÄúmaN thA‚Äù ena	give (three footsteps of) earth
mudhal thiruvandhAdhi – 79 – koNdArai allAl	mAvaliyai irandhu	begging mahAbali
mudhal thiruvandhAdhi – 79 – koNdArai allAl	oN thArai nIr	radiant stream of water (poured by him)
mudhal thiruvandhAdhi – 79 – koNdArai allAl	am kai thOya	once it fell on (your) beautiful hands
mudhal thiruvandhAdhi – 79 – koNdArai allAl	nIL visumbilAr	the dhEvas (celestial entities) in the expansive sky
mudhal thiruvandhAdhi – 79 – koNdArai allAl	am kai	beautiful hands
mudhal thiruvandhAdhi – 79 – koNdArai allAl	thOya	to wash (your) divine feet
mudhal thiruvandhAdhi – 79 – koNdArai allAl	aduththu nimirndhilaiyE	did you not grow immediately?
mudhal thiruvandhAdhi – 79 – koNdArai allAl	koNdAnai	one who made (his property)¬† as his own
mudhal thiruvandhAdhi – 79 – koNdArai allAl	(pazhippAr) allAl	blaming only him
mudhal thiruvandhAdhi – 79 – koNdArai allAl	koduththArai	one who gave (what was not his, but presumed to be his)
mudhal thiruvandhAdhi – 79 – koNdArai allAl	yAr pazhippAr	there is no one to blame!
mudhal thiruvandhAdhi – 80 – aduththa kadum	aduththa kadum pagaigyaRku	against garuda, who is a natural enemy
mudhal thiruvandhAdhi – 80 – aduththa kadum	ARREn enRu	I cannot survive (in a direct contest)
mudhal thiruvandhAdhi – 80 – aduththa kadum	Odi	moving rapidly
mudhal thiruvandhAdhi – 80 – aduththa kadum	paduththa perum pAzhi	the large cot on which (emperumAn) reclines
mudhal thiruvandhAdhi – 80 – aduththa kadum	sUzhndha	coiling (around its leg)
mudhal thiruvandhAdhi – 80 – aduththa kadum	vidaththu aravai	a poisonous snake (by name sumukan)
mudhal thiruvandhAdhi – 80 – aduththa kadum	vallALan	garuda who is powerful
mudhal thiruvandhAdhi – 80 – aduththa kadum	kai koduththa	mercifully handing over to him for protection
mudhal thiruvandhAdhi – 80 – aduththa kadum	mA mEni mAyavanukku¬† allAdhum	other than emperumAn who has great divine form and is a wondrous entity
mudhal thiruvandhAdhi – 80 – aduththa kadum	AvArO AL	will they become servitors?
mudhal thiruvandhAdhi – 81 – ALamar venRi	AL amar venRi adu kaLaththuL	in the battlefield which contains warriors and victory
mudhal thiruvandhAdhi – 81 – ALamar venRi	agyAnRu	during that time (when the demons troubled dhEvas, the celestial entities)
mudhal thiruvandhAdhi – 81 – ALamar venRi	vAL amar vENdi	desiring the war which carries respect
mudhal thiruvandhAdhi – 81 – ALamar venRi	varai nattu	keeping the mantharagiri (a divine mountain) as (as agitator, to churn the ocean)
mudhal thiruvandhAdhi – 81 – ALamar venRi	nIL aravaich chuRRi	coiling the long snake (vAsuki) as rope (for churning)
mudhal thiruvandhAdhi – 81 – ALamar venRi	kadaindhAn	one who churned (the milky ocean)
mudhal thiruvandhAdhi – 81 – ALamar venRi	peyar	divine names
mudhal thiruvandhAdhi – 81 – ALamar venRi	paRRi	scooping (the chEthanas, the sentient entities)
mudhal thiruvandhAdhi – 81 – ALamar venRi	thol naragai	the ancient hellish regions
mudhal thiruvandhAdhi – 81 – ALamar venRi	kadaththum	will enable to cross
mudhal thiruvandhAdhi – 81 – ALamar venRi	padai anRE	is it not an upAyam (means)!
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	padai Arum	like a sword
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	vAL kaNNar	women with radiant eyes
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	pArasi nAL	on the day of dhvAdhaSi (12th day of new moon or full moon)
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	pai	beautiful
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	pUm thodaiyalOdu	with garlands made of flowers
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	Endhiya	carrying
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	dhUpam	smoke
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	idaiyidaiyil mIn	stars which appear in between
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	mAya	to be hidden
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	mAsUNum	to become stained
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	vEngadamE	Oh thirumalai!
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	mEl oru nAL	once upon a time
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	mAn	mArIcha (a demon related to rAvaNa) who came in the form of deer
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	mAya	to die
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	eydhAn	one who shot the arrow
mudhal thiruvandhAdhi – 82 – padaiyArum vAL kaNNAr	varai	(his) hill
mudhal thiruvandhAdhi – 83 – varai kudai thOL	uravu udaiya	having strength
mudhal thiruvandhAdhi – 83 – varai kudai thOL	nIr AzhiyuL kidandhu	in the thiruppARkadal (milky ocean) containing water, where you were reclining
mudhal thiruvandhAdhi – 83 – varai kudai thOL	nEr Am	those who came as enemies
mudhal thiruvandhAdhi – 83 – varai kudai thOL	nisAsarar mEl	on the demons (madhu and kaitabha)
mudhal thiruvandhAdhi – 83 – varai kudai thOL	pEr Azhi koNda	striking the huge chakrAyudham (divine disc)
mudhal thiruvandhAdhi – 83 – varai kudai thOL	pirAn	Oh benefactor!
mudhal thiruvandhAdhi – 83 – varai kudai thOL	varai kudai (Aga)	holding the mountain (gOvardhana) as umbrella
mudhal thiruvandhAdhi – 83 – varai kudai thOL	thOL kAmbu Aga	making shoulders as the handle of umbrella
mudhal thiruvandhAdhi – 83 – varai kudai thOL	Anirai kAththu	protecting the herds of cows
mudhal thiruvandhAdhi – 83 – varai kudai thOL	Ayar	belonging to the cowherds
mudhal thiruvandhAdhi – 83 – varai kudai thOL	nirai vidai Ezh	the seven fat bulls
mudhal thiruvandhAdhi – 83 – varai kudai thOL	seRRa ARu	the way you killed them
mudhal thiruvandhAdhi – 83 – varai kudai thOL	ennE	how was it?
mudhal thiruvandhAdhi – 84 – pirAn un perumai	pirAn	Oh emperumAn!
mudhal thiruvandhAdhi – 84 – pirAn un perumai	urAy	without any tiredness
mudhal thiruvandhAdhi – 84 – pirAn un perumai	ulagu aLandha nAnRu	when (you) measured the worlds
mudhal thiruvandhAdhi – 84 – pirAn un perumai	endhai	you, my swAmy
mudhal thiruvandhAdhi – 84 – pirAn un perumai	adikku	for the divine feet
mudhal thiruvandhAdhi – 84 – pirAn un perumai	aLavu pOndha	appropriate for measurement
mudhal thiruvandhAdhi – 84 – pirAn un perumai	padi	the earth
mudhal thiruvandhAdhi – 84 – pirAn un perumai	varAgaththu	in the form of varAha (incarnation as wild boar)
mudhal thiruvandhAdhi – 84 – pirAn un perumai	eyiRRu aLavu	one part of the tusk
mudhal thiruvandhAdhi – 84 – pirAn un perumai	pOdhA ArU	being insufficient
mudhal thiruvandhAdhi – 84 – pirAn un perumai	en kol	how?
mudhal thiruvandhAdhi – 84 – pirAn un perumai	un perumai¬†	your greatness
mudhal thiruvandhAdhi – 84 – pirAn un perumai	piRar Ar aRivAr	who can know (other than you)?
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	vadivil [vadivu il]	without any form
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	poRi aindhum	the five sensory perceptions
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	uL adakki	controlling them inside the body
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	pOdhodu nIr Endhi	taking flowers and water
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	neRi ninRa	standing firmly in the good path (of attaining emperumAn)
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	nenjamE	Oh heart!
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	nI	you
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	pAmbu aNaiyinAn	emperumAn who has thiruvananthAzhwAn (AdhiSEshan) as his mattress
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	padi	divine form
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	kaNdu aRidhiyE	have you seen and enjoyed?
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	puL kodi	(his) garuda flag mast
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	kaNdu aRidhiyE	have you worshipped?
mudhal thiruvandhAdhi – 85 – padi kaNdaRidhiyE	kURAy	(you) tell
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	kunRu eduththu	lifting gOvardhanagiri (like an umbrella)
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	pAyum pani maRuththa	blocking the torrential rain
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	paNbALA	Oh one who is simple!
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	vAsal kadai	outside the entrance [to the ASram where the three AzhwArs were standing]
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	kazhiyA	without going out
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	uL pugA	not entering
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	kAmar pUm kOval	at thirukkOvalUr which has both natural and artificial beauty
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	idai kazhiyE	only the corridor (space between the entrance and the inner portion)
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	paRRi	as dwelling place
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	nIyum thirumagaLum	periya pirAtti (SrI mahAlakshmi) and you
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	ini	now
mudhal thiruvandhAdhi – 86 – nIyum thirumagaLum	ninRAyAl	did you not shower your mercy by standing!
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	kani	the demon who was in the form of wood-apple
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	sAya	to fall down and perish
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	kanRu	demon who came in the form of a calf
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	eRindha	thrown
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	thOLAn	emperumAn who has divine shoulders
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	kanai kazhalE	divine feet with ornaments which make a sound
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	kANbadhaRku	to¬† see (the path)
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	am nAval sUzh nAdu	the living creatures in the expansive country which is beautiful and goes by the name of jambhUdhwIpam
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	nangu aRindhana	knew very well
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	ini	henceforth
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	ezhu naraga vAsal	at the gates of the seven types of hell
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	yAr puguvAr	who will enter
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	(Oh yamakinkaras!) [servitors of yama]
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	muniyAdhu	without getting angry (at me)
mudhal thiruvandhAdhi – 87 – iniyAr puguvAr	mUri thAL kOmin	close (the gates of hell) with strong latch
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	nAdilum	when thinking (with the mind)
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	nin adiyE	only your divine feet
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	nAduvan	I shall think of
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	pAdilum	when singing (with the mouth)
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	nin pugazhE pAduvan	I shall sing only your praises
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	sUdilum	when thinking to wear (something) on the head
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	pon Azhi EndhinAn	¬†holding the divine disc, your
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	pon adiyE	beautiful divine feet
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	sUduvERku	one, wearing (on the head)
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	enakku	for me
mudhal thiruvandhAdhi – 88 – nAdilum ninnadiyE	en Agil en	what if something happens (to someone)?
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	punam	on the land appropriate to itself
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	kAyAm pU mEni	the colour of kAyAm pU (a blue coloured flower)
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	kANa	as one keeps looking
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	podhi avizhum	blossoming
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	pUvaippU (mEni)	the colour of pUvaippU (blue coloured flower)
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	mA mEni	(emperumAn‚Äôs) great divine form
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	varam kAttum	will display properly
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	enakku	to me (who is so fortunate)
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	Ar oruvarE AvAr	is there anyone who is comparable to me?
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	emperumAn	sarvESvaran (supreme being) also
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	thAne thanakku AvAn	he can be compared only to himself
mudhal thiruvandhAdhi – 89 – enakkAvAr Ar oruvarE	maRRu	can he become my equal?
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	Ir ari Ay	being the enemy appropriate to be cut
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	nEr valiyOn Ana	having the strength to fight in direct combat
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	iraNiyanai	hiraNya kashyap‚Äôs
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	Un	body
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	Or ari Ay	unique form of narasimha (face of lion and body of human)
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	uraththinAl	through (your) strength
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	nI idandhadhu	you tore
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	varaththAl	through boons (granted by brahmA and other celestial entities)
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	vali ninaindhu	thinking of (his) huge strength
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	siraththAl	through his head
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	nin pAdham	your divine feet
mudhal thiruvandhAdhi – 90 – varaththAL vali ninaindhu	vaNangAnAm enRE	was it because he did not worship? (no; it was because emperumAn could not tolerate the faults [committed by hiraNya kashyap] towards his follower prahlAdha)
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	Unak kurumbaiyin	in the hut called body made of flesh
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	uL pukku	entering (analysing)
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	iruL¬†	ignorance (which considers the body as sweet)
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	nIkki	removing
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	gyAnam sudar	lamp of true knowledge
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	koLIi	lighting
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	Enaththu uru Ay	incarnating as varAha form (wild boar)
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	ulagu idandha	one who separated the world from the shell of the universe
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	UzhiyAn	one who was present during deluge, that emperumAn‚Äôs
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	pAdham	divine feet
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	nAL dhORum	every day
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	maruvAdhArkku	those who do not worship
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	vAn	paramapadham (SrIvaikuNtam)
mudhal thiruvandhAdhi – 91 – Unak kurumbaiyin	uNdAmO	will it be available?
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	vAn Agi	taking the form of ether (sky)
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	thI Ay	taking the form of agni (fire)
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	maRi kadal Ay	taking the form of ocean
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	mArudham Ay	taking the form of wind
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	(thus, being the controller of universe)
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	thEn Agi	(for nithyars and mukthars, permanent dwellers of SrIvaikuNtam and those who have got liberated from samsAram and have reached SrIVaikuNtam respectively) being sweet, like honey
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	pAl Am	he will be enjoyable, similar to milk
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	thirumAlE	Oh the consort of mahAlakshmi!
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	An Aychchi	when born in the clan of cowherds who tend to cows
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	veNNey vizhunga	when swallowing butter
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	mun oru nAL	once upon a time
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	maNNai	all the worlds
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	umizhndha	spat out
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	vayiRu	the divine stomach
mudhal thiruvandhAdhi – 92 – vAnAgith thIyAy	niRaiyumE	will it get filled-up?
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	pU vadivai	the beauty of flowers
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	Idu azhiththa	lowering their esteem very much
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	pon Azhi kaiyA	having a divine hand which holds the divine chakkaram (divine disc)
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	vayiRu azhala	(followers) to grieve with sorrow
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	vAL uruvi vandhAnai	iraNiyan who came ¬†wielding his sword
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	anja	to become fearful (of your divine form)
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	nin sEvadimEl	(keeping) on your reddish divine feet
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	poRi ugirAl	with multi coloured finger nails
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	Idu azhiyach cheRRu	even after destroying to smithereens
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	eyiRu ilaga	showing brightly your teeth
mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi	nI vAy maduththadhu en	why did you fold your tongue?
mudhal thiruvandhAdhi – 94 – seRRezhundhu
mudhal thiruvandhAdhi – 94 – seRRezhundhu	first explanation when he showed his viSvarUpam to bhIshma and others
mudhal thiruvandhAdhi – 94 – seRRezhundhu
mudhal thiruvandhAdhi – 94 – seRRezhundhu	seRRu ezhundhu	getting up angrily
mudhal thiruvandhAdhi – 94 – seRRezhundhu	thI vizhiththu	looking with fiery eyes (at dhuryOdhana and others)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	senRa indha Ezhu ulagaum maRRu ivai	these are the seven worlds which keep going about
mudhal thiruvandhAdhi – 94 – seRRezhundhu	(saying so)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	A enRu vAy angAndhu	opening his divine mouth wide open
mudhal thiruvandhAdhi – 94 – seRRezhundhu	muRRUm	all the worlds
mudhal thiruvandhAdhi – 94 – seRRezhundhu	maRaiyavarkku	to bhIshma, dhrONa and other vaidhikas (those who believe in vEdhams)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	kAttiya	showed (in his mouth)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	mAyavanai allAl	other than krishNa who showed amazing power (no one else)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	en Na	my tongue
mudhal thiruvandhAdhi – 94 – seRRezhundhu	iRaiyEnum	even a little bit
mudhal thiruvandhAdhi – 94 – seRRezhundhu	EththAdhu	will not praise
mudhal thiruvandhAdhi – 94 – seRRezhundhu
mudhal thiruvandhAdhi – 94 – seRRezhundhu	second explanation when he showed the worlds that he had swallowed to mArkaNdEya
mudhal thiruvandhAdhi – 94 – seRRezhundhu
mudhal thiruvandhAdhi – 94 – seRRezhundhu	ezhundhu	getting up angrily (to destroy the worlds)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	thI vizhiththu	looking with fiery eyes
mudhal thiruvandhAdhi – 94 – seRRezhundhu	seRRu	destroying (all the worlds)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	senRa indha Ezh ulagum maRRu ivai	(saying) these are the seven worlds that went (inside my stomach)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	AvenRu vAy angAndhu	opening his divine mouth wide open
mudhal thiruvandhAdhi – 94 – seRRezhundhu	muRRum	all the worlds
mudhal thiruvandhAdhi – 94 – seRRezhundhu	maRaiyavarkku	to mArkaNdEya rishi (sage), a vaidhika (one who believes in vEdhams)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	kAttiya	one who showed mercifully
mudhal thiruvandhAdhi – 94 – seRRezhundhu	mAyavanai allAl	other than emperumAn who has agatithagatanA sAmarthyam (the ability to bind together those which cannot be bound)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	(another person)
mudhal thiruvandhAdhi – 94 – seRRezhundhu	en nA	my tongue
mudhal thiruvandhAdhi – 94 – seRRezhundhu	iRaiyEnum	even a little bit
mudhal thiruvandhAdhi – 94 – seRRezhundhu	EththAdhu	will not praise
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	nA	tongue (which is the implement for praising emperumAn)
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	vAyil uNdE	is inside the mouth (without the need for searching for it outside)
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	OvAdhu	many times (without getting tired)
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	uraikkum	apt to say
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	namO nAraNA enRu urai	thirumanthram
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	uNdE	is available
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	mUvAdha	not coming back
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	mA gadhikkaN	in paramapadham (SrIvaikuNtam) which is the goal to be attained
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	sellum vagai uNdE	archirAdhi mArga, the path to go [to SrIvaikuNtam] is ready
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	(when things are like this)
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	thI gadhikkaN	in the path to naragam (hell)
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	oruvar	some people
mudhal thiruvandhAdhi – 95 – nAvAyil uNdE	sellum thiRan	why are they going?
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	en nenjamE	Oh my heart!
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	aRam pAvam enRu iraNdum AvAn	he [emperumAn] is the controller for both the types of deeds, virtuous and sinful
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	sengaNmAl kaNdAy	look at the emperumAn who has reddish lotus like eyes.
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	im maNdhAn	this earth
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	maRi kadaldhAn	the ocean which keeps lapping waves
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	mArudham thAn	the breeze
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	vAn	the sky also
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	puRandhAn	(different from all these) jIvan (all living species), mahAn (one of the essential entities in creation, known as ‚Äúgreat‚Äù), ahankAram (ego) etc
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	thAne kaNdAy	look! they are all emperumAn himself!
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	(this meaning)
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	thiRambAdhu	without mistake
mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE	kadaikkaN pidi	know till the end
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	pidi sEr	roaming with female elephant
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	kaLiRu	gajEndhra AzhwAn [a male elephant]
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	aLiththa	protected
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	pErALA	Oh magnanimous entity!
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	podi sEr	applying ashes
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	anaRku	for fire
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	am kai ERRAn	one who held his hand, that rudhra‚Äôs
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	avir sadai mEl	on his shining matted hair
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	pAyndha	fell
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	punal	having [copious] water
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	gangai ennum pEr	having the name gangA
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	pon	great gold
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	un than adi sErndhu	attaining your divine feet
mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu	aruL peRRAL anRE	did she not get your grace!
mudhal thiruvandhAdhi – 98 – pon thigazhum mEni	pon thigazhum mEni	having a form which shines like gold
mudhal thiruvandhAdhi – 98 – pon thigazhum mEni	puri sadai	platted, matted hair
mudhal thiruvandhAdhi – 98 – pon thigazhum mEni	am puNNiyanum	rudhra [Siva] who has beautiful puNyam (virtuous deeds)
mudhal thiruvandhAdhi – 98 – pon thigazhum mEni	ninRu ulagam thAya nedumALum	sarvESvaran (lord of all) who stood and measured all the worlds
mudhal thiruvandhAdhi – 98 – pon thigazhum mEni	enRum	always
mudhal thiruvandhAdhi – 98 – pon thigazhum mEni	iruvar angaththAl thirivarElum	even if they roam around with two [different] forms
mudhal thiruvandhAdhi – 98 – pon thigazhum mEni	oruvan	one among them, Siva,
mudhal thiruvandhAdhi – 98 – pon thigazhum mEni	oruvan angaththu	holding on to the divine body of nArAyaNa
mudhal thiruvandhAdhi – 98 – pon thigazhum mEni	enRum	at all times
mudhal thiruvandhAdhi – 98 – pon thigazhum mEni	uLan	will sustain
mudhal thiruvandhAdhi – 99 – uLan kaNdAy	nal nenjE	Oh my heart who is well disposed! [towards emperumAn]
mudhal thiruvandhAdhi – 99 – uLan kaNdAy	uththaman	purushOththaman (the best among all entities)
mudhal thiruvandhAdhi – 99 – uLan kaNdAy	enRum	at all times
mudhal thiruvandhAdhi – 99 – uLan kaNdAy	uLan kaNdAy	exists (only to protect us)
mudhal thiruvandhAdhi – 99 – uLan kaNdAy	uLLuvAr uLLaththu	those who think of him
mudhal thiruvandhAdhi – 99 – uLan kaNdAy	uLan kaNdAy	resides permanently
mudhal thiruvandhAdhi – 99 – uLan kaNdAy	veLLaththin uLLAnum	one who is reclining in thiruppARkadal (milky ocean)
mudhal thiruvandhAdhi – 99 – uLan kaNdAy	vEngadaththu mEyAnum	one who is standing in thiruvEngadam (thirumalai)
mudhal thiruvandhAdhi – 99 – uLan kaNdAy	uLLaththin uLLAn enRu	is residing inside (my) heart
mudhal thiruvandhAdhi – 99 – uLan kaNdAy	Or	know
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	en nenjE	Oh my heart!
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	Oradiyil thAyavanai	one who measured all the worlds with one divine foot
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	kEsavanai	destroying a demon named kESi
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	thaN thuzhAy mAlai sEr	decorated with cool, thuLasi garland
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	mAyavanaiyE	only that emperumAn who has amazing activities
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	manaththu vai	keep in your heart
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	(if he is attained like this)
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	Or adiyum	the divine foot which measured the worlds
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	sAdu udhaiththa	kicked such that the wheel broke into smithereens
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	oN malar sEvadiyum	divine foot which is like a beautiful reddish flower
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	Iradiyum	both the divine feet
mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa	kANalAm	could see

iyaRpA mudhal thiruvandhAdhi

mudhal thiruvandhAdhi – 100 – Oradiyum sAdudhaiththa

September 21, 2017 Published by: T N Krishnan

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avathArikai

To the question as to what should we do to attain such an entity [emperumAn], AzhwAr says “be firm that one can attain him only through his grace”

Let us go through the pAsuram and its meanings:

Oradiym sAdudhaiththa oN malarch chEvadiyum
Iradiyum kANalAm en nenjE Oradiyil
thAyavanaik kEsavanaith thaNduzhAy mAlai sEr
mAyavanaiyE manaththu vai

Word by Word Meaning

en nenjE – Oh my heart!
Oradiyil thAyavanai – one who measured all the worlds with one divine foot
kEsavanai – destroying a demon named kESi
thaN thuzhAy mAlai sEr – decorated with cool, thuLasi garland
mAyavanaiyE – only that emperumAn who has amazing activities
manaththu vai – keep in your heart

(if he is attained like this)
Or adiyum – the divine foot which measured the worlds
sAdu udhaiththa – kicked such that the wheel broke into smithereens
oN malar sEvadiyum – divine foot which is like a beautiful reddish flower
Iradiyum – both the divine feet
kANalAm – could see

vyAkyAnam

Oradiyum – divine foot which engaged everyone towards it and measured

sAdu udhaiththa oN malar sEvadiyum – the sweet foot which destroyed the demon who had entered a wheel. Was it not with the divine foot, which was soft like a flower that had just blossomed, that he destroyed the wheel!

Iradiyum kANalAm en nenjE – we can see both the divine feet. We can see those two divine feet which are apt to be attained.

en nenjE – Oh heart who is desirous of seeing. When asked as to what is the means for this, AzhwAr says that his divine feet are the means.

Or adiyil thAyavanai – as mentioned earlier, the divine feet which are so simple that all can attain

kEsavanai – the term kESava refers to destroying of enemies [demon called kESi who came in the form of a horse]. He is the one who offers his divine feet as well as destroys enemies.

than thuzhAy mAlai sEr mAyavanaiyE – Have firm belief in your heart that he is the means, who is decorated with thuLasi garland and who is having unbounded sweetness.

thaN thuzhAy mAlai sEr mAyavanaiyE – Even if he is not simple to approach and even if he does not kill enemies, is it possible to ignore when seeing his sweetness?

mAyavanaiyE – Don’t think that we need to take any effort to attain him. By using the long syllable in the word mAyavanaiyE it is implied that he is capable of making us to think only of him and of no one else. Once this firm belief is undertaken, we can see the two divine feet which are to be attained. There is no hurdle to seeing those two divine feet. If asked as to what is to be done after attaining them, AzhwAr says that we can continue to carry out kainkaryam permanently.

periya perumAL periya pirAtti thiruvadigaLE SaraNam
poygai AzhwAr thiruvadigaLE SaraNam
bhagavadh rAmAnujar thiruvadigaLE SaraNam
nampiLLai thiruvadigaLE SaraNam
periyavAchchAn piLLai thiruvadigaLE SaraNam
maNavALa mAmunigaL thiruvadigaLE SaraNam

adiyEn krishNa ramanuja dhAsan

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iyaRpA mudhal thiruvandhAdhi

mudhal thiruvandhAdhi – 99 – uLan kaNdAy

September 20, 2017 Published by: T N Krishnan

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avathArikai

AzhwAr says that emperumAn, who protects all, stays in places such as thiruppARkadal (milky ocean) only in order to take shelter inside the hearts of those who do not avoid him. AzhwAr tells his heart to make a note of this. AzhwAr’s divine mind was scared that great people in the world are bewildered into believing that chEthanas (sentient entities) who are like themselves are Isvaras (emperumAn). AzhwAr says that even if one were to tie a rope around one’s neck in order to kill himself, there is an entity who is there to cut the rope and to protect us.

Let us go through the pAsuram and its meanings:

uLan kaNdAy nannenjE uththaman enRum
uLan kaNdAy uLLuvAr uLLaththu uLan kaNdAy
veLLaththin uLLAnum vEngadaththu mEyAnum
uLLaththin uLLAn enRu Or

Word by Word Meaning

nal nenjE – Oh my heart who is well disposed! [towards emperumAn]
uththaman – purushOththaman (the best among all entities)
enRum – at all times
uLan kaNdAy – exists (only to protect us)
uLLuvAr uLLaththu – those who think of him
uLan kaNdAy – resides permanently
veLLaththin uLLAnum – one who is reclining in thiruppARkadal (milky ocean)
vEngadaththu mEyAnum – one who is standing in thiruvEngadam (thirumalai)
uLLaththin uLLAn enRu – is residing inside (my) heart
Or – know

vyAkyAnam

uLan kaNdAy – Oh heart! You have seen that he is our refuge on the day that we surrendered to him. In mahAbhAratham uththara kANdam 83, dhraupadhi says “sAham kESagraham prApthA thvayi jIvathyapi prabhO” (Oh emperumAn! Even when you were existing, I was dragged by my hair by enemies). My swAmy, when you are there, my enemies have the courage to touch my hair! Can one connect your existence and the insult that happened to me? Were you like me a woman or were you not a purushOththama (best among all entities) for me to suffer like this! AzhwAr says that he is not saying a non-existing person as uLan (exists). He is there to protect us when we destroy ourselves. His existence is to save us and our existence is to destroy ourselves. Our carrying out prapaththi (surrender) is not due to our fear of others but due to fear of ourselves. It is similar to someone telling an intelligent person “I would myself tie a rope, unknown to me, around my neck in order to kill myself. At that time, you should cut the rope and save me”. Our carrying out surrendering is like this only.

nan nenjE – Oh heart! you are present to tell me appropriately that emperumAn is there. You are capable of explaining the meanings of these words to me!

uththaman – magnanimous person. In other words, he does favours to others in order to benefit himself. Hence he exists in order to protect us and does that to benefit himself. thaiththiriya upanishath Anandhavalli 6 says “asannEva sa bhavathi asath brahmEthi vEdha chEth” (a person does not exist if he does not have knowledge about brahmam (supreme being)) along with “asthi brahmEthi chEth vEdha santhamEnam thathO vidhu:” (if he has knowledge about brahmam others know that he exists). emperumAn exists without any distinction between these two types of entities (one who does not know him and one who knows him).

uLLuvAr uLLaththu uLan kaNdAy – if one day chEthana (sentient entity) believes that emperumAn exists, then emperumAn will exist forever for him. He will reside inside the heart of the one that he wants to pervade, not knowing how to leave that person’s heart and be there forever.

veLlaththil uLLAnum vEngadaththu mEyAnum uLLaththil uLLAn enRu Or – Think that the one who is reclining in milky ocean and who is standing in thiruvEngadam (thirumalai) is in our heart. He resides in those places (milky ocean and thiruvEngadam) only to enter our heart. Think that the place that he desires is only our heart. Haven’t thirumazhisai AzhwAr in nAnmugan thiruvandhAdhi 36 “aNaippAr karuththanAvAn” (he is there only to enter the hearts of his followers) and periyAzhwAr in periyAzhwAr thirumozhi 4-5-10 “idavagaigal igazhndhittu enpAl idavagai koNdanaiyE”(leaving aside your dwelling places [such as SrIvaikuNtam, thiruppARkadal etc], you have decided to dwell in my heart! [what a motherly affection is this!]) divinely mentioned the same!

We shall consider the 100 pAsuram next.

adiyEn krishNa ramanuja dhAsan

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iyaRpA mudhal thiruvandhAdhi

mudhal thiruvandhAdhi – 98 – pon thigazhum mEni

September 19, 2017 Published by: T N Krishnan

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avathArikai

Why point out a fault in Siva that he took gangA which has connection with the divine feet of emperumAn on his shining matted hair? He is being called Isvaran (one who controls) and is responsible for the function of destruction. AzhwAr says that he got the quality of being Isvaran because he is the body (SarIram) of emperumAn and not of his own nature.

Let us look at the pAsuram and its meanings:

pon thigazhum mEnip purisadai am puNNiyanum
ninRu ulgam thAya nedumAlum enRum
iruvar angaththAl thirivarElum oruvan
oruvan angaththenRum uLan

Word by Word Meaning

pon thigazhum mEni – having a form which shines like gold
puri sadai – platted, matted hair
am puNNiyanum – rudhra [Siva] who has beautiful puNyam (virtuous deeds)
ninRu ulagam thAya nedumALum – sarvESvaran (lord of all) who stood and measured all the worlds
enRum – always
iruvar angaththAl thirivarElum – even if they roam around with two [different] forms
oruvan – one among them, Siva,
oruvan angaththu – holding on to the divine body of nArAyaNa
enRum – at all times
uLan – will sustain

vyAkyAnam

pon thigazhum mEnip puri sadai – having a physical form shining like gold and having platted, matted hair.

am puNNiyanum – Siva did penance beautifully and observed means by himself. emperumAn has a comfortable form resembling dark clouds [being magnanimous, ready to pour benefits on everyone]. The golden form of Siva which is like fire, indicates that his form is the exact opposite of emperumAn’s. That Siva is different from emperumAn is brought out by his matted hair, which is the exact opposite of the long crown that emperumAn has. From these two verses, it is clearly mentioned that emperumAn is superior to Siva in every way.

am puNNiyanum – mahAbhAratham SAnthi parvam 20-12 says “mahAdhEvasarvayagyE mahAthmA hUthvAthmAnam dhEvadhEvO babhUva” (rudhra, the mahAthmA (great soul) in the sarvayagya (a kind of ritual) offered himself as the havis (a material which is given as an offering during the ritual) and became a dhEvadhEvan (dhEva among the dhEvas)). Due to the grace of emperumAn, rudhra (Siva) who had carried out sinful deeds, reached an exalted state and hence AzhwAr calls him as puNNiyan (one who has done virtuous deed).

ninRu ulagam thAya nedumAlum – emperumAn had carried out many exalted deeds, as per his desires. He is also the sarvESvaran (Lord of all) who kept his divine feet on the heads of Siva and others, without any distinction.

enRum iruval angaththAL thirivarElum – even if they exist with two different forms always

oruvan oruvan angaththu enRum uLan – one (Siva) is the body of another (nArAyaNa) and exists. Or, one (Siva) would reside in a part of the divine form of the other (nArAyaNa) and have his existence. Hasn’t nammAzhwAr mercifully said in thiruvAimozhi 1-3-9 “valaththanan thirupuram eriththavan” (the one on the right side of emperumAn’s divine form is Siva who burnt the three towns)! Thus, hasn’t nammAzhwAr mercifully said in thiruvAimozhi 4-10-3 “paran thiRam anRip pallulagIr dheyvam maRRillai” (there is no other deity without being under the control of emperumAn)! [the inference is that this 98^th pAsuram of poygai AzhwAr is the root for nammAzhwAr’s pAsuram in thiruvAimozhi 4-10-3].

We shall consider the 99^th pAsuram next.

adiyEn krishNa ramanuja dhAsan

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iyaRpA mudhal thiruvandhAdhi

mudhal thiruvandhAdhi – 97 – pidi sEr kaliRu

September 19, 2017 Published by: T N Krishnan

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avathArikai

AzhwAr had said in the previous pAsuram that emperumAn is both the good and bad deeds (puNyam and pApam) and that he is very pure. When asked, aren’t gangA etc pure, he says, in this pAsuram, that they attained their pure state because of their connection with him. This pAsuram is like an explanation to the previous pAsuram.

Let us go through the pAsuram and its meanings:

pidi sEr kaliRaLiththa pErALA un than
adi sErndhu aruL peRRAL anRE podi sEr
anaRku angai ERRAn avirsadaimEl pAyndha
punaR gangai ennum pErp pon

Word by Word Meanings

pidi sEr – roaming with female elephant
kaLiRu – gajEndhra AzhwAn [a male elephant]
aLiththa – protected
pErALA – Oh magnanimous entity!
podi sEr – applying ashes
anaRku – for fire
am kai ERRAn – one who held his hand, that rudhra’s
avir sadai mEl – on his shining matted hair
pAyndha – fell
punal – having [copious] water
gangai ennum pEr – having the name gangA
pon – great gold
un than adi sErndhu – attaining your divine feet
aruL peRRAL anRE – did she not get your grace!

vyAkyAnam

pidi sEr kaLiRu aLiththa – AzhwAr is referring to gajEndhra (male elephant) who was roaming with a female elephant. The implication here is that he does not know anything other than roaming with his female elephant. bruhadhArNyaka upanishath 4-4-23 says “SAnthO dhAntha uparathasthithikshu:” (SAsthras, the sacred texts, say that only that person who is able to control his external and internal sensory perceptions and who dissociates himself from worldly pursuits, is fit to reach SrIvaikuNtam). Engaging with worldly pursuits instead of with emperumAn is considered as sinful deed (however gajEndhran was habituated to roaming with his female elephant). If emperumAn had protected such an entity, sin (or virtue) should be considered as what is decided by emperumAn. While gajEndhra was thinking of his female elephant, emperumAn was thinking of gajEndhra! Did gajEndra not think of emperumAn before? Thinking of his female elephant is his status, until now, says AzhwAr. Thus, birth [whether born in a noble heritage or a lowly heritage], deed [good or bad] etc are not the apt features to be considered. emperumAn’s thought (mercy) alone gives the benefit, says AzhwAr.

aLiththa pErALA – Oh the great one, who protected that gajEndhra! It is implied here that if emperumAn protects one who is not apt, anything becomes acceptable when carried out by emperumAn.

pERALA – is your grace only this much! Hasn’t nammAzhwAr too mercifully stated in his thiruvAimozhi 3-3-5 “sOdhiyAgi eLLa ulagum thozhum AdhimUrththi enRAl aLavAgumO” (Is it anything great if I say that you, having a radiant divine form and being worshipped by all the people in the world, are the supreme being, and the causative factor for all the worlds?)

un than adi sErndhu aruL peRRAL anRE – did not gangA get all the greatness only after attaining your divine feet! This implies that dharmam (righteousness) is under the control of emperumAn. Isvara samhithai says “gruhIthvA dharmapAnIyam” (taking gangA who is the epitome of righteousness). gangA is referred to as righteousness because of her connection with emperumAn. He graces others to become pure.

podi sEr – Siva, who has applied ashes. Alternatively, Siva who is reclining on ahses.

anaRku angai ERRAn – Siva, who is holding fire in his beautiful hands. Other than carrying out such atonements, it is not possible to remove the sins of Siva. Even his thought that he is the controller of all is an exotic one. emperumAn protected such Siva only by keeping his original nature in mind.

avir sadai mEl pAyndhu – gangA who has such water which flowed through the shining matted hair of Siva.

undhan adi sErndhu aruL peRRAL anRE – despite carrying out suitable penances such as holding fire and applying ashes all over his body, Siva did not become pure. He became purified only after holding in his head gangA, who has the connection with emperumAn through his divine feet! Has it not been mercifully stated in periyAzhwAr thirumozhi 4-7-2 “nalam thigazh sadiyAn mudik konRai malarum nAraNan pAdhath thuzhAyum” (the head of Siva has become purified since he is carrying the water from emperumAn’s divine feet. The reddish konRai flower from the head of such Siva and the greenish thuLasi from the divine head of nAraNan who is the lord of that Siva…). Hasn’t ALavandhAr too mercifully stated in sthOthra rathnam 13 “pAdhOdhagEna sa: Siva:” (due to the water from [emperumAn’s] divine feet, he became Siva (purified))! Oh emperumAn! Whatever is not connected to your divine feet is not pure. There is no sin which can prevent your mercy. kUraththAzhwAn too has mercifully divined in athimAnushya sthavam 53 “yath thvath priyam thadhiha puNyam apuNyam anyath” (whatever is dear to you is puNyam, the rest is pApam).

We shall take up the 98^th pAsuram next.

adiyEn krishNa ramanuja dhAsan

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iyaRpA mudhal thiruvandhAdhi

mudhal thiruvandhAdhi – 96 – thiRambAdhen nenjamE

September 15, 2017 Published by: T N Krishnan

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avathArikai

AzhwAr tells his heart “let the chEthanars (sentient entities) carry on with whatever they are doing. Oh my heart! Consider first what I am telling you”

Let us go through the pAsuram and its meanings:

thiRambAdhen nenjamE sengaNmAl kaNdAy
aRam pAvam enRu iraNdum AvAn puRandhAn im
maNdhAn maRi kadaldhAn mArudhandhAn vAndhAnE
kaNdAy kadaikkat pidi

Word by Word Meanings

en nenjamE – Oh my heart!
aRam pAvam enRu iraNdum AvAn – he [emperumAn] is the controller for both the types of deeds, virtuous and sinful
sengaNmAl kaNdAy – look at the emperumAn who has reddish lotus like eyes.
im maNdhAn – this earth
maRi kadaldhAn – the ocean which keeps lapping waves
mArudham thAn – the breeze
vAn – the sky also
puRandhAn – (different from all these) jIvan (all living species), mahAn (one of the essential entities in creation, known as “great”), ahankAram (ego) etc
thAne kaNdAy – look! they are all emperumAn himself!

(this meaning)
thiRambAdhu – without mistake
kadaikkaN pidi – know till the end

vyAkyAnam

thiRambAdhu kadaikkatpidi could be added in the end [of the verse] to get the meaning. Or, it can be recited together as in thiRambAdhu aRam pAvam enRu iraNdum AvAn to get the meaning. Alternatively, thiRambAdhu en nenjamE could be considered as it is and meaning can be obtained. Oh heart! You, who are carrying out whatever I tell you, without any mistake! Oh heart, who says unless I see emperumAn I will not go back!

en nenjamE – Oh heart, who keeps asking me to tell everything!

sengaNmAl kaNdAy – look at emperumAn who has lotus like eyes. chAndhOgya upanishath 1-6-7 says “thasya yathA kapyAsam puNdarIkam Evam akshiNI” (emperumAn’s eyes are like lotus just blossomed by sun); nammAzhwAr in his thiruvAimozhi 6-7-10 says “anaiththulagum udaiya aravindhalOchanan ” (the lotus eyed (emperumAn) has all the worlds). Alternatively, sengaNmAl could be taken to mean having reddish eyes out of affection for us, his followers, and hence we can take it that AzhwAr is asking his heart to look at emperumAn who has reddish eyes due to overflowing affection for us.

aRam pAvam enRu iraNdum AvAn – he [emperumAn] himself is both puNyam (virtuous deed) and pAvam (bad or sinful deed). His anugraham (kindness or liking) is puNyam and his nigraham (disliking) is pAvam. There is nothing else apart from these two which would give the benefits [of our actions]. All are under his disposal only. kaushIthaki upanishath 3-9 says “Esha Eva sAdhu karma kArayathi” (emperumAn himself makes us perform good deeds). AzhwAr will not hold on to deeds which do not make sense as means as he avoids both action and activity as emanating from him (Isn’t he one who holds on to emperumAn as the means!). Looking superficially, it would appear that puNyam and pAvam are different from him. But if one were to look at things deeply, it would be clear that he is the one who controls everything.

How is this?

puRandhAn immaNdhAn maRikadaldhAn mArudhandhAn vAndhAnE kaNdAy – all are under the disposal of emperumAn. maN (earth), maRikadal (agitating ocean, with lapping waves), mArudham (breeze), and the entities which are outside these elements such as mahAn (great entity) etc are all his manifestations, says the AzhwAr. AzhwAr tells his heart to hold on to the fact that emperumAn is the chEthanan (sentient entity) with the body. Or, kadaikkaN – hold on to this till the end, without any error. nammAzhwAr has also mercifully said this in his thiruvAimozhi 6-9-7 “ulagil thiriyum karuma gadhiyAy ulagamAy ulagukkE OruyirumAnAy” (you are the deeds, the entities which carry out the deeds and the life of these entities)! When emperumAn’s independence is absolute without any shortcoming, how can the chEthana (sentient entity)’s thinking that he is independent be congruent? The fact is that chEthana is never independent; it is just that he thinks that he is independent. In mahAbhAratham uththara kANdam 42-35 it says “ya: anyathA santhamAnam AthmAnam anyathA prathipadhyathE” (whoever thinks that emeprumAn’s possession of AthmA is his…). Even when chEthana thinks that he is independent, due to the grace of emperumAn, the chEthana’s nature is not destroyed.

We shall consider the 97^th pAsuram next.

adiyEn krishNa ramanuja dhAsan

archived in http://divyaprabandham.koyil.org

iyaRpA mudhal thiruvandhAdhi

mudhal thiruvandhAdhi – 95 – nAvAyil uNdE

September 14, 2017 Published by: T N Krishnan

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama:

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thirumanthra upadhESam by nArayaNa rishi to nara rish (both are incarnations of emperumAn)

avathArikai

In the previous pAsuram, AzhwAr mentioned that his tongue will not praise anyone other than emperumAn. In this pAsuram, he shows his amazement at samsAris (dwellers of this materialistic realm) who are using such parts of their body (as their tongues etc) as implements for nurturing samsAram (materialistic life).

Let us go through the pAsuram and its meanings:

nA vAyil uNdE namO nAraNA enRu
ovAdhu uraikkum urai uNdE mUvAdha
mAkkadhikkaN sellum vagai uNdE en oruvar
thIkkadhikkaN sellum thiRam

Word by Word Meanings

nA – tongue (which is the implement for praising emperumAn)
vAyil uNdE – is inside the mouth (without the need for searching for it outside)
OvAdhu – many times (without getting tired)
uraikkum – apt to say
namO nAraNA enRu urai – thirumanthram
uNdE – is available
mUvAdha – not coming back
mA gadhikkaN – in paramapadham (SrIvaikuNtam) which is the goal to be attained
sellum vagai uNdE – archirAdhi mArga, the path to go [to SrIvaikuNtam] is ready

(when things are like this)
thI gadhikkaN – in the path to naragam (hell)
oruvar – some people
sellum thiRan – why are they going?

vyAkyAnam

nA vAyil uNdE – Is there a need to search outside for the tongue which is to be used for reciting the divine names of emperumAn! ISvaran (emperumAn) has already created tongue! Just as sumithrA tells lakshmaNa in SrI rAmAyaNam ayOdhyA kANdam 40-5”srushtathva vanavAsAya” (you have been created only for dwelling in forests), hasn’t the tongue been created only for praising emperumAn?

namO nAraNA enRu OvAdhu uraikkum urai uNdE – Hasn’t emperumAn given us the manthram (incantation) which is so simple that it can be recited ten times in a breath, instead of some manthrams such as sahasrAksharImAlAmanthram (a manthram which is made up of thousands of letters) which cannot be recited even within a day! Just as the tongue has been given by emperumAn, hasn’t this manthram been given by the same emperumAn! As said in “kim thathra bahubhirmanthrai: kim thathra bahubhirvrathai: namO nArAyAnEthi manthra: sarvArtha sAdhaka: ” (what is the purpose of other manthrams and other vrathams (vows)? The incantation namO nArayaNAya will give all benefits), hasn’t it been stated that even other incantations of emperumAn are purposeless!

mUvAdha mAkkadhikkaN sellum vagai uNdE – hasn’t emperumAn created mOksham (SrIvaikuNtam) by reaching which one does not have to return again, unlike other worlds such as swargam (heaven) from where one will be toppled after enjoying for a few days!

ennoruvar thIkkadhikkaN sellum thiRam – when such entities [tongue, thirumanthram, mOksham etc] are available without any shortcoming, how strange are the ways in which the worldly people repeatedly attain samsAram (materialistic realm)! When there is an easy, straightforward path available for getting uplifted, how are people going to difficult paths for getting destroyed and attaining meaninglessness! Hasn’t it been stated in SrI vishNu purANam 6-7-11 “anAthmanyAthmabudhdhir yA cha asvE svamithi yA mathi: samsAra tharu sambhUthi bhIjamEthath dhvithA sthitham”(the thought that something (body) is AthmA (soul) when it is not, and the thought that something is one’s own when it is not, are the seed with two parts which nurture the tree called samsAram)!

We shall move on to the 96^th pAsuram next.

adiyEn krishNa ramanuja dhAsan

archived in http://divyaprabandham.koyil.org

iyaRpA mudhal thiruvandhAdhi

mudhal thiruvandhAdhi – 94 – seRRezhundhu

September 13, 2017 Published by: T N Krishnan

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama:

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avathArikai

AzhwAr, who was thinking of the danger from iraNiyan (hiraNya kashyap) [in the previous pAsuram] now thinks of the danger from dhuryOdhana’s group. In this pAsuram, AzhwAr is mercifully saying about the viSvarUpam that emperumAn manifested before mahAbhAratha war to bhIshma and others or as an alternative explanation, how he showed to rishi (sage) mArkaNdEya, the worlds that he had swallowed during deluge. It would be appropriate to consider the first two words in this pAsuram “seRRezhundhu thIvizhiththu” together with the incarnation as narasimha in the previous pAsuram or with emperumAn’s act as in this pAsuram.

Let us go through the pAsuram and its meanings:

seRRezhundhu thIvizhiththuch chenRa indha Ezhulagum
maRRivaiyA enRu vAy angAndhu muRRum
maRaiyavarkkuk kAttiya mAmEniyanai allAl
iRaiyEnum EththAdhu en nA

Word by Word Meanings

first explanation when he showed his viSvarUpam to bhIshma and others

seRRu ezhundhu – getting up angrily
thI vizhiththu – looking with fiery eyes (at dhuryOdhana and others)
senRa indha Ezhu ulagaum maRRu ivai – these are the seven worlds which keep going about

(saying so)
A enRu vAy angAndhu – opening his divine mouth wide open
muRRUm – all the worlds
maRaiyavarkku – to bhIshma, dhrONa and other vaidhikas (those who believe in vEdhams)
kAttiya – showed (in his mouth)
mAyavanai allAl – other than krishNa who showed amazing power (no one else)
en Na – my tongue
iRaiyEnum – even a little bit
EththAdhu – will not praise

second explanation when he showed the worlds that he had swallowed to mArkaNdEya

ezhundhu – getting up angrily (to destroy the worlds)
thI vizhiththu – looking with fiery eyes
seRRu – destroying (all the worlds)
senRa indha Ezh ulagum maRRu ivai – (saying) these are the seven worlds that went (inside my stomach)
AvenRu vAy angAndhu – opening his divine mouth wide open
muRRum – all the worlds
maRaiyavarkku – to mArkaNdEya rishi (sage), a vaidhika (one who believes in vEdhams)
kAttiya – one who showed mercifully
mAyavanai allAl – other than emperumAn who has agatithagatanA sAmarthyam (the ability to bind together those which cannot be bound)

(another person)
en nA – my tongue
iRaiyEnum – even a little bit
EththAdhu – will not praise

vyAkyAnam

When the reference is to dhuryOdhana and others

[Just before the mahAbhAratha war, krishNa had gone to the court of dhritharAshtra as a messenger from yudhishtra and other pANdavas. dhuryOdhana, desiring to kill krishNa, had put a false seated throne for him when he visited the court. As soon as krishNa sat on that throne, the throne got pulled down and krishNa went down where dhuryOdhana had arranged for wrestlers to kill krishNa. But krishNa took his viSwarUpam (a form which encompasses the whole universe with all its galaxies) and showed it to bhIshma, dhrONa and such other vaidhikas, who follow vEdhams (sacred texts)]

seRRezhundhu thIvizhiththu – getting angry on dhuryOdhana et al who said “your coming here as a messenger is a mistake; pANdavas sending you as a messenger is mistake”, who laid out a false throne for him, who abused vidhura and who carried out contemptuous deeds to emperumAn and his followers, and looking at them with fiery eyes.

senRa indha Ezhulagum maRRivai A enRu vAy angAndhu – opening his divine mouth widely and telling them to see the worlds which are in the universe, inside his divine mouth

muRRum maRaiyvaRku kAttiya mAyavanai – the amazing entity [emperumAn] who showed all the worlds to vaidhikas such as bhIshma, dhrONa et al.

mAyavanai – this indicates the agatithagatanA Sakthi (the ability to bind entities which cannot be bound) of emperumAn, when he showed inside his mouth, the worlds which are floating in the universe outside.

mAyavanai allAl iRaiyEnum eththAdhu en nA – my tongue will not praise anyone other than that amazing benefactor vatathaLasAyi (one who lies on the banyan leaf). Here the reference [to not praising others is not to other dhEvathas, but] is to the other forms of emperumAn such as param (supreme being in SrIvaikuNtam), vyUha (his form in milky ocean) and other vibhava forms (incarnations).

en nA – my tongue which is unable to eat because it is not praising emperumAn.

en Na EththAdhu – since AzhwAr has said in the 64^th pAsuram of this prabandham ‘thirumAlai alladhu dheyvam enrEththEn” (I will not worship anyone other than the consort of SrI mahAlakshmi) he has already confirmed that he will not praise other deities. Hence there is no need for him to convey the same message here. Instead, he is saying that he will not praise other forms of emperumAn [as mentioned above].

When the reference is to mArkaNdEya maharishi

ezhundhu – just as a mother throws out a stick that her child is playing with when the child tries to poke itself with that stick, emperumAn, desiring to put an end to the world when he sees the samsAris (dwellers of materialistic realm) utilising the sensory perceptions that he had given them in the wrong ways as this would disable them from harming themselves more and more, gets up angrily.

thI vizhiththu – looking at the samsAris with fiery eyes such that they will get annihilated by his mere look, manifesting in his eyes, the anger in his heart, at their improper deeds.

senRa indha Ezhulagum seRRu – destroying the seven worlds such that they (the inhabitants of these worlds) will be without a form and name, and keeping them within himself

Ezh ulagum – mentioning seven worlds implies all the worlds

maRRu – more than that

ivaiyAvenRu – aren’t the destroyed entities these

vAyangAndhu – opening his divine mouth widely

muRRum – as mentioned in mahAbhAratham AraNya kANdam 191-123 “yachcha kinchin mayA lOkE dhrushtam sthAvarajangamam, thatha: paSyamaham sarvam thasya kukshau mahAthmana:” (whatever entities in the world which were seen seen by me, whether mobile or immobile, I have seen them in that supreme being’s divine stomach), all the destroyed worlds

maRaiyavaRkuk kAttiya mAyavanani – the amazing emperumAn who showed to mArkaNdEya bhagavAn (great sage mArkaNdEya) all the worlds as they were before [annihilation].

mAyavanai – how amazing is this! It is amazing that even after destroying all the entities leaving them as they were for mArkaNdEya to see! It is amazing that even after removing their names and forms, leaving them as before, for mArkaNdEya to see! The opinion here is that no one else can demonstrate such an agatithagatanA Sakthi (power to bind those entities which cannot be bound together)

mAyavanai allAl iRaiyEnum EththAdhu en nA – my tongue will not praise anyone other than that amazing benefactor vatathaLasAyi (one who lies on the banyan leaf). Here the reference is to the other forms of emperumAn such as param (supreme being in SrIvaikuNtam), vyUha (his form in milky ocean) and other vibhava forms(incarnations).

en nA – my tongue which is unable to eat because it is not praising emperumAn.

We shall take up the 95^th pAsuram next.

adiyEn krishNa ramanuja dhAsan

archived in http://divyaprabandham.koyil.org

iyaRpA mudhal thiruvandhAdhi

mudhal thiruvandhAdhi – 93 – vayiRazhala vALuruvi

September 12, 2017 Published by: T N Krishnan

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama:

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avathArikai

The previous pAsuram mentioned about the partiality that emperumAn shows towards his followers. emperumAn asks AzhwAr “is there such a partiality in me? I have not known of such partiality within me”. AzhwAr responds through this pAsuram “if it weren’t there, did the rage that you showed against iraNiyan (hiraNya kashyap) an act?”. Did you show your anger because he was an apt enemy for you? In the previous pAsuram, emperumAn’s quality of vAthsalyam (motherly love) was mentioned. This pAsuram mentions the rage born out of that vAthsalyam.

Let us enjoy the pAsuram and its meanings:

vayiRu azhala vALuruvi vandhAnai anja
eyiRu ilaga vAy maduththadhu en nI poRi ugirAl
pU vadivai Idu azhiththa pon Azhik kaiyA nin
sEvadimEl Idazhiyach cheRRu

Word by Word Meanings

pU vadivai – the beauty of flowers
Idu azhiththa – lowering their esteem very much
pon Azhi kaiyA – having a divine hand which holds the divine chakkaram (divine disc)
vayiRu azhala – (followers) to grieve with sorrow
vAL uruvi vandhAnai – iraNiyan who came wielding his sword
anja – to become fearful (of your divine form)
nin sEvadimEl – (keeping) on your reddish divine feet
poRi ugirAl – with multi coloured finger nails
Idu azhiyach cheRRu – even after destroying to smithereens
eyiRu ilaga – showing brightly your teeth
nI vAy maduththadhu en – why did you fold your tongue?

vyAkyAnam

vayiRu azhala vAL uruvi vandhAnai – after seeing the way iraNiyan came wielding his sword, emeprumAn’s followers were grieving as to what harm will befall him. Just as thirumangai AzhwAr says in periya thirumozhi 5-7-5 “enganE uyvar dhAnavar ninaiththAl” (how will the demons sustain themselves when they think [of what happened to hiraNya kashyap]?), emperumAn’s followers also were afraid after seeing the divine form of narasimha (combination of lion face and human torso).

vayiRu azhala – to grieve with sorrow. Who is grieving with sorrow? It is AzhwAr. AzhwAr is thinking that iraNiyan is wielding his sword now, against narasimha, instead of thinking that he had done like that several yugas (eons) back. This is similar to periyAzhwAr saying with the emotional stance of yaSOdhA in periyAzhwAr thirumozhi 3-3-7 “enRum en piLLaikkuth thImai seyvArgaL anganam AvArgaLE” (those who harm my son (krishNa) will suffer the same way). This is also similar to sugrIva telling SrI rAma in SrI rAmAyaNam yudhdha kANdam 17-5 “asmAn hanthum na samSaya:” (without doubt he (vibhIshaNa) has come only to kill us” [such is their fear for the safety of emperumAn].

anja eyiRu ilaga vAy maduththadhu en nI – why did you fold you tongue to display your teeth, in such a way that iraNiyan was scared? Isn’t this ostentatious laughter appearing sweet to pirAttis (consorts of emperumAn) also? This act has not been done because there was no other way! This laughter, with your teeth visible, is more liked by pirAttimArs than the gentle smile that you show when you are together with them.

poRi ugirAl – with the finger nails, made of many colours

pU vadivai Idu azhiththa pon Azhik kaiyA – Oh emperumAn who are holding in your hand, the divine disc which has won over even flowers by its softness and beauty! The word ponnAzhi could also be construed to refer to the special ring on his hand.

nin sEvadi mEl Idazhiyach cheRRu – keeping iraNiyan on his divine feet which is used by his pirAttimArs (consorts) to recline; keeping iraNiyan on his divine feet which his followers, like ourselves, desire; blowing iraNiyan to smithereens such that he cannot be stuck together again, and then…

eyiRu ilaga vAy madiththadhu en nI – why did you fold your tongue and remain angry without controlling it, even after killing iraNiyan with your divine nails, instead of killing him either through your vow or through your divine disc? Isn’t the reason for this due to your love for your devotee prahlAdha! Even after killing iraNiyan, didn’t you take your own time to reduce your rage! emperumAn himself remains in a way similar to that mentioned by SrI rAma in SrI rAmAyaNam yudhdha kANdam 114-10 “maraNAnthAni vairANi” (enmity ceases with the occurrence of death). When a danger befell his follower sugrIva in SrI rAmAyaNam yudhdha kAndam 41-4 did he not say “thvayi kinchith samApannE kim kAryam sIthayA mama” (what is the benefit for me with sIthA if any danger comes your way)? The term vAthsalyam does not refer to the cow suckling its calf. It is pushing out its earlier born calf with its horn, in order to protect the calf that it gave birth to on that day! Just as thirumangai AzhwAr mentioned in periya thirumozhi 5-8-3 “koNda sIRRam uNduLadhu” (there is an anger that you took upon yourself), it is this rage that he takes against his enemies which provides the refuge to his followers when his followers are threatened. Is there any limit to the rage that SrI rAma had when his devotee hanuman was injured by rAvaNa when rAvaNa shot his arrows? SrI rAmAyaNam yudhdha kANdam describes this in its SlOka 59-136 “thathO rAmO mahA thEjA:” (SrI rAma was radiant then). rAvaNa who was looking at this could not look SrI rAma in his face. Is it possible to control an ocean if it starts burning? “rAvaNEna krutham vraNam” (the injury created by rAvaNa) – rAvaNa created an insignificant problem for hanuman as much as a mosquito will create for a lion. Is this injury (created by rAvaNa) anywhere near that which hanuman experienced when he tried to pluck sun thinking that it was a fruit, when he was wandering in the sky? SrI rAma became angry because he could not tolerate even this small injury to his follower hanuman. “dhrustvA kOpasya vaSamEyivAn” (on seeing, he came under the control of anger). After seeing the injury to hanuman, SrI rAma could not be seen. He forgot himself. He forgot hanuman. hanuman had earlier said “na rAvaNa sahasram mE” (even if a thousand rAvaNas come, they cannot equal me). But rAma thought of hanuman as a monkey [and not as a mighty warrior when rAvaNa showered his arrows on hanuman]. “kOpaysa vaSamEyivAn” (he came under the control of anger). Just as hanuman appeared to lose to someone who is not his equal, SrI rAma lost to his anger which was not up to his standard. It was that SrI rAma who became enraged who was described as in SrI rAmAyaNam ayOdhyA kANdam 20-4 “nakrudhyathyapiSabdhOpi krOdhanIyAni varjayan” (since he avoids giving space for anger, even if he is abused he does not become angry) and as said in SrI rAmAyaNam ayOdhyA kANdam 1-10 “sa cha nithyam prASAnthAthmA mrudhupUrvam cha bhAshathE uchyamAnOpi parusham nOththaram prathipadhyathE ” (always having a soft heart, he talks softly. Even if others use harsh words, he does not respond to that)!

We shall take up the 94^th pAsuram next.

adiyEn krishNa ramanuja dhAsan

archived in http://divyaprabandham.koyil.org