SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImadh varavaramunayE nama:<\/small><\/p>\n
Full Series<\/a><\/p>\n << previous (manniya pEr iruL)<\/a><\/p>\n pAsuram 11<\/strong><\/p>\n Introduction (given by maNavALa mAmunigaL<\/a>)<\/strong><\/p>\n (amudhanAr<\/a>) says that it is not possible for him to complete talking about the distinguished practicing (of sAsthra and sampradhAya) of those who have surrendered to emperumAnAr<\/a> who holds in his head the divine feet of thiruppANAzhvAr<\/a>.<\/p>\n Introduction (given by piLLai lOkam jIyar<\/a>)<\/strong><\/p>\n Till now with the three pAsurams celebrated the relationship of emperumAnAr<\/a> with mudhal AzhvArs<\/a>; in this pAsuram \u2013 for self to have this much of ability\/qualification (to sing) as enabled in the initial stage by periya perumAL<\/a> \u2013 in whose divine feet thiruppANAzhvar<\/a> right from him birth was in love, thiruppANAzhvAr<\/a> who was celebrated as \u2018isaikArar [thiruvAimozhi 1.5.11<\/a>]\u2019 (poet\/having sweet tunes) by nammAzhvAr<\/a>; such thiruppANAzhvAr<\/a>\u2019s divine feet is always sought by emperumAnAr<\/a>; those who have surrendered to such emperumAnAr<\/a> \u2013 their practices (of following sAsthra and sampradhAya) cannot be completely talked about by me in this big world (says amudhanAr<\/a>).<\/p>\n sIriya nAn maRaich chemporuL senthamizhAl aLiththa<\/em>
\n pAriyalum pugazh pAN perumAL charaNAm padhumath<\/em>
\n thAriyal chenni irAmAnusan thannaich chArndhavar tham<\/em>
\n kAriya vaNmai ennAl solloNadhu ikkadalidaththE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 11<\/em><\/p>\npAsuram <\/a><\/h3>\n