SrI:\u00a0 SrImathE SatakOpAya nama:\u00a0 SrImathE rAmAnujAya nama:\u00a0 SrImath varavaramunayE nama:<\/small><\/p>\n
Full Series<\/a><\/p>\n << Previous<\/a><\/p>\n konnavilum mUvilai vEl kUththan podiyAdi kol navilum mU ilai vEl<\/em> \u2013 one who has the weapon sUlam (spear), which has three leaves [sharp edges], which indulges in the occupation of killing kol navilum<\/strong> \u2013 it will prompt to kill; it is a weapon which keeps instructing him to kill since he is the deity for bringing AthmAs to their end. It is unlike the weapon which is praised by nammAzhwAr in thiruviruththam 33 as \u201caruLAr thiruchchakkaram<\/em>\u201d (the divine chakra (disc) which is full of mercy) and in thiruvAimozhi 2-10-5<\/a> as \u201caRamuyalAzhi<\/em>\u201d (the divine disc which is always engaged in the righteous path of protecting devotees). \u00a0Even those who desire to see it will be overcome with fear and grief [it is that cruel].<\/p>\n mUvilaivEl<\/strong> \u2013 just as he is virUpAksha, one with three eyes, his weapon too has three leaves.<\/p>\n kUththan<\/strong> \u2013 is his dance similar to the beautiful dance as enunciated mercifully by periyAzhwAr in periyAzhwAr thirumozhi 1-6-6 \u201cthUya nadam payilum sundhara<\/em>\u201d (Oh one who has the beauty of dancing beautifully to attract the mind!)? His dance is like that of a ghost\u2019s.<\/p>\n podiyAdi<\/strong> \u2013 Please see the enjoyment which she (umA) is going to get after attaining rudhra. He has applied ash as sandalwood paste.\u00a0 Did she not take so much of efforts to attain this?<\/p>\n annavan<\/strong> \u2013 instead of saying with her (parakAla nayaki\u2019s) mouth that he (rudhra) has decorated himself with various other materials such as Umaththai<\/em> (bush plant, thorn-apple), erukkam<\/em> (Indian madddar plant, whose exuded sap is very poisonous), bones, tiger skin etc, she turns her face away so as not to see what he has worn and says \u201cSomeone like that\u201d.<\/p>\n than ponnagalam<\/strong> \u2013 she considers his chest which has all the above mentioned decorative features as greatly enjoyable, since she is his wife.<\/p>\n senRAngu aNaindhilaLE<\/strong> \u2013 did he come even after she had performed this much of penance? Did she not go on her own volition and embrace him as if it is one-sided exhibition of love?\u00a0 He is not the akAravAchyan<\/em> (one who is referred to by the single syllable \u2018a\u2019 (emperumAn, the supreme entity)) who will melt and fall head over heels [in doing great things for his devotee] once the devotee performs an anjali (saluting with cupped palms). Is it not to attain such an entity that she (umA) had performed such great penance? When she had taken such efforts, is it any wonder that I (parakAla nAyaki) am engaging in madal to attain emperumAn?<\/p>\n In the next article, we will discuss the next part of this prabandham.<\/p>\n adiyEn krishNa rAmAnuja dhAsan<\/p>\n archived in https:\/\/divyaprabandham.koyil.org<\/a><\/p>\n pramEyam (goal) \u2013 https:\/\/koyil.org<\/a> <\/p>\n","protected":false},"excerpt":{"rendered":" SrI:\u00a0 SrImathE SatakOpAya nama:\u00a0 SrImathE rAmAnujAya nama:\u00a0 SrImath varavaramunayE nama: Full Series << Previous konnavilum mUvilai vEl kUththan podiyAdiannavan than ponnagalam senRAngu aNaindhilaLE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 71 Word by word meaning kol navilum mU ilai vEl \u2013 one who has the weapon sUlam (spear), which has three leaves [sharp edges], which indulges in the occupation of killingkUththan \u2013 … Read more<\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,15],"tags":[],"class_list":["post-29863","post","type-post","status-publish","format-standard","hentry","category-iyarpa","category-periya-thirumadal"],"_links":{"self":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/29863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/comments?post=29863"}],"version-history":[{"count":0,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/posts\/29863\/revisions"}],"wp:attachment":[{"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/media?parent=29863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/categories?post=29863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/divyaprabandham.koyil.org\/index.php\/wp-json\/wp\/v2\/tags?post=29863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/em>annavan than ponnagalam senRAngu aNaindhilaLE<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 71<\/strong><\/p>\nWord by word meaning<\/strong><\/h3>\n
kUththan<\/em> \u2013 one who is famously called as a dancer
podiyAdi<\/em> \u2013 one who is famous for applying ash all over his body
annavan than<\/em> \u2013 sivapirAn (rudhra) who is like that
pon agalam Angu senRu aNaindhilaLE<\/em> \u2013 did she not go to him and embrace his beautiful chest?<\/p>\n\u00a0<\/strong>vyAkyAnam<\/strong><\/h3>\n
pramANam (scriptures) \u2013 http:\/\/granthams.koyil.org<\/a>
pramAthA (preceptors) \u2013 http:\/\/acharyas.koyil.org<\/a>
SrIvaishNava education\/kids portal \u2013 http:\/\/pillai.koyil.org<\/a><\/p>\n\n\n