Category Archives: thirunedunthANdakam

Glossary/Dictionary by word – thirunedunthANdakam

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WordMeaningpAsuram
 A niRai  the groups of cows,thirunedunthandakam-26 
 Ada  dance,thirunedunthandakam-17 
 adaiththa ammAn thannai  Him, the lord who constructed bridge (in salty ocean),thirunedunthandakam-29 
 adi iNaiyum  two divine feet thirunedunthandakam-18 
 adiyum  divine feet alsothirunedunthandakam-21 
 agappaduththu ninRa  and stood spanningthirunedunthandakam-5 
 ahdhE  are that lotus only;thirunedunthandakam-21 
 ahdhu kaNdum  Even after having seenthirunedunthandakam-19 
 alai kadalai kadaindhu  Him who churned the milky ocean having waves splashing,thirunedunthandakam-29 
 alam purindha nedum thadakkai amarar vEndhan  One having long and huge divine hand that gives until (the one asking) saying enough, head of the nithya sUris (eternal residents of SrIvaikuNtam ), thirunedunthandakam-6 
 aLappariya  who is not measurable by number (of auspicious qualities of true nature and form)thirunedunthandakam-14 
 alli am pU malar poygai  that is having ponds with beautiful and fragrant flowers pregnant with pollen, andthirunedunthandakam-15 
 am siRai puL thani pAgan  being the unmatched rider of garudAzhvAn having beautiful wings,thirunedunthandakam-6 
 am siRaiya puL kodiyE Adum  she is dancing like garudan who is having beautiful wings (beautiful because it serves to transport emperumAn) who is like the flag;thirunedunthandakam-12 
 Am sOdhi onRu  being said by ‘param jyOthi’ , and being the Onethirunedunthandakam-2 
 amarar kOmAn  and who is the head of nithyasUris,thirunedunthandakam-26 
 ammAn enRum  who is the lordthirunedunthandakam-15 
 ammAn thannai  About sarvESvaranthirunedunthandakam-30 
 analuruvil thigazhum  and having the form (body) of not able to approach like fire,thirunedunthandakam-1 
 aNdam meedhu pOgi  to go even above the aNdam,thirunedunthandakam-5 
 andhaNar tham sindhaiyAnai  who is having His abode as the mind of vaidhikas (those who live based on the words of vEdhas),thirunedunthandakam-14 
 AngE  and after that,thirunedunthandakam-15 
 AngE  at that moment,thirunedunthandakam-17 
 angu aruL illA thanmaiyALan thAn  not having any kindness towards them (angu) as His nature, such emperumAn who is sarvESvaran (lord of all),thirunedunthandakam-6 
 aNi azhundhUr  the beautiful dhivya dhESam thiruvazhundhUrthirunedunthandakam-15 
 aNi azhundhUr ninRAnukku  and who is standing in the beautiful place of thiruvazhundhUr,thirunedunthandakam-26 
 anjAdhE  without being afraid,thirunedunthandakam-26 
 annam Ay   incarnating in the form of bird hamsam (swan),thirunedunthandakam-30 
 anRu  once upon a time,thirunedunthandakam-29 
 anRu  that day (when you incarnated as kaNNan),thirunedunthandakam-13 
 anthaNar mAttu anthi vaiththa manthiraththai  sarvESvaran the secret entity who is kept safely in the knots of vEdhams (anthi – end/tail – vEdhAntham) which are the wealth of brAhmaNas (safe like in the knots of clothes worn),thirunedunthandakam-4 
 antharaththil  when being antharyAmi in that way,thirunedunthandakam-4 
 appAl  in paramapadhamthirunedunthandakam-14 
 appAl mikku  permeating even beyond (that),thirunedunthandakam-5 
 Ar amudhai  who is like a specal nectarthirunedunthandakam-14 
 araiyan thannai  Him who is a leaderthirunedunthandakam-29 
 arakkar kOnai mALa  that is, rAvaNan to die,thirunedunthandakam-29 
 araN  fortsthirunedunthandakam-28 
 arangame mEya andhaNanai  who is the ultimate purity, present in great city of thiruvarangamthirunedunthandakam-14 
 aravindham  are that lotus only;thirunedunthandakam-21 
 ArAyA  Singing elaboratelythirunedunthandakam-22 
 ariya vallAr  they would be able to removethirunedunthandakam-30 
 aRRAL  has set herself up to be for Him and only for Him.thirunedunthandakam-19 
 aru maRaiyai  the vEdhas that are difficult to obtain,thirunedunthandakam-30 
 aRukAla siRu vaNdE  Oh the bee having six legs,thirunedunthandakam-26 
 aruLAy  You should show your mercy (on me)!thirunedunthandakam-30 
 arum thavaththu  and the devout asceticsthirunedunthandakam-24 
 arumba  sproutthirunedunthandakam-24 
 asurar kulam  the clan of asuras! Andthirunedunthandakam-16 
 attAy  you destroyedthirunedunthandakam-13 
 avarai  About Himthirunedunthandakam-21 
 AvikkinRAL  she is sighing;thirunedunthandakam-19 
 avuNan mALA  and also rAvaNan got destroyed;thirunedunthandakam-28 
 avuNarkku  for the asuras,thirunedunthandakam-6 
 avvaNNaththavar  Him who is having such beauty,thirunedunthandakam-21 
 Ayar kulam magaLukku  for nappinnai pirAtti who incarnated as the best woman for the clan of cowherds,thirunedunthandakam-29 
 ayarththu irangum  faints and feels sad; thirunedunthandakam-11 
 Ayiram thOL  and having thousand shouldersthirunedunthandakam-20 
 bArathaththai mALa  for everyone to be destroyed in the mahAbhAratha warthirunedunthandakam-28 
 bhUtham aindhAy  and being made of five primary elements (pancha bhUtham) (different from the five elements of this world)thirunedunthandakam-1 
 chindhiththu  thinking (about Him talking in personal ways?),thirunedunthandakam-17 
 dhEvar enRu anjinOmE  was afraid because of thinking that He is the supreme lord.thirunedunthandakam-21 
 dhEvarkkum aRiyalAgA anthaNanai  being purest who cannot be known by even dhEvas,thirunedunthandakam-4 
 E pAvamE!  Oh how sad!thirunedunthandakam-12 
 eedhu  thisthirunedunthandakam-27 
 eerththa nedu vEygaL padu muththam undha  and pushing (into the fields) the pearls that are in the bamboo sticks that it pulls along with it,thirunedunthandakam-6 
 eL thuNaip pOdhu  even for a second;  thirunedunthandakam-11 
 ellE pAvam  Oh what a big sin (by me) this may be (due to)!thirunedunthandakam-24 
 em adigaL uruvam  IS the form of sarvESvaran who is the lord of everyone.thirunedunthandakam-2 
 emakku  to me (who is suffering due to separation).thirunedunthandakam-27 
 emperumAn   of emperumAn;  thirunedunthandakam-11 
 emperumAn  On my lord!thirunedunthandakam-9 
 emperumAn kOyil evvaLavu uNdu enRERku  to me who asked Him  how far is the place (from here) of you my majesty,thirunedunthandakam-22 
 emperumAn thiru adik keezh aNaiya  and set under the divine feet of emperumAn; as this happened,thirunedunthandakam-22 
 emperumAn thiruvarangam engE ennum  She asking where is thiruvarangam of emperumAn who got me to realize servitude; thirunedunthandakam-18 
 en AnAy en AnAy ennal allAl  Other than saying ‘Oh my elephant! Oh my elephant!’ (calling emperumAn so),thirunedunthandakam-10 
 en aRivan  what else do I know to say?  (Akinchanyam).thirunedunthandakam-10 
 en kAdhal  about my interest in Him,thirunedunthandakam-27 
 en kaniyE  Oh my fruitthirunedunthandakam-16 
 en kudankAL irukka killAL  she is not able to stay put in my lap  thirunedunthandakam-11 
 en manamum kaNNum  my mind and eyesthirunedunthandakam-22 
 en munnE ninRAr  and stood in front of methirunedunthandakam-21 
 en myndhA  Oh! my lordthirunedunthandakam-13 
 en nalanum  my beauty,thirunedunthandakam-25 
 en nenjil pEradhu uLLAy  Oh One who is showing Himself to my mind without break or going away!thirunedunthandakam-8 
 en niRaivum  and my humility,thirunedunthandakam-25 
 en OLi vaLaiyum  my sparkling bangles andthirunedunthandakam-23 
 en pEdhai   my daughter,thirunedunthandakam-15 
 en sem kaN mAlukku  one with lotus eyes, and who is in love with me, thirunedunthandakam-27 
 en sindhaiyum  and my heart, thirunedunthandakam-25 
 en siRagin keezh adangA  who does not stay under my controlthirunedunthandakam-12 
 en sol kELAL  does not listen to my words;thirunedunthandakam-18 
 en thalai mElavE  are being set on my headthirunedunthandakam-1 
 en than  mythirunedunthandakam-28 
 en thuNaivarkku  and who is my companion, that is sowripperumAL,thirunedunthandakam-27 
 en uruvil ninRa  He being set in my body;thirunedunthandakam-1 
 en vaLaiyum   and the bangles in my hand,thirunedunthandakam-25 
 enakkE thandhu  Creating only for methirunedunthandakam-23 
 enban  I told,thirunedunthandakam-23 
 endhai  of the sarvESvaran who is my lord,thirunedunthandakam-1 
 Endhi  who is holdingthirunedunthandakam-24 
 enge  where is  thirunedunthandakam-11 
 engu uRRAy  where have You gone in to?thirunedunthandakam-9 
 enna  and as I saidthirunedunthandakam-17 
 ennai ALum koNdu  after also making me His servant,thirunedunthandakam-25 
 ennil angam ellAm vandhu inbam eydha  for all the parts of my body to come to me and become happy,thirunedunthandakam-28 
 eNNum  and He is eligible for always to meditate uponthirunedunthandakam-1 
 ennum  she asks thirunedunthandakam-11 
 enRAlum  Even though I said so,thirunedunthandakam-23 
 enRu sonna  praying so and divinedthirunedunthandakam-30 
 enRum  andthirunedunthandakam-13 
 enRum  andthirunedunthandakam-13 
 enRum  and,thirunedunthandakam-13 
 enRum  at all times!thirunedunthandakam-10 
 enRum salam purindhu  (and emperumAn) always creating problemsthirunedunthandakam-6 
 enRum vAzhalAm  you can get good life always (in paramapadham).thirunedunthandakam-4 
 enthai  of my lord (of such glory).thirunedunthandakam-5 
 eppozhudhum  at all times,thirunedunthandakam-28 
 Er uruvil  Having beautiful bodiesthirunedunthandakam-2 
 Er vaNNam pEdhai  Having beautiful form that is the daughter thirunedunthandakam-18 
 ey veNNam vem silaiyE thuNai aa  having as the companions the bow having fiery nature of shooting (a rain of arrows),thirunedunthandakam-21 
 EzhaiyEn  adiyen having the wish in vain, amthirunedunthandakam-9 
 ezhil Ali idhu anRo enRAr  He pointed to and told that the beautiful divine place thiruvAli is this.thirunedunthandakam-22 
 ezhundhu  it startedthirunedunthandakam-5 
 guNapAla madham yAnAy  Oh One who is like a proud elephant (in thirukkaNNapuram)!thirunedunthandakam-10 
 idhu  union with emperumAnthirunedunthandakam-23 
 idhu nanmaiyO’ enna  is it good (to call out openly loudly)’,thirunedunthandakam-17 
 idhu oppadhu inbam illai  there would be no other happiness like thisthirunedunthandakam-27 
 idhu seydhAr thammai  who brought her to this state?  thirunedunthandakam-11 
 igazhvu Aya thoNdanEn EzhaiyEn nAn  I who am a devotee who is lowliness/scorn personified and who am of unsteady mind (chapalan),thirunedunthandakam-10 
 ilangi Ada  shaking brightthirunedunthandakam-21 
 ilangu  light,thirunedunthandakam-24 
 imaiyavar tham thiruvuru  of the form of brahmA, vishNu, and Sivan,thirunedunthandakam-2 
 imaiyOrkku mun AnAy  Oh One who stands in front of nithyasUris (for them to see and enjoy You)thirunedunthandakam-10 
 indhirarkkum piramarkkum mudhalvan thannai  Being the reason/source for indhra and brahmA,thirunedunthandakam-4 
 inganamE  in these ways only.thirunedunthandakam-9 
 ingE  in this thirumaNankollai,thirunedunthandakam-23 
 ingE  in this thirumaNankollai;thirunedunthandakam-21 
 ingE vandhu  came to the place I was in,thirunedunthandakam-24 
 ingE vandhu  come to this place and thirunedunthandakam-27 
 inidhamarndhu  and be in union with her;thirunedunthandakam-26 
 inidhu inbam eydhalAm  and attain utmost happiness.thirunedunthandakam-27 
 inidhu irundhu  be with happinessthirunedunthandakam-27 
 inidhu ugandha  and became very happy,thirunedunthandakam-16 
 inRE nee senRu  you go now itself and thirunedunthandakam-26 
 inRE senRu  Going today itselfthirunedunthandakam-27 
 ippAl  after that,thirunedunthandakam-22 
 iRaiyE  a little bit, thatthirunedunthandakam-26 
 iRaiyE nANinARpOl  while standing near me like He is a bit shy,thirunedunthandakam-22 
 iRaiyE thOnRa  being visible a little,thirunedunthandakam-15 
 iRappadhaRkE eNNAdhu  and without thinking about death (kaivalyam (eternal self enjoyment) which is considered as death of AthmA)thirunedunthandakam-1 
 iru nilam kAl thee neer viN bUtham aindhAy  being antharyAmi (inside resident) to the five core elements  the big earth, air, fire, water, space,thirunedunthandakam-4 
 iru nilaththil  in (this) big landthirunedunthandakam-27 
 iru nilaththu  in this huge land;thirunedunthandakam-12 
 iru pAdu  on both sides,thirunedunthandakam-21 
 iru visumbin Udu pOy  permeating the big space (AkASam)thirunedunthandakam-5 
 irukaiyil  from both my hands,thirunedunthandakam-24 
 iruvar Ay vandhAr  He and iLaiya perumAL who does not separate from Him, camethirunedunthandakam-21 
 iyambik kANE  try to tell Himthirunedunthandakam-26 
 kachchi mEya  being present in such kAncheepuram’s thiruppAdagamthirunedunthandakam-15 
 kadal kidandha kaniyE enRum  who is like a fruit sleeping in the divine ocean of milk, and,thirunedunthandakam-15 
 kadal vaNNar idhu seydhAr (enRu) sonnAL  The one having the color like that of the sea, perumAL, has created this state –  she said.  thirunedunthandakam-11 
 kadhiravanum  the zone of sun (that is below),thirunedunthandakam-5 
 kadi pozhil sUzh  (place which is) surrounded by fragrant gardens thirunedunthandakam-7 
 kadi pozhil sUzh  surrounded by fragrant gardens! And,thirunedunthandakam-16 
 kai  divine handsthirunedunthandakam-21 
 kai kUppi vaNanginAL  and joined her hands in anjali form, and prostrated to it.thirunedunthandakam-14 
 kai thalamum  divine palms of hands,thirunedunthandakam-18 
 kai vaLaiyum  the bangles I had worn in my arms,thirunedunthandakam-22 
 kaiththalaththu  having beautiful divine hands thatthirunedunthandakam-13 
 kal eduththu  as you lifted and held a mountainthirunedunthandakam-13 
 kal uyarndha nedu madhiL sUzh  Constructed using rocks, and surrounded by big towering walls,thirunedunthandakam-15 
 kaLaindha  destroyedthirunedunthandakam-16 
 kALAy enRum  and having the individualism, andthirunedunthandakam-16 
 kaLiRu enRum  O emperumAn who is like a must elephant, and,thirunedunthandakam-15 
 kaliyan  thirumangai AzhvAr,thirunedunthandakam-30 
 kalmAri  from the rain that is hail (which was set to be poured by indhra)thirunedunthandakam-13 
 kaLvA  Oh the thief (who hid the divine form and not showing it to the devotees)! (there is a dhivya dhEsam called kaLvanUr);thirunedunthandakam-8 
 kamala vaNNam ennum  are of colour like lotus flower, says she; thirunedunthandakam-18 
 kamalam pOlum  matches the lotus;thirunedunthandakam-21 
 kamalam vEli  having ponds with blossoming lotuses,thirunedunthandakam-7 
 kAmaru pU kachchi UrakaththAy enRum  Oh You who is having divine presence in thiru Uragam of kAncheepuram which is loveable and beautiful!, and,thirunedunthandakam-13 
 kAmaru pUm kAviriyin then pAl mannu pEragaththAy  well set in the town of thiruppEr (of appakkudaththAn) that is on the south shore of very beautiful kAvEri!thirunedunthandakam-8 
 kAmaru seer avuNan uLLaththu eNmadhiyum kadandhu  crossing even the extent of thought of mahAbali who is having greatness that is liked,thirunedunthandakam-5 
 kaN iNaiyum  the two divine eyes toothirunedunthandakam-21 
 kanam makarak kuzhai iraNdum  two strong ear ornaments,thirunedunthandakam-22 
 kaNapuraththu  (that became ripe in) thirukkaNNapuram that isthirunedunthandakam-16 
 kanavu idaththil yAn  In the place that is similar to dream which is not stable,thirunedunthandakam-23 
 kANban kaLLUrum painthuzhAy mAlaiyAnai  I saw emperumAn who wears thiruthuzhAy garland that is rich green with honey flowing;thirunedunthandakam-23 
 kaNda pOdhu  (but) when seeing through pramANam,thirunedunthandakam-2 
 kaNdapOdhu  When I saw Him so,thirunedunthandakam-23 
 kaNdEn  (But ) I sawthirunedunthandakam-22 
 kaNdum  even after having seenthirunedunthandakam-21 
 kANEn  I lost and have not seenthirunedunthandakam-22 
 kaNNum  (His) eyes, andthirunedunthandakam-18 
 kaNNum  and divine eyes,thirunedunthandakam-25 
 kaNpanippa niRkum  She stands with tears overflowingthirunedunthandakam-12 
 kanRu mEyththu  Oh one who protected the cowsthirunedunthandakam-16 
 kAppAr ArE  who else is there who could remove this danger? thirunedunthandakam-11 
 kAr vAnaththuLLAy  Oh One who lives in the divine place called kArvAnam!thirunedunthandakam-8 
 kari munindha kaiththalamum  and divine arms that hit with anger the elephant named kuvalayApeetam,thirunedunthandakam-25 
 karu neela vaNNan thannai  One naturally having blue colour among the colours,thirunedunthandakam-3 
 karu vadivil sem kaNNa vaNNan thannai  that emperumAn having bluish divine body, and reddish divine eyes,thirunedunthandakam-3 
 karumugil  the colour of rainy cloudsthirunedunthandakam-24 
 karunedumAl  (like rainy clouds) emperumAn naturally having black colour, having a lot of love towards devotees,thirunedunthandakam-3 
 kAththAy  (This little girl is saying these -) Oh You who protectedthirunedunthandakam-13 
 kAtti  showing all these to me,thirunedunthandakam-25 
 katturaiyE  other than (everyone) be (only) talking aboutthirunedunthandakam-3 
 kattuvhichchi Oh the (female) diviner!  thirunedunthandakam-11 
 kavarndhu uNNath  for you to pick, and eatthirunedunthandakam-27 
 kELAL iRaiyum  does not listen even a little by lending her ears.thirunedunthandakam-19 
 kEttu  As I heard that,thirunedunthandakam-17 
 kidandha mAlai  Him who is in the dear one being in reclined positionthirunedunthandakam-29 
 kodum silai vAy  Him who in the grave bowthirunedunthandakam-29 
 koNDAr  He went away stealingthirunedunthandakam-23 
 koNdu  He stole all these; not only that  thirunedunthandakam-25 
 kongu Ar vaLam konRai alangal mArvan  and such (rudhran is ) having in His chest the garland of koNRai flower that is having honey and much beauty.thirunedunthandakam-9 
 kuda pAl AnAy  Oh One who is like an elephant in the westerly (in sleeping pose in thiruvarangam)!thirunedunthandakam-10 
 kula varaiyan madappAvai idappAl koNdAn pangaththAy  Oh One having on one side (of His body) the rudhran who is having in the left side (of his body) acquiescent/beautiful pArvathi, who is the daughter of himavAn who is the best of kings,thirunedunthandakam-9 
 kulam kaLaindhu venRAnai  and destroyed the clan of asuras and won,thirunedunthandakam-29 
 kUndhal  she having hair  thirunedunthandakam-11 
 kunRadha vali  having blemishless strength thirunedunthandakam-29 
 kunRu eduththa  that lifted the gOvardhana mountain as an umbrella,thirunedunthandakam-29 
 kuRunkudiyuL mugilai  and bright in thirukkurunkudi as a rainy cloudthirunedunthandakam-14 
 mA kadal uruvam  is invigorating, like (when seeing) the big ocean;thirunedunthandakam-2 
 mA keeNda  destroyed by tearing kEsi who came as a horse!thirunedunthandakam-13 
 mada mAnai  this girl child who is like a beautiful deer,  thirunedunthandakam-11 
 mada nenjamE  Oh mind which is amicable (to me)!thirunedunthandakam-4 
 madak kiLiyai  looking at that beautiful parrot, thirunedunthandakam-14 
 madhiL kachchi UrAy  Oh One who lives in the city of kAnchee having divine ramparts / walls!thirunedunthandakam-9 
 magaram sEr kuzai  ear ringsthirunedunthandakam-21 
 magizhndhAy enRum  Oh who became happythirunedunthandakam-16 
 mai vaNNam naRu kunchi kuzhal pin thAzha  Black in colour, having much fragrance, flailing in the air on His back is the divine hair each of which is curled separately,thirunedunthandakam-21 
 makaram sEr kuzhaiyum  and the ear ringsthirunedunthandakam-25 
 mal adarththu  restraining their strengththirunedunthandakam-13 
 mALa  to be defeated,thirunedunthandakam-20 
 mAlai  in the form of garland of words;thirunedunthandakam-30 
 malar puraiyum thiruvadiyE  the lotus flower like divine foot onlythirunedunthandakam-5 
 malarndha pOdhai  with flowers blossoming,thirunedunthandakam-26 
 mallarai  the wrestlers,thirunedunthandakam-13 
 mAmaNi vandhu undhu  which brings and pushes the best gemsthirunedunthandakam-9 
 man ilangu  that was having bright presence of kings;thirunedunthandakam-28 
 maN mEL  in this worldthirunedunthandakam-20 
 maN muzhudhum  all the places;thirunedunthandakam-5 
 mAnam vEl  and who is having the army that is spear,thirunedunthandakam-30 
 manamE  Oh mind!thirunedunthandakam-6 
 maNdi uNda  which after drinking water such that only sand remainedthirunedunthandakam-24 
 maNi vaNdu  with beautiful bees  thirunedunthandakam-11 
 mAniRamum  rich colour of my body;thirunedunthandakam-23 
 maNiyuruvil  in the form (body) having the nature of gemthirunedunthandakam-1 
 mannu mA maNi mAda mangai vEndhan  who is the head of thirumangai that has got strong and best buildings,thirunedunthandakam-30 
 manRu amarak kUththAdi  by dancing with pots in the middle of the junction of roads! And,thirunedunthandakam-16 
 manthiraththAl  by thirumanthramthirunedunthandakam-4 
 maradhakaththai  who is having a beautiful form like the green of gem of emerald,thirunedunthandakam-14 
 maRavAdhu vAzhudhiyEl  if you enjoy without fail/forgetting,thirunedunthandakam-4 
 maRRoru kai Azhi  and thiruvAzhiyAzhvAn in the other handthirunedunthandakam-24 
 maruvi mEyththa  herded with interestthirunedunthandakam-26 
 maruvi ninRu  stand there strong,thirunedunthandakam-26 
 mattu vikki  with drunk honey choking them,  thirunedunthandakam-11 
 mAyan  of emperumAn who is marvellous,thirunedunthandakam-19 
 meen  fishthirunedunthandakam-27 
 mEkalaiyum  and the cloth worn in my hip;thirunedunthandakam-22 
 mel viralgaL  (that her) thin fingers,thirunedunthandakam-15 
 mElai  that is above, andthirunedunthandakam-5 
 men kiLi pOl  like a small parrot,thirunedunthandakam-15 
 meyyE sol enna  Tell me the truth.”, as I asked her this,  thirunedunthandakam-11 
 miga mizhaRRum  makes melodies in many ways.thirunedunthandakam-15 
 mikka  (emperumAn who is) having in excess the lakshmi for victory,thirunedunthandakam-20 
 min ilangu thiru uruvum   Divine body that shines and looks wonderful like lightning,thirunedunthandakam-25 
 minnumA mazhai thavazhum mEga vaNNA  Oh One having form like a cloud that is cool and crawling and is with lightning!thirunedunthandakam-30 
 minnuruvAy  He is being one who enlightens about the nature of them (like the temporary nature of) lightning,thirunedunthandakam-1 
 moy agalaththuL iruppAL  living well set in the beautiful divine chestthirunedunthandakam-19 
 mudhal  completely along with any scent of it.thirunedunthandakam-30 
 mudhal AnAy  Oh the cause of the world!thirunedunthandakam-10 
 mudhalAy ninRa  being present as the leader (for both the worlds (leelA and nithya vithi),thirunedunthandakam-14 
 mugil uruvam  the form that is like the dark rainy clouds,thirunedunthandakam-2 
 mulai mEl  upon her breastthirunedunthandakam-15 
 muLaikkadhirai  He who is like a young sunthirunedunthandakam-14 
 muLaiththu ezhundha  appearing in the mountain, and rising up in the sky,thirunedunthandakam-1 
 mun  Once upon a timethirunedunthandakam-20 
 mun uruvil  Things that can be seen by eyes (non-sentient)thirunedunthandakam-1 
 munivar  who meditate,thirunedunthandakam-24 
 munivarOdu amarar Eththa  as saints and dhEvas praised,thirunedunthandakam-30 
 munneer mallaiyAy  Oh One who lives in thiruk kadal mallai (dhivya dhEsam, modern day mahAbalipuram) by the shorethirunedunthandakam-9 
 munnuruvil  unlike the aforementioned shining lamp and moon,thirunedunthandakam-1 
 muralum  buzzing  thirunedunthandakam-11 
 muRRu ArA vanam mulaiyAL  One who is having beautiful not fully-grown-out bosom and being the woman having the nature of womanliness, that is, periya pirAttiyAr to bethirunedunthandakam-19 
 mUvA mUvulagum kadandhu  and ever present and beyond the three types of worldsthirunedunthandakam-14 
 mUvarumE enna ninRa  being as if all the three are equalthirunedunthandakam-2 
 mUvuruvum  all the three formsthirunedunthandakam-2 
 nagai  and with her well set teeththirunedunthandakam-15 
 naivaLam  melody named naivaLam,thirunedunthandakam-22 
 nakku   is laughing, andthirunedunthandakam-15 
 nALum  for all the time that you are alive, andthirunedunthandakam-27 
 nALum ninRAnai  Him who is living foreverthirunedunthandakam-29 
 nAm  Ithirunedunthandakam-21 
 nam kudikku  for our clanthirunedunthandakam-17 
 nammai nOkkA   then seeing methirunedunthandakam-22 
 nammUr enna  is my place  saying so He went away.thirunedunthandakam-23 
 nAn  I (would)thirunedunthandakam-28 
 nangAy  Oh dear women (friends)! (If He, the protector has done this),   thirunedunthandakam-11 
 nangAy  Oh girl!thirunedunthandakam-17 
 nAngu thOLum  and four divine shoulders;thirunedunthandakam-22 
 nanju aravil thuyil amarndha nambee ennum  she says ‘Oh nambee! who is doing yOga nidhrA lying down on thiru ananthAzhvAr who spits poison’;thirunedunthandakam-12 
 naRaiyUrum  thirunaRaiyUr too.thirunedunthandakam-17 
 naru serunthip pozhilinUdE  through the fragrant garden of surapunnaithirunedunthandakam-25 
 nAy adiyEn  I who am a lowly one like a dog,thirunedunthandakam-29 
 nayangaL seyvaLavil  when He was singing with humble words in the melody,thirunedunthandakam-22 
 nedidhu uyirkkum  she sighs;thirunedunthandakam-12 
 nediyAnai  Him, the perumAL who is the most eminent that others,thirunedunthandakam-29 
 nedu  long in harmonic range,thirunedunthandakam-15 
 nedu maRugil  having wide/long divine streetsthirunedunthandakam-7 
 nedu varaiyin uchchi mElAy  Oh One who stood at the top of tall and great thirumalai!thirunedunthandakam-8 
 nee pOgEl  You should not go away from me hereafter”.thirunedunthandakam-23 
 neer  water dropsthirunedunthandakam-24 
 neer  water,thirunedunthandakam-24 
 neer Ada  to immerse and experience in the waterthirunedunthandakam-19 
 neer arumba  sprouting tears,thirunedunthandakam-17 
 neer vaNNan neer malaikkE pOvEn ennum  I have to go to thiruneermalai that is the abode of the one who is having the nature of water; thirunedunthandakam-18 
 neeragaththAy  Oh One who is giving divine presence in thiruneeragam dhivya dhEsam!thirunedunthandakam-8 
 nenjE  Oh mind!thirunedunthandakam-7 
 nenju  with mindthirunedunthandakam-12 
 nilam parandhu vaum kaluzhi peNNai  river then-peNNai is growing spanning all of the world, and having muddled (water),thirunedunthandakam-6 
 nilamai  the state ofthirunedunthandakam-21 
 nilAththingaL thuNdaththAy  Oh One who is giving divine presence in the divine place called nilAththingaL thuNdam!thirunedunthandakam-8 
 nin nayandhAL enRu  is being interested in You,thirunedunthandakam-26 
 ninaindhittEn  thought about  Him.thirunedunthandakam-29 
 ninaindhu  think about Him onlythirunedunthandakam-28 
 ninRAy enRum  having your divine presencethirunedunthandakam-16 
 ninRu ugandha  who is happy standing inthirunedunthandakam-15 
 niRaindha kachchi UragaththAy  Oh One who is giving divine presence in the divine place called Uragam by pervading the whole of kachchi (by your qualities)!thirunedunthandakam-8 
 niRaivu azhindhAr niRkum ARu idhu anRO  It appears that this is the way of those who lost their controlled state.thirunedunthandakam-18 
 Odhum  reciting without breakthirunedunthandakam-20 
 Odi  ran (while leaving me)thirunedunthandakam-22 
 oli  sound, andthirunedunthandakam-24 
 oN midhiyil  after making the soft stepthirunedunthandakam-5 
 onRu  form of nArAyaNan, the husband of lakShmIthirunedunthandakam-2 
 onRu  rudhran’s (Sivan) form isthirunedunthandakam-2 
 onRu  the very bestthirunedunthandakam-22 
 oNthuRai neer vekhAvuLLAy  Oh One who is in sleeping posture at the beautiful shore of water tank that is in thiruvehkA!thirunedunthandakam-8 
 oppar  He resemblesthirunedunthandakam-24 
 Or mAdhu  one femalethirunedunthandakam-26 
 Or pazhi padaiththEn  have earned unparalleled sinthirunedunthandakam-12 
 Or pulavi thAnE namakku  would (then) create for us such longing only.thirunedunthandakam-23 
 Or thErAl Urndha  He who conducted using a chariot,thirunedunthandakam-28 
 oru kaiyil sangu  pAnchajanyAzhvAn in one hand,thirunedunthandakam-24 
 oru kAl  with one divine foot,thirunedunthandakam-5 
 oru kAlum  another divine foot alsothirunedunthandakam-5 
 oru vadivaththu Or uru enRu  as having one specific form of divine body, or as having one type of colour;thirunedunthandakam-3 
 Oruruvam  brahmA’s form isthirunedunthandakam-2 
 oththu ninRa  standing together (with their such qualities);thirunedunthandakam-2 
 pAdak kEttu  as the (parrot) sung (about Him), and she listened (to its pAsurams),thirunedunthandakam-14 
 pAdi  (she started to) sing andthirunedunthandakam-17 
 pAdi  by singing to her mouth’s content, aboutthirunedunthandakam-17 
 pAdum  and sings;thirunedunthandakam-12 
 pAduvAL navilginRALE  she started for singing aboutthirunedunthandakam-17 
 paingAnam ellAm  full area of garden,thirunedunthandakam-27 
 paLLi koLLAL  she does not sleep;  thirunedunthandakam-11 
 palvERu samayamumAy  creating the world that is of many different paths/categories,thirunedunthandakam-2 
 pani malar mEL pAvaikku piththAr ennum  She says that He is in deep love towards periya pirAttiyAr who was born in the comforting beautiful lotus; thirunedunthandakam-18 
 pani nedu kaN neer thathumba  with tears brimming in her long cool eyes,  thirunedunthandakam-11 
 pani varaiyin uchchiyAy  Oh One who stood at the top of cool divine thirumalai (thiruvEnkatam)!thirunedunthandakam-9 
 panniya  very detailedthirunedunthandakam-30 
 pAr idandhu  who pried and lifted up the earth (in varAha avathAram),thirunedunthandakam-20 
 pAr umizhndhu  then letting out the earththirunedunthandakam-20 
 pAr uruvi neer erikAl visumbumAgi  creating the five core elements like the earth made of hard material, etc.,thirunedunthandakam-2 
 pAr vaNNam mada mangai paththar ennum  She says that (He) is under the influence of BhUmi pirAtti; thirunedunthandakam-18 
 pArai ANda  rules the world and protects it,thirunedunthandakam-20 
 pArai uNdu  and kept the earth in His divine stomach (during praLayam (annihilation of the world)),thirunedunthandakam-20 
 parakAlan  and who is like yaman for other philosophies,thirunedunthandakam-30 
 pArALan  and is the ruler of the earth andthirunedunthandakam-20 
 parandhu ninRa  and pervading everywhere, inside the AthmAs (as antharyAmi)thirunedunthandakam-2 
 pArin mElAy  Oh One who incarnated in the earth (for doing good to those living here)!thirunedunthandakam-9 
 pArkadalAy  Oh One who is resting in the divine milky ocean!thirunedunthandakam-9 
 pattu udukkum  She wears herself the silk saree;thirunedunthandakam-11 
 pAvai pENAL  does not like (to play with) her wooden human toy (marappAchhi);  thirunedunthandakam-11 
 pavaLa vaNNA  Oh One having pleasant divine body like a coral!thirunedunthandakam-9 
 pAvam seydhEn en  of me who is a sinner,thirunedunthandakam-18 
 pazha vinaiyai  earlier karmasthirunedunthandakam-30 
 pazhanam  agricultural fields,thirunedunthandakam-15 
 pazhanam  in the water of the land;thirunedunthandakam-27 
 peNNai  This girlthirunedunthandakam-20 
 peNNaip peRREn  I who have got such a girl childthirunedunthandakam-12 
 pEr  His divine names,thirunedunthandakam-20 
 pEr ALan  that is the glorious emperumAn;thirunedunthandakam-20 
 pEr pAdi  singing about the city of thiruppEr,thirunedunthandakam-19 
 pErAy  Oh One having divine presence in the city of thiruppEr!thirunedunthandakam-9 
 periya thOLum  and big divine shoulders,thirunedunthandakam-25 
 peRREn  I, the mother, who gave birth to her,thirunedunthandakam-19 
 peru  and (the stomach of cloud) still having enough space to eat anything more;thirunedunthandakam-24 
 peru vadivil kadal amudham koNda kAlam  in the krutha yugam when having many forms, and took nectar from the divine milky oceanthirunedunthandakam-3 
 perum pauvam  in the big ocean that is havingthirunedunthandakam-24 
 perum thavaththaL enRu allAl pEsalAmE?  can only say that she is having real blessing; is it possible to say by any other way?thirunedunthandakam-20 
 perum thavaththar  SrivaishNavas having utmost devotion,thirunedunthandakam-24 
 perumAn  Oh One having many many divine places!thirunedunthandakam-8 
 perumAnai  that is sarvESvaran,thirunedunthandakam-3 
 peruvAyar  having such a huge mouth,thirunedunthandakam-24 
 pin AnAr vaNangum sOdhi  like a luminous entity who could be surrendered to by those living after your incarnations!thirunedunthandakam-10 
 piNi mUppillAp piRappiliyAy  He is being the matter of (parama)AthmA which does not have ignorance, weakness, the six changes of body, or birth,thirunedunthandakam-1 
 pinnum  and even after that,thirunedunthandakam-22 
 pinnuruvAy  being behind that non-sentient, that thathvam (truth/existence) (which is jeevAthmA)thirunedunthandakam-1 
 pOdhu  Ye come!thirunedunthandakam-7 
 pOdhu  you shall come (Oh mind!).thirunedunthandakam-6 
 pOgAmai vallEnAy  and become able to stop and prevent from going away,thirunedunthandakam-28 
 poigai  the water tanks,thirunedunthandakam-6 
 pon AnAy  Oh One who is like the gold!thirunedunthandakam-10 
 pon ilangu mulaik kuvattil  pillars that are the bosom that are beautiful like gold,thirunedunthandakam-28 
 pon thAmarai kayam  of tank full of golden lotus flowers;thirunedunthandakam-19 
 pon viLaikkum  and growing goldthirunedunthandakam-6 
 pOnAL  she got up and wentthirunedunthandakam-19 
 pOndhu ninRu  in the state of coming away separated from mother,thirunedunthandakam-17 
 pongu Ar mel iLa kongai  Bosom that is growing, delicate, and youngthirunedunthandakam-17 
 ponnalarndha  that blossomed like gold.thirunedunthandakam-25 
 ponnE pUppa  losing colour,thirunedunthandakam-17 
 ponnuruvam  of the nature of gold;thirunedunthandakam-2 
 ponnuruvAy  having the nature of gold (brightness, desirable, etc)thirunedunthandakam-1 
 pOr ALan  who is having the nature of waging warthirunedunthandakam-20 
 poRiyin Arndha  having lots of dots in the bodythirunedunthandakam-26 
 poRpudaiya malai araiyan paNiya ninRa  and the place where emperumAn is standing such that the king of the abundant people of hills would come and surrender to Him,thirunedunthandakam-7 
 poru aRRAL en magaL  my daughter who is matchlessthirunedunthandakam-19 
 poru kadal araNai kadandhu  (emperumAn) crossing the fort that is like an ocean with strong wavesthirunedunthandakam-20 
 poru kayal kaN  in my eyes that are like kayal fish fighting with each other,thirunedunthandakam-24 
 poru kayal kaN  two eyes that are like two fish fightingthirunedunthandakam-17 
 pOyinAr  and He left separating from me;thirunedunthandakam-24 
 pozhil Ezhum kAval pUNda  Oh Onewho is having the fame due to giving divine protection to all the seven worlds!thirunedunthandakam-10 
 pozhil idaththu  in the garden,thirunedunthandakam-26 
 pukku  entering bANapuramthirunedunthandakam-20 
 pulam parandhu  spreading into the fieldsthirunedunthandakam-6 
 pulavi eydhi  and go through all the sorrows in front of Him which I went through in His absence,thirunedunthandakam-28 
 pulavi thandhu  and created sorrow such thatthirunedunthandakam-24 
 puLLUrum kaLvA  Oh the thief riding on garudAzhvAn,thirunedunthandakam-23 
 pUm kOvalUr  such beautiful thirukkOvalUrthirunedunthandakam-7 
 pUmaruvi  well set in the flowerthirunedunthandakam-26 
 punal arangam  SrIrangam having rich water resources,thirunedunthandakam-24 
 punal arangam UrenRu pOyinAr  after saying that thiruvarangam that is rich in water resources is my place, He went away,thirunedunthandakam-25 
 punal uruvAy  and being very easy to approach like the water that everyone could fetch and drink,thirunedunthandakam-1 
 punal uruvi niRpa  it went all the way to AvaraNa jalam (water surrounding the aNdam (oval shaped world)),thirunedunthandakam-5 
 pUnkovalUr  the beautiful thirukkOvalUrthirunedunthandakam-6 
 pUttik koNdu  (I will) tie (Him in)thirunedunthandakam-28 
 sangivai nillA  bangles of conch slipped;thirunedunthandakam-24 
 saram thurandhu  set the arrows and shot themthirunedunthandakam-29 
 selvam mALa  to lose all his wealth, andthirunedunthandakam-20 
 sem kAla mada nArAy  Oh crane having reddish legs!thirunedunthandakam-27 
 sem kAla madam puRavam pedaikkup pEsum siRu kuralukku  upon hearing the intellect-less doves having red legs, talking with their wives in low voice,thirunedunthandakam-17 
 sem thee  of the nature of reddish fire;thirunedunthandakam-2 
 sem thee olgi  (emperumAn) burned it with fire that is redthirunedunthandakam-20 
 senRu  (He who) went (there and won, as the),thirunedunthandakam-28 
 senthiRaththa thamizhOsai vada sollAgi  His showing the thamizh vEdham (dhivya prabandhams) (which show Him clearly), and samskrutha vEdhams,thirunedunthandakam-4 
 sEyan enRum  that He is having reddish colourthirunedunthandakam-3 
 sidhari  got destroyedthirunedunthandakam-28 
 sindhai nOy  the disease of the mindthirunedunthandakam-23 
 sivappu eydha  become reddish,thirunedunthandakam-15 
 sOdhi thannuruvAy  and being one who illuminates those things that are having light,thirunedunthandakam-1 
 sol eduththu  and prompting it so with the first word of divine name,thirunedunthandakam-13 
 sol enRu  you say (the rest of the name) yourself’, saying so, (and after it started saying the divine name),thirunedunthandakam-13 
 sol uyarndha  high in tonethirunedunthandakam-15 
 sOrginRAL  she becomes sad/faint that thethirunedunthandakam-16 
 sOrginRAL  she is suffering.thirunedunthandakam-13 
 sOrum  she faints;thirunedunthandakam-12 
 sUzha  would stand surrounding Him,thirunedunthandakam-24 
 thadavi  caressing the veeNA,thirunedunthandakam-15 
 thaLir puraiyum  due to which His feet freshens (sprouts)thirunedunthandakam-1 
 thAmarai vaNNam  are beautiful like red lotus flower;thirunedunthandakam-21 
 thamizh nUl  thamizh SAsthramthirunedunthandakam-30 
 than kiLiyai  looking at her parrotthirunedunthandakam-13 
 thaN kOvalUr  (and about) the comforting thikkOvalUr too;thirunedunthandakam-17 
 thaN kudandhai  in the cool place of thirukkudandhai,thirunedunthandakam-29 
 thaN kudandhai nagarum  and the place of thirukkudandhai,thirunedunthandakam-17 
 thaN kudanthai nagar pAdiyum  and singing about the pleasant city of thirukkudanthaithirunedunthandakam-19 
 thaN madhiyum  the cool zone of moonthirunedunthandakam-5 
 than niRaivu azhindhAL  She ignored the completeness (of womanliness of waiting for Him to show up);thirunedunthandakam-19 
 than thAL pAdi  praising His divine feetthirunedunthandakam-6 
 thandhAl  After I give you so,thirunedunthandakam-27 
 thAngi  propping thirunedunthandakam-15 
 thaNkAlum  thiruththaNkAl,thirunedunthandakam-17 
 thannalarndha naRunthuzhAy malarin keezhE  under the garland of thiruththuzhAy which is more fragrant and brighter than the place it grew in,thirunedunthandakam-25 
 thArakaiyin puRam thadavi  permeating the zone of stars (above)thirunedunthandakam-5 
 tharuvan  I will givethirunedunthandakam-27 
 thavira Odi  going further by crossingthirunedunthandakam-5 
 thAzhndhilangu  hanging with brightness,thirunedunthandakam-25 
 theLLUrum iLam thengin thERal mAndhi  by drinking the clear juice that is overflowing from young coconut treethirunedunthandakam-23 
 then AnAy  Oh One who is like an elephant that stands in the beautiful thirumAlirunchOlai mountainthirunedunthandakam-10 
 then ilangai malanga  (his) beautiful lankA to be disturbed,thirunedunthandakam-20 
 thEn maruvu  Having honey flooding fullythirunedunthandakam-26 
 thEnadhanai  that honey,thirunedunthandakam-26 
 thennilakai  in the beautiful lankA,thirunedunthandakam-28 
 thEr Alum vAL arakkan  for rAvaNan who is a chariot warrior and an able fighter of sword,thirunedunthandakam-20 
 thingaL nAyirAgi  being antharyAmi for the moon and the sun,thirunedunthandakam-4 
 thingaL thAnAy  like the moon, He is being of delight,thirunedunthandakam-1 
 thirEthaikkaN  in the thrEthA yugam;thirunedunthandakam-3 
 thiru arangam  such SrIrangamthirunedunthandakam-23 
 thiru arangam  the divine place SrIrangam  thirunedunthandakam-11 
 thiruk kaNNapuram pukku  and entering thirukkaNNapuramthirunedunthandakam-27 
 thirumEni kAR vaNNam ennum  She is saying that (emperumAn’s) divine body is having colour like that of dark cloud;thirunedunthandakam-18 
 thirumUzhik kaLaththAnAy  Oh One living in thirumUzhikkaLamthirunedunthandakam-10 
 thirunaRaiyUr  in thirunaRaiyUrthirunedunthandakam-16 
 thiruththaNkAvil viLakku oLiyai  who provides dharSan as the deity viLakkoLip perumAL in thiruththaNkA,thirunedunthandakam-14 
 thiruvadi  divine feet (soft, etc.)thirunedunthandakam-1 
 thiruvadivil  in the matter of his divine body,thirunedunthandakam-3 
 thisai nAngumAy  being antharAthmA for all the things in all the four directions,thirunedunthandakam-4 
 thOLinAnai  Him who is having shouldersthirunedunthandakam-29 
 thollai  of eternal pastthirunedunthandakam-30 
 thOzhee  Oh dear friend!thirunedunthandakam-21 
 thOzhee aNi arangam AdudhumO ennum  Oh friend! Would (we) get to bathe and dance in thiruvarangam?, says she.thirunedunthandakam-12 
 thOzhee!  Oh friend!thirunedunthandakam-28 
 thOzhee! aNi arangam AduthumO ennum  Oh friend! shall we mingle with and enjoy the grand city of thiruvarangam! she says.thirunedunthandakam-19 
 thozhudhum  let us enjoy it,thirunedunthandakam-6 
 thozhudhum  shall enjoy that placethirunedunthandakam-7 
 thU muRuval  she with pure smile,thirunedunthandakam-15 
 thuLi sOra  drops of tears flow downthirunedunthandakam-16 
 thuLi sOra  with tears rolling downthirunedunthandakam-13 
 thuNai mulai mEl  the bosoms that match each other.thirunedunthandakam-16 
 thuNai mulai mEl  upon both the divine breasts,thirunedunthandakam-13 
 thunRu kuzhal kaRu niRaththu en thuNaiyE enRum  Oh one having dense hair plaits, dark divine body, and being my companion, saying all these,thirunedunthandakam-16 
 udal urugi  body meltingthirunedunthandakam-17 
 ugaLum  enjoying, becoming fat, and living happilythirunedunthandakam-23 
 ugandha  presiding inthirunedunthandakam-6 
 uL Urum  that spreads inside,thirunedunthandakam-23 
 ulagam ANdu  (incarnating as SrI rAman), ruling the word for a very long time,thirunedunthandakam-7 
 ulagam Eththum  which is worthy of praise by one and all in the world!thirunedunthandakam-10 
 ulagam Eththum kAragaththAy  Oh One who stood in the divine place called ‘thirukkAragam’ for the whole world to worship!thirunedunthandakam-8 
 ulagam mUnRinaiyum thirundhu  and who spanned all the three worlds by His steps (during thrivikrama avathAr),thirunedunthandakam-28 
 ulaguNda  He who kept in His divine stomach all the worlds during annihilation,thirunedunthandakam-24 
 uLLuvAr uLLaththAy  Oh One who is present in the hearts of those who think of you (as their leader)! (that is also a temple for Him);thirunedunthandakam-8 
 um ponnum agdhE?  Is the nature your daughter too is of this way?thirunedunthandakam-19 
 un pedaiyum neeyum  your female and youthirunedunthandakam-26 
 un pedaiyum neeyum  your wife and youthirunedunthandakam-27 
 un thiruvadiyE pENinEnE  I am calling for your divine feet (wishing to see it).thirunedunthandakam-8 
 unadhE Aga  making it fully yoursthirunedunthandakam-27 
 uNaral AgAdhu  It is not possible to know (Him)thirunedunthandakam-3 
 undhi  and (such pearls) are pushed aside (as weeds, by the farmers),thirunedunthandakam-6 
 uNdu aRiyAL  she does not know about eating;thirunedunthandakam-12 
 unnai nAdi  searching for You,thirunedunthandakam-9 
 unnai thozhudhEn  I prostrate and beg you;thirunedunthandakam-26 
 Ur  such emperumAns divine place,thirunedunthandakam-7 
 Ur ellAm  all the dhivya dhESams,thirunedunthandakam-6 
 uraiththi Agil  If you would tellthirunedunthandakam-27 
 uRakkam pENAL  she does not like to sleep;thirunedunthandakam-12 
 UrenRu  said that His place isthirunedunthandakam-24 
 urugi  melting like water;thirunedunthandakam-12 
 urugi iruppan  and die, so I can survive by escaping from sorrows of separation.thirunedunthandakam-28 
 Uzhi thORu Uzhi ninRu EththalallAl  other than being in each kalpam and praise Him (like this),thirunedunthandakam-3 
 uzhithargEnE  roamingthirunedunthandakam-9 
 vada AnAy  Oh One who is like an elephant that stands in the thiruvEnkatam in the north!thirunedunthandakam-10 
 vada thiruvEngadam mEya maindhA enRum  Oh the proud one who resides firmly in vada thiruvEngadam! And,thirunedunthandakam-16 
 vadivAya mazhu Endhi  carrying beautiful axe,thirunedunthandakam-7 
 vaLai uruvAyth thigazhndhAn enRum  He was having white colour like a conch;thirunedunthandakam-3 
 vaLarththadhanAl payan peRREn varuga enRu  She called it, saying  ‘I got the fulfilment due to nurturing/raising you; come here’ thirunedunthandakam-14 
 vallAr thAm  those who can recite it,thirunedunthandakam-30 
 vambu Ar pU vayal Ali maindhA ennum  she says – Oh the youthful one who is present in thiruvAli that is surrounded by fields having flowers full of fragrance;thirunedunthandakam-12 
 vANan  (for) bANAsuranthirunedunthandakam-20 
 vaNanginEnE  I got to experience/enjoythirunedunthandakam-5 
 vangaththAL  by ships!thirunedunthandakam-9 
 vaNNam  in beautiful formthirunedunthandakam-24 
 varai uruvin mA kaLiRRai  that is, emperumAn who is big like an elephant in form like a mountain,thirunedunthandakam-28 
 vaRpudaiya varai nedum thOL mannar mALa  (When incarnating as paraSurAman), having strength and mountain-like tall shoulders, such that the kings (like kArthaveeryArjunan) die,thirunedunthandakam-7 
 vAy  mouth toothirunedunthandakam-21 
 vAy maduththu  drinking thirunedunthandakam-26 
 vAy sol pEsa   told a few words of advice,thirunedunthandakam-19 
 vayiRRa  having stomachthirunedunthandakam-24 
 vAyum  and divine coral-like mouth,thirunedunthandakam-25 
 vAyum  divine mouth, andthirunedunthandakam-18 
 vEdham nAngAy  He is being talked about by all the four vEdhas;thirunedunthandakam-1 
 veeNai  the veeNA instrument that isthirunedunthandakam-15 
 vehhAvil thirumAlai  who the sarvESvaran, who is the husband of SrIdhEvI, who is in reclining resting pose in thiruvekhA,thirunedunthandakam-14 
 vehkAvil thuyil amarndha vEndhE enRum  Oh You the King who is reclining in thiru vehkA!, andthirunedunthandakam-13 
 vEli  as the surrounding fences, (saying these),thirunedunthandakam-15 
 vEli  having wall on four sidesthirunedunthandakam-6 
 veLippaduththa  who brought out,thirunedunthandakam-30 
 vEndhE  Oh the king whothirunedunthandakam-16 
 venRu  won andthirunedunthandakam-16 
 vEReNNumpOdhu  when seeing separately,thirunedunthandakam-2 
 veRpu udaiya nedum kadalUL thani vEL uyththa vEL mudhal venRAn  (when incarnating as kaNNan) of emperumAn who won those like murugan (subrahmaNya) who threw his spear into the sea that is having mountain inside it,thirunedunthandakam-7 
 vil iRuththu melliyal thOL thOyndhAy enRum  Oh You who broke the bow and got the hand of seethA pirAtti!, and,thirunedunthandakam-13 
 viLakkoLiyAy  Like how light would remove darkness, He removes the inner darkness that is ignorance (of true nature of AthmA, etc.), and enlightens about His true nature/form,thirunedunthandakam-1 
 vindhai mEya kaRpu udaiya madam kanni kAval pUNda  (place which is) guarded by one who had done penance in vindhyA hills, who is having great knowledge, who does not turn away from a task undertaken, and who is subservient to emperumAn only, that is dhurgA,thirunedunthandakam-7 
 viNNavar tham perumAnE  Oh! the head of nithyasUris!thirunedunthandakam-30 
 viri pozhil sUzh  that is surrounded by the gardens spread out expanding, andthirunedunthandakam-16 
 viri thirai neer viNNagaram maruvi  well set in thiruviNNagar that is full of water bodies having waves,thirunedunthandakam-29 
 yAr oruvar kANkiRpArE  who can see Him (like I did as He showed to me)?thirunedunthandakam-3 

Glossary/Dictionary by pAsuram – thirunedunthANdakam

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Sorted by word

pAsuramWordMeaning
thirunedunthandakam-1  mun uruvil  Things that can be seen by eyes (non-sentient)
thirunedunthandakam-1  minnuruvAy  He is being one who enlightens about the nature of them (like the temporary nature of) lightning,
thirunedunthandakam-1  vEdham nAngAy  He is being talked about by all the four vEdhas;
thirunedunthandakam-1  viLakkoLiyAy  Like how light would remove darkness, He removes the inner darkness that is ignorance (of true nature of AthmA, etc.), and enlightens about His true nature/form,
thirunedunthandakam-1  muLaiththu ezhundha  appearing in the mountain, and rising up in the sky,
thirunedunthandakam-1  thingaL thAnAy  like the moon, He is being of delight,
thirunedunthandakam-1  pinnuruvAy  being behind that non-sentient, that thathvam (truth/existence) (which is jeevAthmA)
thirunedunthandakam-1  munnuruvil  unlike the aforementioned shining lamp and moon,
thirunedunthandakam-1  piNi mUppillAp piRappiliyAy  He is being the matter of (parama)AthmA which does not have ignorance, weakness, the six changes of body, or birth,
thirunedunthandakam-1  iRappadhaRkE eNNAdhu  and without thinking about death (kaivalyam (eternal self enjoyment) which is considered as death of AthmA)
thirunedunthandakam-1  eNNum  and He is eligible for always to meditate upon
thirunedunthandakam-1  ponnuruvAy  having the nature of gold (brightness, desirable, etc)
thirunedunthandakam-1  maNiyuruvil  in the form (body) having the nature of gem
thirunedunthandakam-1  bhUtham aindhAy  and being made of five primary elements (pancha bhUtham) (different from the five elements of this world)
thirunedunthandakam-1  punal uruvAy  and being very easy to approach like the water that everyone could fetch and drink,
thirunedunthandakam-1  analuruvil thigazhum  and having the form (body) of not able to approach like fire,
thirunedunthandakam-1  sOdhi thannuruvAy  and being one who illuminates those things that are having light,
thirunedunthandakam-1  en uruvil ninRa  He being set in my body;
thirunedunthandakam-1  thiruvadi  divine feet (soft, etc.)
thirunedunthandakam-1  endhai  of the sarvESvaran who is my lord,
thirunedunthandakam-1  en thalai mElavE  are being set on my head
thirunedunthandakam-1  thaLir puraiyum  due to which His feet freshens (sprouts)
thirunedunthandakam-1   saying so, AzhvAr is immersed in it.
thirunedunthandakam-2  Er uruvil  Having beautiful bodies
thirunedunthandakam-2  mUvarumE enna ninRa  being as if all the three are equal
thirunedunthandakam-2  imaiyavar tham thiruvuru  of the form of brahmA, vishNu, and Sivan,
thirunedunthandakam-2  vEReNNumpOdhu  when seeing separately,
thirunedunthandakam-2  Oruruvam  brahmA’s form is
thirunedunthandakam-2  ponnuruvam  of the nature of gold;
thirunedunthandakam-2  onRu  rudhran’s (Sivan) form is
thirunedunthandakam-2  sem thee  of the nature of reddish fire;
thirunedunthandakam-2  onRu  form of nArAyaNan, the husband of lakShmI
thirunedunthandakam-2  mA kadal uruvam  is invigorating, like (when seeing) the big ocean;
thirunedunthandakam-2  mUvuruvum  all the three forms
thirunedunthandakam-2  oththu ninRa  standing together (with their such qualities);
thirunedunthandakam-2  kaNda pOdhu  (but) when seeing through pramANam,
thirunedunthandakam-2  pAr uruvi neer erikAl visumbumAgi  creating the five core elements like the earth made of hard material, etc.,
thirunedunthandakam-2  palvERu samayamumAy  creating the world that is of many different paths/categories,
thirunedunthandakam-2  parandhu ninRa  and pervading everywhere, inside the AthmAs (as antharyAmi)
thirunedunthandakam-2  when reflecting upon the state based on such thathvam (truth),
thirunedunthandakam-2  Am sOdhi onRu  being said by ‘param jyOthi’ , and being the One
thirunedunthandakam-2  mugil uruvam  the form that is like the dark rainy clouds,
thirunedunthandakam-2  em adigaL uruvam  IS the form of sarvESvaran who is the lord of everyone.
thirunedunthandakam-3  karu neela vaNNan thannai  One naturally having blue colour among the colours,
thirunedunthandakam-3  perumAnai  that is sarvESvaran,
thirunedunthandakam-3  thiruvadivil  in the matter of his divine body,
thirunedunthandakam-3  karunedumAl  (like rainy clouds) emperumAn naturally having black colour, having a lot of love towards devotees,
thirunedunthandakam-3  sEyan enRum  that He is having reddish colour
thirunedunthandakam-3  thirEthaikkaN  in the thrEthA yugam;
thirunedunthandakam-3  peru vadivil kadal amudham koNda kAlam  in the krutha yugam when having many forms, and took nectar from the divine milky ocean
thirunedunthandakam-3  vaLai uruvAyth thigazhndhAn enRum  He was having white colour like a conch;
thirunedunthandakam-3  Uzhi thORu Uzhi ninRu EththalallAl  other than being in each kalpam and praise Him (like this),
thirunedunthandakam-3  uNaral AgAdhu  It is not possible to know (Him)
thirunedunthandakam-3  oru vadivaththu Or uru enRu  as having one specific form of divine body, or as having one type of colour;
thirunedunthandakam-3  katturaiyE  other than (everyone) be (only) talking about
thirunedunthandakam-3  karu vadivil sem kaNNa vaNNan thannai  that emperumAn having bluish divine body, and reddish divine eyes,
thirunedunthandakam-3  yAr oruvar kANkiRpArE  who can see Him (like I did as He showed to me)?
thirunedunthandakam-4  mada nenjamE  Oh mind which is amicable (to me)!
thirunedunthandakam-4  indhirarkkum piramarkkum mudhalvan thannai  Being the reason/source for indhra and brahmA,
thirunedunthandakam-4  iru nilam kAl thee neer viN bUtham aindhAy  being antharyAmi (inside resident) to the five core elements  the big earth, air, fire, water, space,
thirunedunthandakam-4  senthiRaththa thamizhOsai vada sollAgi  His showing the thamizh vEdham (dhivya prabandhams) (which show Him clearly), and samskrutha vEdhams,
thirunedunthandakam-4  thisai nAngumAy  being antharAthmA for all the things in all the four directions,
thirunedunthandakam-4  thingaL nAyirAgi  being antharyAmi for the moon and the sun,
thirunedunthandakam-4  antharaththil  when being antharyAmi in that way,
thirunedunthandakam-4  dhEvarkkum aRiyalAgA anthaNanai  being purest who cannot be known by even dhEvas,
thirunedunthandakam-4  anthaNar mAttu anthi vaiththa manthiraththai  sarvESvaran the secret entity who is kept safely in the knots of vEdhams (anthi – end/tail – vEdhAntham) which are the wealth of brAhmaNas (safe like in the knots of clothes worn),
thirunedunthandakam-4  manthiraththAl  by thirumanthram
thirunedunthandakam-4  maRavAdhu vAzhudhiyEl  if you enjoy without fail/forgetting,
thirunedunthandakam-4  enRum vAzhalAm  you can get good life always (in paramapadham).
thirunedunthandakam-5  oN midhiyil  after making the soft step
thirunedunthandakam-5  oru kAl  with one divine foot,
thirunedunthandakam-5  punal uruvi niRpa  it went all the way to AvaraNa jalam (water surrounding the aNdam (oval shaped world)),
thirunedunthandakam-5  oru kAlum  another divine foot also
thirunedunthandakam-5  kAmaru seer avuNan uLLaththu eNmadhiyum kadandhu  crossing even the extent of thought of mahAbali who is having greatness that is liked,
thirunedunthandakam-5  ezhundhu  it started
thirunedunthandakam-5  aNdam meedhu pOgi  to go even above the aNdam,
thirunedunthandakam-5  iru visumbin Udu pOy  permeating the big space (AkASam)
thirunedunthandakam-5  thavira Odi  going further by crossing
thirunedunthandakam-5  thaN madhiyum  the cool zone of moon
thirunedunthandakam-5  mElai  that is above, and
thirunedunthandakam-5  kadhiravanum  the zone of sun (that is below),
thirunedunthandakam-5  thArakaiyin puRam thadavi  permeating the zone of stars (above)
thirunedunthandakam-5  appAl mikku  permeating even beyond (that),
thirunedunthandakam-5  agappaduththu ninRa  and stood spanning
thirunedunthandakam-5  maN muzhudhum  all the places;
thirunedunthandakam-5  vaNanginEnE  I got to experience/enjoy
thirunedunthandakam-5  malar puraiyum thiruvadiyE  the lotus flower like divine foot only
thirunedunthandakam-5  enthai  of my lord (of such glory).
thirunedunthandakam-6  manamE  Oh mind!
thirunedunthandakam-6  alam purindha nedum thadakkai amarar vEndhan  One having long and huge divine hand that gives until (the one asking) saying enough, head of the nithya sUris (eternal residents of SrIvaikuNtam ), 
thirunedunthandakam-6  am siRai puL thani pAgan  being the unmatched rider of garudAzhvAn having beautiful wings,
thirunedunthandakam-6  enRum salam purindhu  (and emperumAn) always creating problems
thirunedunthandakam-6  avuNarkku  for the asuras,
thirunedunthandakam-6  angu aruL illA thanmaiyALan thAn  not having any kindness towards them (angu) as His nature, such emperumAn who is sarvESvaran (lord of all),
thirunedunthandakam-6  ugandha  presiding in
thirunedunthandakam-6  Ur ellAm  all the dhivya dhESams,
thirunedunthandakam-6  than thAL pAdi  praising His divine feet
thirunedunthandakam-6  nilam parandhu vaum kaluzhi peNNai  river then-peNNai is growing spanning all of the world, and having muddled (water),
thirunedunthandakam-6  eerththa nedu vEygaL padu muththam undha  and pushing (into the fields) the pearls that are in the bamboo sticks that it pulls along with it,
thirunedunthandakam-6  undhi  and (such pearls) are pushed aside (as weeds, by the farmers),
thirunedunthandakam-6  pulam parandhu  spreading into the fields
thirunedunthandakam-6  pon viLaikkum  and growing gold
thirunedunthandakam-6  vEli  having wall on four sides
thirunedunthandakam-6  poigai  the water tanks,
thirunedunthandakam-6  pUnkovalUr  the beautiful thirukkOvalUr
thirunedunthandakam-6  thozhudhum  let us enjoy it,
thirunedunthandakam-6  pOdhu  you shall come (Oh mind!).
thirunedunthandakam-7  (AzhvAr is enjoying various incarnations of emperumAn)
thirunedunthandakam-7  vadivAya mazhu Endhi  carrying beautiful axe,
thirunedunthandakam-7  vaRpudaiya varai nedum thOL mannar mALa  (When incarnating as paraSurAman), having strength and mountain-like tall shoulders, such that the kings (like kArthaveeryArjunan) die,
thirunedunthandakam-7  ulagam ANdu  (incarnating as SrI rAman), ruling the word for a very long time,
thirunedunthandakam-7  veRpu udaiya nedum kadalUL thani vEL uyththa vEL mudhal venRAn  (when incarnating as kaNNan) of emperumAn who won those like murugan (subrahmaNya) who threw his spear into the sea that is having mountain inside it,
thirunedunthandakam-7  Ur  such emperumAns divine place,
thirunedunthandakam-7  vindhai mEya kaRpu udaiya madam kanni kAval pUNda  (place which is) guarded by one who had done penance in vindhyA hills, who is having great knowledge, who does not turn away from a task undertaken, and who is subservient to emperumAn only, that is dhurgA,
thirunedunthandakam-7  kadi pozhil sUzh  (place which is) surrounded by fragrant gardens 
thirunedunthandakam-7  nedu maRugil  having wide/long divine streets
thirunedunthandakam-7  kamalam vEli  having ponds with blossoming lotuses,
thirunedunthandakam-7  poRpudaiya malai araiyan paNiya ninRa  and the place where emperumAn is standing such that the king of the abundant people of hills would come and surrender to Him,
thirunedunthandakam-7  pUm kOvalUr  such beautiful thirukkOvalUr
thirunedunthandakam-7  thozhudhum  shall enjoy that place
thirunedunthandakam-7  nenjE  Oh mind!
thirunedunthandakam-7  pOdhu  Ye come!
thirunedunthandakam-8  neeragaththAy  Oh One who is giving divine presence in thiruneeragam dhivya dhEsam!
thirunedunthandakam-8  nedu varaiyin uchchi mElAy  Oh One who stood at the top of tall and great thirumalai!
thirunedunthandakam-8  nilAththingaL thuNdaththAy  Oh One who is giving divine presence in the divine place called nilAththingaL thuNdam!
thirunedunthandakam-8  niRaindha kachchi UragaththAy  Oh One who is giving divine presence in the divine place called Uragam by pervading the whole of kachchi (by your qualities)!
thirunedunthandakam-8  oNthuRai neer vekhAvuLLAy  Oh One who is in sleeping posture at the beautiful shore of water tank that is in thiruvehkA!
thirunedunthandakam-8  uLLuvAr uLLaththAy  Oh One who is present in the hearts of those who think of you (as their leader)! (that is also a temple for Him);
thirunedunthandakam-8  ulagam Eththum kAragaththAy  Oh One who stood in the divine place called ‘thirukkAragam’ for the whole world to worship!
thirunedunthandakam-8  kAr vAnaththuLLAy  Oh One who lives in the divine place called kArvAnam!
thirunedunthandakam-8  kaLvA  Oh the thief (who hid the divine form and not showing it to the devotees)! (there is a dhivya dhEsam called kaLvanUr);
thirunedunthandakam-8  kAmaru pUm kAviriyin then pAl mannu pEragaththAy  well set in the town of thiruppEr (of appakkudaththAn) that is on the south shore of very beautiful kAvEri!
thirunedunthandakam-8  en nenjil pEradhu uLLAy  Oh One who is showing Himself to my mind without break or going away!
thirunedunthandakam-8  perumAn  Oh One having many many divine places!
thirunedunthandakam-8  un thiruvadiyE pENinEnE  I am calling for your divine feet (wishing to see it).
thirunedunthandakam-9  munneer mallaiyAy  Oh One who lives in thiruk kadal mallai (dhivya dhEsam, modern day mahAbalipuram) by the shore
thirunedunthandakam-9  mAmaNi vandhu undhu  which brings and pushes the best gems
thirunedunthandakam-9  vangaththAL  by ships!
thirunedunthandakam-9  madhiL kachchi UrAy  Oh One who lives in the city of kAnchee having divine ramparts / walls!
thirunedunthandakam-9  pErAy  Oh One having divine presence in the city of thiruppEr!
thirunedunthandakam-9  kula varaiyan madappAvai idappAl koNdAn pangaththAy  Oh One having on one side (of His body) the rudhran who is having in the left side (of his body) acquiescent/beautiful pArvathi, who is the daughter of himavAn who is the best of kings,
thirunedunthandakam-9  kongu Ar vaLam konRai alangal mArvan  and such (rudhran is ) having in His chest the garland of koNRai flower that is having honey and much beauty.
thirunedunthandakam-9  pArkadalAy  Oh One who is resting in the divine milky ocean!
thirunedunthandakam-9  pArin mElAy  Oh One who incarnated in the earth (for doing good to those living here)!
thirunedunthandakam-9  pani varaiyin uchchiyAy  Oh One who stood at the top of cool divine thirumalai (thiruvEnkatam)!
thirunedunthandakam-9  pavaLa vaNNA  Oh One having pleasant divine body like a coral!
thirunedunthandakam-9  engu uRRAy  where have You gone in to?
thirunedunthandakam-9  emperumAn  On my lord!
thirunedunthandakam-9  unnai nAdi  searching for You,
thirunedunthandakam-9  EzhaiyEn  adiyen having the wish in vain, am
thirunedunthandakam-9  uzhithargEnE  roaming
thirunedunthandakam-9  inganamE  in these ways only.
thirunedunthandakam-10  then AnAy  Oh One who is like an elephant that stands in the beautiful thirumAlirunchOlai mountain
thirunedunthandakam-10  ulagam Eththum  which is worthy of praise by one and all in the world!
thirunedunthandakam-10  vada AnAy  Oh One who is like an elephant that stands in the thiruvEnkatam in the north!
thirunedunthandakam-10  kuda pAl AnAy  Oh One who is like an elephant in the westerly (in sleeping pose in thiruvarangam)!
thirunedunthandakam-10  guNapAla madham yAnAy  Oh One who is like a proud elephant (in thirukkaNNapuram)!
thirunedunthandakam-10  imaiyOrkku mun AnAy  Oh One who stands in front of nithyasUris (for them to see and enjoy You)
thirunedunthandakam-10  enRum  at all times!
thirunedunthandakam-10  thirumUzhik kaLaththAnAy  Oh One living in thirumUzhikkaLam
thirunedunthandakam-10  pin AnAr vaNangum sOdhi  like a luminous entity who could be surrendered to by those living after your incarnations!
thirunedunthandakam-10  mudhal AnAy  Oh the cause of the world!
thirunedunthandakam-10  pon AnAy  Oh One who is like the gold!
thirunedunthandakam-10  pozhil Ezhum kAval pUNda  Oh Onewho is having the fame due to giving divine protection to all the seven worlds!
thirunedunthandakam-10  igazhvu Aya thoNdanEn EzhaiyEn nAn  I who am a devotee who is lowliness/scorn personified and who am of unsteady mind (chapalan),
thirunedunthandakam-10  en AnAy en AnAy ennal allAl  Other than saying ‘Oh my elephant! Oh my elephant!’ (calling emperumAn so),
thirunedunthandakam-10  en aRivan  what else do I know to say?  (Akinchanyam).
thirunedunthandakam-11  pattu udukkum  She wears herself the silk saree;
thirunedunthandakam-11  ayarththu irangum  faints and feels sad; 
thirunedunthandakam-11  pAvai pENAL  does not like (to play with) her wooden human toy (marappAchhi);  
thirunedunthandakam-11  pani nedu kaN neer thathumba  with tears brimming in her long cool eyes,  
thirunedunthandakam-11  paLLi koLLAL  she does not sleep;  
thirunedunthandakam-11  en kudankAL irukka killAL  she is not able to stay put in my lap  
thirunedunthandakam-11  eL thuNaip pOdhu  even for a second;  
thirunedunthandakam-11  ennum  she asks 
thirunedunthandakam-11  enge  where is  
thirunedunthandakam-11  thiru arangam  the divine place SrIrangam  
thirunedunthandakam-11  emperumAn   of emperumAn;  
thirunedunthandakam-11  kUndhal  she having hair  
thirunedunthandakam-11  maNi vaNdu  with beautiful bees  
thirunedunthandakam-11  muralum  buzzing  
thirunedunthandakam-11  mattu vikki  with drunk honey choking them,  
thirunedunthandakam-11  mada mAnai  this girl child who is like a beautiful deer,  
thirunedunthandakam-11  kattuvhichchi !  “Oh the (female) diviner!  
thirunedunthandakam-11  idhu seydhAr thammai  who brought her to this state?  
thirunedunthandakam-11  meyyE sol enna  Tell me the truth.”, as I asked her this,  
thirunedunthandakam-11  kadal vaNNar idhu seydhAr (enRu) sonnAL  The one having the color like that of the sea, perumAL, has created this state –  she said.  
thirunedunthandakam-11  nangAy  Oh dear women (friends)! (If He, the protector has done this),   
thirunedunthandakam-11  kAppAr ArE  who else is there who could remove this danger? 
thirunedunthandakam-12  kaNpanippa niRkum  She stands with tears overflowing
thirunedunthandakam-12  nenju  with mind
thirunedunthandakam-12  urugi  melting like water;
thirunedunthandakam-12  sOrum  she faints;
thirunedunthandakam-12  nedidhu uyirkkum  she sighs;
thirunedunthandakam-12  uNdu aRiyAL  she does not know about eating;
thirunedunthandakam-12  uRakkam pENAL  she does not like to sleep;
thirunedunthandakam-12  nanju aravil thuyil amarndha nambee ennum  she says ‘Oh nambee! who is doing yOga nidhrA lying down on thiru ananthAzhvAr who spits poison’;
thirunedunthandakam-12  vambu Ar pU vayal Ali maindhA ennum  she says – Oh the youthful one who is present in thiruvAli that is surrounded by fields having flowers full of fragrance;
thirunedunthandakam-12  am siRaiya puL kodiyE Adum  she is dancing like garudan who is having beautiful wings (beautiful because it serves to transport emperumAn) who is like the flag;
thirunedunthandakam-12  pAdum  and sings;
thirunedunthandakam-12  thOzhee aNi arangam AdudhumO ennum  Oh friend! Would (we) get to bathe and dance in thiruvarangam?, says she.
thirunedunthandakam-12  peNNaip peRREn  I who have got such a girl child
thirunedunthandakam-12  en siRagin keezh adangA  who does not stay under my control
thirunedunthandakam-12  Or pazhi padaiththEn  have earned unparalleled sin
thirunedunthandakam-12  iru nilaththu  in this huge land;
thirunedunthandakam-12  E pAvamE!  Oh how sad!
thirunedunthandakam-13  kAththAy  (This little girl is saying these -) Oh You who protected
thirunedunthandakam-13  kalmAri  from the rain that is hail (which was set to be poured by indhra)
thirunedunthandakam-13  kal eduththu  as you lifted and held a mountain
thirunedunthandakam-13  enRum  and,
thirunedunthandakam-13  kAmaru pU kachchi UrakaththAy enRum  Oh You who is having divine presence in thiru Uragam of kAncheepuram which is loveable and beautiful!, and,
thirunedunthandakam-13  vil iRuththu melliyal thOL thOyndhAy enRum  Oh You who broke the bow and got the hand of seethA pirAtti!, and,
thirunedunthandakam-13  vehkAvil thuyil amarndha vEndhE enRum  Oh You the King who is reclining in thiru vehkA!, and
thirunedunthandakam-13  anRu  that day (when you incarnated as kaNNan),
thirunedunthandakam-13  mal adarththu  restraining their strength
thirunedunthandakam-13  attAy  you destroyed
thirunedunthandakam-13  mallarai  the wrestlers,
thirunedunthandakam-13  enRum  and
thirunedunthandakam-13  en myndhA  Oh! my lord
thirunedunthandakam-13  kaiththalaththu  having beautiful divine hands that
thirunedunthandakam-13  mA keeNda  destroyed by tearing kEsi who came as a horse!
thirunedunthandakam-13  enRum  and
thirunedunthandakam-13  than kiLiyai  looking at her parrot
thirunedunthandakam-13  sol eduththu  and prompting it so with the first word of divine name,
thirunedunthandakam-13  sol enRu  ‘you say (the rest of the name) yourself’, saying so, (and after it started saying the divine name),
thirunedunthandakam-13  thuLi sOra  with tears rolling down
thirunedunthandakam-13  thuNai mulai mEl  upon both the divine breasts,
thirunedunthandakam-13  sOrginRAL  she is suffering.
thirunedunthandakam-14  muLaikkadhirai  He who is like a young sun
thirunedunthandakam-14  kuRunkudiyuL mugilai  and bright in thirukkurunkudi as a rainy cloud
thirunedunthandakam-14  mUvA mUvulagum kadandhu  and ever present and beyond the three types of worlds
thirunedunthandakam-14  appAl  in paramapadham
thirunedunthandakam-14  mudhalAy ninRa  being present as the leader (for both the worlds (leelA and nithya vithi),
thirunedunthandakam-14  aLappariya  who is not measurable by number (of auspicious qualities of true nature and form)
thirunedunthandakam-14  Ar amudhai  who is like a specal nectar
thirunedunthandakam-14  arangame mEya andhaNanai  who is the ultimate purity, present in great city of thiruvarangam
thirunedunthandakam-14  andhaNar tham sindhaiyAnai  who is having His abode as the mind of vaidhikas (those who live based on the words of vEdhas),
thirunedunthandakam-14  thiruththaNkAvil viLakku oLiyai  who provides dharSan as the deity viLakkoLip perumAL in thiruththaNkA,
thirunedunthandakam-14  maradhakaththai  who is having a beautiful form like the green of gem of emerald,
thirunedunthandakam-14  vehhAvil thirumAlai  who the sarvESvaran, who is the husband of SrIdhEvI, who is in reclining resting pose in thiruvekhA,
thirunedunthandakam-14  pAdak kEttu  as the (parrot) sung (about Him), and she listened (to its pAsurams),
thirunedunthandakam-14  madak kiLiyai  looking at that beautiful parrot, 
thirunedunthandakam-14  vaLarththadhanAl payan peRREn varuga enRu  She called it, saying  ‘I got the fulfilment due to nurturing/raising you; come here’ 
thirunedunthandakam-14  kai kUppi vaNanginAL  and joined her hands in anjali form, and prostrated to it.
thirunedunthandakam-15  kal uyarndha nedu madhiL sUzh  Constructed using rocks, and surrounded by big towering walls,
thirunedunthandakam-15  kachchi mEya  being present in such kAncheepuram’s thiruppAdagam
thirunedunthandakam-15  kaLiRu enRum  O emperumAn who is like a must elephant, and,
thirunedunthandakam-15  kadal kidandha kaniyE enRum  who is like a fruit sleeping in the divine ocean of milk, and,
thirunedunthandakam-15  ammAn enRum  who is the lord
thirunedunthandakam-15  ninRu ugandha  who is happy standing in
thirunedunthandakam-15  aNi azhundhUr  the beautiful dhivya dhESam thiruvazhundhUr
thirunedunthandakam-15  alli am pU malar poygai  that is having ponds with beautiful and fragrant flowers pregnant with pollen, and
thirunedunthandakam-15  pazhanam  agricultural fields,
thirunedunthandakam-15  vEli  as the surrounding fences, (saying these),
thirunedunthandakam-15  thAngi  propping 
thirunedunthandakam-15  mulai mEl  upon her breast
thirunedunthandakam-15  veeNai  the veeNA instrument that is
thirunedunthandakam-15  sol uyarndha  high in tone
thirunedunthandakam-15  nedu  long in harmonic range,
thirunedunthandakam-15  thU muRuval  she with pure smile,
thirunedunthandakam-15  nagai  and with her well set teeth
thirunedunthandakam-15  iRaiyE thOnRa  being visible a little,
thirunedunthandakam-15  nakku   is laughing, and
thirunedunthandakam-15  thadavi  caressing the veeNA,
thirunedunthandakam-15  mel viralgaL  (that her) thin fingers,
thirunedunthandakam-15  sivappu eydha  become reddish,
thirunedunthandakam-15  AngE  and after that,
thirunedunthandakam-15  en pEdhai   my daughter,
thirunedunthandakam-15  men kiLi pOl  like a small parrot,
thirunedunthandakam-15  miga mizhaRRum  makes melodies in many ways.
thirunedunthandakam-16  kanRu mEyththu  Oh one who protected the cows
thirunedunthandakam-16  inidhu ugandha  and became very happy,
thirunedunthandakam-16  kALAy enRum  and having the individualism, and
thirunedunthandakam-16  en kaniyE  Oh my fruit
thirunedunthandakam-16  kaNapuraththu  (that became ripe in) thirukkaNNapuram that is
thirunedunthandakam-16  kadi pozhil sUzh  surrounded by fragrant gardens! And,
thirunedunthandakam-16  magizhndhAy enRum  Oh who became happy
thirunedunthandakam-16  manRu amarak kUththAdi  by dancing with pots in the middle of the junction of roads! And,
thirunedunthandakam-16  vada thiruvEngadam mEya maindhA enRum  Oh the proud one who resides firmly in vada thiruvEngadam! And,
thirunedunthandakam-16  vEndhE  Oh the king who
thirunedunthandakam-16  venRu  won and
thirunedunthandakam-16  kaLaindha  destroyed
thirunedunthandakam-16  asurar kulam  the clan of asuras! And
thirunedunthandakam-16  ninRAy enRum  having your divine presence
thirunedunthandakam-16  thirunaRaiyUr  in thirunaRaiyUr
thirunedunthandakam-16  viri pozhil sUzh  that is surrounded by the gardens spread out expanding, and
thirunedunthandakam-16  thunRu kuzhal kaRu niRaththu en thuNaiyE enRum  Oh one having dense hair plaits, dark divine body, and being my companion, saying all these,
thirunedunthandakam-16  sOrginRAL  she becomes sad/faint that the
thirunedunthandakam-16  thuLi sOra  drops of tears flow down
thirunedunthandakam-16  thuNai mulai mEl  the bosoms that match each other.
thirunedunthandakam-17  pongu Ar mel iLa kongai  Bosom that is growing, delicate, and young
thirunedunthandakam-17  ponnE pUppa  losing colour,
thirunedunthandakam-17  poru kayal kaN  two eyes that are like two fish fighting
thirunedunthandakam-17  neer arumba  sprouting tears,
thirunedunthandakam-17  pOndhu ninRu  in the state of coming away separated from mother,
thirunedunthandakam-17  udal urugi  body melting
thirunedunthandakam-17  sem kAla madam puRavam pedaikkup pEsum siRu kuralukku  upon hearing the intellect-less doves having red legs, talking with their wives in low voice,
thirunedunthandakam-17  chindhiththu  thinking (about Him talking in personal ways?),
thirunedunthandakam-17  AngE  at that moment,
thirunedunthandakam-17  pAdi  (she started to) sing and
thirunedunthandakam-17  Ada  dance,
thirunedunthandakam-17  pAdi  by singing to her mouth’s content, about
thirunedunthandakam-17  thaNkAlum  thiruththaNkAl,
thirunedunthandakam-17  thaN kudandhai nagarum  and the place of thirukkudandhai,
thirunedunthandakam-17  thaN kOvalUr  (and about) the comforting thikkOvalUr too;
thirunedunthandakam-17  kEttu  As I heard that,
thirunedunthandakam-17  enna  and as I said
thirunedunthandakam-17  ‘nangAy  ‘Oh girl!
thirunedunthandakam-17  nam kudikku  for our clan
thirunedunthandakam-17  idhu nanmaiyO’ enna  is it good (to call out openly loudly)’,
thirunedunthandakam-17  pAduvAL navilginRALE  she started for singing about
thirunedunthandakam-17  naRaiyUrum  thirunaRaiyUr too.
thirunedunthandakam-18  Er vaNNam pEdhai  Having beautiful form that is the daughter 
thirunedunthandakam-18  pAvam seydhEn en  of me who is a sinner,
thirunedunthandakam-18  en sol kELAL  does not listen to my words;
thirunedunthandakam-18  thirumEni kAR vaNNam ennum  She is saying that (emperumAn’s) divine body is having colour like that of dark cloud;
thirunedunthandakam-18  kaNNum  (His) eyes, and
thirunedunthandakam-18  vAyum  divine mouth, and
thirunedunthandakam-18  kai thalamum  divine palms of hands,
thirunedunthandakam-18  adi iNaiyum  two divine feet 
thirunedunthandakam-18  kamala vaNNam ennum  are of colour like lotus flower, says she; 
thirunedunthandakam-18  pAr vaNNam mada mangai paththar ennum  She says that (He) is under the influence of BhUmi pirAtti; 
thirunedunthandakam-18  pani malar mEL pAvaikku piththAr ennum  She says that He is in deep love towards periya pirAttiyAr who was born in the comforting beautiful lotus; 
thirunedunthandakam-18  emperumAn thiruvarangam engE ennum  She asking where is thiruvarangam of emperumAn who got me to realize servitude; 
thirunedunthandakam-18  neer vaNNan neer malaikkE pOvEn ennum  I have to go to thiruneermalai that is the abode of the one who is having the nature of water; 
thirunedunthandakam-18  niRaivu azhindhAr niRkum ARu idhu anRO  It appears that this is the way of those who lost their controlled state.
thirunedunthandakam-19  ahdhu kaNdum  Even after having seen
thirunedunthandakam-19  muRRu ArA vanam mulaiyAL  One who is having beautiful not fully-grown-out bosom and being the woman having the nature of womanliness, that is, periya pirAttiyAr to be
thirunedunthandakam-19  moy agalaththuL iruppAL  living well set in the beautiful divine chest
thirunedunthandakam-19  mAyan  of emperumAn who is marvellous,
thirunedunthandakam-19  poru aRRAL en magaL  my daughter who is matchless
thirunedunthandakam-19  aRRAL  has set herself up to be for Him and only for Him.
thirunedunthandakam-19  than niRaivu azhindhAL  She ignored the completeness (of womanliness of waiting for Him to show up);
thirunedunthandakam-19  AvikkinRAL  she is sighing;
thirunedunthandakam-19  thOzhee! aNi arangam AduthumO ennum  Oh friend! shall we mingle with and enjoy the grand city of thiruvarangam! she says.
thirunedunthandakam-19  peRREn  I, the mother, who gave birth to her,
thirunedunthandakam-19  vAy sol pEsa   told a few words of advice,
thirunedunthandakam-19  kELAL iRaiyum  does not listen even a little by lending her ears.
thirunedunthandakam-19  pEr pAdi  singing about the city of thiruppEr,
thirunedunthandakam-19  thaN kudanthai nagar pAdiyum  and singing about the pleasant city of thirukkudanthai
thirunedunthandakam-19  pOnAL  she got up and went
thirunedunthandakam-19  neer Ada  to immerse and experience in the water
thirunedunthandakam-19  pon thAmarai kayam  of tank full of golden lotus flowers;
thirunedunthandakam-19  um ponnum agdhE?  Is the nature your daughter too is of this way?
thirunedunthandakam-20  mun  Once upon a time
thirunedunthandakam-20  thEr Alum vAL arakkan  for rAvaNan who is a chariot warrior and an able fighter of sword,
thirunedunthandakam-20  selvam mALa  to lose all his wealth, and
thirunedunthandakam-20  then ilangai malanga  (his) beautiful lankA to be disturbed,
thirunedunthandakam-20  sem thee olgi  (emperumAn) burned it with fire that is red
thirunedunthandakam-20  (not only that),
thirunedunthandakam-20  vANan  (for) bANAsuran
thirunedunthandakam-20  pOr ALan  who is having the nature of waging war
thirunedunthandakam-20  Ayiram thOL  and having thousand shoulders
thirunedunthandakam-20  mALa  to be defeated,
thirunedunthandakam-20  poru kadal araNai kadandhu  (emperumAn) crossing the fort that is like an ocean with strong waves
thirunedunthandakam-20  pukku  entering bANapuram
thirunedunthandakam-20  mikka  (emperumAn who is) having in excess the lakshmi for victory,
thirunedunthandakam-20  pArALan  and is the ruler of the earth and
thirunedunthandakam-20  pAr idandhu  who pried and lifted up the earth (in varAha avathAram),
thirunedunthandakam-20  pArai uNdu  and kept the earth in His divine stomach (during praLayam (annihilation of the world)),
thirunedunthandakam-20  pAr umizhndhu  then letting out the earth
thirunedunthandakam-20  (so in these several ways)
thirunedunthandakam-20  pArai ANda  rules the world and protects it,
thirunedunthandakam-20  pEr ALan  that is the glorious emperumAn;
thirunedunthandakam-20  peNNai  This girl
thirunedunthandakam-20  Odhum  reciting without break
thirunedunthandakam-20  pEr  His divine names,
thirunedunthandakam-20  maN mEL  in this world
thirunedunthandakam-20  perum thavaththaL enRu allAl pEsalAmE?  can only say that she is having real blessing; is it possible to say by any other way?
thirunedunthandakam-21  mai vaNNam naRu kunchi kuzhal pin thAzha  Black in colour, having much fragrance, flailing in the air on His back is the divine hair each of which is curled separately,
thirunedunthandakam-21  magaram sEr kuzai  ear rings
thirunedunthandakam-21  ilangi Ada  shaking bright
thirunedunthandakam-21  iru pAdu  on both sides,
thirunedunthandakam-21  ey veNNam vem silaiyE thuNai aa  having as the companions the bow having fiery nature of shooting (a rain of arrows),
thirunedunthandakam-21  iruvar Ay vandhAr  He and iLaiya perumAL who does not separate from Him, came
thirunedunthandakam-21  en munnE ninRAr  and stood in front of me
thirunedunthandakam-21  ingE  in this thirumaNankollai;
thirunedunthandakam-21  (His)
thirunedunthandakam-21  kai  divine hands
thirunedunthandakam-21  thAmarai vaNNam  are beautiful like red lotus flower;
thirunedunthandakam-21  vAy  mouth too
thirunedunthandakam-21  kamalam pOlum  matches the lotus;
thirunedunthandakam-21  kaN iNaiyum  the two divine eyes too
thirunedunthandakam-21  aravindham  are that lotus only;
thirunedunthandakam-21  adiyum  divine feet also
thirunedunthandakam-21  ahdhE  are that lotus only;
thirunedunthandakam-21  kaNdum  even after having seen
thirunedunthandakam-21  nilamai  the state of
thirunedunthandakam-21  avvaNNaththavar  Him who is having such beauty,
thirunedunthandakam-21  thOzhee  Oh dear friend!
thirunedunthandakam-21  avarai  About Him
thirunedunthandakam-21  nAm  I
thirunedunthandakam-21  dhEvar enRu anjinOmE  was afraid because of thinking that He is the supreme lord.
thirunedunthandakam-22  ArAyA  Singing elaborately
thirunedunthandakam-22  onRu  the very best
thirunedunthandakam-22  naivaLam  melody named naivaLam,
thirunedunthandakam-22  nammai nOkkA   then seeing me
thirunedunthandakam-22  iRaiyE nANinARpOl  while standing near me like He is a bit shy,
thirunedunthandakam-22  pinnum  and even after that,
thirunedunthandakam-22  nayangaL seyvaLavil  when He was singing with humble words in the melody,
thirunedunthandakam-22  en manamum kaNNum  my mind and eyes
thirunedunthandakam-22  Odi  ran (while leaving me)
thirunedunthandakam-22  emperumAn thiru adik keezh aNaiya  and set under the divine feet of emperumAn; as this happened,
thirunedunthandakam-22  ippAl  after that,
thirunedunthandakam-22  kANEn  I lost and have not seen
thirunedunthandakam-22  kai vaLaiyum  the bangles I had worn in my arms,
thirunedunthandakam-22  mEkalaiyum  and the cloth worn in my hip;
thirunedunthandakam-22  kaNdEn  (But ) I saw
thirunedunthandakam-22  kanam makarak kuzhai iraNdum  two strong ear ornaments,
thirunedunthandakam-22  nAngu thOLum  and four divine shoulders;
thirunedunthandakam-22  (after that),
thirunedunthandakam-22  emperumAn kOyil evvaLavu uNdu enRERku  to me who asked Him  how far is the place (from here) of you my majesty,
thirunedunthandakam-22  ezhil Ali idhu anRo enRAr  He pointed to and told that the beautiful divine place thiruvAli is this.
thirunedunthandakam-23  enakkE thandhu  Creating only for me
thirunedunthandakam-23  sindhai nOy  the disease of the mind
thirunedunthandakam-23  uL Urum  that spreads inside,
thirunedunthandakam-23  ingE  in this thirumaNankollai,
thirunedunthandakam-23  koNDAr  He went away stealing
thirunedunthandakam-23  en OLi vaLaiyum  my sparkling bangles and
thirunedunthandakam-23  mAniRamum  rich colour of my body;
thirunedunthandakam-23  when He was going in that manner (He said -),
thirunedunthandakam-23  sEl -fish
thirunedunthandakam-23  ugaLum  enjoying, becoming fat, and living happily
thirunedunthandakam-23  theLLUrum iLam thengin thERal mAndhi  by drinking the clear juice that is overflowing from young coconut tree
thirunedunthandakam-23  thiru arangam  such SrIrangam
thirunedunthandakam-23  nammUr enna  is my place  saying so He went away.
thirunedunthandakam-23  kanavu idaththil yAn  In the place that is similar to dream which is not stable,
thirunedunthandakam-23  kANban kaLLUrum painthuzhAy mAlaiyAnai  I saw emperumAn who wears thiruthuzhAy garland that is rich green with honey flowing;
thirunedunthandakam-23  kaNdapOdhu  When I saw Him so,
thirunedunthandakam-23  enban  I told,
thirunedunthandakam-23  puLLUrum kaLvA  “Oh the thief riding on garudAzhvAn,
thirunedunthandakam-23  nee pOgEl  You should not go away from me hereafter”.
thirunedunthandakam-23  enRAlum  Even though I said so,
thirunedunthandakam-23  idhu  union with emperumAn
thirunedunthandakam-23  Or pulavi thAnE namakku  would (then) create for us such longing only.
thirunedunthandakam-24  ulaguNda  He who kept in His divine stomach all the worlds during annihilation,
thirunedunthandakam-24  peruvAyar  having such a huge mouth,
thirunedunthandakam-24  ingE vandhu  came to the place I was in,
thirunedunthandakam-24  pulavi thandhu  and created sorrow such that
thirunedunthandakam-24  neer  water drops
thirunedunthandakam-24  arumba  sprout
thirunedunthandakam-24  poru kayal kaN  in my eyes that are like kayal fish fighting with each other,
thirunedunthandakam-24  oppar  He resembles
thirunedunthandakam-24  vaNNam  in beautiful form
thirunedunthandakam-24  karumugil  the colour of rainy clouds
thirunedunthandakam-24  vayiRRa  having stomach
thirunedunthandakam-24  maNdi uNda  which after drinking water such that only sand remained
thirunedunthandakam-24  perum pauvam  in the big ocean that is having
thirunedunthandakam-24  ilangu  light,
thirunedunthandakam-24  oli  sound, and
thirunedunthandakam-24  neer  water,
thirunedunthandakam-24  peru  and (the stomach of cloud) still having enough space to eat anything more;
thirunedunthandakam-24  perum thavaththar  SrivaishNavas having utmost devotion,
thirunedunthandakam-24  arum thavaththu  and the devout ascetics
thirunedunthandakam-24  munivar  who meditate,
thirunedunthandakam-24  sUzha  would stand surrounding Him,
thirunedunthandakam-24  Endhi  who is holding
thirunedunthandakam-24  oru kaiyil sangu  pAnchajanyAzhvAn in one hand,
thirunedunthandakam-24  maRRoru kai Azhi  and thiruvAzhiyAzhvAn in the other hand
thirunedunthandakam-24  and for me to sustain myself when He left me,
thirunedunthandakam-24  UrenRu  said that His place is
thirunedunthandakam-24  punal arangam  SrIrangam having rich water resources,
thirunedunthandakam-24  pOyinAr  and He left separating from me;
thirunedunthandakam-24  at the time of His leaving itself,
thirunedunthandakam-24  irukaiyil  from both my hands,
thirunedunthandakam-24  sangivai nillA  bangles of conch slipped;
thirunedunthandakam-24  ellE pAvam  Oh what a big sin (by me) this may be (due to)!
thirunedunthandakam-25  min ilangu thiru uruvum   Divine body that shines and looks wonderful like lightning,
thirunedunthandakam-25  periya thOLum  and big divine shoulders,
thirunedunthandakam-25  kari munindha kaiththalamum  and divine arms that hit with anger the elephant named kuvalayApeetam,
thirunedunthandakam-25  kaNNum  and divine eyes,
thirunedunthandakam-25  vAyum  and divine coral-like mouth,
thirunedunthandakam-25  makaram sEr kuzhaiyum  and the ear rings
thirunedunthandakam-25  thAzhndhilangu  hanging with brightness,
thirunedunthandakam-25  thannalarndha naRunthuzhAy malarin keezhE  under the garland of thiruththuzhAy which is more fragrant and brighter than the place it grew in,
thirunedunthandakam-25  kAtti  showing all these to me,
thirunedunthandakam-25  en nalanum  my beauty,
thirunedunthandakam-25  en niRaivum  and my humility,
thirunedunthandakam-25  en sindhaiyum  and my heart, 
thirunedunthandakam-25  en vaLaiyum   and the bangles in my hand,
thirunedunthandakam-25  koNdu  He stole all these; not only that  
thirunedunthandakam-25  ennai ALum koNdu  after also making me His servant,
thirunedunthandakam-25  punal arangam UrenRu pOyinAr  after saying that thiruvarangam that is rich in water resources is my place, He went away,
thirunedunthandakam-25  naru serunthip pozhilinUdE  through the fragrant garden of surapunnai
thirunedunthandakam-25  ponnalarndha  that blossomed like gold.
thirunedunthandakam-26  thEn maruvu  Having honey flooding fully
thirunedunthandakam-26  pozhil idaththu  in the garden,
thirunedunthandakam-26  malarndha pOdhai  with flowers blossoming,
thirunedunthandakam-26  vAy maduththu  drinking 
thirunedunthandakam-26  thEnadhanai  that honey,
thirunedunthandakam-26  un pedaiyum neeyum  your female and you
thirunedunthandakam-26  pUmaruvi  well set in the flower
thirunedunthandakam-26  inidhamarndhu  and be in union with her;
thirunedunthandakam-26  aRukAla siRu vaNdE  Oh the bee having six legs,
thirunedunthandakam-26  poRiyin Arndha  having lots of dots in the body
thirunedunthandakam-26  unnai thozhudhEn  I prostrate and beg you;
thirunedunthandakam-26  To Him who
thirunedunthandakam-26  maruvi mEyththa  herded with interest
thirunedunthandakam-26  A niRai  the groups of cows,
thirunedunthandakam-26  amarar kOmAn  and who is the head of nithyasUris,
thirunedunthandakam-26  aNi azhundhUr ninRAnukku  and who is standing in the beautiful place of thiruvazhundhUr,
thirunedunthandakam-26  inRE nee senRu  you go now itself and 
thirunedunthandakam-26  anjAdhE  without being afraid,
thirunedunthandakam-26  maruvi ninRu  stand there strong,
thirunedunthandakam-26  iyambik kANE  try to tell Him
thirunedunthandakam-26  iRaiyE  a little bit, that
thirunedunthandakam-26  Or mAdhu  one female
thirunedunthandakam-26  nin nayandhAL enRu  is being interested in You,
thirunedunthandakam-27  sem kAla mada nArAy  Oh crane having reddish legs!
thirunedunthandakam-27  inRE senRu  Going today itself
thirunedunthandakam-27  thiruk kaNNapuram pukku  and entering thirukkaNNapuram
thirunedunthandakam-27  uraiththi Agil  If you would tell
thirunedunthandakam-27  en sem kaN mAlukku  one with lotus eyes, and who is in love with me, 
thirunedunthandakam-27  en thuNaivarkku  and who is my companion, that is sowripperumAL,
thirunedunthandakam-27  en kAdhal  about my interest in Him,
thirunedunthandakam-27  idhu oppadhu inbam illai  there would be no other happiness like this
thirunedunthandakam-27  emakku  to me (who is suffering due to separation).
thirunedunthandakam-27  Favour I could do for you in return is  
thirunedunthandakam-27  tharuvan  I will give
thirunedunthandakam-27  eedhu  this
thirunedunthandakam-27  paingAnam ellAm  full area of garden,
thirunedunthandakam-27  unadhE Aga  making it fully yours
thirunedunthandakam-27  nALum  for all the time that you are alive, and
thirunedunthandakam-27  kavarndhu uNNath  for you to pick, and eat
thirunedunthandakam-27  meen  fish
thirunedunthandakam-27  pazhanam  in the water of the land;
thirunedunthandakam-27  thandhAl  After I give you so,
thirunedunthandakam-27  un pedaiyum neeyum  your wife and you
thirunedunthandakam-27  ingE vandhu  come to this place and 
thirunedunthandakam-27  inidhu irundhu  be with happiness
thirunedunthandakam-27  iru nilaththil  in (this) big land
thirunedunthandakam-27  inidhu inbam eydhalAm  and attain utmost happiness.
thirunedunthandakam-28  thOzhee!  Oh friend!
thirunedunthandakam-28  senRu  (He who) went (there and won, as the),
thirunedunthandakam-28  araN  forts
thirunedunthandakam-28  sidhari  got destroyed
thirunedunthandakam-28  thennilakai  in the beautiful lankA,
thirunedunthandakam-28  avuNan mALA  and also rAvaNan got destroyed;
thirunedunthandakam-28  ulagam mUnRinaiyum thirundhu  and who spanned all the three worlds by His steps (during thrivikrama avathAr),
thirunedunthandakam-28  Or thErAl Urndha  He who conducted using a chariot,
thirunedunthandakam-28  bArathaththai mALa  for everyone to be destroyed in the mahAbhAratha war
thirunedunthandakam-28  man ilangu  that was having bright presence of kings;
thirunedunthandakam-28  varai uruvin mA kaLiRRai  that is, emperumAn who is big like an elephant in form like a mountain,
thirunedunthandakam-28  pUttik koNdu  (I will) tie (Him in)
thirunedunthandakam-28  en than  my
thirunedunthandakam-28  pon ilangu mulaik kuvattil  pillars that are the bosom that are beautiful like gold,
thirunedunthandakam-28  pOgAmai vallEnAy  and become able to stop and prevent from going away,
thirunedunthandakam-28  pulavi eydhi  and go through all the sorrows in front of Him which I went through in His absence,
thirunedunthandakam-28  ennil angam ellAm vandhu inbam eydha  for all the parts of my body to come to me and become happy,
thirunedunthandakam-28  nAn  I (would)
thirunedunthandakam-28  ninaindhu  think about Him only
thirunedunthandakam-28  eppozhudhum  at all times,
thirunedunthandakam-28  urugi iruppan  and die, so I can survive by escaping from sorrows of separation.
thirunedunthandakam-29  araiyan thannai  Him who is a leader
thirunedunthandakam-29  Ayar kulam magaLukku  for nappinnai pirAtti who incarnated as the best woman for the clan of cowherds,
thirunedunthandakam-29  anRu  once upon a time,
thirunedunthandakam-29  alai kadalai kadaindhu  Him who churned the milky ocean having waves splashing,
thirunedunthandakam-29  adaiththa ammAn thannai  Him, the lord who constructed bridge (in salty ocean),
thirunedunthandakam-29  kunRadha vali  having blemishless strength 
thirunedunthandakam-29  arakkar kOnai mALa  that is, rAvaNan to die,
thirunedunthandakam-29  kodum silai vAy  Him who in the grave bow
thirunedunthandakam-29  saram thurandhu  set the arrows and shot them
thirunedunthandakam-29  kulam kaLaindhu venRAnai  and destroyed the clan of asuras and won,
thirunedunthandakam-29  thOLinAnai  Him who is having shoulders
thirunedunthandakam-29  kunRu eduththa  that lifted the gOvardhana mountain as an umbrella,
thirunedunthandakam-29  nALum ninRAnai  Him who is living forever
thirunedunthandakam-29  viri thirai neer viNNagaram maruvi  well set in thiruviNNagar that is full of water bodies having waves,
thirunedunthandakam-29  kidandha mAlai  Him who is in the dear one being in reclined position
thirunedunthandakam-29  thaN kudandhai  in the cool place of thirukkudandhai,
thirunedunthandakam-29  nediyAnai  Him, the perumAL who is the most eminent that others,
thirunedunthandakam-29  nAy adiyEn  I who am a lowly one like a dog,
thirunedunthandakam-29  ninaindhittEn  thought about  Him.
thirunedunthandakam-30  ammAn thannai  About sarvESvaran
thirunedunthandakam-30  veLippaduththa  who brought out,
thirunedunthandakam-30  aru maRaiyai  the vEdhas that are difficult to obtain,
thirunedunthandakam-30  annam Ay   incarnating in the form of bird hamsam (swan),
thirunedunthandakam-30  munivarOdu amarar Eththa  as saints and dhEvas praised,
thirunedunthandakam-30  kaliyan  thirumangai AzhvAr,
thirunedunthandakam-30  mannu mA maNi mAda mangai vEndhan  who is the head of thirumangai that has got strong and best buildings,
thirunedunthandakam-30  mAnam vEl  and who is having the army that is spear,
thirunedunthandakam-30  parakAlan  and who is like yaman for other philosophies,
thirunedunthandakam-30  (kaliyan prayed)
thirunedunthandakam-30  minnumA mazhai thavazhum mEga vaNNA  Oh One having form like a cloud that is cool and crawling and is with lightning!
thirunedunthandakam-30  viNNavar tham perumAnE  Oh! the head of nithyasUris!
thirunedunthandakam-30  aruLAy  You should show your mercy (on me)!
thirunedunthandakam-30  enRu sonna  praying so and divined
thirunedunthandakam-30  panniya  very detailed
thirunedunthandakam-30  thamizh nUl  thamizh SAsthram
thirunedunthandakam-30  mAlai  in the form of garland of words;
thirunedunthandakam-30  vallAr thAm  those who can recite it,
thirunedunthandakam-30  ariya vallAr  they would be able to remove
thirunedunthandakam-30  pazha vinaiyai  earlier karmas
thirunedunthandakam-30  thollai  of eternal past
thirunedunthandakam-30  mudhal  completely along with any scent of it.

thirunedunthANdakam – 30

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<< previous pAsuram – 29 – minnumA mazhai thavazhum

In this last pAsuram, it is saying about him getting emperumAn, and that he says that those who learn this dhivya prabandham are able to remove fully, on their own, all the sorrows that are created in this material world.

parakAlan kaliyan

minnumA mazhai thavazhum mEga vaNNA

viNNavar tham perumAnE aruLAy enRu

annamAy munivarOdamarar Eththa

arumaRaiyai veLippaduththa ammAn thannai

mannumA maNimAda mangai vEndhan

mAnavEl parakAlan kaliyan sonna

panniyanUl thamizh mAlai vallAr – thollaip

pazhavinaiyai mudhalariya vallAr thAmE 30

Word by word meaning

ammAn thannaiAbout sarvESvaran

veLippaduththawho brought out,

aru maRaiyaithe vEdhas that are difficult to obtain,

annam Ay incarnating in the form of bird hamsam (swan),

munivarOdu amarar Eththaas saints and dhEvas praised,

kaliyanthirumangai AzhvAr,

mannu mA maNi mAda mangai vEndhanwho is the head of thirumangai that has got strong and best buildings,

mAnam vEland who is having the army that is spear,

parakAlanand who is like yaman for other philosophies,

(kaliyan prayed)

minnumA mazhai thavazhum mEga vaNNAOh One having form like a cloud that is cool and crawling and is with lightning!

viNNavar tham perumAnEOh! the head of nithyasUris!

aruLAyYou should show your mercy (on me)!

enRu sonnapraying so and divined

panniyavery detailed

thamizh nUlthamizh SAsthram

mAlaiin the form of garland of words;

vallAr thAm those who can recite it,

ariya vallArthey would be able to remove

pazha vinaiyaiearlier karmas

thollaiof eternal past

mudhalcompletely along with any scent of it.

vyAkyAnam

minnu mA mazhai etc. Oh One having the form like a rainy cloud that pours beautifully with lightning, thunder, and throwing rainbow! It talks about how like a cloud pouring rain on a dry paddy field, upon hearing the pleading call of AzhvAr as “adi nAyEn ninaindhittEnE”, emperumAn, looking with comforting eyes, came to him and showed Himself, to remove AzhvAr’s sorrows.

In previous pAsuram, the words like “mAlai adi nAyEn ninaindhittEnE” implied that emperumAn was not present then, and now as he addresses Him, “mEgavaNNA!”, it could imply that emperumAn has come and showed Himself. It is how the anger of love did not help (pAsuram 28), but his appealing with mentioning his blemishes (pAsuram 29), has helped.

nammAzhvAr started his dhivya prabandham with mentioning emperumAn’s supremacy, jagathkAraNathvam (having nature of being creator of the worlds), and finished with jagathkAraNathvam in “avAvarach chUzh ariyai ayanai aranai [thiruvAimozhi – 10.10.11].

This AzhvAr started this dhivya prabandham with emperumAn’s form in “maNi uruvil bhUdham aindhAy [thirunedunthANdakam – 1]”, and is ending the dhivya prabandham by mentioning His form, as “minnu mA mazhai thavazhum mEga vaNNA.

viNNavar tham perumAnE – It is talking about nithyasUris who live based on the food that is His divine form, fed by emperumAn. Oh! You who are giving Yourself for ayarvarum amarar (nithyasUris) to enjoy! Is it a greatness for You to give Yourself to them, since it is like a rain pouring on the ocean; please show mercy for me also to get rid of association with the body and see you at all times (in paramapadham), like how nithyasUris always see your presence.

aruLAy – Even though AzhvAr is at the stage of paramabhakthi thus creating highest form of longing for Him, he is not considering that devotion as the means to attain Him like how upAsakas do; he thinks that it is emperumAn’s mercy that is the means for attaining him. So he is saying aruLAy. He is saying, that for getting rid of interest in worldly matters also, His mercy is the means – as he said “AzhiyAn aruLE [periya thirumozhi – 1.1.4]“, and for getting the experience of emperumAn also, His mercy is the means.

annamAy etc. – AzhvAr is giving an example for explaining how emperumAn came and gave Himself to AzhvAr. Like how He brought out pramANam (vEdhas) to brahmA, He brought out Himself, the pramEya-BhUtha:, that is, One who is known from that pramANam.

munivarOdu amarar Eththa – Along with rishis, brahmA and others came to emperumAn and praised, while saying, “Oh! We have lost the eyes that are the vEdhas”. rishis need pramANam for their AthmA to attain wellness. For brahmA et al too there is need for pramANam, for the activities of creation etc.

annamAyincarnating in the form of swan so that there is no doubt that vEdham is apaurushEyam (not authored by anyone). (If He had directly said the vEdhas to them, then a doubt might arise against apaurushEyathvam. Hence He came in this form and told them the vEdhas).

arumaRai – vEdham that is difficult to obtain. It is not the pramEyam (emperumAn) which was difficult to be attained, but was pramANam (vEdhas). (For me it was pramEyam that was difficult to obtain; for them it was the pramANam).

veLippaduththa – Creation and destruction of vEdham is about it being brought out and not brought out.

ammAn thannaiabout sarvESvaran; He brought out vEdham to them because He is their owner – is the meaning here.

mannu mA maNimAda mangai vEndhan – As he sustained himself, the place also became strong, is the thought. thirumangai became a place having buildings with best gems, and which would not be destroyed till end of time of kalpam (a day of brahmA).

mangai vEndhan – He who fell at birds’ feet, became the ruler of thirumangai.

mAnavEl parakAlan – He became able to hold the spear. Also was able to do kainkaryam (of destroying the enemies of emperumAn and devotees). He holds spear due to compassion towards Him.

mAna-vEl – Even if a commoner holds that spear, it would make him similar to thirumangai AzhwAr. So this is about the greatness of the spear. Or, it could talk about the greatness of AzhvAr as ‘mAna vEl-para-kAlan’ (using spear He is great like yama for enemies).

parakAlan – Using sword in hand, and by explaining the meanings of vEdhas using dhivya prabandhams, he won the opposers, and established the limits instructed by vEdham.

kaliyan – Having strength to do these both (sword/dhivya prabandham). kali – midukku – ~strength. Another meaning is – He who destroyed the problems of kali yugam. He calls himself too as ‘kali-kanRi’.

panniya nUl thamizh mAlai vallAr – panniya – spanned. That is, emperumAn’s true nature, form, qualities/attributes, wealth – this dhivya prabandham spanning all of these, and having all these in it – such dhivya prabandham. nUl – dhivya prabandham satisfying all the definitions required of a literature. In the future when someone tries to show the definitions, then they could use this dhivya prabandham as the reference for that. thamizh – being eligible to be learned by everyone.

mAlaiFor empermAn to wear it in His head. This dhivya prabandham being so.

thollai etc. – avidhyai that is ignorance, karmas that are good and bad ones, and vAsanai that arises out of habit of these karmas, ruchi that is interest in these matters, and association with body which is the cause of the above, – all of these are there in us from eternal past, following us in the form of cause and effect for each other; He says that those who learn this dhivya prabandham would be able to remove association with them on their own.

vinaieffects on self for two deeds in the form of good and bad. These two also show the happiness and anger of emperumAn for the respective deeds. These are in the form of those deeds done in previous births, and the ones done in current birth. The ones done in previous births is called pUrvAGam. Ones that are going to be done are called “uththarAGam”. Out of pUrvAGam whatever part has started yielding its effects is called “prArabDha karmam”.

The karma here also includes “avidhyai” – lack of / blemish in true knowledge; it is of three types. They are: “gyAna-anudhayam” – not having knowledge, “anyathA-gyAnam” – understanding the nature/attribute of something differently, and “vipareetha-gyAnam” – understanding something as totally something else.

karma also includes relationship with insentient (body, etc.) that are in the forms of sthUla Sareeram (gross body), and sUkshma Sareeram (subtle body).

karma also includes, vAsanai which is the smell left out of habits that involved these relationships with insentient, and includes the interest/taste of involvement in these insentient matters.

All these are hurdles for a jeevAthma to reach paramAthmA.

thollaip pazhavinai – These karmas are being very old, and not being possible to determine the starting point of its accumulation. These are really very old, is the meaning.

thAmE – They would be able to remove completely these hurdles all on their own; they will not even require emperumAn’s help (eeSvaranudaiya muzhangaith thaNNeerum vENdA). (This is considering the importance of Him showing grace to us out of happiness for learning this dhivyaprabandham). That is, for those who learned this dhivyaprabandham, emperumAn’s grace would automatically reach them.

aruLAy enRu – munivarOdu amarar EththaOriginally the phraseminnu mA mazhai thavazhum mEga vaNNA viNNavar tham perumALE aruLAyis taken as said by thirumangai AzhvAr to perumAL. Instead, if it is taken as part of the phrase munivar and amarar praising emperumAn, then it is shown that the original meaning is more apt and better.

thirumangai AzhvAr does not have the strength to say openly about his greatness, as “en avAvarach chUzhndhAyE [thiruvAimozhi – 10.10.10]” like nammAzhvAr, That is why, he divines such that the phrases have to be aligned differently. Also, unlike previous pAsurams, AzhvAr is not expressing his longing. He is saying that emperumAn’s divine body is like rainy clouds. He is saying that emperumAn gave Himself to the enjoyment of nithyasUris. He says that emperumAn would give him strength to hold the spear. He says he can destroy the enemies. All these talks would be suitable for this AzhvAr’s talks only and will not match even the words of nithyasUris and munis. So, in this pAsuram, it is clear that AzhvAr got emperumAn as he wished and got satisfaction in his mind.

So the apt ordering of phrases is – munivarOdu amarar Eththa – annamAy arumaRaiyai veLippaduththa ammAn thannai, mannu mA maNimAda mangai vEndhan mAnavEL parakAlan kaliyan – “minnu mA mazhai thavazhum mEga vaNNa viNNAvar tham perumAnE aruLAy” – enRu sonna – panniya nUl thamizh mAlai vallAr thollaip pazhavinaiyai mudhalairiya vallAr thAmE (This is as listed in the word-by-word meaning here).

——

Translator’s note – This completes the translation of this dhivya SAsthram. It had been an immersive experience to learn the divine words of AzhvArs and Acharyas, puththUr swami’s vivaraNam, and upanyAsams of learned swamis, in trying to translate this with proper meanings as much as possible. If there are any corrections needed, kindly feel free to send them.

adiyEn realized that this vyAkyAnam grew sweeter and more beautiful as it progressed from pAsuram to pAsuram. This is an experience that everyone could get by the grace of thAyar and emperumAn, and AchAryas.

—–

Translation by raghurAm SrInivAsa dhAsan.

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thirunedunthANdakam – 29

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In the first ten pAsurams, after determining the true nature of the self, the true nature of the supreme, determining the benefit that is according to the nature of the self, determining the hurdles to achieving those benefits, determining the means that helps removes hurdles and enables achievement of benefit, making thirumanthram the subject of speech, which informs about these five aspects, he got clarity and spent his time accordingly.

In the middle ten – Not stopping with thinking about it in his mind as for spending time, he fainted out of overwhelming love, and he nurtured the longing for seeing Him with his eyes, and fainted as he could not see Him in person as he expected, and as others talked about her being fainted like this, the mother saying those words about her daughter – this is how these pAsurams were set.

In the third ten – Seeing her state, her friend wished to get her to calm down, and hence asked her about what had happened, and since this was about the story of what happened with Him, she sustained herself and talked to her friend about it; then as there were no questions or answers, her suffering due to separation reared its head; she got involved in sending messengers. Since He did not show up after that, anger due to love-quarrel reared its head. If this had extended over time like it did for nammAzhvAr, then He might have come and showed Himself. Due to this AzhvAr’s delicateness, anger left in the middle itself, and the state of desperation came back as before. Even in this state she could sustain herself only if He came and showed Himself. Since that was not there, parama-Bhakthi that was born for nammAzhvAr in “muniyE nAnmuganE [thiruvAimozhi – 10.10]”, was born for thirumangai AzhvAr at this point; so expressing His ananyagathithvam (not having any other refuge than Him), and expressing his having blemishes and so having no good deed in Him, in this pAsuram, AzhwAr wails, “Oh! You who are having love, are not showing up even in this stage!”.

nammAzhvAr started by talking about emperumAn in supreme state in “muniyE nAnmuganE [thiruvAimozhi – 10.10.1], and about emperumAn in avathAram (incarnation) state in “kOla varAham onRAy [thiruvAimozhi – 10.10.7]”, and called emperumAn mentioning these states.

Since for thirumangai AzhvAr in the place of supremacy it is avathAram (incarnation), he is calling emperumAn based on incarnations of rAma and krishNa, and the archAvathAram (deity form).

nappinnai thinking about only krishNan

anRAyar kulamagaLukkaraiyan thannai

alaikadalaik kadaindhadaiththa ammAn thannai

kunRAdha valiyarakkar kOnai mALak

kodunjilaivAych charam thurandhu kulangaLaindhu

venRAnaik kunReduththa thOLinAnai

virithiraineer viNNagaram maruvinALum

ninRAnaith thaNkudanthaik kidantha mAlai

nediyAnai adinAyEn ninaindhittEnE 29

Word by word meaning

araiyan thannaiHim who is a leader

Ayar kulam magaLukkufor nappinnai pirAtti who incarnated as the best woman for the clan of cowherds,

anRuonce upon a time,

alai kadalai kadaindhuHim who churned the milky ocean having waves splashing,

adaiththa ammAn thannaiHim, the lord who constructed bridge (in salty ocean),

kunRadha valihaving blemishless strength

arakkar kOnai mALathat is, rAvaNan to die,

kodum silai vAyHim who in the grave bow

saram thurandhuset the arrows and shot them

kulam kaLaindhu venRAnaiand destroyed the clan of asuras and won,

thOLinAnai Him who is having shoulders

kunRu eduththathat lifted the gOvardhana mountain as an umbrella,

nALum ninRAnai Him who is living forever

viri thirai neer viNNagaram maruviwell set in thiruviNNagar that is full of water bodies having waves,

kidandha mAlaiHim who is in the dear one being in reclined position

thaN kudandhaiin the cool place of thirukkudandhai,

nediyAnai Him, the perumAL who is the most eminent that others,

nAy adiyEnI who am a lowly one like a dog,

ninaindhittEnthought about – Him.

vyAkyAnam

anRu etc.He is talked about as showing up for His lovers. First, AzhvAr divines about His helping nappinnaip pirAtti.

anRu – At that time also a danger happened like today. Considering the beauty of nappinnaip pirAtti, deciding that her groom should be the one who is having the ability to protect her, and hence it was established that winning the bulls as the condition for giving her daughter in marriage; so before krishNan came for that, the shivering of nappinnai is the shivering with the thought that she might become related to someone else.

Ayar kula magaLukkuFor nappinnai who was born in noble clan; thinking that it would not be possible to get nappinnai unless born in an equally noble clan, is the reason why krishNa had come and took birth as nandhagOpar’s son.

araiyan thannaiEquivalent to destroying enemies and getting back a kingdom and ruling it, is His winning the bulls that were in His way to get nappinnai, and getting the delightful nappinnai. Like how He removed the hurdles and helped Her get Him, should He not remove the hurdles for me and come to me – parakAla nAyaki asks.

alai kadal etc. He is divining about the way perumAL helped SrIdhEvi and seethAp pirAttis. To get periya pirAtti He churned the ocean. To solve the loneliness of seethAp pirAtti, He bridged across the ocean. Giving nectar to dhEvas, giving their places back in rAmAvathAram are all side effects only. ALavandhAr knowing well this inner thought of emperumAn, had divined “yadharThamamBhoDhiramanThyabhanDhi [sthOthra rathnam – 37]” (Only to get Her did emperumAn churn the ocean; only to get Her did He construct bridge across the ocean).

ammAn thannaiIf You do not come here and show yourself to me who is longing for You, not only would You lose your name as a big lover of ones who love you, you would also lose the supremacy attributed to you for giving, as a side-effect, the nectar to and removing the poverty of dhEvas who became poor due to the curse of sage dhurvAsa and came to you asking for help, and giving back their places when brahmA et al lost their places of living due to rAvaNan – she says.

kunRAdha valiIf it is just the strength of shoulders, then that could diminish over time; since this is strength based on boons for penances, it does not diminish over time (the for rAkShasas).

arakkar kOnai mALa – For the death of rAvaNan the head of rAkShasas whose living, using the boons they obtained, was troubling for others.

kodunjilaivAych charam thurandhuShooting arrows from His SrI-SArngam bow such that the enemies lose upon just seeing it.

kodunjilai using the arrows from bow that is having greatness as said in “dheeptha pAvaka sankASai: [SrI rAmAyaNam – yudhDha KANdam – 16-23](bows are like burning fire), and “svarga mArga praBhAvanam [SrI rAmAyaNam – kishkindhA KANdam – 17-8]” (bow that would send one to paramapadham).

kulam kaLaindhuMaking the clan of rAkshasas to be destroyed. What about viBheeshaNAzhvAn? Is he not a rAkShasa?

Based on viBheeshaNa’s own thoughts, and based on rAvaNan calling him as a destroyer of own family (and so does not belong), and based on the thoughts of SrI rAma, SrI viBheeshaNAzhvAn belongs to the clan of IkShvAhu, that is SrI rAma’s clan.

That is, since rAvaNan did not listen to his good words, viBheeshaNa said “niSAchara! [SrI rAmAyaNama – yudhDha KANdam – 6-26]” (Oh, rAkshasa! (thus separating himself from that clan)). rAvaNan said “thvAm thu dhik kulapAmsanam [SrI rAmAyaNam – yudhDha KANdam – 16-16]” (You who has come to destroy the clan of rAkshasas is to be hated). perumAL asked SrI viBheeshaNAzhvAn, “rAkShasAnAm balAbalam [SrI rAmAyaNAm – yudhDha KANdam – 19-7]” (tell me the strength and weakness of rAkShasas); vibheeshaNAzhvAn said that he would help in destroying the rAkShasas – “rAkShasAnAm vaDhEsAhyam [SrI rAmAyaNam – yudhDha KANdam – 19-23]” (I will help destroy the rAkShasa army of rAvaNan); so he does not belong to the clan of rAkShasas.

While only rAvaNan did the mistake, it was such a heavy one that his whole clan got destroyed. Like how if one is loving towards emperumAn, then its benefit reaches all series of people in his chain of relationship, if one performs bad deeds towards Him, then that also would affect all the people in the line of relationship with such person. Anger towards rAvaNan ended up in destruction of his clan of rAkShasas. Due to the friendship towards mahArAjar (sugreevan), the clan of monkeys flourished.

venRAnai Like how He destroyed the clan of rAkShasas without missing anyone, He won the war while making sure not even one from the clan of divine monkeys had any trouble.

kunReduththa thOLinAnaiMaking the girls of five lakhs families get the experience by creating desperation in them that they cannot survive without seeing krishNan, by holding the gOvardhana mountain as umbrella using the strength of His arm. By this, she asks – Should You who created the longing that does not look for anything other than You, not make me enjoy You?

viri thirai neer viNNagaram maruvi For helping – those who are living after that incarnation, those who send messengers, and those who get involved in quarrel out of love, is why He lives in thiruviNNagar.

viri thirai neer viNNagaramplace that is suitably cool having plenty of water to match the delicateness of ermperumAn.

maruvi – Leaving paramapadham and living in archA (statue) form in this material world that causes sorrows, is due to excessive love towards His devotees. For a farmer, it would be apt for him to sleep in the place where water flows to the fields, instead of sleeping inside his house. emperumAn is “paththi uzhavan [nAnmukan thiruvanthAdhi – 23]”.

nALum ninRAnaiHim who is standing till the end of period of kalpa.

thaN kudandhaik kidandha mAlaiIf He is in standing position, one might think that there is some place else He might be going to. Preventing that thought, Him who is lying down in a resting position in thirukkudandhai that removes difficulties, like saying that He would not leave until all the people of the material world is fully taken with Him to paramapadham.

What is the reason for His being in this world in the positions of standing, sitting, and lying down?

mAlaiIt is because He is having excessive love towards His devotees.

nediyAnaiHim who is long; Is it possible for me to talk fully about how much He gives Himself to His devotees? I can only say that He is limitless.

Or,

nediyAnaiHim who is easily attainable for others, is being a hard-to-reach-flower for me, she says.

adi nAyEn ninaindhittEnELike how there is no limit to His greatness, there is no limit to my lowliness.

nAyEnBorn in this birth (like a dog) which roams into any house having doors open, and being hit and thrown away from each such house entered, owner having to take bath even if he touches out of happy friendliness;

adinAyEnMe not having any other place to go than You, such that it is only You who would see me or go away from me, based on your considering of our relationship. Whether it is the time of surrendering or of union, for this AzhvAr there is only Akinchanyam (not having any other source of strength), and sva-dhOsha-kyApanam (presenting own mistakes). That is his greatness.

At the time of surrendering to Him he said, “nAyEn vandhadaindhEn [periya thirumozhi – 1.9.1]. Here when enjoying/experiencing Him, he is saying, “adi-nAyEn”. When this AzhvAr is at the stage of getting his blemishes removed and is going to reach Him, why say like this about himself? It is because this AzhvAr is such, that he thinks that all the good that happened to him are done by emperumAn as instruments for enjoying emperumAn.

nammAzhvAr finished his dhivyaprabandham by saying, “adhanil periya en avA [thiruvAimozhi – 10.10.11]” , thus saying that his devotion is bigger that the thathvams of chith, achith, and eeSvaran. This AzhvAr is finishing his last dhivya prabandham saying “adi nAyEn”.

What is the reason? –

nammAzhvAr was free from worldly attachment from the time of birth itself, so getting him to gain more and more devotion towards Him is what emperumAn had to do for that AzhvAr. So He made that AzhvAr to be able to say “adhanil periya en avA [thiruvAimozhi – 10.10.11]”.

thirumangai AzhvAr was in the state as he himself said in “venRiyE vENdi veezh porutkirangi vERkaNAr kalaviyE karudhi, ninRavA nillA nenjinai udaiyEn [periya thirumozhi – 1.1.4], that is, having many blemishes in earlier state. So emperumAn grew naichyAnusandhAnam in this AzhvAr (thinking about own blemishes and considering self as lowly), and in the end of made him say “adinAyEn ninaindhittEn”.

ninaindhittEnEEarlier in thirumaNangollai, there is one acceptance He did as He accepted without expecting any qualification from AzhvAr. I thought that that grace should be there till the time AthmA lived. In the state of being parakAla nAyaki the lover, that voluntary grace of emperumAn is said as gAndharva type of wedding, that is, natural union. I thought that such natural union with You should exist till the time AthmA exists, is the thought here.

—–

Translation by raghurAm SrInivAsa dhAsan.

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thirunedunthANdakam – 28

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<< previous pAsuram – 27 – sengAla mada nArAy

nammAzhvAr in the thiruvAimozhi of “vaigal pUngazhivAy [thiruvAimozhi – 6.1]” had sent birds to emperumAn as messengers, and since that did not get emperumAn to show up, he became angry due to overwhelming love (praNaya rOsham) towards Him, and hence in the next thiruvAimozhi of “minnidai madavAr [thiruvAimozhi – 6.2]”, she closed the door on Him saying “pOgu nambi” (leave me alone), thus showing his love-quarrel towards Him. Thirumangai AzhvAr also sent messengers earlier, and is now showing love-quarrel.

The next state after sending messenger due to sadness of separation, is the state of having anger out of love. Like how one would get their mind cleared upon hearing a loud thunder when immersed in anger, she also got a clarity in her mind. So she determined that since she is suffering from separation, and hence sent messengers, and now good signs are also visible, His coming here would not fail. And she thought for sure that if He came, then she would not show her face to him / not welcome Him.

Reason for that is – His next union would end in separation only; so instead of that, it is better to not welcome Him, but die in front of Him and thus escape from the suffering due to separations – is her thought. Like how someone who has decided to die would eat betel leaves, wear flowers, and laugh, etc., acting normal on the outside, she too was looking well while suffering inside. Her friend who saw this, thought what could be the reason for her to look well when seen, while suffering inside due to anger based on love. She asks “What is it you are thinking in your mind?”. She replies, “If He comes I won’t interact with Him like before. I have strongly decided to die in front of Him itself”.

To that her friend thought, “Oh fool! Are there wrestlers who fight against a mountain? Would you, who do not have any strength, be able fight against Him who is the lord of both the worlds, fully able, and is like an elephant that is equal to a mountain?”. So she strongly decided that she should somehow prevent her from dying. But the friend had anger more towards emperumAn than she had towards him.

So she said, “There is use in having union with lover having affection. There is no point in having union with lords”. She replies, “You are going to see for yourself about the trouble His lordship and His leadership of both the worlds are going to go through in my hands”.

Her friend thought, “Oh she is being very staunch, and looks like she might die. So I should save her such that she would be one who is stopped at the state of anger due to love, and not one who reached the stage of dying”. So she said, “Not being punctual to His devotees is His habit”.

She replies in this pAsuram, “Like you say, His love is all for a show on the outside only; I cannot stay alive”.

It fits for her to be angry towards her lover; is it apt for her friend also to be angry at emperumAn? SrI vAlmIki BhagavAn, who is not interested in any worldly affairs, who eats dry leaves, had said “This SrI rAman learned only to rule the country and to tie horses and elephants, but not reached even the beginning stage of having love”, which he says as the words of hanuman when he sees seethAp pirAtti in aSOka vanam. That is, “dhushkaram kRuthavAn rAma: heenO yadhanayA praBhu: | DhArayathyAthmanO dhEham na SokEnAvaseedhathi [SrI rAmAyaNAm – sundhara KhANdam – 15-53] (Oh this rAma has not died after separation from seethA! He is still having his body! He is doing something impossible!).

To make her sustain her life, her friend first said about emperumAn showing up for His devotees during the incarnations of rAma and krishNa. The lover girl repeats her friend’s words in the first half of ths pAsuram, and in the second part she says that those are just a show by Him on the outside, and that she is definitely going to die.

thennilangai araN sidhari avuNan mALach

chenRulagamUnRinaiyum thirindhOr thErAl

mannilangu bArathaththai mALavUrndha

varaiyuruvin mAkaLiRRaith thOzhee! enRan

ponnilangu mulaikkuvattil pUttik koNdu

pOgAmai vallEnAyp pulaviyeydhi

ennilangamellAm vandhinbameydha

eppozhudhum ninaindhurugi iruppan nAnE 28

Word by word meaning

thOzhee! – Oh friend!

senRu – (He who) went (there and won, as the),

araN – forts

sidhari – got destroyed

thennilakai – in the beautiful lankA,

avuNan mALA – and also rAvaNan got destroyed;

ulagam mUnRinaiyum thirundhu – and who spanned all the three worlds by His steps (during thrivikrama avathAr),

Or thErAl Urndha – He who conducted using a chariot,

bArathaththai mALa – for everyone to be destroyed in the mahAbhAratha war

man ilangu – that was having bright presence of kings;

varai uruvin mA kaLiRRai – that is, emperumAn who is big like an elephant in form like a mountain,

pUttik koNdu – (I will) tie (Him in)

en than – my

pon ilangu mulaik kuvattil – pillars that are the bosom that are beautiful like gold,

pOgAmai vallEnAy – and become able to stop and prevent from going away,

pulavi eydhi – and go through all the sorrows in front of Him which I went through in His absence,

ennil angam ellAm vandhu inbam eydha – for all the parts of my body to come to me and become happy,

nAn – I (would)

ninaindhu – think about Him only

eppozhudhum – at all times,

urugi iruppan – and die, so I can survive by escaping from sorrows of separation.

vyAkyAnam

then ilangai araN sidhari – In the next line of this pAsuram she refers to emperumAn as elephant, “varai uruvin mA kaLiRRai”; so when talking before that about the deeds of emperumAn, she talks about Him using elephant as metaphor. Destroying that beautiful fort; it is the strength of fort that looks beautiful for the brave. When thiruvadi went to lankA in search of seethAp pirAtti, seeing the strength of forts, and that of rAvaNan, he thought “With the way this fort is, only my entering it, or my father vAyu entering it would be possible. Other than that, nobody else can enter it. Even that entry would have to be in the night only and not during the day time. To such a strong fort, I am trying to bring in the princes who are delicate”, and thus felt terrible in his mind. If we look at the strength of the head of this place, he is able to win many in other places all by himself.

sidhari – Like an elephant destroying a sand castle without any effort. If it is a stone or tree then the word idari (tripped) could be used. viBheeshaNAzhvan, just only with the knowledge of hearing about valour of perumAL, had told “yadhA saikathamamBhasi [SrI rAmAyaNam – yudhDha KANdam – 16-24], that is, like how a river destroys a sand castle, you and your army are going to be destroyed in the hands of SrI rAma.

avuNan mALach cheRRu – Going there such that rAvaNan dies. rAvaNan was dead just on the walk of SrI rAma. Then it was just cutting his dead body, and breaking his sword. That is, Like how when a mad elephant walks, it would destroy everything in its path with its foot and trunk, seeing how He destroyed karan, dhUshaNan, etc., destroying vAli who had tied rAvaNan in his tail, going and staying in the sea shore and building a bridge across the ocean that was protecting lankA, reaching lankA and surrounding it, rAvaNan was dead much earlier.

Aren’t these His acts for his lover? He did not do this based on love. He did these to get the women who are powerless, so these are just a show only, she says.

ulagam mUnRinaiyum thirindhu – Spanning the seven worlds above and seven worlds below; It used the word thirindhu to imply that like how a mad elephant would roam as per its wish, He had kept His divine foot on anyone and everyone.

Not only He showed up for His lover seethAp pirAtti, He kept His divine feet on everyone including those who ignore Him due to subservience to others, or feeling independent; isn’t He of such nature? (asks her friend).

“He is an expert, you see; He would rather keep His divine feet on those who ignore Him, but not show up for those who wish to be near His divine feet as I said about me in “emperumAn thiruvadik keezh aNaiya [thirunedunthANdakam – 22]”, she replies.

Or thErAl mannilangu bArathaththai mALa Urndha – oru thErAl – Enemies had said that krishNan shall not use weapon, but they did not say that He should not do such acts as going as messenger, or driving the chariot; So, as a charioteer He destroyed using a chariot. There is no restriction for Him that using certain things He accomplish only certain things. It is said too as “kollA mAkkOl kolai seydhu [thiruvAimozhi – 3.2.3]” (~using the stick of chariot driving, He destroyed all the armies).

mannilangu bArathaththai – The bhAratha war that was led by the roaming soldiers like Bheeshma, dhrONa who were experts in chariots, and with expertise as athi-ratha, mahA-ratha.

mALavUrndha – emperumAn directing the chariot such that it is not possible to even see the dead bodies. As said in “Adiya mA-nedun thEr padai neerezhach cheRRa pirAn [thiruvAimozhi – 6.8.3]”, He drove the chariot that the enemies got ground under the wheel and got powdered.

He did all these for dhraupadhi who did not consider anyone else as Her protector, isn’t it? – asks her friend.

He did all these for the world to fall for Him by making them think, “Oh He did all these acts that are not a match for His greatness, so that a woman could tie her hair!”. He is the one who would make the hair be spread out for those like me who cannot survive without Him – she replies.

varai uruvin mA-kaLiRRAi – Him who is like an elephant having strength and pride like a mountain. Her friend’s thought is – He who is staunch in destroying the enemies of His devotees, and having pride due to happiness of accomplishing the deeds for His devotees.

thOzhee – He who is described by you as having all these greatness, is going to suffer in my hands, which you are going to see for sure, she says.

Or,

as said in “Ekam dhu:Kham suKham cha nau [SrI rAmAyaNam – kishkinthA KANdam – 5-17]” (Our happiness and sorrows are together (said SrI rAma to sugreeva)), Like rAma and sugreeva, you are together with me in happiness and sorrow, if you don’t stop me dear friend, then you will see what He undergoes in my hand – could be the meaning.

thOzhee – addressing her so, thereby requesting her not to stop what she is going to do.

enRan pon ilangu mulaik kuvattil pUttik koNdu – When there is brahmAsthram (ultimate weapon) with me, is there anyone who cannot be won by it? She says.

enRan ponnilangu mulai – Is my bosom grown only as much as it is grown for the women of this country? Is my bosom grown only as much as his bosom [Here bosom represents the counter-part for males – moustache and beard]?

ponnilangu mulai – Is my womanliness only as much His manliness? My womanliness is such that the colour of my body would pale if He separates. His manliness is that, as said in “minnilangu thiru uruvum [thirunedenthANdakam – 25]”, even when separated, His body stays bright like before. Would He become equal to me, when the coloiur of His body stays the same whether together or separated?

mulaikkuvattil pUttik koNdu – enjoining Him in the pillar that is the bosom; enjoining Him like that, is – expressing to Him her sorrow of separation.

pOgAmal-pUttik koNdu – As He tries to leave because of not getting attention from me, I shall fully express my sorrow of separation.

mulaik kuvattil pUttik koNdu – Enjoining Him in the mountain that is the bosom. He is “varai-uruvin mA-kaLiRu”(A big elephant like a mountain), so it has to be tied together with a mountain.

vallEnAy – This is the only If, she says. If I have the ability to stop Him from going away. If i get this ability, then I would do all these, she says. That is – If my mind would help me do this difficult task, is the meaning. If He comes and shows Himself to me, then my heart will fall for Him. If he does not do that; if you, my friend, would not stop me what I do, and be on my side; she is seeking her friend’s help because her friend is closer to her than her heart is.

pulavi eydhi – All the sorrows I went through, I am going to go through in front of Him; Or, all the sorrows I went through, I will make Him go through the same in front of my eyes.

ennil angam ellAm vandhu inbam eydha – At first glance, this might give the meaning of getting happiness. But the topic here is showing anger due to love; so, it means – since there is no happiness for me than dying, “I shall die in front of Him” is the meaning for this phrase. That is, “Without giving room for another separation, I shall die in front of Him”, is the thought.

ennil angam ellAm – All parts of my body which He liked and also praised when together, as, “Oh! How beautiful these eyes are! How beautiful this smile is! How beautiful this bosom is!”.

inbam eydha – die and thus get ultimate joy (because there would not be repeated separations from Him). Like how a man having a big family would drown together with His family when not able to tolerate His family’s and His hunger duringfamine, I will die along with all parts of my body, and be joyful, she says.

vandhu –(all parts of my body would come to me).Seeing the sweetness of emperumAn, various parts of her body would behave like sentient and would wish to enjoy Him, and so compete independently. Like how BharathAzhvAn and kaikEyi had had different opinions, She the mother cow, and the parts of her body which are the calves, would be eager to enjoy Him independently. I will retrieve all of these from Him, and join them in me which is their place, and we (self and the parts of the body) will die together – she says.

inbam eydha – She is saying ‘for me to attain happiness’, to imply, ‘I am going to die’. Because her suffering from separation is such, that she thinks that only dying would be paramapadham.

eppozhudum – In all states. That is – As her friend said, “You are saying these because He has not come in person. If He does, then as said in “mye-vaNNam [thirunedunthANdakam – 21]”, you would become involved with Him”, she is replying, “I would die even in that state”.

eppozhudhum – He is the owner, I am His property – even if He shows me this relationship of ours, I am still going to die, she says. This is due to her staunchness based on – “I shall not join Him and give room for another separation”.

ninaindhurugi iruppan – I would be destroyed the moment I think of Him. I will not give room for Him to come to me and say “I would not leave you; I would not survive if I leave”, and such false words like He did before; instead I would die just as I think of Him, she says, and this is due to her delicateness.

Anger of love came to nammAzhvAr in “minnidai madavAr [thiruvAimozhi – 6.2]; then when emperumAn came to her, she together with her friend, stopped Him by putting up the protection wall that is her anger of love (like how thAyAr closes the door in thiruvarangam periya kOyil during praNaya kalaha uthsavam). Then emperumAn had to show to her step by step His inability to go anywhere else, remove her anger of love, and then only get her. Instead, without giving room for that, I would die the moment I think of Him, says parakAla nAyaki.

nAnE – But this kind of delicateness is not seen anywhere else (is it possible)? – Being this delicate is my quality only, she says. “Those like parAnkuSa nAyaki would be having strength to fully execute their anger of love if they decided -‘Let me not get emperumAn to come near me if He showed up’. Unlike that, my delicateness is such that I would die the moment I think of Him”, she says.

—–

Translation by raghurAm SrInivAsa dhAsan.

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thirunedunthANdakam – 27

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<< previous pAsuram – 26 – thEmaruvu pozhilidaththu

Introduction

In the previous pAsuram she sent bees as messengers. Since she did not have the strength to sustain herself till the time they went and conveyed the message, and brought the reply, she is sending a crane as a messenger. As said in ‘dhikshu sarvAsu mArganthE [SrI rAmAyaNam – sundhara KhANdam – 30-3]” (seethAp pirAtti who searched in all directions) like how He sent monkey warriors in four directions, she is also sending whichever messengers she saw. Like how the clan of monkeys were gratified in SrI rAmAvathAram, after AzhvArs’ incarnation, the clan of birds were gratified.

sengAla mada nArAy inRe senRu

thirukkaNNapuram pukken sengaNmAlukku

en kAdhal en thuNaivarkkuraiththiyAgil

idhuvoppadhemakku inbamillai; nALum

paingAnameedhellAm unadhEyAgap

pazhanameen kavarndhuNNath tharuvan; thandhAl

ingE vandhinidhirundhun pedaiyum neeyum

irunilaththil inidhinbam eydhalAmE                                    27

Word by word meaning

sem kAla mada nArAyOh crane having reddish legs!

inRE senRuGoing today itself

thiruk kaNNapuram pukku – and entering thirukkaNNapuram

uraiththi AgilIf you would tell

en sem kaN mAlukkuone with lotus eyes, and who is in love with me,

en thuNaivarkkuand who is my companion, that is sowripperumAL,

en kAdhal – about my interest in Him,

idhu oppadhu inbam illaithere would be no other happiness like this

emakkuto me (who is suffering due to separation).

Favour I could do for you in return is –

tharuvanI will give

eedhuthis

paingAnam ellAmfull area of garden,

unadhE Agamaking it fully yours

nALum – for all the time that you are alive, and

kavarndhu uNNathfor you to pick, and eat

meen fish

pazhanamin the water of the land;

thandhAlAfter I give you so,

un pedaiyum neeyumyour wife and you

ingE vandhucome to this place and

inidhu irundhube with happiness

iru nilaththil in (this) big land

inidhu inbam eydhalAm and attain utmost happiness.

vyAkyAnam

sem kAla mada nArAy – Since she has seen Him praising her feet when she was with Him, when she is sending message, she is praising the feet of the messenger, and not other parts of it. Oh what a foot and how reddish it is!, she praises.

It appears that she has got connections with reddish feet. Oh! this foot is like that of my lover! Like how it would be pleasant if we kept a load of black forest flower in our head, it feels like I could keep looking at your reddish feet only, and not even send you as a messenger. I said it wrongly when comparing your feet as equal to His. Whereas giving His feet is what He does, your feet have the greatness of giving His feet as well as of yourself. You have got the greatness of being easy to obtain, and making Him also easy to obtain.

mada-nArAy – Oh crane that does not have intellect! By madam it is saying about absence of intellect. Should she talk like this when indulged in praising it? Like an ironical phrase, this also leads to praising only. Ironical phrase (nindhA-sthuthi) is – cursory meaning would be a ridicule and inner meaning would be praise. As said in “na SAsthram naiva cha krama:” ((one having at most love) would not see the rules of SAsthram nor the manners of world), you are having great ability of involving in love such that you behave differently during togetherness.

If one interacts with proper etiquette during the time of togetherness, it would just maintain the nature of being a male and female lover, but it would not have the greatness of having love. (Or, considering the meaning of madam as completeness (madappam and other qualities of a woman)), I am having you with completeness in you that would help during my loss by going as a messenger.

nArAy – As vocative case word, it is like saying “Oh mother!”, asking for help. Like while having lost everything to robbery and then seeing the mother who would console; your appearance is like that when I am suffering due to separation from Him, she says to the crane.

As said in “pampA theerE hanumatha: sangatha: [SrI rAmAyaNam – bAla KhANdam – 1-58]” (In the bank of river pampA, SrI rAman joined hanuman), when in the state of suffering in the hands of things that reminded SrI rAma of pirAtti, thiruvadi came to Him – for SrI rAma this was like meeting the mother after having lost everything to robbery.

nArAy – Calling it in high pitch shows the excess of her sadness. Since I am the lover of emperumAn, if you see the greatness of me the wife of king, you should give me payment for doing my work! – she says.

Do you have to ask me? Won’t you just tell me what is to be done?”.

She replies –

inRe senRu – It is not a matter that you can postpone to tomorrow. If you see His nature, it could not be done next day. If you see my nature, then also it could not be done next day. As said in “na-jeevEyam kShaNamapi [SrI rAmAyaNam – yudhDha KhANdam – 66-10]” ( I would not live even for a second, being separated from seethA), His nature is that He cannot live even for a second when separated from me, she says. As said in “jalAn mathsyAviva-udhDhruthau [SrI rAmAyaNAm – ayODhyA KhANdam – 53-31]” (Like how a fish would live only for short time when out of water, we would also live for only a short time when without you), my nature is like separating fish from water.

thirukkaNNapuram pukku – When thirumangai AzhvAr says thirukkaNNapuram, it does not sound like how rishis and other AzhvArs say. Interest in that place for this AzhvAr is much more compared to them. Like how it is when ananthAzhvAn says “thiruvEnkatamudaiyAn”, when Bhattar says “azhagiya maNavALap perumAL”, when sOmAsiyANdAn says “emperumAnArE SaraNam”, it is so when thirumangai AzhvAr says “thirukkaNNapuram” out of desire.

kaNNapuram pukku – As she had sent message to thiruvazhundhUr, instead of sending there again, why send to thirukkaNNapuram? He would not sustain Himself in thiruvazhundhUr after I had sent the bee. He and the bee would have started their journey to here in a big hurry (that the clothes in their waist, and plait in their head would loosen up), and would have reached thirukkaNNapuram. So go there and give the message, she says.

en sem kaN mAlukku – en mAlukku – Seeing the supreme lord who controls both the worlds is under her control, she is saying, “To the One who is under the control of my love”. sem kaN mAlukku – To the One who showed the beauty of His eyes, and won me over, and kept me under the control of His love;

senkaNmAlukku – As said in “anidhras sathatham rAma: [SrI rAmAyaNam – sundhara KhANdam – 36-44](SrI rAma is sleepless always), He does not sleep due to separating from me; so His eyes would be watery and reddish – that would be an identification of Him for you – she says this also.

mAlukku – To the one who is a big mad lover. (Tell) Him who showed His madness and elevated my madness of love. Only gaining madness is there on my part; gaining madness and making me mad is there on His part only. It is said so too in “mAlAyp piRandha nambiyai, mAlE seyyum maNALanai [nAchchiyAr thirumozhi – 14-3]” (~One who is madly in love, and who makes others be madly in love).

en kAdhal – Tell Him that my love is not like His love. “Your love is such that there won’t be any change in the brightness/make-up of the divine body when you show your love, as said in “minnilangu thiru uruvum periya thOLum [thirunedunthANdakam – 25]”; whereas, as said in “pongAr mel iLam kongai ponnE pUppa [thirunedunthANdakam – 17]”, her love is such that the colour of her body would drain away” – is what you go and tell Him.

en kAdhal – As said in “yA preethir avivEkAnAm vishayEshvanapAyinee [SrI vishNu purANam – 1-20-19]” (Like how for those who don’t have discerning knowledge there is desire in the worldly matters, (I should always have interest in you (prayed prahlAdha to emperumAn)), my love is not like the people of the world who love the worldly aspects like sound, form, taste, etc. Those desires would be abandoned after gaining true knowledge. But this desire of mine would not be abandoned. My love is not like those who got liberated from the material world. That love will give only happiness. My love will give sorrow due to separation.

en thuNaivarkku – To my relative who cannot be avoided. Tell Him who is always my companion. His companionship is such that, when I was not interested in Him He gave me life, then created interest, and after union with me and then separation, He made sure I am able to sustain myself (thiruvarangam Ur).

en thuNaivarkku – Tell the One who can remove the trouble I am going through due to separation.

uraiththiyAgil – If you would say. We can only request and not order someone who is helping to get us together. That is only the reason she is saying “if your divine heart wishes”.

uraiththiyAgil – It can also mean – if you would avoid getting distracted by His beauty but do the work as messenger and tell Him about my state.

uraiththi – She is saying, “vAchA dharmamavApnuhi [SrI rAmAyaNam – sundhara KhANdam – 39-10]” (You gain good karmA (puNNiyam) by telling such words to SrI rAma).

For you the effort is saying just a word; what I would gain is my being – she says.

idhu oppadhu enakku inbam illai – There is nothing more joyous than this, she says. There is no pleasure for me beyond your telling Him. There is pleasure only after gaining His togetherness; is there pleasure gained just by announcing to Him? Yes since she is of the thought – there is delay only in announcing to Him; His coming and making me happy would not fail.

nALum, etc – It is not enough that you help me and leave, you should accept the little honour I give you due to my gratitude – she says.

nALum, etc. – If Acharyan helps even one time, disciple shall be grateful to Acharyan his entire life.

paingAnam eedhu ellAm – She is saying that she would give to the crane all the land that she thinks is hers. That is, the area of all the garden which is near the sea shore. In thamizh tradition, the place where lover girl spends time is the sea shore (neydhal nilam) when suffering due to separation from her lover. So she is saying she would give that area to the crane.

eedhu ellAm – She is giving all the land that the eyes could see. “I will give you all my wealth”, she says. With crane representing AchAryan, and she representing disciple, giving this land implies disciple shall give both the worlds to Acharyan. This is said too in “ponnulagaLeerO bhuvani muzhudhALeerO [thiruvAimozhi – 6.8.1]”.

unadhEyAga – Will not keep it common for both you and me; I will give such that it is all for you – she says.

pazhana meen – In the land of water, since there would always be water, the fish would be fat and big like elephant. By this it implies that what a disciple gives to AchAryan should be of great quality.

As said in “yadhanna: purushO Bhavathi thadhannAs thasya dhEvathA: [SrI rAmAyaNAm – ayODhyA KaNdam – 103-30]” (Whatever one eats, should be presented to the deities also (said SrI rAma when doing last rites for His father)), one could give to forefathers in pithRulOkam the same food that one takes; but, for AchAryas one should search for and give what is desired by AchAryas.

kavarndhu uNNa tharuvan – I would give with hospitality such that it could be eaten with eagerness.

thandhAl ingE vandhu – It is not enough that you accept based on fullness of your qualities what I present to you; you should come here and eat them in front of me.

vandhu – Unlike my lover who came once and helped me and then not showed up, you should come to the place I am in and eat.

un pedaiyum neeyum inidhu irundhu – Should not come alone. Should come with your lover.

iru nilaththil inidhu inbam eydhalAmE – In this world of samsAram that is the place for endless sorrows, you could attain endless bliss of liberation. You could get to live with your family as said in “nalla padhaththAl manai vAzhvar koNda peNdir makkaLE [thiruvAimozhi – 8.10.11]”.

Since SrivaishNavas living here are with body, they could achieve at most happiness of gladly giving the things desired by others, by living in a family – this greatness is not there in SrIvaikuNtam.

—–

Translation by raghurAm SrInivAsa dhAsan.

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thirunedunthANdakam – 26

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<< previous pAsuram – 25 – minnilangu thiruvurum

Introduction

Since her longing for Him is the result of His long term efforts, He became happy about that and stayed away from her; since the mother stayed away with appreciation for daughter’s state of not listening to her good words, her friend tried to determine what could calm her down, and asked the story of what happened, since it was the story of what happened with Him she could sustain herself and tell the story in the previous two pAsurams (21 & 22);

Then her friend inquired, “As He is under your control, could you not have asked Him when you got a chance, telling Him not to go?”, and she replied “I tried, but since garudAzhvAn came and called Him and He flew away from here, my asking Him to stop had not helped” (pAsuram 23).

In pAsuram 24, “Could you not stop garudAzhvAn who came and took Him away?”, “Was it just one or two to stop? I could not because all of His servants (nithyasUris) came and surrounded Him”.

In the previous pAsuram (25), she summarized her state that she explained in these previous pAsurams. That is, “He came like one who was going to give everything of Him, showed straight what was there with Him, and stole everything from me and left; as He left, in order for me to sustain my life, He told the name of His place.

In this pAsuram (26), since there was no one to ask (more) questions, there was no answer she needed to give, and so her longing reared its head, and she thought, “He is not coming because He doesn’t know about my longing; if that is informed to Him, then He would come somehow”, and so she is sending some bees as messengers.

Instead of sending some human being who is sentient, why send bees that are non-sentient?

Seeing her state, all her relatives were already in bewildered state even before her. Since it was not known that it gave any fruitful result when Humans, sentients, had gone as messengers, but in rAmAvathAram when hanUman who is not a human had gone as a messenger, it had given the results, she is sending bees in this pAsuram, and crane in the next pAsuram, as messengers. When kaNNan who is of utmost wisdom had gone as a messenger His help only created a war.

But instead of sending a monkey as messenger like in rAmAvathAram, why send a bee? There, SrI rAma who is a male had to send a messenger to a female, so He had to choose hanUman who was able and detached towards worldly affairs. Here, since it is a longing female sending to emperumAn a male, she had to send only those who experience union and suffer due to similar longing. Since they would understand the suffering due to separation, and since she has seen these bees earlier that were in union and happy, she is sending bee as a messenger. But would the bees who are staying together happily agree to go as messengers? She is asking them to go because of understanding her experience she had when together with Him.

That is, when she and Her man were together, if some people who suffer due to separation came to her, then she would take care of their problem and only then be together with her lover, as said in “apyaham jeevitham jahyAm thvAm vA salakShmaNAm | na thu prathigyAm samSRuthya brAhmaNEBhyO viShEshatha: [SrI rAmAyaNam – AraNya KhANdam – 10-19]” (Hey seethA! I might lose my life, and lose you along with lakShmaNa, but I will not ignore the promise I made (that too especially ones made to brAhmaNas)); based on this experience, she is in the state that seeing her suffering, the bees would go as messenger.

She is first praising the bees, to request them to take care of her problem, by their gaining mercy towards her.

In terms of inner meaning, bees represent AchAryas who get us to reach emperumAn. Acharyas are to be praised, as said in – “prathyakShE gurava: sthuthyA: parOkShE mithrabAnDhavA: | kAryAnthE dhAsa-BruthAScha na kadhAchana puthrakA: || (One should praise Acharyas right in front of them; praise friends and relatives in their absence; praise servants after they finish their work; should never praise the children).

krishNa as a messenger

thEmaruvu pozhilidaththu malarndha pOdhai

thEnadhanai vAy maduththu un pedaiyum neeyum

pUmaruvi inidhamarndhu poRiyilArndha

aRukAla siRu vaNdE thozhudhEn unnai

Amaruvi niRai mEyththa amarar kOmAn

aNiyazhundhUr ninRAnukku inRE senRu

neemaruvi anjAdhE ninROr mAdhu

ninnayandhAL enRiRaiyE iyambik kANE 26

Word by word meaning

thEn maruvu – Having honey flooding fully

pozhil idaththu – in the garden,

malarndha pOdhai – with flowers blossoming,

vAy maduththu – drinking

thEnadhanai – that honey,

un pedaiyum neeyum – your female and you

pUmaruvi – well set in the flower

inidhamarndhu – and be in union with her;

aRukAla siRu vaNdE – Oh the bee having six legs,

poRiyin Arndha – having lots of dots in the body

unnai thozhudhEn – I prostrate and beg you;

To Him who

maruvi mEyththa – herded with interest

A niRai – the groups of cows,

amarar kOmAn – and who is the head of nithyasUris,

aNi azhundhUr ninRAnukku – and who is standing in the beautiful place of thiruvazhundhUr,

inRE nee senRu – you go now itself and

anjAdhE – without being afraid,

maruvi ninRu – stand there strong,

iyambik kANE – try to tell Him

iRaiyE – a little bit, that

Or mAdhu – one female

nin nayandhAL enRu – is being interested in You,

vyAkyAnam

thEmaruvu pozhilidaththu – In the place that is having gardens that are always with honey. By the word maruvu, it says that honey is always present, and it is being plentiful; by pozhil it says that it is a garden that removes tiredness. These three qualities are present in paramapadham also which is the place of enjoyment. Only if you placed us in such a place of happiness, would the place of your enjoyment be enjoyable.

malarndha pOdhaith thEnadhanai vAy maduththu – Drinking honey from the flowers as they blossomed. Since it is the honey from the flowers that blossomed just then, it would be fresh and very tasty. If time has passed since a flower blossomed, then its honey would be past time, less, and old. If honey is extracted when the flower is still a bud, then there would be less honey, and since it is taken forcefully, that honey would taste less. So, it is saying here that the honey is from just blossomed flower.

Would the flowers which blossom (only) when wind blows, would blossom when these bees go there? We can consider it as – since those flowers are at the stage of blossoming even if touched, they blossom due to the wind from the wings of bees, and also the air of their breath.

This same aspect is divined by AzhvAr in “pUviriya madhu nugarum [periya thirumozhi – 3.6.1]”. Unlike Him who left me without understanding my freshness and sweetness, you got to understand the freshness and sweetness of flowers, she says. Only if you join me with Him while I am fresh and sweet, would you be known as having complete ablity to enjoy fresh honey, she says.

vAy maduththu – Like husband and wife eating from the same vessel, taking the honey in mouth and feeding it to each other. Honey is there for enjoying each other in this way. That is, “Don’t you have to make me enjoy the sweetness by joining me with Him, like how SrI rAma enjoyed together with seethAp pirAtti as said in “idham mEDhyam idham svAdhu [SrI rAmAyaNam – ayODhyA KANdam – 96-2]” (This is pure, This is sweet.. – saying these, SrI rAma was present together with seethAp pirAtti in thiruchchiththirak kUdam).

un pedaiyum neeyum – The female bee that is under your control, and you who are under her control; the female bee behaves as per your thoughts, and you who behave as per her thoughts; Oh it is good that you both are able to interact knowing each others’ mind, unlike Him who does not behave with understanding of my wishes.

un pedaiyum neeyum – You who are together as male and female, don’t you have to take care of work for me who am separated from my lover?. It is my fortune that you are together and so not need someone to get you together first – she says. SrI rAma had to unite mahArAjar (sugreevan) with his wife and kingdom first and then only had to search for His wife. Unlike that, you are already together, and that is my fortune, she says to the bees.

pUmaruvi – Oh what a dare this is, like someone hugging the fire!- she says. As said in “menmalarp paLLi vem paLLiyAlO [thiruvAimozhi – 9.9.4]”, bed with flowers in it (soft like flowers) is like a bed on fire for her. Since she is separated from her lover, she thinks only those who knows agni-sthamBha-vidhyA would be able to lie down in such a bed. agni-sthamBha-vidhyA is union of man and woman. As I am lying on floor since I cannot tolerate the bed, only if you do my work would it be enjoyable for you to be together in bed; Oh what a great wonder it is that unlike for me, you both as male and female got the garden which removes tiredness as a place of enjoyment, honey as enjoyable, and flower as bed! – she says.

inidhamarndhu – Sitting nicely. Nicely being together as male and female. Since her union with Him ended in separation, that union become one that gave sorrow. She herself said “enRAlum idhu namakkOr pulavi thAnE [thirunedunthANdakam – 23]”. Idea is – only if you removed my sorrow would your union be enjoyable.

poRiyilArndha – By poRi it refers to dots. Having rich number of dots in its body. This phrase is adjective for the bee. It talks about the brightness to its body due to union.

The male bee is in beginning stage of youth like said in “yuvA kumAra: [ruk – ash – 2.2.25]”, (vishNu is in the age of youth, and having a bit of previous stage of adolescence).

The female bee is in the beginning stage of youth as said in “yuvathiScha kumAriNee” (pirAtti is in upper stage of adolescence, and beginning of youth).

As said in “BharthA nAma param nAryA: BhUshaNam BhUshaNAdhapi | EshAhi rahithA thEna BhUshaNArhA na SOBhathE || [SrI rAmAyaNam – sundhara KhANdam – 16.26]” (Husband is like an ornament above the ornaments worn, and so He is the reason for her brightness. Since she is separated from such a husband, seethAp pirAtti who could wear ornaments, was not being beautiful), for me who has become lean due to not eating because of separation, if you create beauty for me, only then your beauty would be meaningful, she says.

aRukAla siRu vaNdE – Oh small bee who has got six legs! Since it is natural for bees to have six legs, why mention this as adjective to the bee? Oh! Instead of having just two legs, or just four legs, it got to have six legs that would enable it to go to Him fast! – This was the meaning established by previous AchAryas. But since the means for a bee to travel is its wings, since she is going to say next in this pAsuram – thozhudhEn (prostrating and praying to you), I got six legs for it to touch my head (when I prostrate / when I happily keep your six legs in my head when you return from Him) – is the establishment of meaning by SrI parASara Bhattar.

(From puththUr swAmy’s vivaraNam – bee refers to AchAryas who enjoy the honey that is auspicious qualities of BhagavAn. Like towards AchAryan, one should also serve AchArya’s divine son, and Acharya’s divine wife. Combined, it is their six divine feet. There is a phrase matching SrI parASara Bhattar’s meaning in “en thUdhAy, num kAlgaL en thalai mEl kezhumeerO numarOdE [thiruvAimozhi – 9.7.1]”)

siRu vaNdE – You who is already small unlike thiruvadi (hanUman) who had to make himself small when entering lankA when doing the messenger work.

vaNdE – You do not have to take additional efforts like thiruvadi who had to figure out where to sit and how to talk to seethAp pirAtti; you could be in the flower ring garland in His head, or in the garland in His shoulders, and talk to Him without anyone else knowing – such is the type of birth yours is!

As she called the bees, they who were experiencing their togetherness heard her requesting voice, and got up with a startle like someone threw fire, and peeked.

thozhudhEn unnai – I prostrated, fell, on your feet. It shows that one should prostrate, fall on AchAryan’s feet, and praise him.

unnai – I am not falling at His feet; even at this state of His having left me, I am falling at your feet, you who are going to join the severed connection between Him and me. I am separated from Him and suffering even while He exists, and I exist; you who are going to join us are the one who are to be praised, and prostrated. This is the way of her “athra-parathra-chApi [AlavandhAr’s sthOthra rathnam – 2]” (SrIman nAthamuni’s divine feet is my destiny in this world and the other world).

As the bee says, “Let your prostrating me be; what is it to be accomplished by me. You shall tell me that”, and so she replies –

amarar kOmAn – Please go and announce the following to the leader of nithyasUris as said in “ayarvarum amarargaL athipathi [thiruvAimozhi – 1.1.1]”.

Is it possible for us to go near Him?

A-maruvi nirai mEyththa – He is one, though so superior, who had been set together with the cows and protected them. Like how He is the head of nithyasUris who could not exist if separated from Him, His existence depended on the cows He protected. Since nithyasUris cannot live without Him, He is being approachable to them. Since He cannot sustain Himself if separated from cows, He is well set among them. maruvi – well set/involved.

Oh! But that was the earlier time of krishNAvathAram..

aNiyazhundhUr ninRAnukku – Like how He protected the cows during the time of incarnation as krishNa, to protect those who are present after that time and who are with no wisdom similar to cows, He stood in thiruvazhundhUr. Please inform Him about me. When He left, He said “punal-arangam-Ur [thirunedunthANdakam – 24]”, and so must have gone to thiruvarangam; why send messenger to thiruvazhundhUr? Sending so is meaningless – it is similar to saying “karNE spRushtE gatim chAlayathi [saying]” (He moves his hip if one touches his ear)? “Since He is also a sentient, suffering would be there for Him too due to separating from me; He left me for some work; He would not leave me altogether; He might have stayed in thiruvazhundhUr on the way. Please go and request to Him there” – she says.

Or, “Since thiruvarangam is bhOga-maNdapam (meant for enjoyment), He would not have been able to stay there for long because He would not be able to sustain the separation from me. So, as He would have started returning to me, He might have reached up to thiruvazhundhUr. Go there”, could be the other meaning of her saying this.

ninRAnukku – In the first meaning, He could not go to His place, so He stood in thiruvazhundhUr like a tree; In the second meaning above – during return, He might be staying in thiruvazhundhUr thinking that He should not voluntarily go to me showing eagerness, and so He may be waiting there hoping that I send someone to Him”.

inRE senRu – You should not say “We will go tomorrow”. I will not sustain myself till tomorrow – she says. If I won’t be there, then He too won’t be there. If you think both of us should live, then you go today itself. If both He and I are destroyed, then it is like the whole world is destroyed.

nee maruvi – Since He was well set among the cows and protected them, He would definitely welcome you who is of animal species. So you approach Him and;

nee maruvi – Like how I who had seen the excess of His quality of simplicity but had hesitated thinking that He is supreme god instead of thinking as human being, as said in “avarai nAm dhEvarenRu anjinOmE [thirunedunthANdakam – 21]” – you please do not behave like me, but approach Him and be well set with Him.

anjAdhE ninRu – Stand there without fearing when seeing His supremacy. Instead of being afraid thinking that He is the leader of nithyasUris, consider His being well set among the cows and taking them for gracing; and so stand there sustaining yourselves.

Or, anjAdhE ninRu – Stand with pride and talk to Him, with the appearance of coming as messengers from the Queen. If you talked with pride, it would be clear to Him that you came from me.

What is it to be conveyed to Him? She responds –

Or mAdhu – No need to say my name to Him; If you just said “one woman”, that would be enough. He would know automatically. If someone says “There is a deer in a forest which has got arrow-wounds and is suffering from it”, then the one who shot that arrow would be knowing the place of that deer.

Or,

Or mAdhu – She says – tell Him that the girl has no equals. If you say so, then He would know who it is. It is because she is not a part of those who are immersed in the material world, not of liberated souls, and not of those people who wish to leave for SrIvaikuNtam (mumukshus). She is present like said in “pinnai kol, nila mAmagaL kol, thirumagaL kol piRandhittAL [thiruvAimozhi – 6.5.10]” (unique woman like the divine consorts of emperumAn).

ninnayandhALIf you (who is a bee) went to Him as a messenger, then He would know whose messenger you are. There would be no need to say anything. Even if you say any words, if you just said “Or mAdhu”, then He would definitely know. If even that is not enough, it is enough if you just said a word “ninnayandhAL”- She wished for you – is the meaning. That is, that she is hurt at the part vital to life.

Ask Him, “Did she wish for someone walking in the road? She wished for You who are the greatest of all. She wished for you who are of greatness that one could not sustain themselves if separated”.

ninnayandhAL – Did she wish for you in your state of para, vyUha, viBhava, that she could stay without great anxiety? She wished for you who is in archAvathAram (vigraham/statue form).

enRu iRaiyE iyambik kANE – So as you start talking these words to Him He would know, and would not even let you finish; and you will see Him rejoicing about you – she says.

iRaiyE iyambi – (say only a little) – It is enough if you said “Or mAdhu”, it would be excessive to say even “ninnayandhAL”.

kANE – You are definitely going to see all the respects He would pay to you after you just said this. Saying like “Dharmatha: parirakShithA: [SrI rAmAyaNam – yudhDha KANdam – 1-11]” (We all got saved of our lives because of your deed of beneficence – SrI rAma says to hanUman when he returns after finding seethAp pirAtti),

and hugging like “Esha sarvasva BhUthasthu parishvanga: [SrI rAmAyaNam – yudhDha KANdam – 1-13]” (This my embracing you which is like giving everything of me.. (said SrI rAma to hanUman)),

you are going see that He would do all these – she says.

kANE – Oh you are going to see His divine body which I could not see! – she says – This could also be the meaning.

—–

Translation by raghurAm SrInivAsa dhAsan.

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thirunedunthANdakam – 25

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<< previous pAsuram – 24 – iru kaiyil sangivai

Introduction

His highness fully showed all the greatness in Him, and took away all the greatness in me, she says.

minnilangu thiruvuruvum periya thOLum

kari munindha kaiththalamum kaNNum vAyum

thannalarndha naRunthuzhAy malarin keezhE

thAzhndhilangu makaram sEr kuzhaiyum kAtti

en nalanum en niRaivum en sindhaiyum

en vaLaiyum koNdu ennai ALum koNdu

ponnalarndha narumcherunthip pozhilinUdE

punal arangam UrenRu pOyinArE                              25

Word by word meaning

min ilangu thiru uruvum – Divine body that shines and looks wonderful like lightning,

periya thOLum – and big divine shoulders,

kari munindha kaiththalamum – and divine arms that hit with anger the elephant named kuvalayApeetam,

kaNNumand divine eyes,

vAyumand divine coral-like mouth,

makaram sEr kuzhaiyumand the ear rings

thAzhndhilanguhanging with brightness,

thannalarndha naRunthuzhAy malarin keezhEunder the garland of thiruththuzhAy which is more fragrant and brighter than the place it grew in,

kAttishowing all these to me,

en nalanum my beauty,

en niRaivumand my humility,

en sindhaiyum and my heart,

en vaLaiyum – and the bangles in my hand,

koNdu He stole all these; not only that –

ennai ALum koNduafter also making me His servant,

punal arangam UrenRu pOyinAr – after saying that thiruvarangam that is rich in water resources is my place, He went away,

naru serunthip pozhilinUdEthrough the fragrant garden of surapunnai

ponnalarndha that blossomed like gold.

vyAkyAnam

minnilangu thiruvuruvum – Divine body that is bright like lightning, and; In earlier pAsuramkAr vaNNam thirumEni [thirunedunthANdakam – 18]” and “karumugilE oppar vaNNam [thirunedunthANdakam – 24]”, it talked based on generosity and nature of removing stress; here – by the example of lightning, it talks based on His non-approachability. But then is His divine body not like dark clouds? Like dark clouds getting completely covered by reddish rays, the divine discus’ reddish light is spread completely in His divine body, so, it says minnilangu thiru uru. It is said too as “vadivAr sOdhi valaththuRaiyum sudar Azhi [thiruppAllANdu – 2]“. In the previous pAsuram she said too as “oru kaiyil sangu oru kai maRRu Azhi Endhi [thirunedunthANdakam – 24]”. Showing His big supremacy as said in “thamasa: paramO DhAthA [SrI rAmAyaNam – yudhDha KANdam – 114-15]” ((This SrI rAmapirAN) is being supreme than the root material of prakruthi, and being One who enables sustenance..).

minnilangu thiruvurum – She enjoyed How He matched dark clouds in colour when He had come to be with her as she said “peruvayiRRa karu mugilE oppar [thirunedunthANdakam – 24]”. But after He started leaving, He is like a short-lived lightning – this also could be taken as what she is saying.

periya thOLum – (and big shoulders); (By the adjective ‘big’ it means – ) its sweetness and enthusiasm in protecting His devotees that even if one enjoys His big shoulders till the entity of time exists, it would not let them move on to enjoy other parts of His divine body. Having more shadow for those who take shelter under the shoulders.

As said in “pariGOpamA: [SrI rAmAyaNam – kishkindhA KANdam – 3-14] (having strength) and in “sarvaBhUshaNa bhUshArhA: [SrI rAmAyaNam – kishkindhA KANdam – 3-15] (suitable for decorating with all types of divine ornaments etc.), is how hanUman enjoyed His shoulders; likewise, His shoulders give shadow (protection) to the whole world, but at the same time being sweet that it may cast veil eyes. It is the idea that the shoulders identify that He is of great valour, and is sweet for enjoyment.

This is also said in ‘chakAsatham [sthOthra rathnam – 33]” ((emperumAn) being bright (with His four arms by the side extending up to His knees); and parakAla nAyaki also said “kai vaLaiyum mEkalaiyum kANEn [thirunedunthANdakam – 22], that is, that His arms remove the hindrances, and by “nAngu thOLum” in the same pAsuram she said that the shoulders are very sweet.

kari munindha – Him showing anger at the elephant named kuvalayapeetam.

kari munindha kaiththalamum – To kill kuvalayApeetam it was enough to push it with anger using His hands. For killing this elephant, He did not do all the acts of battle He did for killing king kamsa, and the wrestlers chANura-mushtika. By this it shows the valour of His hands. By “periya thOLum” it showed the sweetness of His arms. This is also as said by nammAzhvAr in “pugarch chemmugaththa kaLiRatta ponnAzhik kai [thiruvAimozhi – 8.10.6]”.

thirunedunthANdakam – 21 kaiyum – It is with the hand wearing ring that He killed the elephant named kuvalayApeetam. Also when He came and joined her, as said in “eyvaNNa venjilaiyE thuNaiyA [thirunedunthANdakam – 21]”, He showed the bow that represents His valour, and as said in “kai vaNNam thAmarai [thirunedunthANdakam – 21]” He showed His hand that represents enjoyment.

kaNNum – To those who approach, it would create desperation to enjoy it – such eyes. When He joined her, she herself said “kaNNiNaiyum aravindham [thirunedunthANdakam – 21]”.

vAyum – To her who lost to His beauty and became subservient only to Him, the mouth that said calming words that showed He cannot sustain Himself without her. When He joined her, she herself said “vAi kamalam pOlum [thirunedunthANdakam – 21]”.

thannalarndha etc. – by this it says about His beauty with decoration of thiruththuzhAy and ear-ornaments.

thannalarndha naRunthuzhAy malarin keezhE – Under the garland made of thiruththuzhAy which is being brighter and more fragrant compared to the land in which it grew.

malarin keezhE thAzhndhilangu magaram etc. – Showing the divine ear-ornaments that hung from ears up to His shoulders, and being bright with the combination of colours. He did not just leave after that, but He did only after climbing on garudAzhvAn, walking around on the left and on the right, thus showing His whole beauty, and stealing everything in me, she says. By this it says about the beauty of decoration along with the beauty of divine ornaments. From what she said earlier, “puLLUrum kaLvA nee pOgEl [thirunedunthANdakam – 23]”, it was said how emperumAn showed His beauty while sitting on garudAzhvAn.

en nalanum etc. – Coming here as if someone planning to giving everything, He stole away everything, she says.

ennalanum – (and He stole) my good qualities. That is – beauty, fragrance, softness and such qualities of form; and, qualities of self as woman such as fear, feigning ignorance, shyness, and sensitiveness (achcham, madam, nANam, payirppu). nalam – quality. ennalam – Her qualities that none can destroy. By her qualities only, the lover’s qualities would be destroyed; her qualities could not be destroyed by anyone. Such is her characteristic.

en niRaivum – and my womanliness. Her womanliness is such that it would destroy His manliness.

niRaivu – humility

en sindhaiyum – and the mind that is the reason for such humility.

en vaLaiyum koNdu – and also took the bangles which would have calmed me down if He left.

ennai ALum koNdu – Is it not enough to steal everything of me? Do I have to be that luggage’s carrier too? It is like entering someone’s house, oppress him, and make that person carry his own belongings for the thief. Or, since she thinks of it as subservience to mingle and talk with Him, He accepted me as His servant – this could be what she is saying. This is as said in “kommai mulaigaL idar theera gOvindharkOr kuRREval [nAchchiyAr thirumozhi – 12.9]”, ANdAL too considered the exchange of love with emperumAn as Her subservience. Or even another meaning is – When robbing everything from me and leaving, He made me think “When He is taking His own property only, what is there in it for me”, so He made me fully His too, and then left.

pon etc. – We stole everything, but she should be able to live, He thought; so He told the name of His place and then left, she says. He went through the garden that is suitable for the delegate nature of His divine body. He went saying that His place is kOyil that is in the middle of river kAviri that removes tiredness, and left through the serunthi garden, having flowers fragrant and blossoming like gold. Was it all gardens from thirunagari all the way to kOyil? SrI parASara Bhattar’s nirvAham  (explanation) here is – “If a rainy cloud (emperumAn) went raining His kindness, wouldn’t the whole place sprout and blossom?”. In thamizh literature, those who separated would stay under serunthi tree while they are being sad. So she is talking about the garden of these trees.

pOyinArE – He went such that one could learn that the beauty of His back side is more compared to His front side.

punal-arangamdhivyadhESam that is surrounded by river kAviri that removes all tiredness. The place where He is always present with the two pirAttis.

pOyinArE – Even though He is having all types of relationships with me, Oh! He left me like this – was her sadness, that she is saying, “Either being here with me and not leave, or when leaving take me with Him – He did not do either of these, but Oh! He left me”, could be another meaning for this phrase.

pon etc. – my place is for plucking flowers, and playing in the water – saying so He left – this could be another meaning.

pozhilinUdE punal – It is a garden full of serunthi flowers above, and below near the feet it is kAviri water; so He went away from me.

Oh dear friend, you did not get to see the beauty of His back! – she says. A king named vikrama chOzha dhEvan was very interested in thamizh literature. He would often ask various people in his assembly to talk about their religion. There were some Saivite poets and SrIvaishNavite poets in His assembly. He asked them to talk about the poetry in their respective literature about what the lover-girl says when the lover-boy leaves her. A Saivite poet replied that the lover-girl says with hatred “He is one with bones and ashes”. But the SrIvaishNavaite poet replied that the lover-girl said “minnilangu thiruvuru”, quoting thirunedunthANdakam pAsuram. Upon listening to both, the king concluded “When explaining to her friend about the lover-boy who had fell on her feet when together, referring to Him as ‘thiruvuru’ is wonderful! She is the one that is a great lover. The other girl who said about Him as one having bones and ashes is like one who eats dead bodies”.

—–

Translation by raghurAm SrInivAsa dhAsan.

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thirunedunthANdakam – 24

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<< previous pAsuram – 23 – uLLUrum

Introduction

If periya thiruvadi took Him away, then as said in “yasyaithE thasya thadhDhanam [mahABhAratham – Adhi parvam – 1-77-22]” (~wealth obtained by someone would belong to the one whom they depend on), when emperumAn is under your control, garudAzhvAn who is His property, would also be in your control only. Moreover, garudAzhvAn is naturally subservient to the divine wives of emperumAn. In both these ways, what is the problem in asking garudAzhvAn to not leave? It could be done only if he alone was present with Him; everyone from nithyaviBhUthi came and surrounded Him. He too, unlike earlier, was unapproachable with completeness of His form and greatness; so I could not go near Him and exchange words – so she says in this pAsuram.

iru kaiyil sangivai nillA ellE! pAvam

ilangolineerp perumpauvam maNdiyuNda

peruvayiRRa karumugilE oppar vaNNam

perunthavaththar arunthavaththu munivar sUzha

oru kaiyil sangorukai maRRAzhi Endhi

ulaguNda peruvAyar ingE vandhu en

porukayarkaN neer arumbap pulavi thandhu

punal arangam UrenRu pOyinArE               24

Word by word meaning

ulaguNdaHe who kept in His divine stomach all the worlds during annihilation,

peruvAyar having such a huge mouth,

ingE vandhu – came to the place I was in,

pulavi thandhu – and created sorrow such that

neer – water drops

arumbasprout

poru kayal kaN – in my eyes that are like kayal fish fighting with each other,

oppar – He resembles

vaNNamin beautiful form

karumugil – the colour of rainy clouds

vayiRRahaving stomach

maNdi uNda – which after drinking water such that only sand remained

perum pauvam – in the big ocean that is having

ilangu – light,

oli – sound, and

neer – water,

peru – and (the stomach of cloud) still having enough space to eat anything more;

perum thavaththarSrivaishNavas having utmost devotion,

arum thavaththu – and the devout ascetics

munivar – who meditate,

sUzhawould stand surrounding Him,

Endhi – who is holding

oru kaiyil sangu – pAnchajanyAzhvAn in one hand,

maRRoru kai Azhi – and thiruvAzhiyAzhvAn in the other hand

and for me to sustain myself when He left me,

UrenRusaid that His place is

punal arangamSrIrangam having rich water resources,

pOyinAr and He left separating from me;

at the time of His leaving itself,

irukaiyilfrom both my hands,

sangivai nillAbangles of conch slipped;

ellE pAvamOh what a big sin (by me) this may be (due to)!

vyAkyAnam

iru kaiyil sangu ivai nillA – Not only did He leave, He made unavailable too those things that might calm me down. This is how He left.

kaiyirsangu nillA – Even as He left, longing came into me; saw the bangle in hand – bangle went and stood in front of Him (bangles slipped away even before Him); even if He has left, if the bangles that helped in enjoyment with Him had stayed, I could have seen that and tried to calm me down; may be it is because the arm became thinner – thinking so she saw the other arm;

iru kaiyil sangu nillA – that too had slipped away before the other bangle. So, she is saying – iru kaiyil sangu ivai nillA.

ivai nillA – If He is not staying, should these also not stay; He is the lord so He is leaving (as per His wish), should the bangles which are subservient to me, also leave? Since (He is) a sentient, there could be some fault in me that He might see and leave; should these which are non-sentient also leave? Since He came one day and mixed with me, He is leaving. Should these bangles which are always with me, also leave?

ivai nillA – Since He is not controllable by my hands (not under my control), He left; should these which are under the control of my hands (worn in my hands), leave too?

ivai nillA – these bangales won’t stay, even if He might stay.

nillA – Like He left even after my telling Him – don’t go, even after pulling it back into my wrist several times, they slipped every time; so she says nillA (won’t stay).

It is said too as “anurAgENa SaithilyamasmAsu vrajithE harau | SaithilyamupayAnthyASu karEshu valayAnyapi [SrIvishNu purANam – 5-18-29]” (After kaNNan left our place without affection towards us, our bangles are also sliding out from our hands).

ellE – Oh! (Word that shows sadness). Whether sentient or non-sentient, connection with me is enough for them to not help. Even thinking that it is mine has not made them help; reason for Him not helping is my connection only.

pAvam – Let Him go if He wants to, but reason for the things which were available in my hands to leave is my sins only.

ellE pAvam – Like there is no limit to His good deeds, I have not seen any limit to my sins! Over and above the sin that prevented me from enjoying Him who came here by Himself and mixed with me, the greatness of my sins is such that those that could calm me down are also not helping.

ilangoli neer etc. – She is talking about his form becoming brighter after His union and leaving. Here my body has lost all its colour and is down.

ilangu etc. – This phrase upto peruvayiRRa is showing an example about the greatness of His form that made her lose colour and go down. That is, that His form is like the dark clouds that drank just the water from the whole of sea and without salt etc., and made the ocean empty.

ilangoli neer etc. – Unlike the water in the ocean that includes salt etc., and is less bright, the dark clouds that drank only the water which has got a natural brightness and depth, and not salt etc., is bright in form. Like the dark clouds that drank all the water and look bright, His form was also matching it as He was leaving.

As said in “en oLi vaLaiyum mAniRamum koNdAr [thirunedunthANdakam –23]” (He took away my bright bangles and great colour), His form was as if the brightness in my form and depth of its beauty went and entered Him (and so He became even brighter).

perum-pauvam This talks about the ocean of pure water that surrounds the seven seas made of salt water, etc.

maNdiyuNdadrank along with the sand from the ocean; or drank with great urge and eagerness. Having great enthusiasm when coming to her for union, and drying up the ocean that is her beauty – such is the brightness in His divine body.

peruvayiRRa Not getting satisfied even after taking in everything in Him, but having continuous interest in wanting more.

karumugilE oppar vaNNam – By this – it is not talking about emperumAn’s natural colour; it is talking only about the colour that He gained because of winning her over. Like a thunder light embracing dark rainy cloud, in addition to His natural beauty, the beauty of her also got into Him, and His beauty doubled.

maNdiyuNda – Oh I the sinner became the ocean that is drank by the clouds, instead of being the floor to which it rains.

perunthavaththar etc. – Oh you did not get to see how the completeness of His form was, how those who had surrounded Him were, and the greatness of it all was.

perunthavaththar etc. – It is not just one or two who surrounded Him when He left me. Like how the dhEvas surrounded and protected the nectar from the ocean, His people came and surrounded Him after He left me – she says. As said in “Bhakthair-BhAgavathais-saha [saiva purANam, vAyu purANam]” (emperumAn who cannot be known easily by any level of thoughts, is present in the great world of vaikuNtam, along with thAyArs, devotees, (those who are immersed in meditation), and servants), and as said in “vaikunthaththu amararum munivarum [thiruvAimozhi – 10.9.9]”, this talks about nithyasUris (those always living in SrIvaikuNtam).

perunthavaththar – Having the devotion that is asceticism. Devotion is mentioned using the word asceticism in “vaNakkudaith thava neRi [thiruvAimozhi – 1.3.5]”.

Here, by perunthavaththar, it talks about nithyasUris who are dedicated to doing service to Him, and by arunthavaththu munivar it talks about those who are focused more on enjoying emperumAn’s divine qualities. Former ones do services due to devotion, and latter ones do meditation on His qualities due to devotion. That is why it is shown here that the asceticism that is devotion is present in both these types of nithyasUris.

arunthavaththu munivar – Those who meditate on His qualities would consider it most enjoyable to see the interaction between emperumAn and the other group who are focussed on serving emperumAn. Considering such greatness, they are referred to as arunthavaththu munivar.

sUzha – Since they understand that they are servants and He is the lord, they surround Him to protect Him. As they are having love towards Him, they surround Him so that nobody else could come close; so I could not go near and stop Him from leaving me.

oru kai etc. – Even if I cross the surrounding devotees somehow, He is standing as the supreme light as said in “sOdhi veLLaththinuLLE ezhuvadhOr uru [thiruvAimozhi – 5.5.10]” , and so is not approachable.

oru kaiyil sangu oru kai maRRu Azhi Endhi (holding conch and discus in His hands) is how He is the ultimate of supremacy. These nithyasUris also do mangaLASAsanam to emperumAn based on discus and conch, like how periyAzhvar did as “vadivAr sOdhi valaththuRaiyum sudar Azhiyum pallANdu [thiruppallANdu – 2]”.

oru kaiyil sangu etc. – The hand that held my hands, and the hand that held my feet are the hands that are destiny for nithyasUris. Like how my hands, legs, etc., became destiny for those hands, those hands became the destiny for them. Like how unparalleled His simplicity was when He mingled with me, His supremacy was also unparalleled as He left me and joined with nithyasUris, and conch and discus. Like how there was no limit to the simplicity He showed when He mixed with me, there was no limit to the supremacy He showed when He left.

ulaguNda peruvAyar – By this – it is not talking about the greatness of saving the world from destruction during the time of annihilation. Since it is SrI rAmapirAn who came, it is talking about His nature. That is – Like how during annihilation the world does not have any shelter other than Him, when He came to me, it was like He did not have any other place to depend on.

ingE vandhu – Only by His coming would the jeevAthmA be able to experience Him (paragatha-sveekAram) – is the sense obtained by this phrase. Like how He came incarnating to save the jeevAthmas, He came here on His own to give enjoyment.

porukayal kaN neer arumba pulavi thandhu – She is saying that this is the benefit (sadness) I got due to His coming and mingling with me.

poru kayal kaN – Other than being an example to each other, the eyes that don’t have any other examples to compare.

kayal kaN – It is comparing her eyes with fish, because like how fish keep moving, her eyes were moving about in excitement due to happiness when He came to her.

neer arumba – The eyes that were happy in that way, have become like this where the tear drops sprout.

arumba – Saying ‘sprouting’ instead of saying ‘flowing’ is – due to the dryness inside because of fire that is separation, tears are not able to flow.

pulavi thandhu – Giving sorrow. As said in “veevilinbam miga ellai nigazhndhanan mEviyE [thiruvAimozhi – 4.5.3]”, He who gives happiness to those who reach Him, is the one who gave me sorrow.

thandhu – This is the big wealth He gave by opening His sack of wealth. Actually it is a great blessing to suffer like this when separated from Him. Since this did not come to her by own efforts, but given by emperumAn’s generosity – she says thandhu.

punal arangam etc. – For me to sustain my life when He leaves, He told me when leaving “my place is thiruvarangam”.

In this pAsuram, ordering of words that gives these meanings is – “ulaguNda peru vAyar ingE vandhu en poru kayal kaN neer arumba pulavi thandhu, ilangoLi neer perum pauvam maNdi uNda peru vayiRRa karu mugilE oppar vaNNam – perunthavaththar arunthavaththu munivar sUzha – oru kaiyil sangu oru kai maRRu Azhi Endhi – punal arangam Ur enRu pOyinAr – iru kaiyil sangu ivai nillA ellE pAvam” (~ EmperumAn considering me as shelter came here, gave sorrow that tears sprouted from my fish like eyes, He who gained the colour like dark clouds with big stomach that drank all the water from the ocean and made it dry – was surrounded by nithyasUris who are servants and meditators – holding conch in one hand, and discus in the other – He went away saying that His place is thiruvarangam – Oh! the bangles that could calm me down would not stay in both of my hands, that is the level of my sins).

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Translation by raghurAm SrInivAsa dhAsan.

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thirunedunthANdakam – 22

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SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama:

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<< previous pAsuram – 21 – maivaNNa narunkunchi

Introduction

In the previous pAsuram, by “avarai nAm dhEvar enRu anjinOm”, parakAla nAyaki said to her friend “one who is kind was thought by me as a supreme One”. “Her friend asked, Now you are separated from Him, but tell me the story of what happened when He was together with you”. “This is the way He enthralled me and stayed together with me” – she replies in this pAsuram.

Even after showing His beauty and kindness, she did not get charmed by it; so He thought whether He would have to leave from there. But His divine feet did not move. How is it that the One who does not have any needs, is standing because of having no heart to leave, so is standing still, for the one (jeevAthmA) who is always needy? – It is only because He is the owner of this jeevAthmA. The loss if a property leaves, and the gain if the property joins, are that of the owner. Moreover, He is in love with her so He is not able to leave from there. “If I leave after failing to attract her with my beauty, then there won’t be anybody to use this beauty against”, He thought about His beauty. So He did not leave. If a prince of noble clan went to a princess of a noble clan and returned because she did not engage in His beauty, then nobody else would engage in that beauty. It is emperumAn’s thought that it is His beauty that helps Him right from the first step of engaging jeevathmA toward Him through to the step of making that jeevAthmA finally reach Him. Even if His beauty does not help here, His love for jeevathmA would not let Him leave. Since she is His sweet lover, He cannot engage force to get her; so He could not hug her forcefully. It is not enjoyable to hug her without her acceptance.

So He pondered, “I could not attract her by my beauty or my simplicity; nor do i want to use force. So what else is the way?”. When He was as kaNNan in thiruvAyppAdi He had seen that the cowherd girls were attracted to his playing of flute. So He decided that He shall engage her with the sound of His voice. So He sang a song that is set in a melody called “naivaLam”.

When thiruvadi wished to talk to seethAp pirAtti the first time after seeing her in rAvaNan’s place, he thought of several ways to do that without troubling her. That is, “Evam bahuviDhAm chinthAm[SrI rAmAyaNam – sundhara KANdam – 31-1]” (thinking of these many ways). Here, it is emperumAn’s Evam bahuviDhAm chinthAm moment.

I came here to the place where she is alone, for hunting. So there is no one who could stop me singing, by asking ‘Oh who is singing like this’. So this is the only way to engage her”, He thought and sang one melody.

parakAla nAyaki says, “So due to this I got interested in Him very much and was in union with Him. This is what happened”.

It is the usual practice of those who come for hunting, to rest in the shadow under a tree, sprinkle water in the face to remove tiredness, keep a piece of camphor inside the mouth to get relief from thirst, and to sing some melody for tiredness to go. In that manner, He sang a melody – she says so in this pAsuram.

naivaLamonRArAyA nammai nOkkA
nANinAr pOl iRaiyE nayangaL pinnum
seyvaLavil en manamum kaNNum Odi
emperumAn thiruvadik keezh aNaiya ippAl
kaivaLaiyum mEkalaiyum kANEn kaNdEn
kanamakarak kuzhai iraNdum nAngu thOLum
evvaLavuNdu emperumAn kOyil enRErku
idhuvanRO? ezhil Ali enRAr thAmE. 22

Word by word meaning

ArAyA – Singing elaborately

onRu – the very best

naivaLam – melody named naivaLam,

nammai nOkkA – then seeing me

iRaiyE nANinARpOl – while standing near me like He is a bit shy,

pinnum – and even after that,

nayangaL seyvaLavil – when He was singing with humble words in the melody,

en manamum kaNNum – my mind and eyes

Odi – ran (while leaving me)

emperumAn thiru adik keezh aNaiya – and set under the divine feet of emperumAn; as this happened,

ippAl – after that,

kANEn – I lost and have not seen

kai vaLaiyum – the bangles I had worn in my arms,

mEkalaiyum – and the cloth worn in my hip;

kaNdEn – (But ) I saw

kanam makarak kuzhai iraNdum – two strong ear ornaments,

nAngu thOLum – and four divine shoulders;

(after that),

emperumAn kOyil evvaLavu uNdu enRERku – to me who asked Him – how far is the place (from here) of you my majesty,

ezhil Ali idhu anRo enRAr – He pointed to and told that the beautiful divine place thiruvAli is this.

vyAkyAnam

naivaLam – Since this melody would attract the people, this melody “natta pAdai” (nAttai kurinji rAgA) is mentioned here as “naivaLam” based on such nature of it. Meaning obtained from this name naivALam is that it would attract both the singer and the listener and everyone. He sang such a melody. nammAzhvAr too divined as “nudangu kELvi isai [thiruvAimozhi – 3.4.6]”, that is, that those who listen to this melody will get attracted.

onRu – unparalleled. Considering that this melody is the best in attracting when compared to all other types of melodies, and if one is not able to attract using this melody then there is no other way to attract, it is said as unparalleled. When it is not possible to attain Him through karma yOgam or gyAna yOgam, then one could try to attain Him through bhakthi yOgam. If that does not work, then one could attain Him through prapaththi, considering Him as the shelter. If prapaththi also does not yield Him, then there is no other way to attain Him. Like how a devotee does not have a way other than the last one that is prapaththi, He too used the last resort to get her – singing in this rAgA of naivaLam.

ArAyA – He started a prelude (AlApanai) to the song.

nammai nOkkA – After doing the AlApanai for the rAga, He Himself got under its control and forgot Himself. “Now it is impossible for her to not be under my control”, He thought, and so looked at my face. He thought, “It goes without saying that the one that melts a diamond itself, would definitely melt lac wax”. That is, He thought – the melody that attracted me who is a man, would definitely engage this soft-natured woman; and so He looked at my face. She is saying in plural, “nammai” to imply herself only.

nANinAr pOl iRaiyE – Like getting shy a little bit. I melted completely when He started AlApanai for singing, and as He saw my face, I pretended not to be interested, like how rice puff appears with jaggery paste covering it. Seeing that, shyness was born in Him, and He thought – I performed the act of last resort, but it did not get the result; so He became shy. If He becomes fully shy then He would not be able to do anything further. So He pretended to be shy, she says. That is, in order to appear shy, instead of seeing me directly, He saw the garden, then saw on the sides, etc., – she says. All the struggle that a prapannar went through in ‘azhuvan thozhuvan [thiruvAimozhi – 5.8.5]”, He went through regarding one He loves.

pinnum nayangaL seyvaLavil – Even after that, when He sang using humble words;

nayangaL pinnum – Like how my utmost faith is, is how His utmost faith too. Even though the surrender did not yield desired result, one would not be having any other place to go for help; similarly, even after His final effort of attracting by singing did not yield the desired result, He did not leave it, but still continued singing the same melody.

nayangaL – (this word being in plural) there is no count of words expressing (His) humbleness in the song, she says.

ArAyA, nammai nOkkA, nANinAr pOl iRaiyE nayangaL pinnum – when paraphrasing like this, she says to her friend – you could not see His sweet acts, by being with me here.

seyvaLavil – As He sang that song,

en manamum kaNNum Odi – my high-esteem got destroyed fully. I was pretending to be uninterested, but I could not control it. I broke like the ocean breaking (into the shore). Normally it is the mind that goes behind what the eyes see. That norm got broken, she says. Mind went toward Him separately, and my eyes also went to Him separately, she says. One’s senses would be having connection with a person only till he sees HrusheekESan (one who controls senses). Since the senses are tied to the body, (even though AthmA is the controller of the senses) it is based on karmam, and so that control is artificial/temporary. (So when seeing Him who is having natural relationship, the mind and eyes ran to Him).

Odi – (mind and eyes) ran without looking at each other in the back, she says. They ran even without looking at me, she says.

emperumAn thiruvadik keezh aNaiya they ran and reached Him who is naturally related.

emperumAnHe who got me as His servant using the sound of His voice.

thiruvadikkeezh aNaiyaMy self-control was lost beyond the level He expected. He was thinking of hugging me tightly by pressing my bosom to His chest, but I kept his leg in my head, she says. Like how when having control and being in the state of AzhvAr as a male, where he sang “thaLir puraiyum thiruvadi en thalai mElavE [thirunedunthANdakam – 1]”, here too when she has lost her control, it is again the divine feet of His to which she reaches out (Note: This is given in periyavAchchAn piLLai vyAkhyAnam as “azhakki irukkumAppOlEyirE azhiyumpOdhazhiyumpadi”. If it were not for the generous explanations showered by the great swamys it would be impossible at present to understand its meaning or others’ meanings too).

ippAl(after that) – I told about all His acts of coming here and trying to get me. It would be like mahAbhAratham if I tried to explain what all He did when we united. Since I don’t have a clear mind to explain it fully, it is not possible to be explained. If I tried to describe, it would be like starting to describe about seethA pirAtti in SrIrAmAyaNam. (Like how it talked about the state and actions of seethAp pirAtti in SrI rAmAyaNam, you see my state and actions and understand my story). I told the introductory part, now would you listen to the effects of it in me (palaSruthi).

kai vaLaiyum, etc. – Like when there is a theft in the house, how one would ask, “what is present, what is gone”, her friend asks her – when did He come and unite, what did you see and and not see. She replies starting with ‘kai vaLaiyum..”. “dhRushtam became adhRushtam, adhRushtam became dhRushtam” – my bangles, hip garment, etc., on my body which I had been seeing till then were not to be seen; His ear rings, etc., which I had not seen earlier, were seen by me, she says.

kai vaLaiyum Bangles coming out of hand is after separation from Him only, so why say that the bangles left the arm (even during union)? Due to union with Him my body grew ecstatic, and so my bangles burst away.

mEkalaiyumIs it appropriate to tell others that you lost the dress worn around you? One’s clothes got in to the other’s hands during union, so I did not see my clothes, she says. She only saw His clothes in her hand.

kANEnI do not know where my bangles, clothes, etc., went. By this, when it comes to its inner meaning – It is talking about losing one’s ahankAram and mamakAram. When a jeevAthmA is in the path to understand its true nature, ahankAram (I enjoyed/experienced), and mamakAram (It is sweet for me) would be hurdles. At the time of enjoyment, ahankAram and mamakAram would be denoted as bangle and cloth. According to jeevAthmA’s true nature it is not a correct behaviour to think, “I am the one enjoying”, and “it is enjoyable for me”. It would be matching one’s true nature to only think, “I am desirable for emperumAn”, “He is the one who enjoys me”.

kANEnI would know where they went only if I made efforts to get rid of them hurdles, or if I had approached Him to request to remove them. As I was immersed in experiencing Him and lost myself, He removed them and they went away, so I did not see them – she says.

kaNdEN etc. – Unlike how I did not see anything on my side, I saw everything about Him. I did not see the hurdles straight; saw the sweetness in Him to be unlimited. When he hugged me, I saw His ear rings that pressed against me, and the arms that hugged me.

kanamakarak kuzhai Ear rings that stay strong; by kanam it implies that it is present for enjoying forever.

nAngu thOL – Whereas the One who hugged is chakravarthy thirumagan (SrI rAmar), why say four shoulders? It is because His shoulder grew due to happiness of hugging me. Or, coming here as a mere hunter, and after getting her, He showed His true self as emperumAn with four shoulders. When having to use shoulders for this experience, it is not possible to hide them.

evvaLavu etc. – To me who asked him – how far is Your house, as I wished to enjoy with Him without a break,

evvalavu uNduIt is like asking ‘evvaLavu’, thinking that if it is nearby then let us go with Him. It is like how nammAzhvAr said “parugik kaLiththEn [thiruvAimozhi – 2.3.9]”, and after that he wished to enjoy Him by being together with his close devotees by saying “adiyAr kuzhAngaLai – udan kUduvadhu enRu kolO [thiruvAimozhi – 2.3.10]. That is, after being able to unite with Him, and after seeing His greatness, a wish was born that she should enjoy along with His well-qualified devotees.

evvaLavu uNdu emperumAn kOyil enRERku – Whereas I asked Him about His place because I tried to go with Him and enjoy Him, it became the reason for Him to return to His place, and I myself became the reason for Him to leave me.

idhuvanRO ezhil Ali enRArSince the distance between thirumaNamkollai and thiruvAli is very small, He showed His hand toward thiruvAli, “idhuvanRO”, to say He is from there – she says. Or, He says – it is the place where you are present (thirumaNamkollai), that is desirable for me (is my thiruvAli). Like how the place of lord is desirable for the devotee, the place where she is present is desirable to Him. It is common for a boy to like being in his in-laws’ house, and for the girl to be interested in her in-laws’ place (same wish is happening here with emperumAn and parakAla nAyaki).

Or,

evvaLavu, etc. – As their union got into their heads, the excitement became too much to bear; He thought he should calm her and then let her enjoy slowly,; He said of separation from her as “I am going to my house”. It is for that she asked “evvaLavu uNdu emperumAn kOyil” (How far is your place); to that question of mine, He replied “idhuvanRO ezhil Ali”, that is, my desirable place of stay is your feet only, He replied; and left.

thAmEIt ended up as – it is He who comes, and it is He who enjoys – she says. (That is, it became like it is the desire of the owner to enjoy His property).

– – – – –

Translation by raghurAm SrInivAsa dhAsan.

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