{"id":5248,"date":"2015-11-12T05:06:19","date_gmt":"2015-11-12T05:06:19","guid":{"rendered":"http:\/\/divyaprabandham.koyil.org\/?p=5248"},"modified":"2015-11-12T05:06:19","modified_gmt":"2015-11-12T05:06:19","slug":"thiruvaimozhi-2-1-1-vayum-thirai","status":"publish","type":"post","link":"https:\/\/divyaprabandham.koyil.org\/index.php\/2015\/11\/thiruvaimozhi-2-1-1-vayum-thirai\/","title":{"rendered":"thiruvAimozhi – 2.1.1 – vAyum thirai"},"content":{"rendered":"

srI:
\nsrImathE satakOpAya nama:
\nsrImathE rAmAnujAya nama:
\nsrImath varavaramunayE nama:<\/p>\n

Full series<\/a> >> Second Centum<\/a> >> First decad<\/a><\/p>\n

\"separation-sorrow-with-crane\"<\/a><\/p>\n

Introduction for this pAsuram<\/strong><\/h3>\n

Highlights from thirukkurukaippirAn piLLAn<\/a>‘s introduction<\/strong><\/p>\n

No specific introduction.<\/p>\n

Highlights from nanjIyar<\/a>‘s introduction<\/strong><\/p>\n

In the first pAsuram, parAnkuSa nAyaki (AzhwAr in feminine mood)<\/a>, looking at a crane which is single-mindedly waiting for its prey, thinks that it is in distress like herself and says “Alas! you too are suffering like this”.<\/p>\n

Highlights from vAdhi kEsari azhagiya maNavALa jIyar<\/a>‘s introduction<\/strong><\/p>\n

In the first pAsuram,\u00a0 meditating upon the union of SrI mahAlakshmi<\/a> with SrIman nArAyaNa<\/a>n which is the cause of increased enjoyableness as highlighted previously in thiruvAimozhi 1.10.10 “maNiyai vAnavar kaNNanai<\/a><\/em>” and becoming immersed in that experience, she sees a crane in her garden which is near the seashore and asks it “Did you also lose your heart to emperumAn<\/a>?”.<\/p>\n

Highlights from periyavAchchAn piLLai<\/a>\u2018s introduction<\/strong><\/p>\n

See nampiLLai<\/a>‘s introduction.<\/p>\n

Highlights from nampiLLai<\/a>‘s introduction as documented by vadakkuth thiruvIdhip piLLai<\/a>
\n<\/strong><\/p>\n

First pAsuram – Since those who are in separation seek out neydhal land (sea and seashore), parAnkusa nAyaki<\/a> too reaches a garden on the seashore to cheer herself up while in distress of separation from emperumAn.<\/a>\u00a0She notices a crane there. On seeing the white\/pale complexion of the crane’s body, she thinks that the crane too has become pale due to the love-sickness in separation and tells it “Oh poor thing! You too have been caught in the matter of same emperumAn<\/a> like I am and lost your heart to him”.<\/p>\n

pAsuram<\/strong><\/h3>\n

\u0bb5\u0bbe\u0baf\u0bc1\u0bae\u0bcd \u0ba4\u0bbf\u0bb0\u0bc8 \u0b89\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0b95\u0bbe\u0ba9\u0bb2\u0bcd \u0bae\u0b9f \u0ba8\u0bbe\u0bb0\u0bbe\u0baf\u0bcd
\n\u0b86\u0baf\u0bc1\u0bae\u0bcd \u0b85\u0bae\u0bb0\u0bcd \u0b89\u0bb2\u0b95\u0bc1\u0bae\u0bcd \u0ba4\u0bc1\u0b9e\u0bcd\u0b9a\u0bbf\u0bb2\u0bc1\u0bae\u0bcd \u0ba8\u0bc0 \u0ba4\u0bc1\u0b9e\u0bcd\u0b9a\u0bbe\u0baf\u0bbe\u0bb2\u0bcd
\n\u0ba8\u0bcb\u0baf\u0bc1\u0bae\u0bcd \u0baa\u0baf\u0bb2\u0bc8\u0bae\u0bc8\u0baf\u0bc1\u0bae\u0bcd \u0bae\u0bc0\u0ba4\u0bc1 \u0b8a\u0bb0 \u0b8e\u0bae\u0bcd\u0bae\u0bc7 \u0baa\u0bcb\u0bb2\u0bcd
\n\u0ba8\u0bc0\u0baf\u0bc1\u0bae\u0bcd \u0ba4\u0bbf\u0bb0\u0bc1\u0bae\u0bbe\u0bb2\u0bbe\u0bb2\u0bcd \u0ba8\u0bc6\u0b9e\u0bcd\u0b9a\u0bae\u0bcd \u0b95\u0bcb\u0bb3\u0bcd \u0baa\u0b9f\u0bcd\u0b9f\u0bbe\u0baf\u0bc7?<\/em><\/p>\n

vAyum thirai ugaLum kAnal mada nArAy!<\/em>
\nAyum amar ulagum thunjilum nI thunjAyAl<\/em>
\nnOyum payalamaiyum mIdhUra emmE pOl<\/em>
\nnIyum thirumAlAl nenjam kOL pattAyE
\n<\/em><\/p>\n

Listen<\/a><\/h3>\n