{"id":3915,"date":"2015-08-28T06:15:38","date_gmt":"2015-08-28T06:15:38","guid":{"rendered":"http:\/\/divyaprabandham.koyil.org\/?p=3915"},"modified":"2015-08-28T06:15:38","modified_gmt":"2015-08-28T06:15:38","slug":"thiruvaimozhi-1-6-7-nil-kadal","status":"publish","type":"post","link":"https:\/\/divyaprabandham.koyil.org\/index.php\/2015\/08\/thiruvaimozhi-1-6-7-nil-kadal\/","title":{"rendered":"thiruvAimozhi – 1.6.7 – nIL kadal"},"content":{"rendered":"

srI:
\nsrImathE satakOpAya nama:
\nsrImathE rAmAnujAya nama:
\nsrImath varavaramunayE nama:<\/p>\n

Full series<\/a> >> First Centum<\/a> >> Sixth decad<\/a><\/p>\n

Previous pAsuram<\/a><\/p>\n

\"rama-ravana-battle\"<\/a><\/p>\n

Introduction for this pAsuram<\/strong><\/h3>\n

Highlights from thirukkurukaippirAn piLLAn<\/a>‘s introduction<\/strong><\/p>\n

No specific introduction.<\/p>\n

Highlights from nanjIyar<\/a>‘s introduction<\/strong><\/p>\n

In seventh pAsuram – AzhwAr<\/a> says that for those who are devoted to him, if a day feels like an ocean due to their great desire in seeing him and being unable to spend the time, they should think about srI rAma’s brave history and worship his lotus feet with their head. It is also explained as – meditate upon srI rAma<\/a> who is dhasartha’s son and who is the destroyer of the enemies of the devotees and be free from grief.<\/p>\n

Highlights from vAdhi kEsari azhagiya maNavALa jIyar<\/a>‘s introduction<\/strong><\/p>\n

See nanjIyar<\/a>‘s introduction<\/p>\n

Highlights from periyavAchchAn piLLai<\/a>\u2018s introduction<\/strong><\/p>\n

See nampiLLai<\/a>‘s introduction.<\/p>\n

Highlights from nampiLLai<\/a>‘s introduction as documented by vadakkuth thiruvIdhip piLLai<\/a>
\n<\/strong><\/p>\n

Seventh pAsuram – When asked “You told he is infinitely enjoyable; But until we reach him, how would we spend our time? “, AzhwAr<\/a> replies “that is what manaththukkiniyAn’s (srI rAma<\/a>, who is dear to my heart) [thiruppAvai 12<\/a>] auspicious qualities are there for”.<\/p>\n

pAsuram<\/strong><\/h3>\n

\u0ba8\u0bc0\u0bb3\u0bcd \u0b95\u0b9f\u0bb2\u0bcd \u0b9a\u0bc2\u0bb4\u0bcd \u0b87\u0bb2\u0b99\u0bcd\u0b95\u0bc8\u0b95\u0bcd \u0b95\u0bcb\u0ba9\u0bcd
\n\u0ba4\u0bcb\u0bb3\u0bcd\u0b95\u0bb3\u0bcd \u0ba4\u0bb2\u0bc8 \u0ba4\u0bc1\u0ba3\u0bbf\u0b9a\u0bc6\u0baf\u0bcd\u0ba4\u0bbe\u0ba9\u0bcd
\n\u0ba4\u0bbe\u0bb3\u0bcd\u0b95\u0bb3\u0bcd \u0ba4\u0bb2\u0bc8\u0baf\u0bbf\u0bb2\u0bcd \u0bb5\u0ba3\u0b99\u0bcd\u0b95\u0bbf
\n\u0ba8\u0bbe\u0bb3\u0bcd\u0b95\u0bb3\u0bcd \u0ba4\u0bb2\u0bc8\u0b95\u0bcd\u0b95\u0bb4\u0bbf\u0bae\u0bbf\u0ba9\u0bcd\u0ba9\u0bc7 <\/em><\/p>\n

nIL kadal sUzh ilangaik kOn<\/em>
\nthOLgaL thalai thuNi seydhAn<\/em>
\nthALgaL thalaiyil vaNangi <\/em>
\nnAL kadalaikkazhiminE
\n<\/em><\/p>\n

Listen<\/a><\/h3>\n