{"id":47959,"date":"2022-11-14T04:08:00","date_gmt":"2022-11-14T04:08:00","guid":{"rendered":"http:\/\/divyaprabandham.koyil.org\/?p=47959"},"modified":"2022-11-14T04:08:00","modified_gmt":"2022-11-14T04:08:00","slug":"glossary-word-periya-thirumadal","status":"publish","type":"post","link":"https:\/\/divyaprabandham.koyil.org\/index.php\/2022\/11\/glossary-word-periya-thirumadal\/","title":{"rendered":"Glossary\/Dictionary by word \u2013 periya thirumadal"},"content":{"rendered":"\n

Sorted by pAsuram<\/a><\/p>\n\n\n\n

Word<\/th>Meaning<\/th>pAsuram<\/th><\/tr><\/thead>
a malar mEl<\/td>atop that lotus flower<\/td>periya thirumadal – 9 – pinnaith than nAbi<\/a><\/td><\/tr>
a nAgaththaNai mEl<\/td>on top of that mattress of thiruvananthAzhwAn (AdhiSEshan)<\/td>periya thirumadal – 2 – manniya nAgaththaNai mElOr<\/a><\/td><\/tr>
Adavar mEl<\/td>on the male (towards men)<\/td>periya thirumadal – 28 – anna aRaththin<\/a><\/td><\/tr>
AdhalAl<\/td>for both the purushArthams aRam (dharmam or righteousness) and poruL (wealth), since kAmam (love) is the benefit,<\/td>periya thirumadal – 28 – anna aRaththin<\/a><\/td><\/tr>
AdhanUr<\/td>at thiruvAdhanUr<\/td>periya thirumadal – 88 – annavanai AdhanUr<\/a><\/td><\/tr>
adhu niRka<\/td>let the discussion on mOksham remain as it is.<\/td>periya thirumadal – 16 – annadhE pEsum<\/a><\/td><\/tr>
adi iNaiyum<\/td>the divine feet<\/td>periya thirumadal – 54 – ennudaiya kaN kaLippa<\/a><\/td><\/tr>
agam kuzhanidhu<\/td>with the heart softening<\/td>periya thirumadal – 27 – pon arumbu Aram<\/a><\/td><\/tr>
Agamum<\/td>his divine chest<\/td>periya thirumadal – 100 – ennilaimai ellAm<\/a><\/td><\/tr>
alar Esa<\/td>to be abused (by worldly people)<\/td>periya thirumadal – 28 – anna aRaththin<\/a><\/td><\/tr>
algulum<\/td>waist<\/td>periya thirumadal – 33 – chinna malarkkuzhalum<\/a><\/td><\/tr>
aLLal vAy<\/td>in marshy places<\/td>periya thirumadal – 84 – munnivvulaguNda<\/a><\/td><\/tr>
amarar pORRi seppa<\/td>to be praised by the celestial entities<\/td>periya thirumadal – 19 – ponnagaram pukku<\/a><\/td><\/tr>
ammaRaidhAn<\/td>those vEdhas<\/td>periya thirumadal – 10 – munnam thisaimuganai<\/a><\/td><\/tr>
aNai katti<\/td>building sEthu (and mercifully entering lankA)<\/td>periya thirumadal – 69 – anna kadalai<\/a><\/td><\/tr>
aNangu thAn<\/td>bhUmippirAtti who is a divine lady<\/td>periya thirumadal – 7a – anna nadaiya aNangE<\/a><\/td><\/tr>
andhaNanai<\/td>being supremely merciful<\/td>periya thirumadal – 86 – anna uruvil ariyai<\/a><\/td><\/tr>
ANdu aLakkum aiyanai<\/td>one who controls passing of time<\/td>periya thirumadal – 88 – annavanai AdhanUr<\/a><\/td><\/tr>
Angu<\/td>along with that<\/td>periya thirumadal – 27 – pon arumbu Aram<\/a><\/td><\/tr>
Angu<\/td>at the same time<\/td>periya thirumadal – 21 – minnaNaiya nuN marungul<\/a><\/td><\/tr>
Angu<\/td>in that place<\/td>periya thirumadal – 27 – pon arumbu Aram<\/a><\/td><\/tr>
angu<\/td>in that state<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
Angu kaNdu kai thozhudhu<\/td>seeing him at that thirunaRaiyUr and worshipping him<\/td>periya thirumadal – 90 – konnavil thOL<\/a><\/td><\/tr>
angu onnA asurar thuLanga<\/td>making the inimical demons (such as namuchi et al) in those seven worlds to suffer<\/td>periya thirumadal – 78 – onnA asurar<\/a><\/td><\/tr>
aNi mayil Ay<\/td>like a beautiful peacock, in her tresses<\/td>periya thirumadal – 57 – mannu maragadha<\/a><\/td><\/tr>
aNi muRuval innamudham mAndhi iruppar<\/td>they would have consumed the nectar of beautiful smile.<\/td>periya thirumadal – 27 – pon arumbu Aram<\/a><\/td><\/tr>
aNi nIr vayal Ali<\/td>thiruvAli, the divine abode, which has (agricultural) fields, full of water<\/td>periya thirumadal – 80 – annam thuyilum<\/a><\/td><\/tr>
aNimalar sEr<\/td>with abundance of beautiful flowers<\/td>periya thirumadal – 21 – minnaNaiya nuN marungul<\/a><\/td><\/tr>
anna<\/td>such<\/td>periya thirumadal – 58 – minnAy iLavEy<\/a><\/td><\/tr>
anna aRaththin payan Avadhu idhu anRE<\/td>this is the benefit that one gets for that purushArtham dharmam (which I had spoken of, earlier)<\/td>periya thirumadal – 28 – anna aRaththin<\/a><\/td><\/tr>
anna aru thavaththinUdu Oy<\/td>completing that great penance (when asked what benefit she derived)<\/td>periya thirumadal – 49 – thannudaiya kUzhai<\/a><\/td><\/tr>
anna kadalai<\/td>ocean which has that complexion<\/td>periya thirumadal – 69 – anna kadalai<\/a><\/td><\/tr>
anna nadaiya<\/td>having a gait similar to that of a swan<\/td>periya thirumadal – 7a – anna nadaiya aNangE<\/a><\/td><\/tr>
anna thiRaththadhE<\/td>it is as lowly and as temporary (as this)<\/td>periya thirumadal – 28 – anna aRaththin<\/a><\/td><\/tr>
anna uruvil ariyai<\/td>as narasimhamUrththy (emperumAn\u2019s divine form with lion face and human body) who has such (distinguished) divine form<\/td>periya thirumadal – 86 – anna uruvil ariyai<\/a><\/td><\/tr>
annadhE pEsum<\/td>repeating the oft-repeated saying (that SAsthram indicates that there is mOksham)<\/td>periya thirumadal – 16 – annadhE pEsum<\/a><\/td><\/tr>
annadhu Or bUdhamAy<\/td>taking the form of a demon which cannot be spoken of in words<\/td>periya thirumadal – 95 – pinnum uralOdu<\/a><\/td><\/tr>
annadhu Or illiyin Udu pOy<\/td>through the path of that subtle hole, which cannot be described by words<\/td>periya thirumadal – 15 – mannum kadum kadhirOn<\/a><\/td><\/tr>
annam Ay<\/td>like a swan, in her gait<\/td>periya thirumadal – 57 – mannu maragadha<\/a><\/td><\/tr>
annam nadaiya aNangu<\/td>sithAppirAtti who has the gait of a swan<\/td>periya thirumadal – 39 – anna nadaiya<\/a><\/td><\/tr>
annam nadaiya aNangu<\/td>the divine lady (pArvathi) who has the gait of a swan<\/td>periya thirumadal – 48 – anna nadaiya<\/a><\/td><\/tr>
annam nadaiya arambaiyar tham kaivaLarththa<\/td>being nurtured by caressing with their own hands, by celestial women who have a gait similar to that of a swan<\/td>periya thirumadal – 23 – mannum maNiththalaththu<\/a><\/td><\/tr>
annam uzhakka nerindhu ukka vAL neelam naRu chinna thAdhu sUdi<\/td>wearing the grains of fragrant, minute pollens from the blue water lily which had been crushed by the stamping of swans<\/td>periya thirumadal – 25 – pannu vichiththirimA<\/a><\/td><\/tr>
annanvar tham<\/td>women-folk like that<\/td>periya thirumadal – 21 – minnaNaiya nuN marungul<\/a><\/td><\/tr>
annaththai<\/td>one who incarnated as a swan<\/td>periya thirumadal – 83 – mannum kadanmallai<\/a><\/td><\/tr>
annavan than<\/td>sivapirAn (rudhra) who is like that<\/td>periya thirumadal – 51 – konnavilum mUvilai<\/a><\/td><\/tr>
annavanai<\/td>one who cannot be defined that he is like this<\/td>periya thirumadal – 88 – annavanai AdhanUr<\/a><\/td><\/tr>
annavanai<\/td>that elder brother<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
annavar tham<\/td>such celestial damsels\u2019<\/td>periya thirumadal – 27 – pon arumbu Aram<\/a><\/td><\/tr>
arakkar kulapopAvai<\/td>one who looked like an idol, born in the clan of demons<\/td>periya thirumadal – 97 – konnavilum kUththanAy<\/a><\/td><\/tr>
Aramum<\/td>the chain (worn on the divine chest)<\/td>periya thirumadal – 56 – minni oLi padaippa<\/a><\/td><\/tr>
arangaththu mannum<\/td>residing permanently at thiruvarangam<\/td>periya thirumadal – 81 – pannai maradhagaththai<\/a><\/td><\/tr>
arasu ozhindhu<\/td>avoiding ruling of the land (and setting forth for the forest)<\/td>periya thirumadal – 35 – thannudaiya thAdhai<\/a><\/td><\/tr>
aRiviththAl<\/td>after informing<\/td>periya thirumadal – 100 – ennilaimai ellAm<\/a><\/td><\/tr>
aRivu il siRu manaththu avarai<\/td>those who do not have rationale and who have narrow minds<\/td>periya thirumadal – 16 – annadhE pEsum<\/a><\/td><\/tr>
aRivum<\/td>my knowledge (which is within that heart)<\/td>periya thirumadal – 59 – ennudaiya nenjum<\/a><\/td><\/tr>
ariyai<\/td>one who incarnated as hayagrIva (horse face, human body)<\/td>periya thirumadal – 83 – mannum kadanmallai<\/a><\/td><\/tr>
arumaRaiyai<\/td>one who has the vEdhas (sacred texts) as his form<\/td>periya thirumadal – 83 – mannum kadanmallai<\/a><\/td><\/tr>
aththuNaikkaN<\/td>at that very moment<\/td>periya thirumadal – 77 – mannA tharuga enRu<\/a><\/td><\/tr>
atta buya karaththu emmAn ERRai<\/td>being our lord at [the divine abode] attabuyakaram<\/td>periya thirumadal – 87 – unniya yOgaththu<\/a><\/td><\/tr>
avan than<\/td>that arjuna\u2019s<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
avanudaiya<\/td>his<\/td>periya thirumadal – 72 – thannudaiya thALmEl<\/a><\/td><\/tr>
avanum<\/td>that mahAbali (who heard that)<\/td>periya thirumadal – 77 – mannA tharuga enRu<\/a><\/td><\/tr>
avuNarkku vAL vEndhan<\/td>being a radiant leader among asuras [demonic entities]<\/td>periya thirumadal – 45 – mannavan vANan<\/a><\/td><\/tr>
avvanRil pedai vAy siRu kuralukku<\/td>hearing the feeble voice from the mouth of the female love-bird<\/td>periya thirumadal – 31 – pinnum avvanRil<\/a><\/td><\/tr>
Ayan vEy innisai Osaikku irangAdhAr<\/td>those who are not disheartened after hearing the sweet music played by the shepherd on his flute<\/td>periya thirumadal – 30 – thennan podhiyil<\/a><\/td><\/tr>
Ayar vizhavin kaN<\/td>in the ArAdhanai (worship) carried out by the herdspeople to indhira, the chief of celestial entities<\/td>periya thirumadal – 95 – pinnum uralOdu<\/a><\/td><\/tr>
Ayiram kaN mannavan vAnamum<\/td>the swargalOka (heaven) belonging to the thousand eyed indhra<\/td>periya thirumadal – 70 – pon mudigal paththum<\/a><\/td><\/tr>
Ayiram kaN vAnavarkOn pon nagaram pukku<\/td>reaching the beautiful land of indhra, who has a thousand eyes<\/td>periya thirumadal – 18 – annavar thAm<\/a><\/td><\/tr>
Ayiram thOL mannu karathalangaL mattiththu<\/td>(Siva) spreading his hands with thousands of shoulders in all directions<\/td>periya thirumadal – 50 – mannu karathalangaL<\/a><\/td><\/tr>
azhiththu urappi<\/td>abusing him by using ignominious words<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
bAradhamam Am<\/td>it will end just like mahAbAradham [will be so huge]<\/td>periya thirumadal – 52 – panni uraikkungAl<\/a><\/td><\/tr>
chinnam malar kuzhalum<\/td>tresses, adorning themselves with flowers which had just then blossomed.<\/td>periya thirumadal – 33 – chinna malarkkuzhalum<\/a><\/td><\/tr>
dhananjayanai<\/td>arjuna<\/td>periya thirumadal – 43 – konnavilum nIL vEl<\/a><\/td><\/tr>
dheyvam sudar naduvuL<\/td>among the rays which are extraordinary<\/td>periya thirumadal – 1 – manniya palpoRi sEr<\/a><\/td><\/tr>
em mAmaNiyai<\/td>one who we can handle, like a blue gem<\/td>periya thirumadal – 81 – pannai maradhagaththai<\/a><\/td><\/tr>
em viththaganai<\/td>one who has amazing qualities and activities, for us<\/td>periya thirumadal – 85 – then thillai<\/a><\/td><\/tr>
emperumAn<\/td>that perumAn [supreme entity]<\/td>periya thirumadal – 90 – konnavil thOL<\/a><\/td><\/tr>
emperumAn<\/td>the lord of all, my swAmy<\/td>periya thirumadal – 100 – ennilaimai ellAm<\/a><\/td><\/tr>
emperumAn than<\/td>kaNNapirAn (krishNa)\u2019s<\/td>periya thirumadal – 46 – ennai idhu viLaiththa<\/a><\/td><\/tr>
en ivan ennappaduginRa IdaRavum<\/td>getting ruined of character with people wondering \u201cWill anyone dance like this?\u201d<\/td>periya thirumadal – 97 – konnavilum kUththanAy<\/a><\/td><\/tr>
en manaththu mAlai<\/td>one who has deep love for me and who never leaves my mind<\/td>periya thirumadal – 82 – pinnaimaNALanai<\/a><\/td><\/tr>
en mulaiyum<\/td>my bosom<\/td>periya thirumadal – 63 – kannavilum kAttagaththOr<\/a><\/td><\/tr>
en nalanum<\/td>my qualities<\/td>periya thirumadal – 63 – kannavilum kAttagaththOr<\/a><\/td><\/tr>
en nilaimai ellAm<\/td>all my various states<\/td>periya thirumadal – 100 – ennilaimai ellAm<\/a><\/td><\/tr>
en nilaimai ellAm aRiviththAl<\/td>if I appeal to him, stating my dispositions ..<\/td>periya thirumadal – 90 – konnavil thOL<\/a><\/td><\/tr>
en sevi thanakkE<\/td>only for my ears<\/td>periya thirumadal – 67 – innisai Osaiyum<\/a><\/td><\/tr>
en seygEn<\/td>what means will I carry out (to escape from this)?<\/td>periya thirumadal – 61 – munniya peNNaimEl<\/a><\/td><\/tr>
en thanakkE<\/td>only for me<\/td>periya thirumadal – 59 – ennudaiya nenjum<\/a><\/td><\/tr>
en uraikkEn<\/td>How much could I tell (you)?<\/td>periya thirumadal – 47 – ennAlE kEttIrE<\/a><\/td><\/tr>
en uRu nOy<\/td>the disease which happened to me<\/td>periya thirumadal – 52 – panni uraikkungAl<\/a><\/td><\/tr>
enakkE eri vIsum<\/td>is blowing fire only for me<\/td>periya thirumadal – 60 – thannudaiya thanmai<\/a><\/td><\/tr>
e\nnakkE poRaiyAgi<\/td>they have become an unwanted burden even for me<\/td>periya thirumadal – 64 – mannu malarmangai<\/a><\/td><\/tr>
Endhu iLa mulai mEl<\/td>on top of the well-risen bosom<\/td>periya thirumadal – 26 – mannu malarvAy<\/a><\/td><\/tr>
ennai manam kavarndha Isanai<\/td>the entity complete [in all aspects] who stole my heart<\/td>periya thirumadal – 87 – unniya yOgaththu<\/a><\/td><\/tr>
ennAl tharappattadhu enRalum<\/td>as he said that \u201cthe three steps of land have been given by me\u201d<\/td>periya thirumadal – 77 – mannA tharuga enRu<\/a><\/td><\/tr>
ennavum kEttaRivadhillai<\/td>has not been heard, as told by someone<\/td>periya thirumadal – 14 – innadhOr thanmaiyarAy<\/a><\/td><\/tr>
ennudaiya innamudhai<\/td>the supreme enjoyer, who is giving me dharSan (for me to worship)<\/td>periya thirumadal – 80 – annam thuyilum<\/a><\/td><\/tr>
ennudaiya kaN kaLippa nOkkinEn<\/td>I saw such that my eyes rejoiced.<\/td>periya thirumadal – 54 – ennudaiya kaN kaLippa<\/a><\/td><\/tr>
ennudaiya nenjE ilakkAga thamilyEn mEl eyginRAn<\/td>keeping my heart as the target he (cupid) is shooting those arrows on me, who is having none to support.<\/td>periya thirumadal – 62 – konnavilum pUngaNaigaL<\/a><\/td><\/tr>
ennudaiya nenjukku Or ir vAL Am<\/td>it is like a unique sword which cut my heart<\/td>periya thirumadal – 61 – munniya peNNaimEl<\/a><\/td><\/tr>
ennudaiya nenjum<\/td>my heart<\/td>periya thirumadal – 59 – ennudaiya nenjum<\/a><\/td><\/tr>
ennudaiya pAdhaththAl yAn aLappa<\/td>by measuring with my foot<\/td>periya thirumadal – 76 – mannai manam koLLa<\/a><\/td><\/tr>
eri vizhiththu<\/td>looking with fiery eyes<\/td>periya thirumadal – 71 – pinnOr ariyuruvamAgi<\/a><\/td><\/tr>
eththanai Or<\/td>unqiue in many ways<\/td>periya thirumadal – 46 – ennai idhu viLaiththa<\/a><\/td><\/tr>
evvuL perumalaiyai<\/td>one who is reclining at thiruvevvuL (present day thiruvaLLUr) as if a huge mountain were reclining<\/td>periya thirumadal – 80 – annam thuyilum<\/a><\/td><\/tr>
Ezh ulagum pOy kadandhu<\/td>going across all the worlds above<\/td>periya thirumadal – 77 – mannA tharuga enRu<\/a><\/td><\/tr>
EzhaigAL<\/td>Oh ignorant people!<\/td>periya thirumadal – 47 – ennAlE kEttIrE<\/a><\/td><\/tr>
ezhum sudarai<\/td>as an effulgent lamp<\/td>periya thirumadal – 84 – munnivvulaguNda<\/a><\/td><\/tr>
ezhundha kAmaththAl<\/td>due to the disease of lust which swelled<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
idai kazhi mannum em mAyavanai<\/td>as our thirumAl (emperumAn) who has taken permanent residence in the corridor [of mrigaNdu maharishi\u2019s hermitage] at thirukkOvalUr<\/td>periya thirumadal – 84 – munnivvulaguNda<\/a><\/td><\/tr>
idai min Ay<\/td>like lightning, in the beauty of her waist<\/td>periya thirumadal – 58 – minnAy iLavEy<\/a><\/td><\/tr>
idavendhai Isanai<\/td>supreme being who has taken residence at thiruvidavendhai<\/td>periya thirumadal – 82 – pinnaimaNALanai<\/a><\/td><\/tr>
idhanai kAkkum A en<\/td>what is the way to escape from this grave danger?<\/td>periya thirumadal – 67 – innisai Osaiyum<\/a><\/td><\/tr>
idhu viLaiththa<\/td>having created such a situation (by southerly breeze etc [which have been mentioned earlier])<\/td>periya thirumadal – 67 – innisai Osaiyum<\/a><\/td><\/tr>
iLa iraNdu vEy Ay<\/td>like two bamboo shoots (for shoulder)<\/td>periya thirumadal – 58 – minnAy iLavEy<\/a><\/td><\/tr>
iLa mulai mEl<\/td>on top of the young bosom<\/td>periya thirumadal – 26 – mannu malarvAy<\/a><\/td><\/tr>
in amudham veLLaththai<\/td>being greatly enjoyable as a sweet ocean of nectar<\/td>periya thirumadal – 86 – anna uruvil ariyai<\/a><\/td><\/tr>
in iLa pU thenRal<\/td>the most enjoyable southerly wind<\/td>periya thirumadal – 26 – mannu malarvAy<\/a><\/td><\/tr>
in iLa pU thenRal iyanga<\/td>sweet, gentle and fragrant southerly wind wafting in<\/td>periya thirumadal – 20 – manniya singAsanaththin<\/a><\/td><\/tr>
in iLa pU thenRalum<\/td>the southerly breeze which is sweet, youthful [full of vigour] and fragrant<\/td>periya thirumadal – 60 – thannudaiya thanmai<\/a><\/td><\/tr>
in iLa vAdai thadava<\/td>being stroked by the sweet, youthful northerly winds<\/td>periya thirumadal – 33 – chinna malarkkuzhalum<\/a><\/td><\/tr>
in isai Osaiyum vandhu<\/td>coming with a sound as sweet as music<\/td>periya thirumadal – 67 – innisai Osaiyum<\/a><\/td><\/tr>
in isai vaNdu amarum sOlai vAy<\/td>in the orchards, inside which beetles are humming with sweet music<\/td>periya thirumadal – 22 – ponniyal kaRpagaththin<\/a><\/td><\/tr>
in isai yAzh pAdal<\/td>the song from vINai (a stringed, traditional musical instrument) which has sweet notes<\/td>periya thirumadal – 23 – mannum maNiththalaththu<\/a><\/td><\/tr>
iNai seppu Ay<\/td>like two domes (for bosoms)<\/td>periya thirumadal – 58 – minnAy iLavEy<\/a><\/td><\/tr>
inam vaLaiyum<\/td>distinguished bangles on the hand<\/td>periya thirumadal – 59 – ennudaiya nenjum<\/a><\/td><\/tr>
indhaLUr<\/td>at thiruvindhaLUr<\/td>periya thirumadal – 86 – anna uruvil ariyai<\/a><\/td><\/tr>
Ingu pugundhu<\/td>wafting inside wherever these people are going<\/td>periya thirumadal – 26 – mannu malarvAy<\/a><\/td><\/tr>
Ingu udalam vittezhundhu<\/td>leaving the physical body in this world and rising up<\/td>periya thirumadal – 14 – innadhOr thanmaiyarAy<\/a><\/td><\/tr>
inidhu vAzhndhadhuvum<\/td>that she lived happily<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
inna uruvin imaiyA thadam kaNNAr<\/td>having such great, expansive eyes<\/td>periya thirumadal – 27 – pon arumbu Aram<\/a><\/td><\/tr>
innadhOr thanmaiyar Ay<\/td>thus, having such nature<\/td>periya thirumadal – 14 – innadhOr thanmaiyarAy<\/a><\/td><\/tr>
innadhu Or kAlaththu idhu peRRAr<\/td>on a specific day, a particular person reached mOksham (SrIvaikuNtam)<\/td>periya thirumadal – 14 – innadhOr thanmaiyarAy<\/a><\/td><\/tr>
irai thEr azhundhUr<\/td>at thiruvazhundhUr, to seek prey<\/td>periya thirumadal – 84 – munnivvulaguNda<\/a><\/td><\/tr>
iru pozhil sUzh<\/td>surrounded by huge orchards<\/td>periya thirumadal – 52 – panni uraikkungAl<\/a><\/td><\/tr>
iru sudarai<\/td>divine disc and divine conch which appear like sUrya (sun) and chandhra (moon)<\/td>periya thirumadal – 80 – annam thuyilum<\/a><\/td><\/tr>
iru sudarai<\/td>the twin sources of radiance, viz., divine chakra and divine conch<\/td>periya thirumadal – 3 – thunniya thAragaiyin<\/a><\/td><\/tr>
iruvisumbil mannu mazhai thavazhum<\/td>in the expansive ethereal layer, with the region of clouds fitting well<\/td>periya thirumadal – 24 – mannum mazhai thavazhum<\/a><\/td><\/tr>
ivai<\/td>these bosoms<\/td>periya thirumadal – 64 – mannu malarmangai<\/a><\/td><\/tr>
ivaiyE nugarndhu<\/td>eating these two<\/td>periya thirumadal – 12a – ennum ivaiyE<\/a><\/td><\/tr>
kachchi<\/td>in the town of kAnchIpuram<\/td>periya thirumadal – 86 – anna uruvil ariyai<\/a><\/td><\/tr>
kadal mallai mannum mAyavanai<\/td>the amazing entity who has taken permanent residence at thirukkadanmallai (present day mahAbalipuram)<\/td>periya thirumadal – 83 – mannum kadanmallai<\/a><\/td><\/tr>
kAdhalanai<\/td>anirudhdhAzhwAn (grandson) who is dear [to krishNa]<\/td>periya thirumadal – 46 – ennai idhu viLaiththa<\/a><\/td><\/tr>
kadi malarin<\/td>in a flower full of honey<\/td>periya thirumadal – 63 – kannavilum kAttagaththOr<\/a><\/td><\/tr>
kaippidihthu<\/td>marrying him<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
kal aRai mEl<\/td>inside the sannidhi (sanctum sanctorum) made of stones<\/td>periya thirumadal – 80 – annam thuyilum<\/a><\/td><\/tr>
kal navil thOL kALaiyai<\/td>her beloved, who is having mountain-like huge shoulder and who is proud like a bull<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
kal navil thOL kALaiyai<\/td>one who is a youth with his shoulders similar to a mountain<\/td>periya thirumadal – 90 – konnavil thOL<\/a><\/td><\/tr>
kal navil thOL kAman<\/td>manmadha (cupid) who has (firm) shoulders which are like mountain<\/td>periya thirumadal – 61 – munniya peNNaimEl<\/a><\/td><\/tr>
kal navilum kAdu agaththu<\/td>in the forest which is full of stones<\/td>periya thirumadal – 63 – kannavilum kAttagaththOr<\/a><\/td><\/tr>
kal niRaindhu thIyndhu kazhai udaindhu kAl suzhanRu<\/td>being full of stones, grass having been burnt, bamboo cracking up, with tornado continuously striking<\/td>periya thirumadal – 37 – minnuruvil veN thEr<\/a><\/td><\/tr>
kaLavin kaN<\/td>in a cunning way<\/td>periya thirumadal – 93 – than nilaimai ellAm<\/a><\/td><\/tr>
kAmaththin<\/td>for that purushArtham kAmam<\/td>periya thirumadal – 28 – anna aRaththin<\/a><\/td><\/tr>
kAmavEL<\/td>manmadha (cupid)<\/td>periya thirumadal – 32 – thunnu madhiyugaththa<\/a><\/td><\/tr>
kaN thuyilum<\/td>sleeping (happily)<\/td>periya thirumadal – 33 – chinna malarkkuzhalum<\/a><\/td><\/tr>
kaNapuraththup ponmalai pOl ninRavan than<\/td>emperumAn who stands as a golden mountain in thirukkaNNapuram, his<\/td>periya thirumadal – 64 – mannu malarmangai<\/a><\/td><\/tr>
kaNgaLum<\/td>the divine eyes<\/td>periya thirumadal – 55 – pannu kara thalamum<\/a><\/td><\/tr>
kaNNapuraththAnai<\/td>one who is dwelling at thirukkaNNapuram<\/td>periya thirumadal – 89 – mannum maNimAda<\/a><\/td><\/tr>
kanni<\/td>a girl<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
kanni madhiL sUzh kaNamangai kaRpagaththai<\/td>one who is dwelling mercifully like a kalpaka vruksham (wish-fulfilling divine tree) at thirukkaNNamangai which is surrounded by newly built compound wall<\/td>periya thirumadal – 80 – annam thuyilum<\/a><\/td><\/tr>
kanniyar kaN miLira<\/td>such that young girls will roll their eyes (on seeing it)<\/td>periya thirumadal – 66 – thunnu pidareruththu<\/a><\/td><\/tr>
kanniyarAl itta<\/td>fanned by celestial women<\/td>periya thirumadal – 20 – manniya singAsanaththin<\/a><\/td><\/tr>
kaRpagaththin mannu malar vAy maNivaNdu pinthodara<\/td>being followed by beetles which had settled on the flowers of kalpaka vruksha (celestial, wish-fulfilling tree)<\/td>periya thirumadal – 26 – mannu malarvAy<\/a><\/td><\/tr>
kaRpippOm yAmE<\/td>should we instruct them?<\/td>periya thirumadal – 16 – annadhE pEsum<\/a><\/td><\/tr>
karu nedu kaN sem vAy piNai nOkkin min aNaiya nuN marungul<\/td>having dark, long hands, reddish mouth, looks of a deer and a slender waist similar to lightning<\/td>periya thirumadal – 40 – pinnum karu negungaN<\/a><\/td><\/tr>
karuppuch chilai vaLaiya<\/td>drawing (his) bow made of sugarcane<\/td>periya thirumadal – 61 – munniya peNNaimEl<\/a><\/td><\/tr>
kattuNda peRRimaiyum<\/td>how great it was being tied down<\/td>periya thirumadal – 95 – pinnum uralOdu<\/a><\/td><\/tr>
kavarippodhi avizhndhu<\/td>the bundle of chowry (fly-whisk) blossoming (nearby)<\/td>periya thirumadal – 20 – manniya singAsanaththin<\/a><\/td><\/tr>
kAyAvin chinna naRu pU thigazh vaNNan<\/td>having a complexion similar to the small flower with sweet fragrance, from the flowering plant kAyA (a bilberry plant)<\/td>periya thirumadal – 68 – mannan naRundhuzhAy<\/a><\/td><\/tr>
kazhal sUzh kAl<\/td>one foot with a valorous anklet<\/td>periya thirumadal – 50 – mannu karathalangaL<\/a><\/td><\/tr>
kEttu inbuRRu<\/td>hearing it and feeling joyful<\/td>periya thirumadal – 23 – mannum maNiththalaththu<\/a><\/td><\/tr>
kidandhu<\/td>reclining eminently<\/td>periya thirumadal – 8 – thannudaiya angaigaLAl<\/a><\/td><\/tr>
kodu kadhirOn thunnu veyil vaRuththa vembaral mEl<\/td>on top of the pebbles which have been roasted by the rays of the hot sun<\/td>periya thirumadal – 38 – pinnum thirai vayiRRu<\/a><\/td><\/tr>
kol navilum Azhi padaiyAnai<\/td>one who has as his weapon, the divine disc which is capable of annihilating enemies<\/td>periya thirumadal – 85 – then thillai<\/a><\/td><\/tr>
kol navilum ehkil kodidhy Ay nedidhu Agum<\/td>it is longer than the spear which is capable of killing, and more cruel than that.<\/td>periya thirumadal – 67 – innisai Osaiyum<\/a><\/td><\/tr>
kol navilum kOLarimAth thAn sumandhu kOlam sEr<\/td>being beautiful and supported by a strong lion which talks slanderously about the activity of killing<\/td>periya thirumadal – 19 – ponnagaram pukku<\/a><\/td><\/tr>
kol navilum kUr nudhi mEl<\/td>on top of the sharp edges which are capable of killing enemies<\/td>periya thirumadal – 73 – mannivvagalidaththai<\/a><\/td><\/tr>
kol navilum kUththanAy<\/td>carrying out the dance which kills (women)<\/td>periya thirumadal – 97 – konnavilum kUththanAy<\/a><\/td><\/tr>
kol navilum mU ilai vEl<\/td>one who has the weapon sUlam (spear), which has three leaves [sharp edges], which indulges in the occupation of killing<\/td>periya thirumadal – 51 – konnavilum mU\nvilai<\/a><\/td><\/tr>
kol navilum nIL vEl<\/td>having a spear, which is long and which knows how to kill, in the hand<\/td>periya thirumadal – 43 – konnavilum nIL vEl<\/a><\/td><\/tr>
kol navilum pUngaNaigaL kOththu<\/td>(on that bow) stringing arrows made of flowers which are capable of killing<\/td>periya thirumadal – 62 – konnavilum pUngaNaigaL<\/a><\/td><\/tr>
kol navilum vem samaththuk kollAdhE<\/td>not killing in battlefield where people are killed<\/td>periya thirumadal – 71 – pinnOr ariyuruvamAgi<\/a><\/td><\/tr>
kOttiyUr<\/td>at thirukkOttiyUr<\/td>periya thirumadal – 85 – then thillai<\/a><\/td><\/tr>
kOvalUr<\/td>thirukkOvalUr<\/td>periya thirumadal – 84 – munnivvulaguNda<\/a><\/td><\/tr>
kozhu kayal kaN<\/td>eyes which are like carp (a fresh water fish)<\/td>periya thirumadal – 94 – thunnu padal<\/a><\/td><\/tr>
kudam Adi<\/td>dancing with pots<\/td>periya thirumadal – 97 – konnavilum kUththanAy<\/a><\/td><\/tr>
kulam keNdai iraNdAy<\/td>like two great keNdai (fresh-water fish, carp or barbus) (for the eyes)<\/td>periya thirumadal – 58 – minnAy iLavEy<\/a><\/td><\/tr>
kurukkaL kula madhalai<\/td>one who was born in the clan of kurus<\/td>periya thirumadal – 43 – konnavilum nIL vEl<\/a><\/td><\/tr>
kUththan<\/td>one who is famously called as a dancer<\/td>periya thirumadal – 51 – konnavilum mUvilai<\/a><\/td><\/tr>
mA malaipOl pon iyalum mAdam kavAdam kadandhu pukku<\/td>managing to cross the divine door of the sannidhi (place inside a temple where emperumAn\u2019s divine form resides), which is like a huge mountain and which is like gold<\/td>periya thirumadal – 53 – mannu maRaiyOr<\/a><\/td><\/tr>
mA maNdu vem samaththu<\/td>in the cruel battle which was full of four types of armies [chariot, elephant, horse and foot soldiers]<\/td>periya thirumadal – 69 – anna kadalai<\/a><\/td><\/tr>
mA mudhu nIr thAN vizhunga<\/td>when mAhapraLayam (deluge) swallowed<\/td>periya thirumadal – 73 – mannivvagalidaththai<\/a><\/td><\/tr>
madhi uguththa in nilA in kadhirum<\/td>the sweet light emitted by the rays of the moon<\/td>periya thirumadal – 59 – ennudaiya nenjum<\/a><\/td><\/tr>
mAdhirangaL<\/td>directions<\/td>periya thirumadal – 50 – mannu karathalangaL<\/a><\/td><\/tr>
mAdhirangaL min uruvil veN thEr thirindhu<\/td>with the mirage which is like lightning, spread in all directions<\/td>periya thirumadal – 37 – minnuruvil veN thEr<\/a><\/td><\/tr>
mAdu ellAm manniya mandhAram pUththa madhu thivalai<\/td>in the drops of honey secreting from the flowers of pArijAtha trees (another celestial tree, with fragrant flowers), which are seen on all sides<\/td>periya thirumadal – 22 – ponniyal kaRpagaththin<\/a><\/td><\/tr>
mAl vidaiyin<\/td>among the bulls which are infatuated (with cows)<\/td>periya thirumadal – 65 – munnirundhu mUkkinRu<\/a><\/td><\/tr>
mAl vidaiyin<\/td>the bull which comes infatuated (with the cow)<\/td>periya thirumadal – 30 – thennan podhiyil<\/a><\/td><\/tr>
malai ittu<\/td>throwing mountains<\/td>periya thirumadal – 69 – anna kadalai<\/a><\/td><\/tr>
mAlai sEr manniya mAmayil pOl kUndhal<\/td>being decked with flowers and having tresses which look like the long feathers of peacocks, fitting well<\/td>periya thirumadal – 22 – ponniyal kaRpagaththin<\/a><\/td><\/tr>
mAlai vAy<\/td>during evening time<\/td>periya thirumadal – 66 – thunnu pidareruththu<\/a><\/td><\/tr>
malar mangai mannum mandhan<\/td>being the supreme being who is firmly attained by periya pirAtti (SrI mahAlakshmi) who resides on a flower<\/td>periya thirumadal – 64 – mannu malarmangai<\/a><\/td><\/tr>
malar piNaiyal Eyndha<\/td>decorated with kadhamba mAlai (garland strung with a medley of flowers)<\/td>periya thirumadal – 6 – ennum malarppiNaiyal<\/a><\/td><\/tr>
mAlirunjOlai maNALanai<\/td>as the bridegroom who has taken residence at thirumAlirunjOlai<\/td>periya thirumadal – 85 – then thillai<\/a><\/td><\/tr>
mAmalar mEl annam thuyilum<\/td>swans sleeping on distinguished lotus flowers<\/td>periya thirumadal – 80 – annam thuyilum<\/a><\/td><\/tr>
mAmunikkA<\/td>for the sake of sage viSvAmithra<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
mAn Ay<\/td>like a deer, in her glance<\/td>periya thirumadal – 57 – mannu maragadha<\/a><\/td><\/tr>
man i ulagai manam kaLippa vandhu iyangum<\/td>roaming such that the minds of the people, who are in this permanent world, are happy<\/td>periya thirumadal – 60 – thannudaiya thanmai<\/a><\/td><\/tr>
mAn nOkkam uNdu<\/td>enjoying the look of a doe\u2019s eyes<\/td>periya thirumadal – 27 – pon arumbu Aram<\/a><\/td><\/tr>
mAn nOkkam uNdu<\/td>enjoying their look which is like the look of a doe<\/td>periya thirumadal – 21 – minnaNaiya nuN marungul<\/a><\/td><\/tr>
mAn nOkkin annam nadaiyAr<\/td>women who have eyes like a doe and gait like a swan<\/td>periya thirumadal – 28 – anna aRaththin<\/a><\/td><\/tr>
manam koLLa vanjiththu<\/td>bewildering him to make him believe (that this bachelor has come only to seek alms)<\/td>periya thirumadal – 76 – mannai manam koLLa<\/a><\/td><\/tr>
mangaiyar tham kaN kaLippa<\/td>eyes of the (herd)ladies\u2019 to rejoice<\/td>periya thirumadal – 96 – mannar perunjavaiyuL<\/a><\/td><\/tr>
mANikka manjariyin<\/td>having flowery decorations made with ruby stones<\/td>periya thirumadal – 23 – mannum maNiththalaththu<\/a><\/td><\/tr>
maNimAdak kOyil mannu maNALanai<\/td>standing forever at maNimAdakkOyil (divine abode in thanjAvUr) as a bridegroom<\/td>periya thirumadal – 89 – mannum maNimAda<\/a><\/td><\/tr>
manna<\/td>Oh King!<\/td>periya thirumadal – 76 – mannai manam koLLa<\/a><\/td><\/tr>
mannan<\/td>(thirunaRaiyUr) nambi\u2019s [emperumAn who is complete in all aspects and who resides in thirunaRiyUr]<\/td>periya thirumadal – 54 – ennudaiya kaN kaLippa<\/a><\/td><\/tr>
mannan<\/td>being great<\/td>periya thirumadal – 68 – mannan naRundhuzhAy<\/a><\/td><\/tr>
mannan irAman pin<\/td>behind that mahAraja, SrI rAma<\/td>periya thirumadal – 39 – anna nadaiya<\/a><\/td><\/tr>
mannan irAvaNan than nal thangai<\/td>the affectionate sister of King rAvaNa<\/td>periya thirumadal – 97 – konnavilum kUththanAy<\/a><\/td><\/tr>
mannan irAvaNanai<\/td>the demon king rAvaNa<\/td>periya thirumadal – 69 – anna kadalai<\/a><\/td><\/tr>
mannanai<\/td>as the supreme lord<\/td>periya thirumadal – 85 – then thillai<\/a><\/td><\/tr>
mannar peru savaiyuL senRadhum<\/td>the way he went to the court of great kings (such as dhuriyOdhanA et al)<\/td>periya thirumadal – 96 – mannar perunjavaiyuL<\/a><\/td><\/tr>
mannavan<\/td>being the king among kings<\/td>periya thirumadal – 45 – mannavan vANan<\/a><\/td><\/tr>
mannavan<\/td>king of kings<\/td>periya thirumadal – 46 – ennai idhu viLaiththa<\/a><\/td><\/tr>
manni<\/td>fitting well<\/td>periya thirumadal – 2 – manniya nAgaththaNai mElOr<\/a><\/td><\/tr>
manniya<\/td>may you live long!<\/td>periya thirumadal – 1 – manniya palpoRi sEr<\/a><\/td><\/tr>
manniya kuNdalamum<\/td>the divine ear rings which are fitting well<\/td>periya thirumadal – 56 – minni oLi padaippa<\/a><\/td><\/tr>
manniya pErinbam eydhinAL<\/td>she experienced permanent, heavenly bliss<\/td>periya thirumadal – 46 – ennai idhu viLaiththa<\/a><\/td><\/tr>
manniya singa Asanaththin mEl<\/td>on top of the throne which is staying firmly (being seated)<\/td>periya thirumadal – 20 – manniya singAsanaththin<\/a><\/td><\/tr>
manniya thAmarai mAmalar pUththu<\/td>making the forever indestructible lotus flower to blossom<\/td>periya thirumadal – 9 – pinnaith than nAbi<\/a><\/td><\/tr>
manniya thiNNenavum<\/td>how firm he became!<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
mannu i agal idaththai<\/td>this expansive earth where everyone is fitting well<\/td>periya thirumadal – 73 – mannivvagalidaththai<\/a><\/td><\/tr>
mannu i agal idaththai<\/td>this permanent, expansive bhU maNdalam (region of world)<\/td>periya thirumadal – 78 – onnA asurar<\/a><\/td><\/tr>
mannu kulam varaiyum mArudhamum thAragaiyum thannudanE suzhala<\/td>the firmly standing kula parvathams (mountains which sustain earth), wind and stars spinning with him<\/td>periya thirumadal – 50 – mannu karathalangaL<\/a><\/td><\/tr>
mannu madavOraL<\/td>women of the hamlet<\/td>periya thirumadal – 94 – thunnu padal<\/a><\/td><\/tr>
mannu malai araiyan pon pAvai<\/td>being the distinguished daughter of himavAn, the unshakeable king of mountains<\/td>periya thirumadal – 47 – ennAlE kEttIrE<\/a><\/td><\/tr>
mannu maNi kunji paRRi vara Irththu<\/td>pulling closely, the hair which is decorated with crown made of gems<\/td>periya thirumadal – 71 – pinnOr ariyuruvamAgi<\/a><\/td><\/tr>
mannu maNi pulamba vAdAdhAr<\/td>those who are not dispirited after hearing the great sound of the bell (tied to that bull\u2019s neck)<\/td>periya thirumadal – 30 – thennan podhiyil<\/a><\/td><\/tr>
mannu maNi varai thOL mAyavan<\/td>one with amazing activities, having divine shoulders adorned with divine thuLasi garland and matching a mountain of gemstones<\/td>periya thirumadal – 45 – mannavan vANan<\/a><\/td><\/tr>
mannu maNi viLakkai mAtti<\/td>hanging the lamps of rubies, which will never get put out<\/td>periya thirumadal – 24 – mannum mazhai thavazhum<\/a><\/td><\/tr>
mannu maragadhak kunRin marungE<\/td>near emperumAn who remains as a mountain of emerald, being the refuge for all.<\/td>periya thirumadal – 57 – mannu maragadha<\/a><\/td><\/tr>
mannu maRi kadalum Arkkum<\/td>even the immobile ocean will roar<\/td>periya thirumadal – 59 – ennudaiya nenjum<\/a><\/td><\/tr>
mannu marundhu aRivIr illaiyE<\/td>no one is there who has seen a great medicine<\/td>periya thirumadal – 65 – munnirundhu mUkkinRu<\/a><\/td><\/tr>
mannu paRai kaRanga<\/td>the drum tied (to the waist) to sound<\/td>periya thirumadal – 96 – mannar perunjavaiyuL<\/a><\/td><\/tr>
mannum aRam poruL inbam vIdu enRu<\/td>being firmly established as righteousness, wealth, love and mOksham (attaining paramapadham or SIvaikuNtam)<\/td>periya thirumadal – 11 – mannum aRam porul<\/a><\/td><\/tr>
mannum azhal nugarndhum<\/td>eating (the sun\u2019s) hot rays which are established firmly<\/td>periya thirumadal – 13 – thunnum ilaik kurumbai<\/a><\/td><\/tr>
mannum kadum kadhirOn maNdalaththin nal naduvuL<\/td>right at the central region of sun, whose rays are permanent and fierce<\/td>periya thirumadal – 15 – mannum kadum kadhirOn<\/a><\/td><\/tr>
mannum madal UrAr enbadhu Or vAsagamum<\/td>a saying \u201cone should not engage in madal to sustain (one\u2019s life)\u201d<\/td>periya thirumadal – 29 – mannum madalUrAr<\/a><\/td><\/tr>
mannum maNi thalaththu<\/td>having a floor studded with distinguished gem stones<\/td>periya thirumadal – 23 – mannum maNiththalaththu<\/a><\/td><\/tr>
mannum pavaLakkAl<\/td>having glittering pillars of red coral<\/td>periya thirumadal – 23 – mannum maNiththalaththu<\/a><\/td><\/tr>
mannum thuyar kadindha<\/td>one who drove away their long standing fear of death<\/td>periya thirumadal – 74 – mannum vadamalaiyai<\/a><\/td><\/tr>
mannum vada malaiyai<\/td>the manthara (a celestial) mountain which was ancholred firmly<\/td>periya thirumadal – 74 – mannum vadamalaiyai<\/a><\/td><\/tr>
mannum vadaneRiyE vENdinOm<\/td>(in this matter of engaging in madal) we will follow the method prescribed in great samskrutha literature<\/td>periya thirumadal – 29 – mannum madalUrAr<\/a><\/td><\/tr>
mannum vaRu nilaththu Angu vALA uguththadhu pOl<\/td>being wasted on the hard ground<\/td>periya thirumadal – 63 – kannavilum kAttagaththOr<\/a><\/td><\/tr>
mannum vazhi muRaiyE<\/td>in the path of love towards bhagavAn which is the well established path<\/td>periya thirumadal – 28 – anna aRaththin<\/a><\/td><\/tr>
mannum viLakkAga ERRi<\/td>like lighting a lamp which never gets put out.<\/td>periya thirumadal – 3 – thunniya thAragaiyin<\/a><\/td><\/tr>
maradhagaththai<\/td>having a greenish form matching emerald<\/td>periya thirumadal – 81 – pannai maradhagaththai<\/a><\/td><\/tr>
maRai nAngum AnAnai<\/td>having the form of four vEdhas<\/td>periya thirumadal – 88 – annavanai AdhanUr<\/a><\/td><\/tr>
maRaiyOr mannum<\/td>place inhabited by vaidhikas (those who follow vEdhas)<\/td>periya thirumadal – 53 – mannu maRaiyOr<\/a><\/td><\/tr>
maRi kadalum pannu thiraikkavari veesa<\/td>the king of ocean fanning with the chowry (fly-whisk) of agitating waves<\/td>periya thirumadal – 4 and 5 – pannu thiraikkavari<\/a><\/td><\/tr>
maRRavanOdu<\/td>with anirudhdha<\/td>periya thirumadal – 46 – ennai idhu viLaiththa<\/a><\/td><\/tr>
maRRavanum<\/td>that brahmA too<\/td>periya thirumadal – 10 – munnam thisaimuganai<\/a><\/td><\/tr>
maRRu anRiyum<\/td>apart from that<\/td>periya thirumadal – 75 – thannuruvam Arum<\/a><\/td><\/tr>
maRRu ArAnum eydhAmE<\/td>not being useful for anyone<\/td>periya thirumadal – 63 – kannavilum kAttagaththOr<\/a><\/td><\/tr>
maRRu ivai thAn<\/td>various other activities which are similar to these<\/td>periya thirumadal – 99 – thennulag\nam ERRuviththa<\/a><\/td><\/tr>
maRRu ivaidhAn ennAlE kEttIrE<\/td>Are you remaining to hear examples like these, from me?<\/td>periya thirumadal – 47 – ennAlE kEttIrE<\/a><\/td><\/tr>
marungu irundha<\/td>being nearby<\/td>periya thirumadal – 20 – manniya singAsanaththin<\/a><\/td><\/tr>
mAsuNaththAl<\/td>with a snake (vAsuki, encircling)<\/td>periya thirumadal – 74 – mannum vadamalaiyai<\/a><\/td><\/tr>
maththu Aga<\/td>as a churning shaft<\/td>periya thirumadal – 74 – mannum vadamalaiyai<\/a><\/td><\/tr>
mAvali than<\/td>mahAbali\u2019s<\/td>periya thirumadal – 75 – thannuruvam Arum<\/a><\/td><\/tr>
mAvaliyai vanjiththu<\/td>deceiving mahAbali (like this)<\/td>periya thirumadal – 78 – onnA asurar<\/a><\/td><\/tr>
mAyaththAl koNdupOy kanni thanpAl vaikka<\/td>taken deceptively, to where she was staying and kept beside her<\/td>periya thirumadal – 46 – ennai idhu viLaiththa<\/a><\/td><\/tr>
mazhai<\/td>clouds<\/td>periya thirumadal – 85 – then thillai<\/a><\/td><\/tr>
mazhai kaNNAr<\/td>women with cool eyes<\/td>periya thirumadal – 24 – mannum mazhai thavazhum<\/a><\/td><\/tr>
mazhai thadam kaN<\/td>having expansive eyes which are cool and dark like rain bearing cloud<\/td>periya thirumadal – 22 – ponniyal kaRpagaththin<\/a><\/td><\/tr>
mazhaik kUndhal<\/td>having a flowing tress similar to clouds<\/td>periya thirumadal – 6 – ennum malarppiNaiyal<\/a><\/td><\/tr>
mEl eduththa<\/td>lifted in the top direction<\/td>periya thirumadal – 50 – mannu karathalangaL<\/a><\/td><\/tr>
mEl eduththa<\/td>that which was lifted high up<\/td>periya thirumadal – 77 – mannA tharuga enRu<\/a><\/td><\/tr>
mel mulaiyum<\/td>soft bosom<\/td>periya thirumadal – 33 – chinna malarkkuzhalum<\/a><\/td><\/tr>
min Adum<\/td>having radiance<\/td>periya thirumadal – 42 – ponnnavilum Agam<\/a><\/td><\/tr>
min Ar mudi pOy viN thadava<\/td>the radiant crown went and stroked the ethereal layer<\/td>periya thirumadal – 77 – mannA tharuga enRu<\/a><\/td><\/tr>
min idaiyarOdum<\/td>with celestial damsels who have their waists slender like lightning<\/td>periya thirumadal – 22 – ponniyal kaRpagaththin<\/a><\/td><\/tr>
min ilangum Azhi padai thadaikkai vIranai<\/td>being a great warrior who has the divine chakrAyudham (disc) which is radiant like lightning<\/td>periya thirumadal – 72 – thannudaiya thALmEl<\/a><\/td><\/tr>
min indaiyAr sEriyilum<\/td>in the gatherings of women<\/td>periya thirumadal – 92 – minnidaiyAr sEriyilum<\/a><\/td><\/tr>
mInai<\/td>one who incarnated as a fish<\/td>periya thirumadal – 83 – mannum kadanmallai<\/a><\/td><\/tr>
mINdum pOy<\/td>reaching her dwelling place<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
minnai<\/td>one who has periya pirAtti (SrI mahAlakshmi) who is resplendent like lightning<\/td>periya thirumadal – 80 – annam thuyilum<\/a><\/td><\/tr>
minnanaiya nuNmarungul melliyalAr<\/td>tender women having waist as subtle as lightning<\/td>periya thirumadal – 21 – minnaNaiya nuN marungul<\/a><\/td><\/tr>
minni<\/td>shining brightly<\/td>periya thirumadal – 85 – then thillai<\/a><\/td><\/tr>
minni eri vIsa<\/td>such that fire and smoke got emitted<\/td>periya thirumadal – 50 – mannu karathalangaL<\/a><\/td><\/tr>
minni oLi padaippa<\/td>emitting radiance similar to lightning<\/td>periya thirumadal – 56 – minni oLi padaippa<\/a><\/td><\/tr>
minnidai Aychchiyar tham sEri<\/td>in the hamlet of cow-herd girls whose slender waists were like lightning<\/td>periya thirumadal – 93 – than nilaimai ellAm<\/a><\/td><\/tr>
minnin oLi sEr<\/td>having the lustre of lightning<\/td>periya thirumadal – 24 – mannum mazhai thavazhum<\/a><\/td><\/tr>
minnin oLisEr paLingu viLimbu aduththa<\/td>having cornice (similar to thiNNai that we see in traditional houses) made with crystals which have radiance similar to lightning<\/td>periya thirumadal – 23 – mannum maNiththalaththu<\/a><\/td><\/tr>
minnu maNi magara kuNdalangaL vil veesa<\/td>the ornaments worn in the ear have rare gems studded in them and these gems emit radiance similar to rainbow.<\/td>periya thirumadal – 2 – manniya nAgaththaNai mElOr<\/a><\/td><\/tr>
minnum iru sudarum piRangu oLiyum thanninudanE suzha\nla malai thiruththu<\/td>churning that manthara mountain (churning the ocean) such that the radiant moon, sun, sky and other lustrous entities spun around with him<\/td>periya thirumadal – 74 – mannum vadamalaiyai<\/a><\/td><\/tr>
mU adi maN tharuga enRu<\/td>saying \u2018give me three steps of land\u2019<\/td>periya thirumadal – 76 – mannai manam koLLa<\/a><\/td><\/tr>
mugizh niLa vandhu arumba<\/td>young moon, spreading<\/td>periya thirumadal – 21 – minnaNaiya nuN marungul<\/a><\/td><\/tr>
mUkkinRu<\/td>ageing more and more<\/td>periya thirumadal – 65 – munnirundhu mUkkinRu<\/a><\/td><\/tr>
mUkku arindhu<\/td>cutting off her nose<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
muL muLari kUdu agaththu<\/td>in the nest made with lotus stem which has thorns<\/td>periya thirumadal – 61 – munniya peNNaimEl<\/a><\/td><\/tr>
muLaiththu ezhundhu Ongi oLi parandha manniya pU peNNai madal Urvan<\/td>I will engage with madal from beautiful, firm and splendorous palm leaf which has been taken from a well sprouted, high grown pam tree.<\/td>periya thirumadal – 99 – thennulagam ERRuviththa<\/a><\/td><\/tr>
mun Aya thoNdai Ay<\/td>like the fruit of the hedges creeper in the front (for lips)<\/td>periya thirumadal – 58 – minnAy iLavEy<\/a><\/td><\/tr>
mun i ulagu uNda mUrththiyai<\/td>in an earlier time, as the lord, keeping all these worlds in his divine stomach and looking after them<\/td>periya thirumadal – 84 – munnivvulaguNda<\/a><\/td><\/tr>
mun irundhu<\/td>being present right in front of my eyes<\/td>periya thirumadal – 65 – munnirundhu mUkkinRu<\/a><\/td><\/tr>
mun irundhu<\/td>right in fornt of them<\/td>periya thirumadal – 95 – pinnum uralOdu<\/a><\/td><\/tr>
mun uraiyil kEttu aRivadhillaiyE<\/td>have you not heard of, in mahAbhAratham?<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
munam nAL<\/td>during an earlier time<\/td>periya thirumadal – 96 – mannar perunjavaiyuL<\/a><\/td><\/tr>
munam nAL<\/td>in earlier time (during krishNAvathAram)<\/td>periya thirumadal – 93 – than nilaimai ellAm<\/a><\/td><\/tr>
munnam mA madhi kOL viduththa mugil vaNNan<\/td>having the complexion of rain bearing clouds, who, in earlier times, had removed chandhra (moon)\u2019s distress.<\/td>periya thirumadal – 68 – mannan naRundhuzhAy<\/a><\/td><\/tr>
munnam mugizhththa<\/td>revealed at the beginning itself<\/td>periya thirumadal – 21 – minnaNaiya nuN marungul<\/a><\/td><\/tr>
munnam nAn sonna aRaththin vazhi muyanRa annavar thAm<\/td>those who carried out their activities in the path of righteousness that I had mentioned earlier.<\/td>periya thirumadal – 17 – munna nAn sonna<\/a><\/td><\/tr>
munnam nAnmaRaigaL padaiththanan<\/td>he obtained the four vEdhas (from supreme being)<\/td>periya thirumadal – 10 – munnam thisaimuganai<\/a><\/td><\/tr>
munnam thisaimuganaith thAn padaikka<\/td>even as he created brahmA during the time of creation (after deluge)<\/td>periya thirumadal – 10 – munnam thisaimuganai<\/a><\/td><\/tr>
munni<\/td>standing up front<\/td>periya thirumadal – 99 – thennulagam ERRuviththa<\/a><\/td><\/tr>
munniya peNNai mEl<\/td>on the palm tree seen in front<\/td>periya thirumadal – 61 – munniya peNNaimEl<\/a><\/td><\/tr>
muRRa<\/td>completely<\/td>periya thirumadal – 95 – pinnum uralOdu<\/a><\/td><\/tr>
muththinai<\/td>one who is like a pearl<\/td>periya thirumadal – 83 – mannum kadanmallai<\/a><\/td><\/tr>
mUvAmai kAppadhu Or<\/td>to prevent it from aging like that<\/td>periya thirumadal – 65 – munnirundhu mUkkinRu<\/a><\/td><\/tr>
mUzhikkaLaththu viLakkinai<\/td>one who is shining at thirumUzhikkaLam [a divine abode in kEraLa]<\/td>periya thirumadal – 87 – unniya yOgaththu<\/a><\/td><\/tr>
nadandhilaLE<\/td>did she too not go?<\/td>periya thirumadal – 39 – anna nadaiya<\/a><\/td><\/tr>
nAdu agaththum<\/td>in all the other places<\/td>periya thirumadal – 92 – minnidaiyAr sEriyilum<\/a><\/td><\/tr>
nal nagaram pOy pukku<\/td>reaching beautiful place (in the land of snakes)<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
nal naRu sandhana sERu uL pularththa<\/td>drying up a fragrant sandal wood paste<\/td>periya thirumadal – 26 – mannu malarvAy<\/a><\/td><\/tr>
nal naRu vAsam<\/td>great fragrance<\/td>periya thirumadal – 63 – kannavilum kAttagaththOr<\/a><\/td><\/tr>
nal nIr thalaichchanga nANmadhiyai<\/td>as the nANmadhiyapperumAL at thalaichchangAdu which is surrounded by good water<\/td>periya thirumadal – 89 – mannum maNimAda<\/a><\/td><\/tr>
nAm adhanai theLiyOm<\/td>we do not consider that as having any clarity (it is not apt)<\/td>periya thirumadal – 29 – mannum madalUrAr<\/a><\/td><\/tr>
nAm niRRum<\/td>we will be firmly involved with.<\/td>periya thirumadal – 28 – anna aRaththin<\/a><\/td><\/tr>
nAn<\/td>I<\/td>periya thirumadal – 100 – ennilaimai ellAm<\/a><\/td><\/tr>
nAn<\/td>I (who know all his activities)<\/td>periya thirumadal – 91 – than aruLum Agamum<\/a><\/td><\/tr>
nAn<\/td>I, parakAla nAyaki<\/td>periya thirumadal – 99 – thennulagam ERRuviththa<\/a><\/td><\/tr>
nAn vaNangum kaNNanai<\/td>as kaNNan (krishNa) who I worship<\/td>periya thirumadal – 89 – mannum maNimAda<\/a><\/td><\/tr>
nAnginum<\/td>among these four benefits<\/td>periya thirumadal – 11 – mannum aRam porul<\/a><\/td><\/tr>
nAngUr<\/td>at thirunAngUr<\/td>periya thirumadal – 88 – annavanai AdhanUr<\/a><\/td><\/tr>
naRu thuzhAy vAzh mArban<\/td>having his chest decorated with the fragrant thuLasi<\/td>periya thirumadal – 68 – mannan naRundhuzhAy<\/a><\/td><\/tr>
nayandhu<\/td>celebrating<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
nenju urukki<\/td>softening his heart (through the beauty of his gait, speech etc)<\/td>periya thirumadal – 76 – mannai manam koLLa<\/a><\/td><\/tr>
nennalai inRinai nALaiyai<\/td>one who is the controller of yesterday, today and tomorrow<\/td>periya thirumadal – 88 – annavanai AdhanUr<\/a><\/td><\/tr>
nIL mudiyum<\/td>the huge divine crown<\/td>periya thirumadal – 56 – minni oLi padaippa<\/a><\/td><\/tr>
nilamangai thannai munanAL aLavitta<\/td>measuring earth at an earlier time [as thrivikrama]<\/td>periya thirumadal – 4 and 5 – pannu thiraikkavari<\/a><\/td><\/tr>
ninRadhu aRiyAdhE<\/td>not knowing that (she) is standing (nearby)<\/td>periya thirumadal – 58 – minnAy iLavEy<\/a><\/td><\/tr>
nIrmalai mEl mannum<\/td>one who has taken residence at thirunIrmalai<\/td>periya thirumadal – 88 – annavanai AdhanUr<\/a><\/td><\/tr>
nOkkAdhu<\/td>not minding him<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
nOkkudhalum<\/td>to the extent that I had seen<\/td>periya thirumadal – 54 – ennudaiya kaN kaLippa<\/a><\/td><\/tr>
nudangu idai sEr pon udambnu vAda<\/td>her beautiful form with the quivering waist, withering<\/td>periya thirumadal – 48 – anna nadaiya<\/a><\/td><\/tr>
oN poruLum<\/td>the benefit for the distinguished artha (wealth) purushArtham<\/td>periya thirumadal – 28 – anna aRaththin<\/a><\/td><\/tr>
oNduRai nIr vElai ulagu aRiya<\/td>making it known to the people of the world, surrounded by ocean which has effulgent places for taking a dip and which is full of water<\/td>periya thirumadal – 100 – ennilaimai ellAm<\/a><\/td><\/tr>
Or ari uruvam Agi<\/td>incarnating as an incomparable narasinga mUrththy (lion face and human body)<\/td>periya thirumadal – 71 – pinnOr ariyuruvamAgi<\/a><\/td><\/tr>
Or EnamAy pukku<\/td>entered (the ocean) as a divine boar<\/td>periya thirumadal – 73 – mannivvagalidaththai<\/a><\/td><\/tr>
Or in iLa vanji kodi onRu ninRadhu<\/td>pirAtti (SrI mahAlakshmi) who is distinguished, enjoyable (for emperumAn) and like a youthful creeper, stood<\/td>periya thirumadal – 57 – mannu maragadha<\/a><\/td><\/tr>
Or mAmalai pOl<\/td>reclining like a distinguished dark mountain<\/td>periya thirumadal – 2 – manniya nAgaththaNai mElOr<\/a><\/td><\/tr>
Or mandhAram thunnu naRumalarAl thOL kotti<\/td>decorating the shoulders with fragrant flowers which are from the distinguished mandhAram tree (a celestial flower bearing tree)<\/td>periya thirumadal – 25 – pannu vichiththirimA<\/a><\/td><\/tr>
Or maNi varai mEl ponniyal pangayaththin kAdu pUththadhu pOl<\/td>just like a forest of golden lotus blooming on top of a bluish gem coloured mountain (and shining)<\/td>periya thirumadal – 55 – pannu kara thalamum<\/a><\/td><\/tr>
Or thol neRiyai<\/td>that paramapadham (or archirAdhi mArga, the way to reach paramapadham) is distinguished and is existing for a very long time<\/td>periya thirumadal – 12 – thonneRiyai vENduvAr<\/a><\/td><\/tr>
Or unniya yOgaththu uRakkam thalaikkoNda pinnai<\/td>after assuming the posture of reclining where he is thinking about protecting the world<\/td>periya thirumadal – 8 – thannudaiya angaigaLAl<\/a><\/td><\/tr>
Or valli<\/td>(blossomed) in a creeper<\/td>periya thirumadal – 63 – kannavilum kAttagaththOr<\/a><\/td><\/tr>
Or vAn kayiRRAl<\/td>with a beautiful rope<\/td>periya thirumadal – 94 – thunnu padal<\/a><\/td><\/tr>
ozhiya pOndhERku<\/td>for me who has lost (everyone of the above)<\/td>periya thirumadal – 59 – ennudaiya nenjum<\/a><\/td><\/tr>
pAdagaththu manniya em maindhanai<\/td>as our youthful entity at thiruppAdagam where he has taken permanent residence<\/td>periya thirumadal – 86 – anna uruvil ariyai<\/a><\/td><\/tr>
pal poRi sEr Ayira vAy vAL aravin<\/td>thiruvananthAzhwAn (AdhiSEshan, the divine mattress for emperumAn), who has many dots (circular spots) on his body and thousands of mouths as well as radiance his<\/td>periya thirumadal – 1 – manniya palpoRi sEr<\/a><\/td><\/tr>
panju adiyAl<\/td>with soft, like cotton, divine feet<\/td>periya thirumadal – 39 – anna nadaiya<\/a><\/td><\/tr>
pannAgarAyan madam pAvai<\/td>woman with timidity, ulUpi, who is the daughter of gauravya, a king of snakes<\/td>periya thirumadal – 43 – konnavilum nIL vEl<\/a><\/td><\/tr>
panni uraikkum kAl<\/td>if I have to say more expansively (citing more examples)<\/td>periya thirumadal – 52 – panni uraikkungAl<\/a><\/td><\/tr>
pannu kara thalamum<\/td>the divine hands which are to be praised<\/td>periya thirumadal – 55 – pannu kara thalamum<\/a><\/td><\/tr>
pannu paLLimEl<\/td>on the mattress which is to be extolled<\/td>periya thirumadal – 25 – pannu vichiththirimA<\/a><\/td><\/tr>
paRRi<\/td>catching him<\/td>periya thirumadal – 94 – thunnu padal<\/a><\/td><\/tr>
pAvai than manniya nAN achcham madam ivai agala<\/td>ridding herself of feminine qualities such as shyness, fear, timidity<\/td>periya thirumadal – 43 – konnavilum nIL vEl<\/a><\/td><\/tr>
pAviyEn ennai idhu viLaiththa Ir iraNdu mAlvaraiththOL<\/td>the four shoulders which are like a huge mountain and which torment me, who is a sinner<\/td>periya thirumadal – 46 – ennai idhu viLaiththa<\/a><\/td><\/tr>
pAviyERku<\/td>for me, the sinful person<\/td>periya thirumadal – 52 – panni uraikkungAl<\/a><\/td><\/tr>
pEdhaiyEn ennudaiya peNmai<\/td>my femininity, I being ignorant<\/td>periya thirumadal – 63 – kannavilum kAttagaththOr<\/a><\/td><\/tr>
peNNaimEl pinnum<\/td>hooking its beak with its male\u2019s, on top of the palm tree<\/td>periya thirumadal – 31 – pinnum avvanRil<\/a><\/td><\/tr>
pEr oLi sEr<\/td>being with great radiance<\/td>periya thirumadal – 9 – pinnaith than nAbi<\/a><\/td><\/tr>
pEril piRappu iliyai<\/td>dwelling at thiruppErnagar, being ready forever [to protect his followers]<\/td>periya thirumadal – 82 – pinnaimaNALanai<\/a><\/td><\/tr>
pErththum<\/td>further<\/td>periya thirumadal – 97 – konnavilum kUththanAy<\/a><\/td><\/tr>
pEy alaRa mulai uNda piLLaiyai<\/td>as an infant who ate [from] the bosom of the demon pUthana such that she cried out in pain<\/td>periya thirumadal – 84 – munnivvulaguNda<\/a><\/td><\/tr>
pin<\/td>after passage of some time<\/td>periya thirumadal – 71 – pinnOr ariyuruvamAgi<\/a><\/td><\/tr>
pin idhanai kAppIrdhAn illaiyE<\/td>there is none who could now enable me to escape from this danger<\/td>periya thirumadal – 62 – konnavilum pUngaNaigaL<\/a><\/td><\/tr>
pinnai maNALanai<\/td>being the consort of nappinnai pirAtti (nILA dhEvi)<\/td>periya thirumadal – 82 – pinnaimaNALanai<\/a><\/td><\/tr>
pinnai peyar tharum enbadhu<\/td>after this physical body is gone [after death], it will get another body (as mentioned in SAsthras)<\/td>periya thirumadal – 11 – mannum aRam porul<\/a><\/td><\/tr>
pinnai pOy<\/td>after that, going to<\/td>periya thirumadal – 100 – ennilaimai ellAm<\/a><\/td><\/tr>
pinnE pulamba<\/td>even though they came behind (SrI rAma) crying (telling him not to go to the forest)<\/td>periya thirumadal – 36 – ponnagaram pinnE<\/a><\/td><\/tr>
pinnum<\/td>after that<\/td>periya thirumadal – 73 – mannivvagalidaththai<\/a><\/td><\/tr>
pinnum<\/td>apart from that<\/td>periya thirumadal – 40 – pinnum karu negungaN<\/a><\/td><\/tr>
pinnu\nm<\/td>moreover<\/td>periya thirumadal – 38 – pinnum thirai vayiRRu<\/a><\/td><\/tr>
pinnum avvanRil siRuvAych chiRu pedaiyum<\/td>feeble voice emanating from the mouth of the female love bird which has locked its beak with that of the male<\/td>periya thirumadal – 61 – munniya peNNaimEl<\/a><\/td><\/tr>
pinnum thiru uRuga<\/td>let them shine with more and more of physical beauty<\/td>periya thirumadal – 34 – pon aNaiyAr pinnum<\/a><\/td><\/tr>
podhavaNaindhu<\/td>standing close (to the target) so that the bows will pierce through well<\/td>periya thirumadal – 62 – konnavilum pUngaNaigaL<\/a><\/td><\/tr>
podiyAdi<\/td>one who is famous for applying ash all over his body<\/td>periya thirumadal – 51 – konnavilum mUvilai<\/a><\/td><\/tr>
pon agalam<\/td>beautiful chest<\/td>periya thirumadal – 72 – thannudaiya thALmEl<\/a><\/td><\/tr>
pon agalam Angu senRu aNaindhilaLE<\/td>did she not go to him and embrace his beautiful chest?<\/td>periya thirumadal – 51 – konnavilum mUvilai<\/a><\/td><\/tr>
pon agalam thOyAvEl<\/td>we have not attained his beautiful, divine chest<\/td>periya thirumadal – 64 – mannu malarmangai<\/a><\/td><\/tr>
pon anaiyAr thAm<\/td>those who are fortunate<\/td>periya thirumadal – 34 – pon aNaiyAr pinnum<\/a><\/td><\/tr>
pon Ar kanai kazhal kAl<\/td>the coveted divine foot, decorated with valorous anklet and making a sound<\/td>periya thirumadal – 77 – mannA tharuga enRu<\/a><\/td><\/tr>
pon arumbu Aram pulamba<\/td>chains (worn by the celestial damsel) make sounds<\/td>periya thirumadal – 27 – pon arumbu Aram<\/a><\/td><\/tr>
pon iyal kaRpagaththin kAdu uduththa<\/td>surrounded by a forest of golden hued kaRpaga trees (wish-fulfilling, celestial tree)<\/td>periya thirumadal – 22 – ponniyal kaRpagaththin<\/a><\/td><\/tr>
pon iyalum mEgalaiyum<\/td>golden waist band<\/td>periya thirumadal – 59 – ennudaiya nenjum<\/a><\/td><\/tr>
pon iyalum vELvikkaN pukkirundhu<\/td>taking abode in the yAgabhUmi (the place where mahAbali conducted the ritual) where gold was being gifted<\/td>periya thirumadal – 75 – thannuruvam Arum<\/a><\/td><\/tr>
pon mudigaL paththum puraLa<\/td>making the ten beautiful heads to roll (on the ground)<\/td>periya thirumadal – 70 – pon mudigal paththum<\/a><\/td><\/tr>
pon nagaram seRRa<\/td>one who destroyed the towns of hiraNyAsura<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
pon navilum Agam<\/td>in the chest (of her beloved) which is like gold<\/td>periya thirumadal – 42 – ponnnavilum Agam<\/a><\/td><\/tr>
pon nedu vIdhi pugAdhAr<\/td>those who do not enter the beautiful, long streets<\/td>periya thirumadal – 32 – thunnu madhiyugaththa<\/a><\/td><\/tr>
pon niram koNdu<\/td>her complexion became pale [lost its colour]<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
pon ulagam Ezhum kadandhu<\/td>going past the beautiful worlds above<\/td>periya thirumadal – 50 – mannu karathalangaL<\/a><\/td><\/tr>
pon varai Agam<\/td>beautiful, mountain-like chest<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
pongu oLi sEr<\/td>having a radiance which keeps growing<\/td>periya thirumadal – 19 – ponnagaram pukku<\/a><\/td><\/tr>
ponnagaram<\/td>all the people who were residing in the beautiful city of ayOdhyA<\/td>periya thirumadal – 36 – ponnagaram pinnE<\/a><\/td><\/tr>
ponnai<\/td>shining like gold<\/td>periya thirumadal – 81 – pannai maradhagaththai<\/a><\/td><\/tr>
ponni maNi kozhikkum pUngudandhai pOrvidaiyai<\/td>one who is reclining like a bull which has got tired after waging a war, at thirukkudandhai, where the river kAviri brings precious gems<\/td>periya thirumadal – 79 – minnidaiyAL nAyaganai<\/a><\/td><\/tr>
pOr vEndhan<\/td>rAma, who is like a tiger in war<\/td>periya thirumadal – 34 – pon aNaiyAr pinnum<\/a><\/td><\/tr>
pOr vEndhar mannai<\/td>that mAvali who is the chief of kings who have the strength to indulge in war<\/td>periya thirumadal – 76 – mannai manam koLLa<\/a><\/td><\/tr>
pU gangai punal munnam parakkum nal nAdan<\/td>the head of the great country where the beautiful waters of the river gangA had earlier increased its flow abundantly<\/td>periya thirumadal – 42 – ponnnavilum Agam<\/a><\/td><\/tr>
pugazh padaiththa<\/td>getting the fame (of having protected his follower, prahlAdha)<\/td>periya thirumadal\n – 72 – thannudaiya thALmEl<\/a><\/td><\/tr>
pukku<\/td>entering<\/td>periya thirumadal – 94 – thunnu padal<\/a><\/td><\/tr>
pulan aindhum nondhu agala<\/td>her five senses getting distressed and leaving her<\/td>periya thirumadal – 48 – anna nadaiya<\/a><\/td><\/tr>
pularndhu<\/td>her body withered [lifeless]<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
pullANi<\/td>one who has taken residence at thiruppullANi<\/td>periya thirumadal – 88 – annavanai AdhanUr<\/a><\/td><\/tr>
puNarndhilaLE<\/td>did she not get embraced?<\/td>periya thirumadal – 42 – ponnnavilum Agam<\/a><\/td><\/tr>
purandharanOdu Er okkum<\/td>it will parallel the greatness of dhEvEndhra (head of celestial entities)<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
putkuzhi em pOr ERRai<\/td>dwelling in [the divine abode of] thirupputkuzhi, as my lord and as a bull ready to wage a war<\/td>periya thirumadal – 81 – pannai maradhagaththai<\/a><\/td><\/tr>
sadAbAram thAn thariththu<\/td>she made it into matted hair and wore it<\/td>periya thirumadal – 49 – thannudaiya kUzhai<\/a><\/td><\/tr>
saram thurandhu<\/td>raining arrows<\/td>periya thirumadal – 70 – pon mudigal paththum<\/a><\/td><\/tr>
sela nItti<\/td>extending further (to go beyond)<\/td>periya thirumadal – 78 – onnA asurar<\/a><\/td><\/tr>
semponsey maNdabaththuL<\/td>inside the hall made of reddish gold (pure gold)<\/td>periya thirumadal – 23 – mannum maNiththalaththu<\/a><\/td><\/tr>
senni maNik kudumi<\/td>from the carbuncles which are present in the raised hoods of AdhiSEshan<\/td>periya thirumadal – 1 – manniya palpoRi sEr<\/a><\/td><\/tr>
sezhu sandhin thAdhu aLaindhu<\/td>mixing the pollen from the beautiful sandalwood trees<\/td>periya thirumadal – 60 – thannudaiya thanmai<\/a><\/td><\/tr>
silai vAy mannum malar vALi kOththu eyya<\/td>even when manmadha strings arrows of flowers on his bow and shoots (affirming that engaging with madal is the purushArtham (benefit) now)<\/td>periya thirumadal – 32 – thunnu madhiyugaththa<\/a><\/td><\/tr>
sollAdhE<\/td>instead of showing such persons<\/td>periya thirumadal – 15 – mannum kadum kadhirOn<\/a><\/td><\/tr>
solleer<\/td>Please say (if there is a means available)<\/td>periya thirumadal – 67 – innisai Osaiyum<\/a><\/td><\/tr>
sOrvu eydhi<\/td>going into a trance<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
sUrppaNakA<\/td>called as sUrppaNakA<\/td>periya thirumadal – 97 – konnavilum kUththanAy<\/a><\/td><\/tr>
sUzh kadaluL<\/td>in the expansive ocean<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
suzhanRu Adum<\/td>one who was himself dancing with a spin<\/td>periya thirumadal – 50 – mannu karathalangaL<\/a><\/td><\/tr>
tham pU aNai mEl<\/td>on their bed of flowers<\/td>periya thirumadal – 32 – thunnu madhiyugaththa<\/a><\/td><\/tr>
tham udalam vEvath thaLarAdhAr<\/td>those who do not weaken such that their bodies are burnt<\/td>periya thirumadal – 32 – thunnu madhiyugaththa<\/a><\/td><\/tr>
thAmarai mEl min idaiyAL nAyaganai<\/td>the consort of pirAtti who was born on a lotus and who has a waist similar to lightning.<\/td>periya thirumadal – 79 – minnidaiyAL nAyaganai<\/a><\/td><\/tr>
thAmarai pOl manniya sEvadiyai<\/td>towards the lotus-like divine feet<\/td>periya thirumadal – 4 and 5 – pannu thiraikkavari<\/a><\/td><\/tr>
thAn<\/td>(discarding her shyness) on her own<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
thAn<\/td>he himself<\/td>periya thirumadal – 95 – pinnum uralOdu<\/a><\/td><\/tr>
than adiyAr munbum<\/td>in the presence of emperumAn\u2019s followers<\/td>periya thirumadal – 92 – minnidaiyAr sEriyilum<\/a><\/td><\/tr>
than aruLum<\/td>his mercy<\/td>periya thirumadal – 100 – ennilaimai ellAm<\/a><\/td><\/tr>
than aruLum Agamum thArAnEl<\/td>if he does not grant me his divine grace and his divine chest<\/td>periya thirumadal – 91 – than aruLum Agamum<\/a><\/td><\/tr>
than innuyir kAdhalanai kANAdhu<\/td>not allowing (her) to see her husband who is like her lifeline<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
thAn munindhu<\/td>becoming fiery<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
than nAbi valayaththu<\/td>in the region of his navel<\/td>periya thirumadal – 9 – pinnaith than nAbi<\/a><\/td><\/tr>
than nigar onRu illAdha<\/td>being incomparable<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
than nigar onRu illAdha venRi<\/td>one with unparalleled victories<\/td>periya thirumadal – 43 – konnavilum nIL vEl<\/a><\/td><\/tr>
than nilaimai ellAm aRivippan<\/td>I will expose all his qualities<\/td>periya thirumadal – 93 – than nilaimai ellAm<\/a><\/td><\/tr>
thAn Or mannum kuRaL uruvin mANi Ay<\/td>he, who is the most supreme among all men, made himself into a divine dwarf bachelor<\/td>periya thirumadal – 75 – thannuruvam Arum<\/a><\/td><\/tr>
thAn senRu<\/td>leaving, forcefully<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
thaN sERai manniya vaLLalai<\/td>the supremely generous entity who has fittingly taken residence in the cool thiruchchERai.<\/td>periya thirumadal – 79 – minnidaiyAL nAyaganai<\/a><\/td><\/tr>
than ulagam Akkuviththa thALAnai<\/td>having divine feet, which made [such worlds] as his world<\/td>periya thirumadal – 78 – onnA asurar<\/a><\/td><\/tr>
than uruvam Arum aRiyAmal<\/td>making his nature unknown to anyone else<\/td>periya thirumadal – 75 – thannuruvam Arum<\/a><\/td><\/tr>
than vayiRu Ara thAn vizhunga<\/td>as he gobbled these in order to fill up his stomach<\/td>periya thirumadal – 94 – thunnu padal<\/a><\/td><\/tr>
thanadhu<\/td>her<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
thAnga aru sIr min idai mEl kai vaiththu irundhu<\/td>keeping the hand on the (subtle) difficult-to-bear waist which is like a beautiful lightning<\/td>periya thirumadal – 26 – mannu malarvAy<\/a><\/td><\/tr>
thaNkAl thiRalvaliyai<\/td>the hugely powerful entity who has taken residence at thiruththaNkAl<\/td>periya thirumadal – 83 – mannum kadanmallai<\/a><\/td><\/tr>
thannai<\/td>that emperumAn<\/td>periya thirumadal – 91 – than aruLum Agamum<\/a><\/td><\/tr>
thannai igazhndhu uraippa<\/td>to be spoken of despicably<\/td>periya thirumadal – 96 – mannar perunjavaiyuL<\/a><\/td><\/tr>
thannai nayandhALai<\/td>that demonic woman who desired him<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
thannai piRar aRiyA thaththuvaththai<\/td>one whose nature cannot be known by others (who are not under the shadow of his divine mercy)<\/td>periya thirumadal – 83 – mannum kadanmallai<\/a><\/td><\/tr>
thannudaiya am kaikgaLAl adiyiNaiyai thadava<\/td>gently massaging the divine feet [of emperumAn] with her beautiful hands<\/td>periya thirumadal – 8 – thannudaiya angaigaLAl<\/a><\/td><\/tr>
thannudaiya innuyir thOzhiyAl<\/td>with the help of her dear friend, chithralEkai<\/td>periya thirumadal – 45 – mannavan vANan<\/a><\/td><\/tr>
thannudaiya kongai mugam neRiya<\/td>such that the face of her bosom became stiff<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
thannudaiya kUzhai<\/td>her tresses<\/td>periya thirumadal – 49 – thannudaiya kUzhai<\/a><\/td><\/tr>
thannudaiya mun thOnRal koNdu Ega<\/td>her elder brother carrying her (preventing her from being with her husband)<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
thannudaiya nA ozhiyAdhu Adum thani maNiyin<\/td>with the gong of the unparalleled bell striking continuously<\/td>periya thirumadal – 66 – thunnu pidareruththu<\/a><\/td><\/tr>
thannudaiya thAdhai paNiyAl<\/td>as per the counsel of his father dhaSaratha<\/td>periya thirumadal – 35 – thannudaiya thAdhai<\/a><\/td><\/tr>
thannudaiya thAL mEl kidAththi<\/td>making (hiraNya) to lie on his lap<\/td>periya thirumadal – 72 – thannudaiya thALmEl<\/a><\/td><\/tr>
thannudaiya thanmai thavira thAn en kol<\/td>Did anyone do anything to convert the natural quality of coolness of the moon to a hot state like this?<\/td>periya thirumadal – 60 – thannudaiya thanmai<\/a><\/td><\/tr>
thannudaiya thOL kazhiya vAngi<\/td>pulling (the string of the bow) to reach his shoulder<\/td>periya thirumadal – 62 – konnavilum pUngaNaigaL<\/a><\/td><\/tr>
thannudaiya thOL valiyAL kaikkoNda dhAnavanai<\/td>hiraNyAsura who made them his, through the strength of his shoulders<\/td>periya thirumadal – 70 – pon mudigal paththum<\/a><\/td><\/tr>
thArAn El<\/td>if he doe\ns not grant<\/td>periya thirumadal – 100 – ennilaimai ellAm<\/a><\/td><\/tr>
tharaNi muzhudhALum konnavilum vElvEndhar kUttaththum<\/td>in the courts of those kings who rule over the entire earthern region and who have cruel armies<\/td>periya thirumadal – 92 – minnidaiyAr sEriyilum<\/a><\/td><\/tr>
thAtakaiyai<\/td>a woman called as thAtakA<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
thavazhum<\/td>coming to, gently<\/td>periya thirumadal – 85 – then thillai<\/a><\/td><\/tr>
thayir veNNey<\/td>curd and butter<\/td>periya thirumadal – 94 – thunnu padal<\/a><\/td><\/tr>
thazheeikkoNdu pOy<\/td>embracing<\/td>periya thirumadal – 44 – thannudaiya kongai<\/a><\/td><\/tr>
then ilangaiyAtti<\/td>the queen of lankA in the south<\/td>periya thirumadal – 97 – konnavilum kUththanAy<\/a><\/td><\/tr>
then nan kuRungudiyuL sembavaLam kunRinai<\/td>one who is shining like a reddish coral like mountain at thirukkuRungudi which is a distinguished divine abode in the southern direction<\/td>periya thirumadal – 79 – minnidaiyAL nAyaganai<\/a><\/td><\/tr>
then naRaiyUr maNi mAdak kOyil mannu maNALanai<\/td>one who has taken residence as a bridegroom in the famous thiruraRaiyUr maNi mAdak kOyil<\/td>periya thirumadal – 89 – mannum maNimAda<\/a><\/td><\/tr>
then thillaich chiththirakUdaththu en selvanai<\/td>the wealthy entity (who has taken residence) at thillai chiththira kUtam, which is in the southern direction<\/td>periya thirumadal – 85 – then thillai<\/a><\/td><\/tr>
then ulagam ERRuviththa<\/td>so as to reach yamalOkam (hell)<\/td>periya thirumadal – 99 – thennulagam ERRuviththa<\/a><\/td><\/tr>
then ulagam ERRuviththa sEvaganai<\/td>as a great warrior who made (that rAvaNa) to reach yamalOka (hell)<\/td>periya thirumadal – 70 – pon mudigal paththum<\/a><\/td><\/tr>
then uraiyil kEttu aRivadhu uNdu<\/td>we have heard of in thamizh language<\/td>periya thirumadal – 29 – mannum madalUrAr<\/a><\/td><\/tr>
thennan podhiyil<\/td>in the malaiyamalai (podhigai mountain) of the king of pANdyas, who is the chief of the southern region<\/td>periya thirumadal – 60 – thannudaiya thanmai<\/a><\/td><\/tr>
thennan podhiyil sezum sandhanak kuzhambinannadhu Or thanmai aRiyAdhAr<\/td>those who do not know that property of the sandalwood paste made from sandalwood trees which grow in the podhigai malai (podhigai mountain range) in the kingdom of pANdyas.<\/td>periya thirumadal – 30 – thennan podhiyil<\/a><\/td><\/tr>
thennan thamizhai vadamozhiyai<\/td>one who is described by both thamizh and samaskrutha languages<\/td>periya thirumadal – 88 – annavanai AdhanUr<\/a><\/td><\/tr>
thennanuyar poruppum dheyva vadamalaiyum ennum ivaiyE mulai A<\/td>the mountain of thirumAlirum sOlai and thiruvEngadamalai (thirumalai hill) as her bosom<\/td>periya thirumadal – 7 – thennan uyar poruppum<\/a><\/td><\/tr>
theRRanavum<\/td>what a shame!<\/td>periya thirumadal – 95 – pinnum uralOdu<\/a><\/td><\/tr>
thin thiRalum<\/td>what great strength<\/td>periya thirumadal – 99 – thennulagam ERRuviththa<\/a><\/td><\/tr>
thirai vayiRu pEyE thirindhu<\/td>having only ghosts, which are with empty stomachs (due to lack of food), which keep roaming<\/td>periya thirumadal – 38 – pinnum thirai vayiRRu<\/a><\/td><\/tr>
thiru meyyaththu<\/td>in thirumeyyam<\/td>periya thirumadal – 86 – anna uruvil ariyai<\/a><\/td><\/tr>
thiru uruvam<\/td>the divine form of SrIdhEvi (Sri mahAlakshmi)<\/td>periya thirumadal – 58 – minnAy iLavEy<\/a><\/td><\/tr>
thirumArbum<\/td>the chest where pirAtti (SrI mahAlakshmi) resides<\/td>periya thirumadal – 54 – ennudaiya kaN kaLippa<\/a><\/td><\/tr>
thirunaRaiyUr<\/td>at thirunaRaiyUr<\/td>periya thirumadal – 53 – mannu maRaiyOr<\/a><\/td><\/tr>
thiruvEngadam<\/td>at thiruvEngadamalai (one who has taken residence)<\/td>periya thirumadal – 85 – then thillai<\/a><\/td><\/tr>
thol neRikkaN senRAr enappadum sol allAl<\/td>other than saying that he reached an ancient place<\/td>periya thirumadal – 14 – innadhOr thanmaiyarAy<\/a><\/td><\/tr>
thol nIr kadal kidandha<\/td>one who reclined on the ocean during the time of great deluge<\/td>periya thirumadal – 82 – pinnaimaNALanai<\/a><\/td><\/tr>
thOL vaLaiyum<\/td>the ornaments worn on the shoulders<\/td>periya thirumadal – 56 – minni oLi padaippa<\/a><\/td><\/tr>
thOLA maNi sudarai<\/td>being the radiance of gem which has not been pierced<\/td>periya thirumadal – 82 – pinnaimaNALanai<\/a><\/td><\/tr>
thU nilA nIL neruppil<\/td>in the huge fire, also known as pure moon<\/td>periya thirumadal – 32 – thunnu madhiyugaththa<\/a><\/td><\/tr>
thUkkuNdu<\/td>being hung<\/td>periya thirumadal – 66 – thunnu pidareruththu<\/a><\/td><\/tr>
thunniya sAlEgam sUzh kadhavam thAL thiRappa<\/td>with the doors of the closely fabricated windows opening out<\/td>periya thirumadal – 25 – pannu vichiththirimA<\/a><\/td><\/tr>
thunniya thAragaiyin pEroLi sEr AgAsam ennum<\/td>sky which is said to be lit up by the densely located stars.<\/td>periya thirumadal – 3 – thunniya thAragaiyin<\/a><\/td><\/tr>
thunnu madhi uguththa<\/td>emitted by moon which has dense rays<\/td>periya thirumadal – 32 – thunnu madhiyugaththa<\/a><\/td><\/tr>
thunnu padal thiRandhu<\/td>by opening the gate woven with densely packed palm leaves<\/td>periya thirumadal – 94 – thunnu padal<\/a><\/td><\/tr>
thunnu pidar eruththu<\/td>in the hump of the large nape<\/td>periya thirumadal – 66 – thunnu pidareruththu<\/a><\/td><\/tr>
thunnu sagadaththAl pukka peru sORRai<\/td>the huge quantum of food carried by many carts<\/td>periya thirumadal – 95 – pinnum uralOdu<\/a><\/td><\/tr>
thunnu sudu sinaththu<\/td>having an anger which will singe<\/td>periya thirumadal – 97 – konnavilum kUththanAy<\/a><\/td><\/tr>
thunnu veyil viriththa chULAmaNi imaippa<\/td>the lustrous ruby which is embedded on the radiant locks<\/td>periya thirumadal – 56 – minni oLi padaippa<\/a><\/td><\/tr>
thunnum ilaikkurumbaith thunjiyum<\/td>lying inside hermitages which are close to each other<\/td>periya thirumadal – 13 – thunnum ilaik kurumbai<\/a><\/td><\/tr>
thuRRiya<\/td>eaten<\/td>periya thirumadal – 95 – pinnum uralOdu<\/a><\/td><\/tr>
udal urugi naiyAdhAr<\/td>those who do not have their physical forms destroyed, by melting<\/td>periya thirumadal – 31 – pinnum avvanRil<\/a><\/td><\/tr>
udalam varundhi<\/td>tormenting the physical body<\/td>periya thirumadal – 12a – ennum ivaiyE<\/a><\/td><\/tr>
uLadhu ennil<\/td>in the event that (the mOksha whose presence I deny completely) is present<\/td>periya thirumadal – 15 – mannum kadum kadhirOn<\/a><\/td><\/tr>
ulagaththu than okkum kanniyarai illAdha kAtchiyAL<\/td>ushai, who is so extremely beautiful, with none in the world equalling her in beauty<\/td>periya thirumadal – 45 – mannavan vANan<\/a><\/td><\/tr>
ulagil nal neRi mEmbattana nAngu anRE<\/td>these are the four ultimate benefits as said in this world as being attained through correct means.<\/td>periya thirumadal – 11 – mannum aRam porul<\/a><\/td><\/tr>
ulagu aRiya<\/td>announcing such activities so that people of the world would know<\/td>periya thirumadal – 99 – thennulagam ERRuviththa<\/a><\/td><\/tr>
ulavA kol navilum<\/td>having only the sound of killing continuously being emitted<\/td>periya thirumadal – 38 – pinnum thirai vayiRRu<\/a><\/td><\/tr>
umai ennum<\/td>having the name umA<\/td>periya thirumadal – 48 – anna nadaiya<\/a><\/td><\/tr>
umbar mEl silumba<\/td>extending (the single foot) more and more, high above<\/td>periya thirumadal – 50 – mannu karathalangaL<\/a><\/td><\/tr>
umbar vAy<\/td>in the sky<\/td>periya thirumadal – 31 – pinnum avvanRil<\/a><\/td><\/tr>
unni<\/td>thinking back on the union with their males<\/td>periya thirumadal – 31 – pinnum avvanRil<\/a><\/td><\/tr>
unni ulavA<\/td>they cannot be thought of completely.<\/td>periya thirumadal – 99 – thennulagam ERRuviththa<\/a><\/td><\/tr>
unniya yOgaththu uRakkaththai<\/td>one who is sleeping in yOga [body and mind joined together] while being fully aware<\/td>periya thirumadal – 87 – unniya yOgaththu<\/a><\/td><\/tr>
UragaththuL annavanai<\/td>being very distinguished in thiruvUragam [a divine abode in kAnchIpuram]<\/td>periya thirumadal – 87 – unniya yOgaththu<\/a><\/td><\/tr>
uralOdu<\/td>(tied up) with the mortar<\/td>periya thirumadal – 95 – pinnum uralOdu<\/a><\/td><\/tr>
vadivu amaindha<\/td>having a fitting form<\/td>periya thirumadal – 7 – thennan uyar poruppum<\/a><\/td><\/tr>
vaidhEvi enRu uraikkum<\/td>one who is referred to as vaidhEhi<\/td>periya thirumadal – 38 – pinnum thirai vayiRRu<\/a><\/td><\/tr>
vaiththu eduththa kUththanai<\/td>one who did a great a\nctivity, carrying (that earth)<\/td>periya thirumadal – 73 – mannivvagalidaththai<\/a><\/td><\/tr>
vAL amarum<\/td>in a big battlefield<\/td>periya thirumadal – 41 – kanni than innuyirAm<\/a><\/td><\/tr>
vAL eyiRu<\/td>having teeth like a sword (being resplendent)<\/td>periya thirumadal – 97 – konnavilum kUththanAy<\/a><\/td><\/tr>
vAL negungaN<\/td>having eyes which are sharp like a sword<\/td>periya thirumadal – 20 – manniya singAsanaththin<\/a><\/td><\/tr>
vAL nilA minnu maNi muRuval sem vAy<\/td>having a reddish mouth, with a beautiful smile matching the radiant moon<\/td>periya thirumadal – 47 – ennAlE kEttIrE<\/a><\/td><\/tr>
vaL ugirAl pOzhndhu<\/td>parted asunder with his sharp nails<\/td>periya thirumadal – 72 – thannudaiya thALmEl<\/a><\/td><\/tr>
vALA ivai thAn en<\/td>what is the use of these wasted things?<\/td>periya thirumadal – 64 – mannu malarmangai<\/a><\/td><\/tr>
vaLai maruppin<\/td>of the curved tusks<\/td>periya thirumadal – 73 – mannivvagalidaththai<\/a><\/td><\/tr>
valam koNdu<\/td>not stepping back from his from resolve<\/td>periya thirumadal – 36 – ponnagaram pinnE<\/a><\/td><\/tr>
vaLam mannu nAdu kaivittu<\/td>renouncing the wealthy state of kOsala<\/td>periya thirumadal – 36 – ponnagaram pinnE<\/a><\/td><\/tr>
vaLLalai<\/td>the greatly generous entity<\/td>periya thirumadal – 74 – mannum vadamalaiyai<\/a><\/td><\/tr>
vallALan<\/td>that hugely strong demon\u2019s<\/td>periya thirumadal – 71 – pinnOr ariyuruvamAgi<\/a><\/td><\/tr>
vallavAzh<\/td>one who has taken residence at thiruvallavAzh<\/td>periya thirumadal – 81 – pannai maradhagaththai<\/a><\/td><\/tr>
vAn iyangu thAragai mIn ennum<\/td>the stars which roam around in the sky<\/td>periya thirumadal – 6 – ennum malarppiNaiyal<\/a><\/td><\/tr>
vAn nilA nIL madhi thOy<\/td>with the huge, beautiful moon fitting well<\/td>periya thirumadal – 24 – mannum mazhai thavazhum<\/a><\/td><\/tr>
vaN thadaththin utkidandhum<\/td>immersing in the bountiful ponds<\/td>periya thirumadal – 13 – thunnum ilaik kurumbai<\/a><\/td><\/tr>
van thodarAl kattuNdu<\/td>being tied by a strong rope<\/td>periya thirumadal – 66 – thunnu pidareruththu<\/a><\/td><\/tr>
vANan thannudaiya pAvai<\/td>as the daughter of bANAsura<\/td>periya thirumadal – 45 – mannavan vANan<\/a><\/td><\/tr>
vAnavar tham munnavanai<\/td>being the leader of celestial entities<\/td>periya thirumadal – 87 – unniya yOgaththu<\/a><\/td><\/tr>
vAnavar tham ponnulagum<\/td>the divine words of (other) dhEvathAs (celestial deities)<\/td>periya thirumadal – 70 – pon mudigal paththum<\/a><\/td><\/tr>
vAnavar tham senni maNi sudarai<\/td>one who is radiant as the prime jewel for nithyasUris<\/td>periya thirumadal – 83 – mannum kadanmallai<\/a><\/td><\/tr>
vAnavarai in amudham Utti<\/td>offering sweet nectar to celestial entities<\/td>periya thirumadal – 74 – mannum vadamalaiyai<\/a><\/td><\/tr>
vaNdu aRai pUm peNNai madal Urvan<\/td>I will engage with a beautiful madal which is resounding with the humming of beetles.<\/td>periya thirumadal – 100 – ennilaimai ellAm<\/a><\/td><\/tr>
vaNNam pOl<\/td>similar to his complexion<\/td>periya thirumadal – 68 – mannan naRundhuzhAy<\/a><\/td><\/tr>
vAy thiRappa<\/td>as he asked, opening his mouth<\/td>periya thirumadal – 77 – mannA tharuga enRu<\/a><\/td><\/tr>
vAyththa malai pOlum<\/td>one who had the form similar to a mountain<\/td>periya thirumadal – 98 – ponnirAngoNdu<\/a><\/td><\/tr>
vAyum<\/td>the divine mouth (which is full of his smile)<\/td>periya thirumadal – 54 – ennudaiya kaN kaLippa<\/a><\/td><\/tr>
vAzhvEndhar thUdhanAy<\/td>as pANdava\u2019s messenger<\/td>periya thirumadal – 96 – mannar perunjavaiyuL<\/a><\/td><\/tr>
vEdhiyargaL vAzhvidaththum<\/td>in the places where vaidhikas (those who follow vEdhams) live<\/td>periya thirumadal – 92 – minnidaiyAr sEriyilum<\/a><\/td><\/tr>
vEgavadhi enRu uraikkum<\/td>being spoken of as vEgavadhi (name of a lady)<\/td>periya thirumadal – 40 – pinnum karu negungaN<\/a><\/td><\/tr>
vehkAvil<\/td>at thiruvehkA<\/td>periya thirumadal – 86 – a\nnna uruvil ariyai<\/a><\/td><\/tr>
veLippattu<\/td>everything appears to be arid land, with not even a blade of grass seen anywhere.<\/td>periya thirumadal – 37 – minnuruvil veN thEr<\/a><\/td><\/tr>
veLLaRaiyuL<\/td>at thiruveLLaRai<\/td>periya thirumadal – 80 – annam thuyilum<\/a><\/td><\/tr>
vELukkai ALariyai<\/td>as narasimha in the divine abode of thiruvELukkai<\/td>periya thirumadal – 86 – anna uruvil ariyai<\/a><\/td><\/tr>
vem kAnaththUdu<\/td>inside the cruel forest<\/td>periya thirumadal – 38 – pinnum thirai vayiRRu<\/a><\/td><\/tr>
veN muRuval<\/td>(their) white teeth<\/td>periya thirumadal – 21 – minnaNaiya nuN marungul<\/a><\/td><\/tr>
vENdAdhAr<\/td>those who do not like (to cross the limit as mentioned in samskrutha texts) what type of people are they?<\/td>periya thirumadal – 29 – mannum madalUrAr<\/a><\/td><\/tr>
vENdidaththu viLaiyAdi<\/td>playing joyfully in places which they desire<\/td>periya thirumadal – 22 – ponniyal kaRpagaththin<\/a><\/td><\/tr>
vENduvAr<\/td>those who desire to attain<\/td>periya thirumadal – 12 – thonneRiyai vENduvAr<\/a><\/td><\/tr>
venjudarOn<\/td>sun who has cruel rays<\/td>periya thirumadal – 13 – thunnum ilaik kurumbai<\/a><\/td><\/tr>
veydhu Agum<\/td>emitted heat<\/td>periya thirumadal – 59 – ennudaiya nenjum<\/a><\/td><\/tr>
vichiththiramA pAppaduththa<\/td>being spread out expansively<\/td>periya thirumadal – 25 – pannu vichiththirimA<\/a><\/td><\/tr>
vidhAnaththin kIzhAl<\/td>under the canopy<\/td>periya thirumadal – 3 – thunniya thAragaiyin<\/a><\/td><\/tr>
vIdu ennum thol neRikkaN senRArai sollumingaL<\/td>show those who have gone to that location which you call as mOksham, and returned<\/td>periya thirumadal – 15 – mannum kadum kadhirOn<\/a><\/td><\/tr>
viNNagaruL ponmalaiyai<\/td>one who is shining like a golden mountain at thiruviNNagar.<\/td>periya thirumadal – 79 – minnidaiyAL nAyaganai<\/a><\/td><\/tr>
visusmbu Urum mALigai mEl<\/td>in the aerial vehicle which is roaming around in the sky<\/td>periya thirumadal – 24 – mannum mazhai thavazhum<\/a><\/td><\/tr>
vIzh nANum<\/td>the waist cord which is much desired<\/td>periya thirumadal – 56 – minni oLi padaippa<\/a><\/td><\/tr>
vIzhkaniyum Uzh ilai ennum<\/td>fruits which had ripened and had fallen on their own as well as leaves which dried up<\/td>periya thirumadal – 12 – thonneRiyai vENduvAr<\/a><\/td><\/tr>
yAn uraippak kENmin<\/td>please listen to it, as I narrate it.<\/td>periya thirumadal – 52 – panni uraikkungAl<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

Sorted by pAsuram Word Meaning pAsuram a malar mEl atop that lotus flower periya thirumadal – 9 – pinnaith than nAbi a nAgaththaNai mEl on top of that mattress of thiruvananthAzhwAn (AdhiSEshan) periya thirumadal – 2 – manniya nAgaththaNai mElOr Adavar mEl on the male (towards men) periya thirumadal – 28 – anna aRaththin AdhalAl … Read more<\/a><\/p>\n","protected":false},"author":32,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6,15],"tags":[],"class_list":["post-47959","post","type-post","status-publish","format-standard","hentry","category-glossary","category-iyarpa","category-periya-thirumadal"],"_links":{"self":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/47959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/comments?post=47959"}],"version-history":[{"count":0,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/47959\/revisions"}],"wp:attachment":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/media?parent=47959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/categories?post=47959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/tags?post=47959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}