SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: Sri varavaramunayE nama:<\/p>\n\n\n\n
periyAzhwAr thirumozhi<\/a> >> Third Centum<\/a> >> Sixth decad<\/a><\/a><\/p>\n\n\n\n Previous<\/a><\/p>\n\n\n\n avathArikai<\/strong><\/p>\n\n\n\n In this last pAsuram of the decad, AzhwAr mentions the benefit which will accrue to those who recite it and brings the decad to its end.<\/p>\n\n\n\n kuzhal iruNdu suruNdu ERiya kunjik kOvindhanudaiya kOmaLa vAyil<\/em> Word-by-Word Meanings<\/strong><\/p>\n\n\n\n kuzhal<\/em> \u2013 having locks lowered onto the divine forehead Simple Translation<\/strong><\/p>\n\n\n\n krishNa, who grazes cows, has divine locks which have grown up well. His locks, which are curled and dark, have got lowered onto his divine forehead. Through the holes in the flute, which he has kept on his beautiful, divine lips, nectar-like water flows, throwing waves and rising. periyAzhwAr, who is the controller of SrI villibuththUr, has considered that flow of water as sound from the flute and explained it through these thamizh pAsurams. Those, who are capable of reciting these will be considered as having cool words, whose coolness would lower the coolness of that music from the flute and will be recognised in the assembly of SrIvaishNavas.<\/p>\n\n\n\n vyAkhyAnam (Commentary)<\/strong><\/p>\n\n\n\n kuzhal \u2026<\/strong> – just as he is referred to in the ninth pAsuram [of this decad] as \u201csuruNdu iruNda kuzhal thAzhndha mugaththAn<\/em>\u201d (one who has a divine face on which his curled, dark divine locks have lowered themselves), he has divine locks lowering on to his divine forehead. His curled, dark divine locks have grown outwardly well. He is the protector of cattle. On his divine lips \u2026<\/p>\n\n\n\n thiruvAimozhip piLLai, in his svApadhESam, says that kuzhal<\/em> refers to curliness; iruL<\/em> \u2013 darkness; kunji<\/em> \u2013 locks; ERiya<\/em> \u2013 fitting well. gOvindhan<\/em> \u2013 one, who is easy to approach; gOvindhan kOmaLa vAy<\/em> \u2013 reddish, beautiful. divine lips, which are as invaluable as carbuncle gem. They are splendorous.<\/p>\n\n\n\n kuzhal muzhanju \u2026<\/strong> – the divine water, which is like nectar, comes out of the holes in the flute, like a flowing stream, with agitating waves. This flow has been considered as sweet music. This refers to the flow of the sound from flute as well as its palatable nature.<\/p>\n\n\n\n thiruvAimozhip piLLai says here that droplets come out of the seven holes in the flute, as a flow of nectar. The sound emanates from that flow. Usage of the term thannai<\/em> [as in amudhap punal thannai<\/em>] refers to the eminence of that flow.<\/p>\n\n\n\n pudhuvaik kOn vittuchiththan viriththa thamizh vallAr<\/strong> \u2013 periyAzhwAr is the controller of SrI villibuththUr. He has mercifully explained the eminence of this sound, in thamizh language. Those who are capable of reciting these pAsurams, with the pathos of periyAzhwAr \u2026<\/p>\n\n\n\n thiruvAimozhip piLLai says here that the term vittuchiththan<\/em> refers to the presiding deity in SrI villibuththUr, vataperum kOyil udaiyAn<\/em>, keeping periyAzhwAr in his divine mind. Also, it refers to periyAzhwAr, keeping vataperum kOyil udaiyAn<\/em> in his mind. This is similar to the meaning of the term nArAyaNa<\/em> \u2013 through the two samAsams<\/em> [compounded words], the term nArAyaNa<\/em> would refer to one who resides in all the AthmAs and one, who is the repository of all the AthmAs. periyAzhwAr, instead of keeping these [pAsurams] to himself, had taught these to all the residents of SrI villibuththUr, enabling them to teach these to others too. Those who are capable of reciting these, with periyAzhwAr\u2019s pathos. Here, the term kuzhal<\/em> is just a pretext. The words come from emperumAn, utilising the flute as AchAryan<\/em>.<\/p>\n\n\n\n kuzhalai venRa kuLirvAyinar Agi<\/strong> \u2013 their words would be considered to be cooler than the coolness of the sound from the divine flute.<\/p>\n\n\n\n thiruvAimozhip piLLai says here that the words of those who recite these pAsurams will be such cool that it would make the coolness of the tune and words of the sound from the flute to be considered as being warm.<\/p>\n\n\n\n sAdhu kOttiyuL koLLap paduvArE<\/strong> \u2013 if they enter the assembly of SrIvaishNavas, they will be held in affection by the SrIvaishNavas.<\/p>\n\n\n\n thiruvAimozhip piLLai says here that such people will be accepted in the assembly of those who are totally dependent on the instructions of their AchArya. He explains the term sAdhu kOtti uL koLLap paduvArE<\/em> as follows: sAdhu kOttip paduvArE<\/em> \u2013 it is only if they approach the assembly of such people that their existence would be ensured. sAdhu kOtti koLLap paduvArE<\/em> \u2013 it is only if they, who are in the assembly, recognise them that these people [those who recite the pAsurams] will become qualified. sAdhi kOtti uL koLLap paduvArE<\/em> \u2013 even if the people in the assembly disperse and go to their respective dwelling place, they will still think of these people in their hearts, without forgetting them, and celebrate them. This is the qualification which these people get.<\/p>\n\n\n\n This completes the sixth decad of the third centum of periyAzhwAr thirumozhi.<\/p>\n\n\n\n We shall next consider the pravEsam of the next thirumozhi.<\/p>\n\n\n\n adiyEn krishNa rAmAnuja dhAsan<\/p>\n\n\n\n archived in https:\/\/divyaprabandham.koyil.org<\/a> <\/p>\n\n\n\n pramEyam (goal) \u2013 http:\/\/koyil.org<\/a> SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: Sri varavaramunayE nama: periyAzhwAr thirumozhi >> Third Centum >> Sixth decad Previous avathArikai In this last pAsuram of the decad, AzhwAr mentions the benefit which will accrue to those who recite it and brings the decad to its end. kuzhal iruNdu suruNdu ERiya kunjik kOvindhanudaiya kOmaLa vAyilkuzhal muzhanjugaLin Udu kumizhththuk … Read more<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,717,724],"tags":[],"class_list":["post-60291","post","type-post","status-publish","format-standard","hentry","category-mudhalayiram","category-periyazhwar-thirumozhi","category-periyazhwar-thirumozhi-3rd-centum"],"_links":{"self":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/60291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/comments?post=60291"}],"version-history":[{"count":2,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/60291\/revisions"}],"predecessor-version":[{"id":60419,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/60291\/revisions\/60419"}],"wp:attachment":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/media?parent=60291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/categories?post=60291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/tags?post=60291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
kuzhal muzhanjugaLin Udu kumizhththuk kozhuththu izhindha amudhap punal thannai<\/em>
kuzhal muzhavam viLambum pudhuvaik kOn vittu chiththan viriththa thamizh vallAr<\/em>
kuzhalai venRa kuLirvAyinarAgich chAdhu kOttiyuL koLLap paduvArE<\/em><\/p>\n\n\n\n
iruNdu<\/em> \u2013 dark
suruNdu<\/em> \u2013 curled
ERiya<\/em> \u2013 growing up fully
kunji<\/em> \u2013 having divine locks
gOvindhanudaiya<\/em> \u2013 kaNNan, who grazes cattle, his
kOmaLam<\/em> \u2013 beautiful
vAyil<\/em> \u2013 in the divine mouth
kuzhal<\/em> \u2013 divine flute
muzhanjugaLinUdu<\/em> \u2013 through the holes
kumizhndhu<\/em> \u2013 rising up
kozhiththu izhindha<\/em> \u2013 splashing waves and flowing
amudham punal thannai<\/em> \u2013 nectar-like water
kuzhal muzhavam<\/em> \u2013 through the sound of flute
viLambum<\/em> \u2013 mentioned
pudhuvaikkOn<\/em> \u2013 one, who is the controller of SrI villibuththUr
vittuchiththan<\/em> \u2013 periyAzhwAr
viriththa<\/em> \u2013 explained
thamizh<\/em> \u2013 these, which are hymns in thamizh
vallAr<\/em> \u2013 those, who are capable of reciting
kuzhalai <\/em>\u2013 the coolness of the music from flute
venRa<\/em> \u2013 to lower it
kuLir<\/em> \u2013 cool
vAyinar Agi<\/em> \u2013 considered as having words
sAdhu kOtti<\/em> \u2013 in the assembly of SrIvaishNavas
uL koLLap paduvar<\/em> \u2013 will get to be recognised<\/p>\n\n\n\n
pramANam (scriptures) \u2013 http:\/\/granthams.koyil.org<\/a>
pramAthA (preceptors) \u2013 http:\/\/acharyas.koyil.org<\/a>
SrIvaishNava education\/kids portal \u2013 http:\/\/pillai.koyil.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"