SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: Sri varavaramunayE nama:<\/p>\n\n\n\n
periyAzhwAr thirumozhi<\/a> >> First Centum<\/a> >> Eighth Decad<\/a><\/p>\n\n\n\n avathArikai (Introduction)<\/strong><\/p>\n\n\n\n thiruvAimozhip piLLai, in his svApadhESam, says that AzhwAr is asking krishNa to come and hug him, just like a cloud comes with lightning.<\/p>\n\n\n\n ponniyal kiNkiNi chutti puram kattith<\/em> Word-by-Word Meanings<\/strong><\/p>\n\n\n\n ponniyal<\/em> \u2013 coated with gold Simple Translation<\/strong><\/p>\n\n\n\n The ornaments kiNkiNi<\/em> (anklet) and chutti<\/u><\/em> (worn on the forehead) should be donned on their respective location. They should make a noise, which is natural for them. Just like a cloud comes rapidly opposite with lightning, and with those ornaments making noise, you should come fast and hug my waist. Oh, my lord! You should come and hug me.<\/p>\n\n\n\n vyAkhyAnam (Commentary)<\/strong><\/p>\n\n\n\n ponniyal kiNkiNi<\/strong> \u2013 made with coated gold. In order to look beautiful, these ornaments, which are not of pure gold, have been given a coating of gold, to make a noise. Ornaments made with pure gold will not make a perceptible noise while those which are not made of gold, will make a noise. In order to make them look attractive, they have been given a coating of gold. Alternatively, this could refer to bells which have been suspended from a gold cord. Since these make a noise \u201csalan salan<\/em>\u201d, the ornament kiNkiNi<\/em> could refer to the ornament adorning the waist or the anklet worn on the ankles.<\/p>\n\n\n\n thiruvAimozhip piLLai says here that bells (kiNki<\/em>) have been strung on a golden cord, adorned on the waist and kept on the back side, with chutti<\/em> being on the front side.<\/p>\n\n\n\n chutti<\/strong> \u2013 ornament worn on the divine forehead. puRam katti<\/em> \u2013 this refers to adorning the ornaments in their respective place. The words kaN, kAl, puRam, agam<\/em> refer to the same meaning \u2013 place.<\/p>\n\n\n\n thanniyal \u2026<\/strong> – the waist cord as well as the anklet make a natural noise salan salan<\/em>. The word salan<\/em> does not have a meaning on its own. It refers to a noise made, when the ornaments move [when krishNa comes running to hug her].<\/p>\n\n\n\n thiruvAimozhip piLLai says here that when allowed to play, the ornament kiNkiNi<\/em> (bells) will make a noise.<\/p>\n\n\n\n minniyal \u2026<\/strong> – just like a cloud, which has lightning as its nature, develops feet and comes running from the opposite side. The ornaments kiNkiNi<\/em> and chutti<\/em> mentioned here are symbolic of all the ornaments which are donned on the divine form of krishNa, complementing his dark complexion. This example [of cloud with lightning] has been mercifully mentioned to show the desire [of yaSOdhAp pirAtti] that he should come with the radiance of all these ornaments [like lightning streaking across a cloud].<\/p>\n\n\n\n en idaikku \u2026<\/strong> – you should come running and hug me, in order to get on to my waist and remain there. Repeating the word [achchO<\/em>] indicates overflowing affection.<\/p>\n\n\n\n thiruvAimozhip piLLai says here that AzhwAr is praying to see krishNa running in towards him while emperumAn is praying to get on to the waist [of AzhwAr who is with the pathos of yaSOdhAp pirAtti]. You should come such that I could lift and hug you. While AzhwAr\u2019s hasthamudhra<\/em> (keeping the palms together, cupped to perform anjali<\/em>] extends up to seeking paramabhakthi<\/em> [the situation where he could exist only if he is together with emperumAn and would perish otherwise], emperumAn\u2019s expectation is apradhishEdham<\/em> (non-avoidance when he comes towards his followers).<\/p>\n\n\n\n emperumAn \u2026<\/strong> – After yaSOdhAp pirAtti told him to come and hug her, since there was a delay, she tells him \u201cOh, my lord! You should come and hug me\u201d. The term achchO<\/em> refers to the act of hugging.<\/p>\n\n\n\n thiruvAimozhip piLLai says here that the term emperumAn<\/em> refers to my lord, my benefactor, who is waiting to hear \u201cWhen will he call me?\u201d The term vArA<\/em> refers to his [AzhwAr\u2019s] distress. The term achchO<\/em> refers to the word said with joy by people who are desirous of uniting with children.<\/p>\n\n\n\n We shall next consider the 2nd<\/sup> pAsuram of this thirumozhi.<\/p>\n\n\n\n adiyEn krishNa rAmAnuja dhAsan<\/p>\n\n\n\n archived in https:\/\/divyaprabandham.koyil.org<\/a><\/p>\n\n\n\n pramEyam (goal) \u2013 http:\/\/koyil.org<\/a> SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: Sri varavaramunayE nama: periyAzhwAr thirumozhi >> First Centum >> Eighth Decad avathArikai (Introduction) thiruvAimozhip piLLai, in his svApadhESam, says that AzhwAr is asking krishNa to come and hug him, just like a cloud comes with lightning. ponniyal kiNkiNi chutti puram kattiththanniyal Osai salan salan enRidaminniyal mEgam viraindhu edhir vandhARpOlennidaikku ottarA achchO … Read more<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,717,718],"tags":[],"class_list":["post-57245","post","type-post","status-publish","format-standard","hentry","category-mudhalayiram","category-periyazhwar-thirumozhi","category-periyazhwar-thirumozhi-1st-centum"],"_links":{"self":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/57245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/comments?post=57245"}],"version-history":[{"count":2,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/57245\/revisions"}],"predecessor-version":[{"id":57274,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/57245\/revisions\/57274"}],"wp:attachment":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/media?parent=57245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/categories?post=57245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/tags?post=57245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
thanniyal Osai salan salan enRida<\/em>
minniyal mEgam viraindhu edhir vandhARpOl<\/em>
ennidaikku ottarA achchO achchO emperumAn<\/em>! vArA achchO achchO<\/em><\/p>\n\n\n\n
kiNkiNi<\/em> \u2013 anklet
chutti<\/em> \u2013 chutti, an ornament, worn on the divine forehead
puRam katti<\/em> \u2013 donning them in their respective place
than<\/em> \u2013 that anklet\u2019s
iyal Osai<\/em> \u2013 natural sound
salan salan enRida<\/em> \u2013 as it makes a sound \u201csalan salan<\/em>\u201d
min iyal<\/em> \u2013 having lightning as its nature (or), being beautiful with lightning
mEgam<\/em> \u2013 cloud
viraindhu<\/em> \u2013 hurriedly
edhir vandhARpOl<\/em> \u2013 just as it comes opposite
en idaikku<\/em> \u2013 for my waist
ottarA<\/em> \u2013 coming fast
achchO achchO<\/em> \u2013 you should come and embrace me (since the word achchO<\/em> is repeated, the overflowing affection is evident)
em perumAn<\/em>! \u2013 oh, one who is my lord!
vArA<\/em> \u2013 come and embrace me<\/p>\n\n\n\n
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