{"id":8291,"date":"2016-04-13T05:40:38","date_gmt":"2016-04-13T05:40:38","guid":{"rendered":"http:\/\/divyaprabandham.koyil.org\/?p=8291"},"modified":"2016-04-13T05:40:38","modified_gmt":"2016-04-13T05:40:38","slug":"srivaikunta-gadhyam-3-part-1","status":"publish","type":"post","link":"https:\/\/divyaprabandham.koyil.org\/index.php\/2016\/04\/srivaikunta-gadhyam-3-part-1\/","title":{"rendered":"SrIvaikuNta gadhyam &#8211; 3rd chUrNai  Part 1"},"content":{"rendered":"<p style=\"text-align: center;\"><small>SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama:<\/small><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/divyaprabandham.koyil.org\/index.php\/2016\/03\/srivaikunta-gadhyam\/\">Full Series<\/a><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/divyaprabandham.koyil.org\/index.php\/2016\/04\/srivaikunta-gadhyam-2\/\">&lt;&lt; Previous<\/a><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/divyaprabandham.koyil.org\/wp-content\/uploads\/2016\/04\/going-to-paramapadham.jpg\" rel=\"attachment wp-att-8323\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8323\" src=\"https:\/\/divyaprabandham.koyil.org\/wp-content\/uploads\/2016\/04\/going-to-paramapadham.jpg\" alt=\"going-to-paramapadham\" width=\"352\" height=\"258\" srcset=\"https:\/\/divyaprabandham.koyil.org\/wp-content\/uploads\/2016\/04\/going-to-paramapadham.jpg 500w, https:\/\/divyaprabandham.koyil.org\/wp-content\/uploads\/2016\/04\/going-to-paramapadham-300x220.jpg 300w\" sizes=\"auto, (max-width: 352px) 100vw, 352px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><strong>avathArikai (Introduction)<\/strong><\/p>\n<p style=\"text-align: justify;\">This chUrNai describes the <em>archirAdhi mArga<\/em> (the path which starts with <em>archis<\/em>, light) through which a \u00a0<a href=\"https:\/\/granthams.koyil.org\/2013\/03\/06\/thathva-thrayam-chith-who-am-i\/\">jIvAthmA<\/a>, who has thus surrendered to <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a> and gets liberated from samsAram (materialistic realm) travels and attains SrIvaikuNtam. It also describes the many-splendoured facets of SrIvaikuNtam. This is a very lengthy chUrNai and we shall see it in several parts.<\/p>\n<p style=\"text-align: justify;\"><strong>chUrNai<\/strong><\/p>\n<p style=\"text-align: justify;\"><em>chathurdhaSa bhuvanAthmakam aNdam dhaSaguNitha uththarancha<\/em><br \/>\n<em> AvaraNasapthakam samastham kArya kAraNa jAtham athIthya<\/em> <em>varthamAnE<\/em>,<br \/>\n<em>paramavyOma SabdhAbhidhEyE, brahmAdhInAm<\/em> <em> vAngmansAgOcharE, <\/em><br \/>\n<em>SrImathi vaikuNtE dhivyalOkE, sanaka<\/em> <em>vidhi SivAdhibhirapi achinthya svabhAva aiSvaryai:<\/em><br \/>\n<em> nithya sidhdhai: ananthai: bhagavath AnukUlyaika bhOgai: <\/em><em>dhivya purushai: mahAthmabhi: ApUrithE,<\/em><br \/>\n<em> thEshAmapi<\/em> <em>iyath parimANam iyath aiSvaryam IdhruSa svabhAvam ithi<\/em> <em> parichchEththum ayOgyE, <\/em><br \/>\n<em>dhivya AvaraNa Satha sahasrair AvruthE<\/em> <em>dhivya kalpakatharu upaSObhithE,<\/em><em>dhivyOdhyAna Satha sahasra kOtibhirAvruthE, athipramANE, <\/em><br \/>\n<em>dhivya AyathanE kasmimSchith<\/em> <em>vichithra dhivya rathnamayE dhivyAsthAna maNdapE, <\/em><br \/>\n<em>dhivya<\/em> <em> rathna sthambha Satha sahasra kOtibhirupaSObhithE, <\/em><br \/>\n<em>dhivya<\/em> <em> nAnA rathna krutha sthala vichithrithE, <\/em><br \/>\n<em>dhivyAlankAra<\/em> <em> alankruthE, paritha: pathithai: pathamAnai: pAdhapasthaiScha<\/em><br \/>\n<em> nAnA gandha varNai: dhivya pushpai: SObhamAnai: <\/em><br \/>\n<em>dhivya<\/em> <em> pushpa upavanai: upaSObhithE, <\/em><br \/>\n<em>sankIrNa pArijAthAdhi<\/em> <em> kalpadhruma upaSObhithai:, <\/em><br \/>\n<em>asankIrNaiScha kaISchith<\/em> <em> anthastha pushpa rathnAdhi nirmitha <\/em><br \/>\n<em>dhivya leela maNdapa Satha<\/em> <em> sahasrair upaSObhithai:<\/em><\/p>\n<h3>Word-by-Word meaning<\/h3>\n<p><em>chathurdaSa<\/em> &#8211; fourteen<br \/>\n<em>bhuvanam<\/em> &#8211; world<br \/>\n<em>Athmakam<\/em> &#8211; composed of<br \/>\n<strong>aNdam<\/strong> &#8211; These 14 worlds taken together form an egg-shaped assembly of worlds called <em>aNdam<\/em> (egg)<br \/>\n<em>dhaSa<\/em> &#8211; ten<br \/>\n<em>guNitha<\/em> &#8211; times<br \/>\n<em>uththaram<\/em> &#8211; above<br \/>\n<em>cha<\/em> &#8211; also<br \/>\n<em>AvaraNa<\/em> &#8211; wrapper or cover<br \/>\n<em>sapthakam<\/em> &#8211; collection or aggregate of 7<br \/>\n<strong>samastham<\/strong> &#8211; all<br \/>\n<strong>kArya kAraNa jAtham<\/strong> &#8211; effect and causative factors<br \/>\n<strong>athIthya<\/strong> &#8211; crossing<br \/>\n<strong>parama<\/strong>\u00a0\u2013 superior<br \/>\n<em>vyOma<\/em> \u2013 sky or ether<br \/>\n<em>Sabdha<\/em> \u2013 word<br \/>\n<em>abhidhEyE<\/em>\u00a0\u2013 expressed as<br \/>\n<strong>brahmA AdhInAm vAngmanasa agOcharE<\/strong> \u2013 this place is beyond the speech and thought of everyone beginning with brahmA.<br \/>\n<strong>Srimathi<\/strong> &#8211; kainkaryam<br \/>\n<strong>vaikuNtE<\/strong> \u2013 vaikuntam<br \/>\n<strong>dhivyalOkE<\/strong>\u00a0\u2013 not\u00a0<em>mAnushalOkam<\/em>\u00a0(world inhabited by human beings)<br \/>\n<em>sanaka<\/em>\u00a0\u2013 one of the four\u00a0<em>mAnasa puthrars<\/em>\u00a0of\u00a0<em>brahmA<\/em>\u00a0(the four sons created by\u00a0<em>brahmA<\/em> through his thoughts)<br \/>\n<em>vidhi<\/em> \u2013 brahmA<br \/>\n<em>Siva<\/em> \u2013 rudhran<br \/>\n<em>Adhibi<\/em> \u2013 many other celestial entities, starting from these<br \/>\n<em>achinthya<\/em> \u2013 beyond their thoughts<br \/>\n<em>svabhAva<\/em> \u2013 as its nature<br \/>\n<em>aiSvaryai:<\/em>\u00a0\u2013 having plenty of wealth<br \/>\n<strong>nithya sidhdhai:<\/strong> \u2013 permanently carrying out kainkaryam<br \/>\n<strong>ananthai:<\/strong> \u2013 countless<br \/>\n<strong>bhagavath AnukUlya bhOgai:<\/strong> \u2013 enjoyed by bhagavAn the way he likes<br \/>\n<strong>dhivya purushai:<\/strong>\u00a0\u2013 divine people<br \/>\n<strong>mahAthmabhi<\/strong>: \u2013 great people<br \/>\n<strong>ApUrithE<\/strong>\u00a0\u2013 filled up<br \/>\n<strong>thEshAmapi<\/strong>\u00a0\u2013 even they<br \/>\n<strong>iyath parimANam<\/strong>\u00a0\u2013 these are its dimensions<br \/>\n<strong>iyath aiSvaryam<\/strong>\u00a0\u2013 this is the value of its wealth<br \/>\n<strong>IdhruSa svabhAvam<\/strong>\u00a0\u2013 this is its nature or type<br \/>\n<strong>ithi parichchEththum ayOgyE<\/strong> \u2013 even\u00a0<em>nithyasUris<\/em>\u00a0do not have the ability to define these characteristics of SrIvaikuNtam<br \/>\n<em>dhivya<\/em> \u2013 aprAkrutha (pure good)<br \/>\n<em>AvaraNa<\/em> \u2013 cover (like a compound wall)<br \/>\n<em>Satha<\/em> \u2013 hundreds<br \/>\nsahasra \u2013 thousands<br \/>\n<em>AvruthE<\/em>\u00a0\u2013 filled with<br \/>\n<em>dhivya<\/em>\u00a0\u2013\u00a0<em>aprAkrutha<\/em> (sudhdha sathva)<br \/>\n<em>kalpaka tharu<\/em> \u2013 a tree which fulfills the wishes of those who wish for something while standing under it<br \/>\n<em>upaSObhithE<\/em>\u00a0\u2013 adorned with<br \/>\n<em>dhivya<\/em> \u2013 divine<br \/>\n<em>udhyAna<\/em> \u2013 garden<br \/>\n<em>Satha<\/em> \u2013 hundred<br \/>\n<em>sahasra<\/em> \u2013 thousand<br \/>\n<em>kOtibhi:<\/em> \u2013 crore<br \/>\n<em>AvruthE<\/em>\u00a0\u2013 filled with<br \/>\n<strong>athipramANE<\/strong>\u00a0\u2013 beyond measure<br \/>\n<strong>dhivya AyathanE<\/strong>\u00a0\u2013 divine temple<br \/>\n<strong>kasmimSchith<\/strong>\u00a0\u2013 at some place<br \/>\n<em>vichithra<\/em> \u2013 of many types<br \/>\n<em>rathnamayE<\/em>\u00a0\u2013 full of gems<br \/>\n<em>dhivya<\/em> \u2013 divine<br \/>\n<em>AsthAna<\/em> \u2013 assembly<br \/>\n<em>maNdapa<\/em>\u00a0\u2013 hall<br \/>\n<strong>dhivya rathna sthambha Satha sahasra kOtibhi: upaSObithE<\/strong>\u00a0\u2013 the\u00a0<em>maNdapam<\/em>\u00a0(hall) is adorned with hundreds of thousands of pillars (<em>sthamba<\/em>) made of ruby and such gems<br \/>\n<strong>dhivya nAnA rathna krutha sthala vichithrithE<\/strong>\u00a0\u2013 the\u00a0<em>sthala<\/em>\u00a0(floor) is made of different types of divine, wonderful rubies<br \/>\n<strong>dhivya alankAra alankruthE<\/strong> \u2013 the roof of the hall decorated in an artful way<br \/>\n<em>paritha<\/em> \u2013 surround<br \/>\n<em>pathitha<\/em>\u00a0\u2013 fallen<br \/>\n<strong>pathamAnai:<\/strong>\u00a0\u2013 flowers are just dropping from the plants and trees.<br \/>\n<strong>pAdhapasthaiScha<\/strong>\u00a0\u2013 flowers that are also (still) on the plants and trees<br \/>\n<em>nAnA<\/em> \u2013 different<br \/>\n<em>gandha<\/em> \u2013 smell<br \/>\n<em>varNa<\/em>\u00a0\u2013 colour<br \/>\n<em>dhivya<\/em> \u2013 divine<br \/>\n<em>pushpa<\/em> \u2013 flowers<br \/>\n<em>SObhamAna<\/em>\u00a0\u2013 adorned with<br \/>\n<strong>dhivya pushpa upavanai: upaSObhithE<\/strong>\u00a0\u2013 the place is adorned with such orchards and gardens<br \/>\n<strong>sankIrNa pArijAtha Adhi kalpadhruma upaSObhithai:<\/strong> \u2013\u00a0Adorned with mix of kalpaka trees and trees such as pArijAtham, sandalwood etc.<br \/>\n<strong>asankIrNaiScha kaiSchith<\/strong>\u00a0\u2013 also adorned with stand-alone trees (trees that are not mixed with other types).<br \/>\n<strong>anthastha pushpa rathna Adhi nirmitha dhivya leelA maNdapa Satha sahaasra upaSObhiththai:<\/strong>\u00a0\u2013 inside the groves, there are different types of\u00a0<em>maNdapams<\/em>\u00a0(halls) such as\u00a0<em>pushpa maNdapa<\/em>\u00a0(flower hall),\u00a0<em>rathna\u00a0maNdapa<\/em>\u00a0(ruby hall) and which are present in hundreds of thousands of numbers for the divine play of\u00a0<a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a>\u00a0and his consorts<\/p>\n<p style=\"text-align: justify;\"><strong>Explanatory Notes<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>chathurdhaSa bhuvanAthmakam<\/strong> &#8211; <em>chathurdaSa<\/em> &#8211; fourteen; <em>bhuvanam<\/em> &#8211; world; <em>Athmakam<\/em> &#8211; composed of. There are 7 worlds including <em>bhU:<\/em> (earth) (<em>bhU;, bhuva:, suva:, maha:, jana:, thapa: sathyam<\/em>) which are above, and 7 worlds starting with <em>athala<\/em> (<em>athala, suthala, vithala, nithala, rasAthala, thalAthala, pAthala<\/em>) below. What is it that these 14 worlds constitute?<\/p>\n<p style=\"text-align: justify;\"><strong>aNdam<\/strong> &#8211; These 14 worlds taken together form an egg-shaped assembly of worlds called <em>aNdam<\/em> (egg). It has an end-to-end spread of 50 crore <em>yOjana<\/em> (one <em>yOjana<\/em> is 10 miles or 16 kms in our parlance).<\/p>\n<p style=\"text-align: justify;\"><strong>dhaSaguNitha uththarancha\u00a0AvaraNa sapthakam<\/strong> &#8211; <em>dhaSa<\/em> &#8211; ten; <em>guNitha<\/em> &#8211; times; <em>uththaram<\/em> &#8211; above; <em>cha<\/em> &#8211; also; <em>AvaraNa<\/em> &#8211; wrapper or cover; <em>sapthakam<\/em> &#8211; collection or aggregate of 7. Around each such egg (<em>aNdam<\/em>, that we have seen above) are 7 covers, with each succeeding cover being 10 times bigger than the previous cover. What are these 7 covers made of? They are <em>prithvi<\/em>\u00a0(14 worlds in the centre), <em>vAri<\/em> (water), <em>vahni<\/em> (fire), <em>anila<\/em> (air or wind), <em>AkASa<\/em> (open or empty space), <em>ahankAra<\/em> (ego, third source of creation), <em>mahAn<\/em> (great, the 2nd source of creation) and <em>avyaktham<\/em>\u00a0(<a href=\"https:\/\/granthams.koyil.org\/2013\/03\/09\/thathva-thrayam-achith-what-is-matter\/\"><em>prakruthi<\/em> or primordial matter<\/a>, primary source of creation ).<\/p>\n<p style=\"text-align: justify;\"><strong>samastham<\/strong> &#8211; all. All the above mentioned entities put together form one <em>aNdam<\/em>. SrIvishNu purANam says that there are thousands and ten thousands of such aNdam and hundreds of crores of such entities.<\/p>\n<p style=\"text-align: justify;\"><strong>kArya kAraNa jAtham<\/strong> &#8211; effect and causative factors (those that are produced by and those that produce). For example, <em>avyaktham<\/em>\u00a0(<em>prakruthi<\/em> or primordial matter) that we have seen above is the causative factor for <em>mahAn<\/em>. <em>mahAn<\/em> produces <em>ahankAram<\/em> which in turn gives rise to the five elements sky, wind, fire, water and earth. Thus avyaktham is <em>kAraNam<\/em> while <em>mahAn<\/em> is both <em>kAraNam<\/em> (as it gives rise to <em>ahankAram<\/em>) and <em>kAryam<\/em> (as it came from <em>avyaktham<\/em>).<\/p>\n<p style=\"text-align: justify;\"><strong>athIthya<\/strong> &#8211; crossing. The liberated <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/06\/thathva-thrayam-chith-who-am-i\/\">jIvAthmA<\/a> crosses all these entities. The crossing is done once and he does not come back to <em>samsAram<\/em>. \u00a0In <a href=\"http:\/\/githa.koyil.org\/\">bhagavadh gIthA<\/a>, <a href=\"http:\/\/acharyas.koyil.org\/index.php\/sriman-narayanan\/\">krishNa<\/a> says that the <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/06\/thathva-thrayam-chith-who-am-i\/\">AthmA<\/a> who reaches upto <em>sathya lOkam<\/em> (<em>brahmA<\/em>&#8216;s world) returns to <em>samsAram<\/em>. But the AthmA who has spent all his <em>karma<\/em> (both <em>pApa<\/em> and <em>puNya<\/em>, sin and virtue) crosses <em>sathya lOkam<\/em> too and does not return to <em>samsAram<\/em>. What sort of a place does such an AthmA reach?<\/p>\n<p style=\"text-align: justify;\"><strong>parama<\/strong> &#8211; superior. That which does not have anything \u00a0higher than itself.<\/p>\n<p style=\"text-align: justify;\"><strong>vyOma SabdhAbhidhEyE<\/strong> &#8211; <em>vyOma<\/em> &#8211; sky or ether; <em>Sabdha<\/em> &#8211; word; <em>abhidhEyE<\/em> &#8211; expressed as. The <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/06\/thathva-thrayam-chith-who-am-i\/\">AthmA<\/a> crosses all the earlier mentioned worlds and reaches the entity that \u00a0is called as <em>parama vyOma<\/em> (superior sky). Unlike <em>karmabhUmi<\/em> (earth, the place where we take a physical form in line with our karma to get rid of <em>prArabdha karma<\/em>) this place does not limit our knowledge, but clears our thoughts. Is this place limited?<\/p>\n<p style=\"text-align: justify;\"><strong>brahmA AdhInAm vAngmanasa agOcharE<\/strong> &#8211; Unlike simple people such as ourselves who have limited knowledge and power, this place is beyond the reach of highly knowledgeable people such as brahmA, Siva and other celestial beings. It is beyond their speech and thought. Does this place have a name?<\/p>\n<p style=\"text-align: justify;\"><strong>SrImathi vaikuNtE dhivyalOkE<\/strong> &#8211; it is called as SrIvaikuNtam. Unlike <em>karmabhUmi<\/em> where there are impediments while carrying our kainkaryam, this is permanent and free from any hurdle.<\/p>\n<p style=\"text-align: justify;\"><strong>Srimathi<\/strong> here refers to kainkaryam. <strong>vaikuNtE<\/strong> &#8211; there is no shortage for <em>gyAna<\/em> (knowledge) and <em>Sakthi<\/em> (energy or strength) here as there is no concealment of these by karmA. <strong>dhivyalOkE<\/strong> &#8211; not <em>mAnushalOkam<\/em> (world inhabited by human beings). Different from it. <em>dhivya<\/em>\u00a0also means\u00a0<em>aprAkrutha<\/em> (not <em>prAkrutha<\/em>, not composed of <em>sathva\/rajas\/thamas<\/em>, but only <em>Sudhdha sathva<\/em>). Having mentioned about the place, the next few words describe about the people who are in it.<\/p>\n<p style=\"text-align: justify;\"><strong>sanaka vidhi Sivadhibhir achinthya svabhAva aiSvaryai:<\/strong> &#8211; <em>sanaka<\/em> &#8211; one of the four <em>mAnasa puthrars<\/em>\u00a0of <em>brahmA<\/em> (the four sons created by <em>brahmA<\/em> through his thoughts); <em>vidhi<\/em> &#8211; brahmA; <em>Siva<\/em> &#8211; rudhran; <em>Adhibi<\/em> &#8211; many other celestial entities, starting from these; <em>achinthya<\/em> &#8211; beyond their thoughts; <em>svabhAva<\/em> &#8211; as its nature; <em>aiSvaryai:<\/em> &#8211; having plenty of wealth. Even highly knowledgeable persons such as <em>brahmA, Siva, sanaka<\/em> and others can not fathom about the glory and type of persons who are inhabiting <em>SrivaikuNtam<\/em> and the wealth of SrIvaikuNtam.<\/p>\n<p style=\"text-align: justify;\"><strong>nithya sidhdhai:<\/strong> &#8211; unlike <em><a href=\"https:\/\/granthams.koyil.org\/2013\/03\/06\/thathva-thrayam-chith-who-am-i\/\">mukthAthmAs<\/a><\/em> who are devoted to <em><a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a>, <\/em>only from the time that they reach <em>SrIvaikuNtam<\/em> after being liberated, the inhabitants of <em>SrIvaikuNtam<\/em> (<a href=\"https:\/\/granthams.koyil.org\/2013\/03\/06\/thathva-thrayam-chith-who-am-i\/\"><em>nithyasUris<\/em><\/a>) have been there always and have been permanently carrying out kainkaryam to bhagavAn.<\/p>\n<p style=\"text-align: justify;\"><strong>ananthai:<\/strong> &#8211; The nithyasUris are not limited in number. They are countless.<\/p>\n<p style=\"text-align: justify;\"><strong>bhagavath AnukUlya bhOgai:<\/strong> &#8211; their only purpose is to act the way <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a> wants them to; i.e. not acting independently. They are enjoyed by bhagavAn the way he likes and they enjoy his auspicious qualities.<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya purushai:<\/strong> &#8211; divine people. <em>aprAkrutha<\/em> (composed of only <em>sudhdha sathva<\/em>, pure good) people.<\/p>\n<p style=\"text-align: justify;\"><strong>mahAthmabhi<\/strong>: &#8211; great people. Their greatness is such that <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a> will not tolerate if they are separated from him.<\/p>\n<p style=\"text-align: justify;\"><strong>ApUrithE<\/strong> &#8211; filled up. SrivaikuNtam is filled up with such people. It is not that only a few <em>nithyasUris<\/em> are there.<\/p>\n<p style=\"text-align: justify;\"><strong>thEshAmapi<\/strong> &#8211; even they. Their <em>svabhAvam<\/em> (nature) is such that others such as<em> brahmA, Siva<\/em> et al can not think or talk about them and their greatness or about SrIvaikuNtam. Are such <em>nithyasUris<\/em> able to give details about SrIvaikuNtam that they inhabit?<\/p>\n<p style=\"text-align: justify;\"><strong>iyath parimANam<\/strong> &#8211; these are its dimensions<\/p>\n<p style=\"text-align: justify;\"><strong>iyath aiSvaryam<\/strong> &#8211; this is the value of its wealth<\/p>\n<p style=\"text-align: justify;\"><strong>IdhruSa svabhAvam<\/strong> &#8211; this is its nature or type<\/p>\n<p style=\"text-align: justify;\"><strong>ithi parichchEththum ayOgyE<\/strong> &#8211; even these <em>nithyasUris<\/em>\u00a0do not have the ability to define these characteristics of SrIvaikuNtam.<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya AvaraNa Satha sahasra AvruthE<\/strong> &#8211; <em>dhivya<\/em> &#8211; aprAkrutha (pure good); <em>AvaraNa<\/em> &#8211; cover (like a compound wall); <em>Satha<\/em> &#8211; hundreds; sahasra &#8211; thousands; <em>AvruthE<\/em> &#8211; filled with. \u00a0SrIvaikuNtam has hundreds of thousands of compounds walls which, unlike what we see in leelA vinbhUthi (our materialistic realm), are made of pure good entity (<i>sudhdha sathvam<\/i>). Who has the courage to wage a war against him? Why then should there be so many compound walls in SrIvaikuNtam? The answer to this is that it is like the capital of a country. Here <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a> is the king of the country. Hence it should have all the qualifications of a capital. Thus there are many compound walls. Moreover the inhabitants of this country worry about the safety of their king even at places where such fear is misplaced (similar to <em><a href=\"http:\/\/acharyas.koyil.org\/index.php\/periyazhwar\/\">periyAzhwAr<\/a><\/em> singing <a href=\"https:\/\/divyaprabandham.koyil.org\/index.php\/2015\/06\/thiruppallandu-1-pallandu\/\"><em>pallANdu pallANdu<\/em><\/a> on <a href=\"http:\/\/acharyas.koyil.org\/index.php\/sriman-narayanan\/\">emperumAn<\/a>) and this leads to the roles getting reversed. Thus the protector is protected (<em>nithyasUris<\/em> protect bhagavAn). To fulfill this role, compound walls have been constructed.\u00a0Will the place be one of granting protection only, without anything for enjoyment?<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya kalpakatharu upaSObhithE<\/strong> &#8211; <em>dhivya<\/em> &#8211; <em>aprAkrutha<\/em> (sudhdha sathva); <em>kalpaka tharu<\/em> &#8211; a tree which fulfills the wishes of those who wish for something while standing under it; <em>upaSObhithE<\/em> &#8211; adorned with. \u00a0Unlike the <em>kalpakatharu<\/em> in lowly <em>swargam<\/em> (heaven, ruled by indhra) which is <em><a href=\"https:\/\/granthams.koyil.org\/2013\/03\/09\/thathva-thrayam-achith-what-is-matter\/\">prAkrutha<\/a><\/em> tree, the <em>kalpakatharu<\/em> in <em>SrivaikuNtam<\/em> is <em>dhivya<\/em>\u00a0or <em>aprAkrutham<\/em>. The <em>kalpakatharu<\/em> in SrIvaikuNtam is not just one tree but it is a grove or garden of such trees. This is a source of enjoyment there.<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya udhyAna Satha sahasra kOtibhi: AvruthE<\/strong>\u00a0&#8211; <em>dhivya<\/em> &#8211; divine; <em>udhyAna<\/em> &#8211; garden; <em>Satha<\/em> &#8211; hundred; <em>sahasra<\/em> &#8211; thousand; <em>kOtibhi:<\/em> &#8211; crore; <em>AvruthE<\/em>\u00a0&#8211; filled with. There are hundreds of thousands of crores of gardens in <em>SrivaikuNtam<\/em> for <em>SrIvaikuNtanAthan<\/em> (<a href=\"http:\/\/acharyas.koyil.org\/index.php\/sriman-narayanan\/\">emperumAn<\/a> or <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a>) and <em>nAchimArs<\/em> (his consorts) for spending their time in an enjoyable way.<\/p>\n<p style=\"text-align: justify;\"><strong>athipramANE<\/strong> &#8211; beyond measure. It is not possible to define its length and breadth.<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya AyathanE<\/strong> &#8211; divine temple; SrivaikuNtam itself is like a divine temple whose dimensions are beyond measurement.<\/p>\n<p style=\"text-align: justify;\"><strong>kasmimSchith<\/strong> &#8211; at some place, which is beyond our thought or imagination or grasp.<\/p>\n<p style=\"text-align: justify;\"><strong>vichithra rathnamayE<\/strong> &#8211; <em>vichithra<\/em> &#8211; of many types; <em>rathnamayE<\/em> &#8211; full of gems.<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya AshthAna maNdapE<\/strong> &#8211; <em>dhivya<\/em> &#8211; divine; <em>AsthAna<\/em> &#8211; assembly; <em>maNdapa<\/em>\u00a0&#8211; hall. Here the reference is to the court which <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a> holds in SrIvaikuNtam when he gives <em>dharshan<\/em> (audience) to all <em>nithyasUris<\/em> and <em>mukthAthmAs<\/em>.<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya rathna sthambha Satha sahasra kOtibhi: upaSObithE<\/strong> &#8211; the <em>maNdapam<\/em> (hall) is adorned with hundreds of thousands of pillars (<em>sthamba<\/em>)made of ruby and such gems.<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya nAnA rathna krutha sthala vichithrithE<\/strong> &#8211; the <em>sthala<\/em> (floor) is made of different types of divine, wonderful rubies.<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya alankAra alankruthE<\/strong> &#8211; the roof of the hall, the screen held in front of <em>emperumAn<\/em> (<a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a>) and his <em>pirAttis<\/em> (consorts) etc have been decorated in an artful way.<\/p>\n<p style=\"text-align: justify;\"><strong>paritha: pathithai:<\/strong> &#8211; <em>paritha<\/em> &#8211; surround; <em>pathitha<\/em> &#8211; fallen. Surrounding the <em>mandapam<\/em>\u00a0 (<a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a>&#8216;s court-hall) are plants and trees from which flowers have fallen on to the ground.<\/p>\n<p style=\"text-align: justify;\"><strong>pathamAnai:<\/strong> &#8211; flowers are just dropping from the plants and trees.<\/p>\n<p style=\"text-align: justify;\"><strong>pAdhapasthaiScha<\/strong> &#8211; flowers that are also (still) on the plants and trees. Thus we have flowers that have dropped, that are dropping and that are still blooming. This may be confusing but we should understand that there is no factor called <em>kAla<\/em>\u00a0(time) in SrivaikuNtam and hence all these events take place simultaneously for the enjoyment of its inhabitants and <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a> and his pirAttis.<\/p>\n<p style=\"text-align: justify;\"><strong>nAnA gandha varNai:<\/strong> &#8211; <em>nAnA<\/em> &#8211; different; <em>gandha<\/em> &#8211; smell; <em>varNa<\/em> &#8211; colour. These flowers are of different scents and colours.<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya pushpa SObhamAnai:<\/strong> &#8211; <em>dhivya<\/em> &#8211; divine; <em>pushpa<\/em> &#8211; flowers; <em>SObhamAna<\/em> &#8211; adorned with. The hall is adorned with various types of flowers having different smells (scents) and different hues of colours.<\/p>\n<p style=\"text-align: justify;\"><strong>dhivya pushpa upavanai: upaSObhithE<\/strong> &#8211; the place is adorned with such orchards and gardens.<\/p>\n<p style=\"text-align: justify;\"><strong>sankIrNa pArijAtha Adhi kalpadhruma upaSObhithai:<\/strong> &#8211; <em>sankIrNa<\/em> &#8211; mixed. Adorned with trees such as pArijAtham (a type of tree that gives rise to sweet smelling flower (night-flowering coral jasmine)), sandalwood, harichandanam (type of sandal tree) mixed with kalpaka trees.<\/p>\n<p style=\"text-align: justify;\"><strong>asankIrNaiScha kaiSchith<\/strong> &#8211; also adorned with stand-alone trees (trees that are not mixed with other types).<\/p>\n<p style=\"text-align: justify;\"><strong>anthastha pushpa rathna Adhi nirmitha dhivya leelA maNdapa Satha sahaasra upaSObhiththai:<\/strong>\u00a0&#8211; inside the groves, there are different types of <em>maNdapams<\/em> (halls) such as <em>pushpa maNdapa<\/em> (flower hall), <em>rathna\u00a0maNdapa<\/em> (ruby hall) and which are present in hundreds of thousands of numbers for the divine play of <a href=\"https:\/\/granthams.koyil.org\/2013\/03\/12\/thathva-thrayam-iswara-who-is-god\/\">bhagavAn<\/a> and his consorts.<\/p>\n<p style=\"text-align: justify;\">\u00a0We shall continue from where we left in the next part of this chUrNai.<\/p>\n<p style=\"text-align: justify;\">\u00a0Translation by krishNa rAmAnuja dhAsan.<\/p>\n<p style=\"text-align: justify;\">archived in <a href=\"https:\/\/divyaprabandham.koyil.org\">https:\/\/divyaprabandham.koyil.org<\/a><\/p>\n<p>pramEyam (goal) \u2013 <a href=\"https:\/\/koyil.org\/\" target=\"_blank\" rel=\"nofollow noopener\">https:\/\/koyil.org<\/a><br \/>\npramANam (scriptures) \u2013 <a href=\"http:\/\/granthams.koyil.org\">http:\/\/granthams.koyil.org<\/a><br \/>\npramAthA (preceptors) \u2013 <a href=\"http:\/\/acharyas.koyil.org\">http:\/\/acharyas.koyil.org<\/a><br \/>\nSrIvaishNava education\/kids portal \u2013 <a href=\"https:\/\/pillai.koyil.org\/\">http:\/\/pillai.koyil.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: Full Series &lt;&lt; Previous avathArikai (Introduction) This chUrNai describes the archirAdhi mArga (the path which starts with archis, light) through which a \u00a0jIvAthmA, who has thus surrendered to bhagavAn and gets liberated from samsAram (materialistic realm) travels and attains SrIvaikuNtam. It also describes the many-splendoured &#8230; <a title=\"SrIvaikuNta gadhyam &#8211; 3rd chUrNai  Part 1\" class=\"read-more\" href=\"https:\/\/divyaprabandham.koyil.org\/index.php\/2016\/04\/srivaikunta-gadhyam-3-part-1\/\" aria-label=\"Read more about SrIvaikuNta gadhyam &#8211; 3rd chUrNai  Part 1\">Read more<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70,14,77],"tags":[],"class_list":["post-8291","post","type-post","status-publish","format-standard","hentry","category-gadhya-thrayam","category-other","category-srivaikunta-gadhyam"],"_links":{"self":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/8291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/comments?post=8291"}],"version-history":[{"count":0,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/8291\/revisions"}],"wp:attachment":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/media?parent=8291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/categories?post=8291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/tags?post=8291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}