SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama:<\/small><\/p>\n\n\n\n
periya thirumozhi<\/a> >> Ninth centum<\/a> >> First decad<\/a><\/p>\n\n\n\n << Previous<\/a><\/p>\n\n\n\n No specific introduction.<\/p>\n\n\n\n vAnuLAr avarai valimaiyAl naliyum maRikadal ilangaiyAr kOnai vAnuLAr avarai – dhEvathAs starting with indhra The divine son of emperor dhaSaratha, drew his bow with the sharp arrows which resemble sun’s rays to have the strong heads of rAvaNa, who was the king of lankA, which was surrounded by ocean with rising waves, and who was tormenting the dhEvathAs starting with indhra, with his strength, to be severed and felled. Such emperumAn is mercifully present in thirukkaNNangudi where the prides of peacocks, which are roaming in the forest, stand and dance, where the gathered clouds sound similar to percussion instruments and beautiful beetles, which are roaming in honey, are humming sweet songs.<\/p>\n\n\n\n vAnuLar … <\/strong>– With his strength, rAvaNa would torment indhra et al, who were placed as protectors [by bhagavAn], and was the king of lankA which is having the ocean with rising waves as its protective layer; chakravarthith thirumagan drew his bow and shot sharp arrows which resemble sun’s rays and made rAvaNa’s heads, which were decorated with the strength of boons, to fall down like palm fruits.<\/p>\n\n\n\n kAn … <\/strong>– As the prides of peacocks, which roam around in the forest dance, the gathered clouds make noise similar to that of percussion instruments, beetles which are fully drunk with honey sing sweet song, it appears that bhagavAn is resting in this abode, to relax and reduce his fatigue which came about while fighting against rAvaNa.<\/p>\n\n\n\n In the next article we will enjoy the next pAsuram.<\/p>\n\n\n\n adiyen sarathy ramanuja dasan<\/p>\n\n\n\n archived in https:\/\/divyaprabandham.koyil.org<\/a><\/p>\n\n\n\n pramEyam (goal) \u2013 https:\/\/koyil.org<\/a> SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImath varavaramunayE nama: periya thirumozhi >> Ninth centum >> First decad << Previous Highlights from avathArikai (Introduction) No specific introduction. pAsuram vAnuLAr avarai valimaiyAl naliyum maRikadal ilangaiyAr kOnai bAnu nEr saraththAl panangani pOlap parumudi udhira vil vaLaiththOn kAnulA mayilin kaNangaL ninRAdak kaNamugil murasam ninRadhirath thEnulA varivaNdu innisai muralum thirukkaNNangudiyuL ninRAnE Word-by-Word meanings … Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,16,727],"tags":[],"class_list":["post-62120","post","type-post","status-publish","format-standard","hentry","category-irandam-ayiram","category-periya-thirumozhi","category-periya-thirumozhi-9th-centum"],"_links":{"self":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/62120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/comments?post=62120"}],"version-history":[{"count":2,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/62120\/revisions"}],"predecessor-version":[{"id":62125,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/62120\/revisions\/62125"}],"wp:attachment":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/media?parent=62120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/categories?post=62120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/tags?post=62120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Highlights from avathArikai (Introduction)<\/h3>\n\n\n\n
pAsuram<\/h3>\n\n\n\n
bAnu nEr saraththAl panangani pOlap parumudi udhira vil vaLaiththOn
kAnulA mayilin kaNangaL ninRAdak kaNamugil murasam ninRadhirath
thEnulA varivaNdu innisai muralum thirukkaNNangudiyuL ninRAnE<\/em><\/p>\n\n\n\nWord-by-Word meanings<\/h3>\n\n\n\n
valimaiyAl – by strength
naliyum – one who torments
maRi – having rising waves
kadal – surrounded by ocean
ilangaiyAr kOn – rAvaNa, the king of lankA, his
paru – strong
mudi – heads
bAnu – like sun’s rays
nEr – sharp
saraththAl – by arrows
panam kani pOla – like palm fruits
udhira – to be severed and felled
vil – bow
vaLaiththOn – chakravarthith thirumagan (divine son of emperor dhaSaratha), who drew
kAn – in the forest
ulA – roaming
mayilin – peacocks’
kaNangaL – prides
ninRAda – to stand and dance
kaNa mugil – gathered clouds
murasam – like a percussion instrument
ninRadhira – to sound
thEn – in honey
ulA – roaming
vari – beautiful
vaNdu – beetles
in – sweet
isai – song
muralum – to hum
thirukkaNNangudiyuL ninRAnE – mercifully present in thirukkaNNangudi.<\/p>\n\n\n\nSimple translation<\/h3>\n\n\n\n
Highlights from vyAkyAnam (Commentary)<\/h3>\n\n\n\n
pramANam (scriptures) \u2013 http:\/\/granthams.koyil.org<\/a>
pramAthA (preceptors) \u2013 http:\/\/acharyas.koyil.org<\/a>
SrIvaishNava education\/kids portal \u2013 http:\/\/pillai.koyil.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"