{"id":5296,"date":"2015-11-14T05:33:43","date_gmt":"2015-11-14T05:33:43","guid":{"rendered":"http:\/\/divyaprabandham.koyil.org\/?p=5296"},"modified":"2015-11-14T05:33:43","modified_gmt":"2015-11-14T05:33:43","slug":"thiruvaimozhi-2-1-3-kamurra","status":"publish","type":"post","link":"https:\/\/divyaprabandham.koyil.org\/index.php\/2015\/11\/thiruvaimozhi-2-1-3-kamurra\/","title":{"rendered":"thiruvAimozhi – 2.1.3 – kAmuRRa"},"content":{"rendered":"

srI:
\nsrImathE satakOpAya nama:
\nsrImathE rAmAnujAya nama:
\nsrImath varavaramunayE nama:<\/p>\n

Full series<\/a> >> Second Centum<\/a> >> First decad<\/a><\/p>\n

Previous pAsuram<\/a><\/p>\n

\"seashore-rama-separation\"<\/a><\/p>\n

Introduction for this pAsuram<\/strong><\/h3>\n

Highlights from thirukkurukaippirAn piLLAn<\/a>‘s introduction<\/strong><\/p>\n

No specific introduction.<\/p>\n

Highlights from nanjIyar<\/a>‘s introduction<\/strong><\/p>\n

In third pAsuram, parAnkusa nAyaki<\/a>, on seeing the sea with noisy tides asks “Did you also become captivated by the qualities of srI rAma<\/a> and suffer due to that?”.<\/p>\n

Highlights from vAdhi kEsari azhagiya maNavALa jIyar<\/a>‘s introduction<\/strong><\/p>\n

Subsequently, on seeing the noisy sea, she tells “Did you also become like me who desired for the divine feet of the one who eliminates the enemies?”.<\/p>\n

Highlights from periyavAchchAn piLLai<\/a>\u2018s introduction<\/strong><\/p>\n

See\u00a0nanjIyar<\/a>‘s introduction.<\/p>\n

Highlights from nampiLLai<\/a>‘s introduction as documented by vadakkuth thiruvIdhip piLLai<\/a>
\n<\/strong><\/p>\n

Third pAsuram – While feeling bad for the cry of ibis, she sees the sea which is a great entity, losing its composure, trying to reach the shore and retracting from there, and making noise which does not have any meaning, like a dumb-person’s speech, and asks “Are you also suffering like me after being captivated in the qualities of srI rAma?”.<\/p>\n

pAsuram<\/strong><\/h3>\n

\u0b95\u0bbe\u0bae\u0bc1\u0bb1\u0bcd\u0bb1 \u0b95\u0bc8\u0baf\u0bb1\u0bb5\u0bcb\u0b9f\u0bc1 \u0b8e\u0bb2\u0bcd\u0bb2\u0bc7! \u0b87\u0bb0\u0bbe\u0baa\u0bcd \u0baa\u0b95\u0bb2\u0bcd
\n\u0ba8\u0bc0 \u0bae\u0bc1\u0bb1\u0bcd\u0bb1\u0b95\u0bcd \u0b95\u0ba3\u0bcd \u0ba4\u0bc1\u0baf\u0bbf\u0bb2\u0bbe\u0baf\u0bcd \u0ba8\u0bc6\u0b9e\u0bcd\u0b9a\u0bc1 \u0b89\u0bb0\u0bc1\u0b95\u0bbf \u0b8f\u0b99\u0bcd\u0b95\u0bc1\u0ba4\u0bbf\u0baf\u0bbe\u0bb2\u0bcd
\n\u0ba4\u0bc0 \u0bae\u0bc1\u0bb1\u0bcd\u0bb1\u0ba4\u0bcd \u0ba4\u0bc6\u0ba9\u0bcd \u0b87\u0bb2\u0b99\u0bcd\u0b95\u0bc8 \u0b8a\u0b9f\u0bcd\u0b9f\u0bbf\u0ba9\u0bbe\u0ba9\u0bcd \u0ba4\u0bbe\u0bb3\u0bcd \u0ba8\u0baf\u0ba8\u0bcd\u0ba4
\n\u0baf\u0bbe\u0bae\u0bcd \u0b89\u0bb1\u0bcd\u0bb1\u0ba4\u0bc1 \u0b89\u0bb1\u0bcd\u0bb1\u0bbe\u0baf\u0bcb? \u0bb5\u0bbe\u0bb4\u0bbf \u0b95\u0ba9\u0bc8 \u0b95\u0b9f\u0bb2\u0bc7<\/em><\/p>\n

kAmuRRa kaiyaRavOdu ellE! irAp pagal<\/em>
\nnImuRRak kaN thuyilAy nenju urugi EngudhiyAl<\/em>
\nthI muRRath then ilangai UttinAn thAL nayandha<\/em>
\nyAm uRRadhu uRRAyO? vAzhi kanai kadalE!
\n<\/em><\/p>\n

Listen<\/a><\/h3>\n