SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: Sri varavaramunayE nama:<\/p>\n\n\n\n
periyAzhwAr thirumozhi<\/a> >> Second Centum<\/a> >> Second decad<\/a> <\/p>\n\n\n\n Previous<\/a><\/p>\n\n\n\n avathArikai (Introduction)<\/strong><\/p>\n\n\n\n There is no specific avathArikai for this pAsuram.<\/p>\n\n\n\n Oda Odak kiNkiNigaL olikkum Osaip pANiyAlE<\/em> Word-by-Word Meanings<\/strong><\/p>\n\n\n\n uththamA<\/em>! \u2013 oh, purushOththamA<\/em> (the most eminent among all the souls)! Simple Translation<\/strong><\/p>\n\n\n\n Oh, one who is the most eminent among all the souls! With your anklets, worn on the divine feet, making a noise, you are singing, and dancing, swaying from side to side, appropriate to that singing, while you are running in a flurry, typical of your childhood. When you come towards me like that, I was amazed thinking \u201cIsn\u2019t he padhmanAbhan!\u201d Instead of running away from me, you should consume milk.<\/p>\n\n\n\n vyAkhyAnam (Commentary)<\/strong><\/p>\n\n\n\n Oda Oda \u2026<\/strong> – Instead of walking softly, with a pride typical of childhood, as you run in an excited manner, with the anklets on the divine feet making a sound.<\/p>\n\n\n\n pAdip pAdi \u2013 adhanukkERRa kUththai asaindhu asaindhu ittu \u2013 Adi<\/strong> \u2013 through your gait, swaying from left to right, dancing in line with the song. He is mentioned in thiruvAimozhi 10-1-6<\/a> as \u201ckUththan kOvalan<\/em>\u201d (one who walks beautifully like an expert dancer and who protects those who need protection), one who walks as if he is an expert dancer. Thus, when he comes in a flurry, the sounds from the anklets would appear like a song and his gait would appear like a dance. Alternatively, considering the noise made by the anklets as the base notes for music, krishNa would sing himself and dance to that song, by swaying from side to side.<\/p>\n\n\n\n varuginRAyaip paRpanAban enRu irundhEn<\/strong> \u2013 while you were coming towards me in this manner, looking at the divine navel on your form, as mentioned in nAchchiyAr thirumozhi 11-2<\/a> \u201ckoppUzhil ezhu kamalap pUvahagar<\/em>\u201d (the beautiful entity who has the lotus flower springing out of his beautiful divine navel), would your divine navel not appear like an ornament such that there was no necessity for any other decoration for your divine form! Does he require any other singing and dancing? yaSOdhAp pirAtti was in amazement, thinking \u201cHow do the sound of the anklet and the beauty of the gait appear like singing and dancing!\u201d She was thinking \u201cIsn\u2019t the one, who creates from destruction, coming towards me, to make me exist!\u201d [implying that by consuming her milk, he would make her exist].<\/p>\n\n\n\n thiruvAimozhip piLLai says, in his svApadhESam, that AzhwAr says \u201cpaRpanAban enRu irundhEn<\/em>\u201d recalling his earlier pAsuram 1.6.5 \u201cpaRpanAbA chappANi<\/em>\u201d. AzhwAr had thought of krishNa\u2019s eminence of being the cause for the creation of universe. AzhwAr said \u201cInstead of manifesting the simplicity of your childhood in line with your incarnation as a human being, is it required to manifest this eminence? Come to me\u201d upon hearing which, he started running away from AzhwAr.<\/p>\n\n\n\n Odi Odi \u2026<\/strong> – Instead of comprehending the meaning of her utterances, krishNa thought \u201cInstead of speaking about my simplicity, she is talking about my eminence which is reflective of my independence\u201d and started running away from her. She tells him not to run away from her like this whereby she would not be able to reach him. Since he is purushOththaman<\/em> [most eminent among all the souls], she tells him that in line with his quality of ASritha pArathanthryam<\/em> [dependence on followers], he should come under her control and consume her bosom milk.<\/p>\n\n\n\n thiruvAimozhip piLLai says here that AzhwAr tells krishNa \u201cDo not run away. Aren\u2019t you uththaman<\/em> [most eminent among all]? Come and consume my bosom milk\u201d. The quality of being purushOththaman<\/em> is to manifest his ASritha pArathanthryam<\/em>. Through this, it appears that just as it has been said in thaiththirIya upanishath Anandhavalli apprApya manasA saha<\/em> [emperumAn is beyond one\u2019s words and mind], krishNa would run away from AzhwAr, who is the best among those who follow vEdhams. The pAsuram should be read as Osaik kiNkiNigaL Oda Oda Adi Adi olikkum pANiyAlE pAdip pAdi adhanukkERRa kUththai asaindhau asaindhu ittu Adi Adi varuginRAyai, paRpanAban enRu irundhEn, Odi Odip pOy vidAdhE uththamA<\/em> in order to get the sequential meaning.<\/p>\n\n\n\n We shall next consider the last pAsuram of this thirumozhi.<\/p>\n\n\n\n adiyEn krishNa rAmAnuja dhAsan<\/p>\n\n\n\n archived in https:\/\/divyaprabandham.koyil.org<\/a><\/p>\n\n\n\n pramEyam (goal) \u2013 http:\/\/koyil.org<\/a> SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: Sri varavaramunayE nama: periyAzhwAr thirumozhi >> Second Centum >> Second decad Previous avathArikai (Introduction) There is no specific avathArikai for this pAsuram. Oda Odak kiNkiNigaL olikkum Osaip pANiyAlEpAdip pAdi varuginRAyaip paRpanAban enRu irundhEnAdi Adi asaindhu asaindhu ittu adhanukkERRa kUththai AdiOdi Odip pOyvidAdhE uththamA! nI mulai uNAyE Word-by-Word Meanings uththamA! \u2013 oh, purushOththamA … Read more<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,717,720],"tags":[],"class_list":["post-57849","post","type-post","status-publish","format-standard","hentry","category-mudhalayiram","category-periyazhwar-thirumozhi","category-periyazhwar-thirumozhi-2nd-centum"],"_links":{"self":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/57849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/comments?post=57849"}],"version-history":[{"count":2,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/57849\/revisions"}],"predecessor-version":[{"id":57894,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/57849\/revisions\/57894"}],"wp:attachment":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/media?parent=57849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/categories?post=57849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/tags?post=57849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
pAdip pAdi varuginRAyaip paRpanAban enRu irundhEn<\/em>
Adi Adi asaindhu asaindhu ittu adhanukkERRa kUththai Adi<\/em>
Odi Odip pOyvidAdhE uththamA<\/em>! nI mulai uNAyE<\/em><\/p>\n\n\n\n
Oda Oda<\/em> \u2013 even as you run in a flurry
kiNkiNigaL<\/em> \u2013 anklets on the divine feet
olikkum<\/em> \u2013 making a sound
Osai<\/em> \u2013 the sound
pANiyAlE<\/em> \u2013 due to that noise
pAdip pAdi<\/em> \u2013 singing constantly
adhanukkERRa<\/em> \u2013 appropriate to those songs
kUththai<\/em> \u2013 dance
asaindhu asaindhu ittu<\/em> \u2013 swaying in a grand manner
Adi Adi<\/em> \u2013 dancing
varuginRAyai<\/em> \u2013 you, coming towards me
paRpanAban enRu<\/em> \u2013 saying \u201cIsn\u2019t he padhmanAbhan!\u201d
irundhEn<\/em> \u2013 I was amazed (hence)
Odi Odip pOy vidAdhE<\/em> \u2013 instead of running away, you should consume milk<\/p>\n\n\n\n
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